Roman Goddess Of Flowers

Roman Goddess Of Flowers
Julie as Flora, Roman Goddess of Flowers is a portrait painting of Julie. In fact, the most significant art principles that were used in the work are focal
area, contrast, and balance. As same as other portraits, Julie as Flora, Roman Goddess of Flowers used focal area to draw the audiences' attention to a
certain area. The center of interest in this painting is the girl, Julie. Elisabeth Vigee Le Brun used curved and thin lines to draw the girl. She precisely
drew every small detail of Julie such as curly hair, soulful eyes, and folds on the dress. In contrast with Julie, the background is a little blurry and
dark. Elisabeth Vigee Le Brun also drew it with curved lines, but not details as Julie. This is an effective use of focal area to draw the audience's
attention to the girl in the center. Another art principle of this painting is contrast. The main contrast is color. Elisabeth used warm colors and pastel
colors to highlights Julie, and she used cool colors for the background behind. Besides, the girl is detailed while the background is simple. The last
art principle in this painting is balance. The balance is asymmetrical, a common balance of Rococo style. Two sides of the painting are not identical.
Julie's body is mostly on the left side of the painting. The background is also ... Show more content on Helpwriting.net ...
Julie is the daughter of Elisabeth Vigee Le Brun. Julie as Flora, Roman Goddess of Flowers is one of many that Elisabeth painted her daughter. In
fact, children are the most valuable things to their parent. I guess this is a way that Elisabeth shows her love to her beautiful daughter. The main
artistic statement says that Julie as Flora, Roman Goddess of Flowers is a portrait painting of Julie, Elisabeth Vigee Le Brun's daughter. It produced
when Elisabeth was in Russia. In the painting, Julie represents Flora, Goddess of Flowers. The painting conveys Julie's youthful
... Get more on HelpWriting.net ...

Summary Of The Painting Olympia By Manet
Summary of the Painting Olympia by Manet – "There is a long tradition of female nude represented in the most erotic, sensualist way." Dr. Tom
Folland, "Г‰douard Manet, Olympia," in Smarthistory, December 9, 2015, accessed November 24, 2017, https://smarthistory.org
/edouard–manet–olympia/. – Nude figure has been a part of Western traditional art. It has been used, especially in sculptures, drawings and paintings,
to depict the beauty of human body, of both male and female. It is the expression of innocence, purity as well as virility. Not only that, nude figure is
also the expression of sensuality and sexuality that an artist puts into his works. – The Olympia , was hung in the Salon in 1865, created a big scandal
and gave it's viewers an uneasy feeling and even made them felt being insulted. "The viewers of Olympia at the 1865 salon acted as if they were
trapped by this provocative image." Charles Bernheimer. Manet's Olympia: The Figuration of Scandal. Poetics Today, Vol. 10, No. 2, Art and
Literature II (Summer, 1989), pp. 256 –On other paintings, the nude figures are not looking straight at the viewers so that viewers can comfortably
look at them. But Olympia is confidently looking at the viewers that make viewers feel that they are "confronted by her gaze and by her thinking" Dr.
Tom Folland, "Г‰douard Manet, Olympia," in Smarthistory, December 9, 2015, accessed November 24, 2017, https://smarthistory.org
/edouard–manet–olympia/. –The painting was based on the

Comparing Venus And The Lute Player
The two pieces of art that I have chosen were "Venus and the Lute Player" by Titian (Tiziano Vecellio) painted from 1565 to 1570 with oil on canvas
and "Venus and Cupid" by Lorenzo Lotto late 1520s with oil on canvas. Though they were done some forty years apart, both pieces are of similar
themes, but different compositions and bearing differing styles. Such differing styles also can illicit different sets of emotions and enjoyment, from its
color to how each subject is presented within the piece. Both paintings offer different levels of observation depending on the implied distance of the
subject within them. First we have "Venus and Cupid" by the Venetian artist Lorenzo Lotto, who has created a marriagepainting which is the visual
equivalent of a marriage poem. These romantic, ancient poems or songs were performed at weddings and often began with verses in which Venus was
awakened to bless the bride and groom. Through these blessings, their love and dedication to their partner was celebrated. During the renaissance there
was a widespread revival of the form. Which makes sense as the renaissance was a revolutionary time for artistic liberties and humanities. Lotto's
genius was to wed contemporary symbols like the Venetian bridal tiara and a cupid who urinates to symbolize fertility.... Show more content on
Helpwriting.net ...
The two earliest of the group, representing Venus and an organ player, date about 1548
–55. "Venus and the Lute Player" is a late work executed about
1565–70 with studio assistance. A somewhat earlier version of the composition is in the Fitzwilliam Museum, Cambridge. The subject of the paintings
has been thought to relate to Neo–platonic ideas about whether beauty is better apprehended through sight or through sound, but it may just as well
signify the way music inspires love. From 1718 to 1931, the present painting was owned by the earls of Leicester, Holkham Hall, and Norfolk.

Analyzing Titian Vecellio's Venus Of Urbino
This artwork is an oil painting called 'Venus of Urbino' by Titian Vecellio and painted in 1538. This painting was commissioned by Guidobaldo
Rovere and Duke of Urbino to celebrate his marriage in 1534. It exemplifies the Venetian Renaissance style. It also contains use of colorito (color and
light), emphasis on mood, and sensual erotic subject matter. In this artwork, there was a long standing debate on who the woman in the painting actually
is. Since there is no concrete written evidence of Titian's thoughts, the question is open to multiple interpretations. In the discipline of art history,
hidden symbolism is called iconography. In 'Venus of Urbino", the woman is shown lying on white sheets, which symbolizes fertility as well as purity.
The dog on her bed is a symbol of fidelity, and represents loyality to one another during marriage. The two women in the back are seen searching
through cassoni. This scene looks like they are getting Venus' wedding trousseau. The plant above the cassoni is another symbol of marital fidelity. The
black shade that hangs down the ... Show more content on Helpwriting.net ...
Also, the goddess Venus is a symbol that represents beauty, love, and fertility. In Latin, the word Venus literally translates to love or sexual desire.
Mythology and sensual erotic subjects were commonly used in Venetian Renaissance art. Furthermore, uncovered natural body refers to pure and
beauty. Therefore, unclothed women were highly used for art subject, and thus, nude paintings during the era can be easily found. The bundle of roses
in the painting is another subject for iconography. By making her hold onto the roses in her right hand, Titian presents Venus as not only seductive but
also feminine in a classical sense since the flowers also seem to represent her reproductive organ. All in all, the painting captures both classical and
contemporary ideals of

Spanish Baroque Art : The Rokeby Venus, By Diego Velazquez
The Rokeby Venus
Diego Velazquez was the leading figure during the era of Spanish Baroque art. He surpassed other skilled artists in genre and portrait paintings to gain
a place in King Philip the IV's Spanish Court. During the time of Philip IV's ruling (1605–1665) Spain was a strong advocate for Catholic
counter–reformation art in a desire to halt the spread of Protestantism. As a result of Spain's support for this approach to art, Spanish artwork at this time
was massively influenced by religious themes. The Spanish Inquisition rigorously censored art and issued a policy strongly discouraging the practice of
painting the female nude, unless painted for royalty or other leading officials in the Spanish Court. Fortunately, Velazquez's appointment into the royal
court allowed him to escape the censorship and produce The Rokeby Venusfor Gasper Mendez, a close associate of King Philip IV. Completed during
Velazquez's second visit to Italy in 1648–53, The Rokeby Venus is the only surviving nude by the artist.
While touring Italy and searching for pieces to include in the academy of art in Spain, Velazquez also continued to practice his interest in the
classical Italian style of art by painting with a softer and more colorful palette. As a result of King Philip's high opinion of Velazquez and his
commission to have Velazquez travel to Italy to expand the academy of art in Spain, the artist was able to make a breakthrough in the history of
Spanish art. With influence from

Analysis Of Le DпїЅjeuner Sur LHerbe
In the painting Le DГ©jeuner sur l'herbe by Г‰douard Manet, there is a depiction of a naked female next to two other dressed men on what
appears to be a picnic. There is also a second female who is dressed not very fairly in the back of the other three. The painting was made in 1863 and
currently resides in Paris, inside of the MusГ©e d'Orsay. The painting was made on a canvas with oil paint. The primary object of this proposal and the
term paper will be the two fully dressed men and how one is reaching out to the other while the other seems to be sitting next to the naked women and
what this portrays.
The Le DГ©jeuner sur l'herbe or in the English translation The Luncheon on the Grass, according to my first article is a work of impressionism. The
article talks about how, "The painting was rejected by the salon that displayed painting approved by the official French academy. The rejection was
occasioned not so much by the female nudes in Manet's painting, a classical subject, as by their presence in a modern setting, accompanied by
clothed, bourgeois men. The incongruity suggested that the women were not goddesses but models, or possibly prostitutes" which stirred a lot of
controversy and is a side topic I will include in the term paper. A question that I will include in this topic of the term paper will be, "Why and how did
this painting serve to stir up controversy in the French academy?" The article then explains why there are nude women placed in the painting,
"...neither by

Comparing Olympia And Venus Of Urbino
Female nude has a long tradition of being represented in the most erotica and sensualist way, and were mostly clothed by either mythology or sheer
beauty. These traditions can be dated back to the ancient Geeks and Romans, for example, the sculpture of goddess Venus. In Mante's painting
"Olympia", it is obvious that it was drawing on those traditions but was also doing something radically modern. Titian's Venus of Urbino is the
immediate model for Manet's painting, the differences between the two were in the missing of the academic technique in the space, the turn of the
body, and the veil of mythology. The Academic Art is the kind of art that was sanctioned by the official Academy that was associated with the
government of France, but what

Titan's Oil Painting, Venus Of Urbino
Venus of Urbino is a 1538 oil painting by a man named Titan. It is 3'11" x 5'5" and it was made during the Renaissance period. It is located in the
Uffizi Gallery in Florence, Italy. The painting depicts a nude woman, who can be identified with the goddess Venus, laying down on a couch in a
Renaissance palace. Titan finished up a painting that was left unfinished by Giorgine of a nude Venus laying down, sleeping on a hill. In his painting,
he paints her laying on a couch, gazed, interacting fully with the audience while waiting on the servants behind her to bring her clothing. She
celebrates a different set of values and her function in the painting is more social. In this painting she is holding roses and there's also flowers that sit
behind her. ... Show more content on Helpwriting.net ...
They show a very special love that she represents in this painting: the more fruitful passion of licit love, not lust of the body, but the permanent
bond of marital affection. There is also a dog at her feet, curled up and he symbolized the ideal fidelity. The background setting of the painting
provides a contrasting backdrop for the curves of Venus in this painting. The painting was composed from subtle brush strokes, done with precise
details. Venus's warm, glowing tone was inviting while her gaze was innocent but curious. Even though the painting was centered on a nude Venus,
it was divided in half by the background. A black backdrop frames Venus's upper body, which exemplified her elongated torso. Her legs were
relatively short in proportion, while her feet were tiny in size. The background was of a separate room behind the couch, where two servants were
conjugated while a sleeping dog laid at her

Venus Of Urbino Essay
While many areas of the fifteenth century were suffering due to severe political battles, the city of Venice continued to thrive. Venice was at the center
of all trade, granting it the title of the Jewel of the Adriatic. Venetians regularly imported luxury goods, jewels, expensive draperies, and celebrated their
love for pleasure above all else. As the sixteenth century brought more extravagance and luxury,Venicebegan to outshine all of Italy with its lavish
taste for elaborate architecture and pageantry. During a time of increasingly scandalous art, artists in Venice felt challenged to push the limits. Tiziano
Vecelli, also known as Titian, was often the subject of controversy. Titian, an artist of both religious and worldly subjects, frequently... Show more
content on Helpwriting.net ...
Completed between 1538–1539, this oil on canvas painting was painted for Guidobaldo della Rovere, the duke of Urbino, from which its name
originates. This piece displays a voluptuous nude woman lying on a bed, seductively enticing her viewers. While reclining with leisure and
carelessness, her beautiful creamy skin highlights soft pinks and porcelain whites; attracting the idea of purity. In her right hand, the Venus is
holding a small bouquet of red roses that accentuates the intense contrast between the deep red and the white linens. Her entire body's pose is
relaxed and calm. With her legs crossed slightly at the ankles she is inviting the viewer to assume she is welcoming her future mate while still
remaining slightly timid. With her left hand suggestively placed between her thighs and barely covering her groin, darkness appears beneath her
hand. Some may view this as a controversial implication of the impurity because of the freeness of her sexual form; however it is most likely that the
intent of this shadowing is to insinuate the presence of pubic hair and allows the artist to break the consistent lightness of her body with a slight
darkness. While viewing the placement of her hand, the viewer will undeniably take note of the ring on her pinky finger, one of the few items she is
wearing. Her chin is tilted towards her shoulder, allowing the light to highlight the rosiness in her

Venus Of Venus And Titio
Modern artist chose to paint scenes of ordinary daily life that often–offended others.Created in Italy / sold in 1538 to Duke of Urbino)
Venus of Urbino was completed by an Italian artist and sold in 1538 to We Doe Bald Doe II Della Row very the Duke of Urbino as a gift for his wife.
(return)
(Position of Venus is from Giorgione's Sleeping Venus)
(Return) Artists are often influenced by other artists. The laying position and pose of Venus is inspiration from George
–joe–knee's Sleeping Venus.
After George–joe–knees death Titian completed the landscape of Sleeping Venus. (Return)
(Return) Venetian Renaissance
Titian was a Venetian painter of the Renaissance. Venetian paintings focus oncolor and shades, as well as on the landscape, the light, and the
relationship between man and nature. They use patches of rich color to create an effect of luminosity and use a process of layering and blending
colors to achieve a glowing richness. Layered patches of colored brushstrokes are used rather than line to define form.
Titian utilizes the color red and green in his (Return) painting to make the painting feel natural. The way that color is used in this painting draws
emphasis and guides the viewer.
Titian used color to (return) record surface appearance and to organize his placement of forms. The color red is seen in the matron's skirt, the roses in
the left hand of Venus, and of the cushion under the sheets that the Venus is laying upon. Titian used these cites as a gauge

Venus Of Urbino Women
All types of art have a message they are trying to pass to the world some of which may be straightforward and others hidden. For this reason, it is very
important to understand, interpret and critically analyze the art in order to get the intended message. The major theme that I am going to analyze is the
viewpoints and representation of women in artwork. Some artists have depicted women as mother figures, wives and lovers. They describe the women
as caring, loving and protecting them from harm. Other artists depict women who are undergoing different life experiences, the challenges they face
and the pressure that the society puts on them. However, many artists have depicted women as sexual objects, hence referring to their nudity.Female
nudity ... Show more content on Helpwriting.net ...
An archaic woman was expected to have big breasts and thighs in order to show their fertility. The painting depicts the woman as very curvy and
fleshy, in other words very beautiful during this time period. This is what influenced art during the Renaissance and attitude towards women's
sexuality. The women were considered to be sex objects and their duty was to satisfy men in bed and produce the children. The artist of The Blue
Room, Valdon, was one of the painters who chose to revolutionize how people view the woman's body. She chose not to paint the typical woman, but
rather use slightly overweight models, including herself, who were fully clothed. She represents women as an experience rather than a sexual object.
She focuses on the intensity of the moment and its circumstances rather than the body and posture of the women. Valdon centers her piece on the
changes that women undergo with their bodies at different stages in their lives. The purpose of her piece seems not to please men, but to see the
beauty in modesty and versatility of women's shapes. This painting has been criticized by both men and women– who view the woman as fat and
unfeminine and it has sometimes been referred to as

Venus Of Urbino Analysis
Venus of Urbino illustrates a young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman depicted means
much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that
the Venus of Urbino has to do unambiguously with themale sexual desire for the female nude body. Tiziano Vecellio, also known as Titian was an
Italian painter, born sometime around 1488 and died around 1576. Titian was one of the furthermost important members of the sixteenth century
Venetian school. Titian's painting career was prosperous from the start but over the years his style changed drastically and he retained a lifelong interest
in color, which ... Show more content on Helpwriting.net ...
This painting is much more sensual than Giorgione's painting due to Titian's because he engages the woman with the audience by making her look
straightforwardly at the audience and his use of chiaroscuro (Grabski, JГіzef).
Chiaroscuro in this painting ultimately creates a sculptural characteristic to the woman's nude figure. Chiaroscuro is an effect of contrasted light and
shadow created by light falling from a particular direction onto something. The light and warm color of her body is in contrast to the dark background,
and ultimately causes her body to stand out in the painting. The use of chiaroscuro gives the woman an internal glow, which surrounds the entire body,
thus developing a stimulating effect on the audience.
The main focus of the painting intended by Titian is a nude woman, Venus, looking straightforwardly at the audience. The young woman's nipples are
erect; with her left hand covers her pubic area, the sexuality of this painting is unquestionable. She is completely naked except for the ring on her little
finger and the bracelet around her wrist. It is clear that the intention of this painting is to evoke sensual feelings in its audience.
Over the years, many art historians have argued over the true intentions of Titian's Venus of Urbino. Unlike some of Titian's other paintings, Venus of
Urbino does not have

Comparison: Venus And Giorgione's Venus
Comparison
Twenty eight years after Giorgione's death, as a close friend to him, Titian created another version of the reclining female nude, which is also one of
the most famous female nude in art history – the Venus of Urbino in 1538. It was an oil painting on canvas, and now located at Uffizi gallery in
Florence.
Inspired by Giorgione, Titian's Venus has a lot of similarities with Giorgione's Venus. Similar to the sleeping Venus, Titan used curved and flowing
lines to depict the beautiful figure of the female nude and as well the cloth underneath her. The shape is close or the same to Giorgione's Venus: a
nude women reclining on the mattress with her hand covered on her private. The light source is unknown too; it could be the natural light from a
window or spot light from a lamp. Like the sleeping Venus, value... Show more content on Helpwriting.net ...
For color choices, Titan used a mixture of cool and warm colors: dark green on the curtain, blue on the sky, red on the mattress and skirt, yellow on
the dog and human figure. The whole image is realistic as well, and there are many repeating patterns on the mattress. Both of painting has a great depth
of filed. However, Giorgione used atmosphere perspective: trees and clouds far away seem more small and blurry but closer objects are bigger and
in focus. Titian used liner perspective. The floor tiles, the patterns of the couch and the tapestry on the wall also help to create liner perspective. No
objects suggests the time: it could either be dawn or sunset. Two maids are looking for something which

The Venus Of Urbino, By Titian
Female artists have been largely absent from their contribution to art history, despite many women being excellent academic painters. Instead, women
have been painted and sculptured from the viewpoint of men, often nude, passive, waiting and beautiful. These reclining nudes were intended as
objects of desire painted from, and for a male perspective. For example, The Venus of Urbino, 1538, (Figure 1), by Titian was created for the Duke of
Urbino Guidobaldo II Della Rovere, as a present for his young wife, Giulia Varano. This artwork was purposefully erotic, as a reminder to the young
woman of her marital obligations, and role in society. The woman pictured in the artwork was evidently beautiful with her fullness, and her contrasting
light skin

Comparison Of The Olympia And Yasumasa Morimura's Futago
Nude figures have been featured in art works since around 30 to 25,000 B.C. And throughout the history of art, we can see a lot of artists being
inspired and influenced by great talents before them, in one way or another they would carry the style or ideas of those previous artists into their own
art and create new masterpieces. One particular example is Г‰douard Manet's Olympia from the Realism period, and Yasumasa Morimura's Futago.
The two paintings share great similarities in their composition, but the content and purpose of the paintings, and style wise the two pieces are very
different. Г‰douard Manet, a French Realism painter, who set the roots for Modernism, painted Olympia with oil on canvas. In Manet's Olympia we
could see a lot of inspiration and influence from Titian's Venus of Urbinofrom the Venetian Renaissance period. In the foreground of Olympia, there is
a nude woman wearing nothing but a bracelet, necklace, a pair of earrings and slippers. The woman is ... Show more content on Helpwriting.net ...
And it is for that reason the painting received so much criticism. It was too real. The nude woman in the painting was not an idealized mystical
subject like the woman in Titian's Venus of Urbino anymore, but it was based on a real woman, Victorine Meurent. The reality of the piece brought
all the harsh criticism onto itself, because it raised a lot of issues regarding prostitution and women's place and roles in the French society. Another
reason the painting shocked the crowd other than the realness of it is its style, how it was painted. Olympia was painted roughly with clear
brushstrokes, poor details (everything was also very flat), and stark value

Venus Of Urbino And The Nightmare: An Analysis
The paintings Venus of Urbino by Titian and The Nightmare by Henry Fuseli both have a prostrate woman as the focus of the piece. The women in
the pieces are both seen in overtly sexual poses, which has allowed for critics over the centuries to call both pieces explicit. The idea of female
sexuality that is shown in the two pieces portrays dissenting opinions of the concept. These different opinions seem to reflect the popular ideas and art
movements of the era in which they were created. While Titian seems to portray the expression of female sexuality as something positive, Fuseli's
interpretation is much darker.
The Venus is depicted fully nude in the piece by Titian, a theme very commonly found in Renaissance art. The body of Venus is portrayed... Show more
content on Helpwriting.net ...
Fuseli's piece shows a woman lying on her bed while simultaneously showing her dreams. In this picture the woman is fully clothed, yet she is being
visited by an incubus. The incubus is sitting on her midriff and seems very close to the woman's groin. In the painting there also is an apparition of a
ghostly wild horse with white eyes. The horse is black and unbridled suggesting he is not tamed. The woman also has a hint of wildness about her in
the loose flowing arrangement of her hair, which for centuries was associated with immorality. The woman is painted in brilliant bright colors, while
her surroundings are shrouded in shadow, giving the painting a new depth. The woman's appearance is not that of a restful sleep, but of turmoil. Her
pose and the presence of the incubus both seem to hint at the woman being a helpless victim. Also unlike the Venus in Titian's painting, this woman is
not consciously engaging in sexual behavior and she is not exposing herself to the audience. The woman clearly is suppressing her sexuality, leading to
her carnal desires to play out in her dreams, leading some to think that the painting shows the woman experiencing orgasm. Fuseli may have been
suggesting that women are victims to their own sexuality, unable to control it, because as was the common belief for much of the eighteenth century
women were weak minded and more susceptible to sin than their male

Art Summary : Titian And Manet's Reclining Nude Female
Titian and Manet's Reclining Nude Female Reclining nude female is a common subject matter in art history since the Venetian Renaissance, Titian's
Venus of Urbino painted in 1538 is one of the earliest reclining nude female in painting history. It described a beautiful young female laying on her
bed with her sleeping dog, on the back ground is her maids looking for cloth or her in the cassone. Manet's Olympia that painted in 1865 is a
painting with a similar composition, A nude young female who was suggested a prostitute, behind her is her black female maid holding a big bouquet
of flower which is possibly from her customer. On the same part of the composition, there is an animal as well, but this time it is a cat. Titian and
Manet's reclining nude female have a same composition and subject matter, however They are very different in art history, both stylistically and
culturally. In 1538, the Venus of Urbinowas commissioned by the Duke of Urbino Guidobaldo II Della Rovere, to his bride as a wedding gift. Titian
referenced his teacher's work, which is Giorgione's Sleeping Venus , It described Venus sleeping on the ground, in nature, nude. Her gesture is almost
same as Titian's Venus of Urbino, distinguished by the position of her right arm. Titian used the "Velatura" as known as "glazing" technique, which is a
technique of applying multiple layers of transparent thin paint to create the final piece, the charm of this technique is the painting is as smooth as glass
and the

Venus Of Urbino Essay
Venus of Urbino is an art portrait used by Titian to clearly exercise female eroticism. Art is more than just imaginary or symbolic drawings and
paintings as depicted by the work of Titian, "Venus of Urbino". Titian completed Venus of Urbino is the year 1538. It was for Urbino Guidobaldo II
Della Rovere's Duke. Titian derived Venus of Urbinofrom Giorgione's work, the "Sleeping Venus" which was painted in 1510. The Venus of Urbino is
perpetration of female eroticism. After visiting earlier works by Giorgione and Bellini, the female figure with youthful appearance stares directly at the
viewer (Waters, 409). In her right hand, she holds something that appears like a morning–after gift that looks like a flower bouquet. At the same time,
she has placed her hand between her thighs. She had the appearance of a Goddess of Love yet just human in nature, contrary to her warm human body
colors and the background that is dark and starkly accentuates her sensuality. There is more to this than just a beautifulpainting (Hills, 771). This paper
will seek to provide a detailed analysis of but not limited to Titian's painting, the "Venus of Urbino".
Tiziano Vecelli best known as Titian... Show more content on Helpwriting.net ...
First of all, Titian manages to achieve a very beautiful contrast between the horizontal and vertical lines of the diving screen, tiles on the floor and
other elements of architecture and the voluptuous curves on the body of the bride. Furthermore, the play of light on the body of the bride and the
delicate chiaroscuro of Titian lends a quality of sculpture to her figure. It also improves the bed sheets' silk drapery (Waters, 409). The tiles on the
floor provide additional linear perspective to the picture, while the floral patterns of the scene's cassoni, couch, and tapestry on the background in
conjunction with the rich pigments of the color of the screen and costumes of the maid help in the unification and activation of the

The Importance Of Nudity In Ancient Greek Historical Art
In the Ancient Greek historical Art, nude male figures were used to depict the beauty of the human body as well as the new focusing in the evolution of
art. "The nude first became significant in the art of ancient Greece, where athletic competitions at religious festivals celebrated the human body,
particularly the male, in an unparalleled way." (Jean) Thus, the social standard of the time in aesthetic, modesty and morality was reflected in every
nudity art work .Nude male figures, in sculptures and paintings, of warriors, charioteers and musicians had become more and more popular as the
symbol of energy and power of life or were used as the symbol of God, Goddess and Heroes. But nude figures of Gods and Goddess were no longer
allowed by the Christianity in the Renaissance because of emphasizing "on chastity and celibacy further discounted depictions of nakedness" (Jean) ,
nude figures of athletic were used as an expression of virility as well as the beauty of the human body. Nudity in the Middle Ages became sinful,
therefore, nude figures were rare in the medieval art and the artists were focusing on creating art about God and Goddess and their power rather than
depicting the beauty of the human body. And by the end of the medieval period, nude female figures intended to be attractive and slowly brought back
into art and became popular again. In the Baroque to Modern art, nudity still played an important role in art. In the Baroque period, nude art had
changed and became

Venus Of Urbino Analysis
Venus of Urbino demonstrates a beautiful, young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman
illustrated means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art
historians agree that the Venus of Urbinohas to do unambiguously with the male sexual desire for the female nude body. Tiziano Vecellio, also
documented, as Titian was an Italian painter. He was born sometime around 1470–1480, his exact date of birth is unclear and he died of a fever during
the plague around 1576. Titian was one of the furthermost adaptable Italian painters during the High Renaissance. Titian was equally proficient with
portraits, landscape backgrounds and mythological and religious subjects. Consequently, Titian was one of the furthermost important members of the
sixteenth century Venetian school and he is still an overwhelming influence on the art world. Often times, Titian is described as the first artist to have
an international career. Titian's painting career was prosperous from the start but over the course of this prolonged life, his style changed drastically
and he retained a permanent interest in color, which is well defined in his painting Venus of Urbino.
Consequently, many of the colors used in Titian's Venus of Urbino rematerialize in numerous of Titian's other works, for example the green in the
curtain behind the young woman's head. The green depicted was painted

Moersohn-Becker's Self-Portrait With Amber Necklace And...
Paula Moersohn–Becker's "Self–Portrait with an Amber Necklace" is from the 19th century an is from Germany. The self–portrait is of a naked
woman holding two flowers in a field of flowers. The only thing she is wearing is a necklace. She is a of a modern time period when nudity was
not such a big issue, it was pretty common. She is of a free spirit, not caring if anyone is judging her by her body image. She is a flower child, with
flowers used as a crown on her head. During the Middle ages nakedness was also a thing that artists portrayed through their work. "Self Portrait with
an Amber Necklace" and "Mona Lisa" are similar paintings because of their mysterious features. Amber portrays mysterious eyes, while Mona Lisa
portrays a mysterious

Comparison Of Olympia And Venus Of Urbino
For centuries, sexuality and nude figures has been a face of art. Venus of Urbino by Titian and Olympia by Г‰douard Manet represents the faces of
female domination and their ability to lure any men. In this essay we shall talk about the two artists, Manet and Titian, and also compare and contrast
between the two painting based on their cultural and structural significance. Manet was born in 1832 in Paris. He was considered as the founder of
modern art and a master analyst of visual arts. His artworks were realistic, spontaneous and monumental. Inspite of coming from a privileged family,
Manet's work mostly consisted paintings of the less desirable and the lower class people of Paris. His artworks commonly represented everyday life
scenarios ... Show more content on Helpwriting.net ...
Inspite of looking at it from detail to detail in order to make sense of it as a complete painting, we end up viewing it as a fragmented world and
eroticism of a blunt fact. Whereas, Venus, makes us wander around the beautiful painting and enhance the feeling of love and ecstasy, conveying the
role of ideal women after marriage. Manet seems to have replaced the details– Venus's sleeping loyal dog becomes Olympia's startled black cat; Venus's
braided hair becomes Olympia's tied hair. Just where everything is warm and soft in Titian's painting, everything is cold and hard in Manet's

"Madonna" and "Venus" from Two Different Periods Essay
"Madonna" and "Venus" From Two Different Periods I have always been intrigued by the many depictions of "Madonna" and "Venus" therefore I
chose to compare and contrast Parmigianino's "Madonna of the Long Neck" from the mannerist style of the later Renaissance and Titian's "Venus of
Urbino" from Venetian Renaissance. First I will tell you a little bit about the historical background of both paintings, then I will prove my thesis by
talking about exemplifies two artist's style and the movement it represents, and considering the differences between two artwork in artistic styles,
subject matter, and formal approaches.
First, "Madonna of the Long Neck" was created at the Mannerist period in 1535 by Parmigianino sized 7' x 4'. ... Show more content on Helpwriting.net
...
When looking at "Madonna with the Long Neck," the colors are subdued and dull but his use of color with the High Renaissance formula – the primary
colors. In terms of mannerism, elongation was thought to create a more elegant and graceful look, which may be one of the main reasons why
Mannerist art contained a lot of unnatural looking human figures. In the painting, I see a lot of elongation being used in different areas as well as
oddly proportioned bodies. Madonna herself has a very extended neck, which holds up her smaller sized head making her look unusual and
abnormal. Below her neck, I see her unnaturally slanted shoulders and her elongated fingers resting on her chest. Her legs also appear to be very
long as they look much bigger than her narrow upper body. This makes for Madonna being a very colossal and dominant figure. Furthermore, when
comparing Madonna to the women who stand beside her, Madonna is huge. In Madonna's lap is her baby Christ who also has unnaturally long
features. The body of baby Christ is so long especially his legs. It looks like a much older boy. I think Pontormo wanted the audience to focus more on
the bodies and the drama, rather than the specific details.
In "Venus of Urbino," Titian formed a good composition that balances somewhat the delicate static character of the reclining Venus with a consistent
dynamic component. The painting

Manet's Olympia
Painted in 1865 Manets's Olympia was one of the most controversial paintings at the time. The painting portrays a reclining nude figure with a black
bootlace bow on her neck suggesting she is a low paid prostitute. In the background the black servant offering a bouquet of flowers to the courtesan
probably as a gift from one of her clients. Manet also have painted a black cat at the bottom of Olympia's feet, which as well as the maid disappears
into the dark, pushed back surrounding. By darkening the background he creates a great contrast between the female figure and the rest of the painting.
This puts the courtesan in the spotlight making her stand out from the rest of the painting. Manet wanted to be sure that all of the viewers attention ...
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The light ironically comes from the intense glare of the viewer; the male gaze. This then turns the female figure into an 'object of eroticized
looking, or scopophilia, a term lifted from Sigmund Freud's theory of the fetish' 'Olympia gets the viewer very involved with the scene of the
painting, as if they were part of her daily routine. The servant standing right beside her is faced towards her, however the flowers are directed
towards the viewer (audience) asking for the approval of the flowers. Possibly suggesting that the viewer was Olympia's client giving the flowers as a

Venus And Adonis, By Tiziano Vecellio And Dates
Venus of adonis was painted by Tiziano Vecellio and dates back to A.D 1400
–1600. He was one of the greatest italian renaissance painter and he was
recognized as a great painter early in his life. He was a master of the oil medium and a supreme colorist. Many of his paintings represent either
religion, antiquity and/or beauty. In his painting of Venus and Adonis it was inspired by a tale called Ovid's Metamorphoses and therefore was called
poetry in paint, also known as poesie (The MET). The painting portrays the goddess Venus has fallen in love with Adonis. The goddess Venus is
trying to hold back Adonis because she does not want him leaving, since he is a hunter. While the goddess Venus is trying to hold Adonis back, his
dogs are ... Show more content on Helpwriting.net ...
Principle of design is shown through the artist 's use of various elements in his work of art. In this painting balance, proportion, emphasis, variety, and
unity are all exemplified. The balance is not to even but leans more to the left. I believe it leans more to the left because there is more going on in that
area than on the right side. Proportion and emphasis is greatly shown through the goddess Venus and her hunter Adonis because they stand out the
most. Through the use of the brush, Titian represents them as three dimensional. Titian painted Venus and Adonis because of the tale called Ovid's
Metamorphoses. Basically, the tale was about the goddess Venus getting struck by cupid and her falling desperately in love with Adonis. Adonis, a
hunter was leaving with his hunting dogs but the goddess Venus does not want him leaving. She foresees the hunt will be dangerous for him and
tries very hard for Adonis not to leave. Titian grabbed the moment of the goddess Venus, giving of her warning, and Adonis's death and basically
painting the emotionally charged moment of Adonis's departure for the hunt (Venice). The goddess Venus in this painting is portrayed as more of a
frantic women rather than a dignified feminine ideal. Also the role is sort of reversed and the goddess Venus is portrayed more as masculine than
feminine. Since she was struck by love so hard, she is depicted as sort of an aggressive women in

Pollock : The Avent Garde Gambit
Pollock refers the avent–garde gambit as a three–term gameplay: reference, deference, and difference. The avent–garde gambit is a complete contrast to
other modern art. Modern art tells the story through individuals and their body and facial expression. As Pollock states: to be marked in the
avent–garde gambit with art, you must "relate your work to what 's going on, defer to the existing leader of the work or project which represented the
latest move, the last word, or what was considered the definitive statement, and finally establishing a difference which had to be both legible in terms of
current aesthetics and criticism ... a definite advance on that current position." (p.6) Reference gives the audience recognition and a sense of familiarity
among peers, and deference and difference forms an ambition and claim measured between the artist and artistic statement that creates a mix of critique
and opinions between the audiences. Pollock doesn't see avent–garde gambit as a complete new modern art culture but as something that is derived
and a subpart; like a child to their parent. It is a work that is created based on another existing artwork with the artists' own personal style. Pollock
has stated that she has named the term gambit because aside from how calculative the results of the artwork may be, it's also a risk to produce and
present the creation to the public in such a way. In Gauguin's work, The Spirit of the Dead is Watching is one of the notable avent–garde

Sexuality In Art
Sexuality Through the Years Throughout the years artists have portrayed sexuality in art in many different ways. Artists use different symbols,
pictures, words, etc to express sexuality, and the way that artist express sexuality has changed throughout the years. In the 3rd to 1st Century B.C. the
Sleeping Hermaphroditos was created by an unknown artist, and was discovered in Rome in 1608. The sculpture is of a woman lying down which is
shown by the curvature of her body, but on the other side of her body is male represented by the male genitalia. The sculpture is based on the history of
the son of Hermes and Aphrodite, where Hermaphroditos had rejected the advances of the nymph Salmacis. Salmacis was upset about the rejection, so
she asked

Venus Of Urbino: The Gendered Gaze
Before talking about the gendered gaze, it is first, most important to familiarize ourselves with the parent concept and original ideas of the term: the
gaze. It is used in many art historical contexts and focuses primarily on the act of looking, however, the gaze in this matter goes beyond the simple
look or stare. It displays a looking that combines pleasure and knowledge, a made up fantasy like narrative often placing those themes all together in a
negative matter, a context of desire, manipulation and power of the opposed gender defined by the several readings and ideas that will be discussed
within my research. This discourse of 'the gaze' is merely in the contextualized form of feminism theories in paintings, which signifies visual ... Show
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This analysis explains why it is that classical European painting developed its particular technical "features–of composition, color, perspective,
brushwork and the manipulation of narrative", which in Bryson's case focuses on the gendered gaze, far from gone seen everywhere today through
media or in contemporary works. Hal Foster also examines the term that has become so important in contemporary discussions of painting and of
visuality; tying into the modern advertising and social media, which is "the Gaze." Tracing the concept of the Gaze through the works and definitions
of others as well as diving into The Four Fundamental Concepts of Psycho–analysis where vision is still theorized from the standpoint of a subject
placed at the center of a world. The gaze is something much more than a stare or a glance, but a full on addiction and utter obsession. The author
discusses the subject's visual experience; where the subject resides, under the Gaze and in the practice of painting, the impacts of

Tarsila Do Amaral Analysis
Tarsila do Amaral was a Brazilian abstract artist who worked with many influences outside of her own country and culture, yet always kept culture
center–something I did not come across in my (minimal) research prior to my visit to the Chicago Institute of Art. Her work is feminine, yet often
harsh in her brush strokes, lacking a delicacy typically associated with feminine features, thus making it seen through a different lens than the delicate
rendering of females and their vaginas that Georgia O'Keefe's (who lived and created around the same time) stereotypically beautiful vagina–esque
paintings offer. My husband, as we were walking throughout the exhibit, found it humorous that I would associate abstract paintings and harsh strokes
to an

Venus Of Urbino
Manet broke social norms as well as, formal rules, composition rules, and rules of subject. Seeing a modern woman whom has intentionally discarded
her clothes was absurd in this era. Manet made the woman vivid and flat to gravitate attention towards her as much as possible. He also broke rules
of naturalism, by the disjunction and collapsing of space as stated in the video. Manet is intentionally playing with art and making a statement, by not
applying the basic rules such as colors meshing, space between figures...etc. He borrowed his composition from a print by Raffaello Sanzio, a painter
and architect of the High Renaissance. Manet took the concept of landscape, and subject matter of clothed men and nude women from Giorgio
Castelfranco, a... Show more content on Helpwriting.net ...
Manet wanted to take away the mythological aspect to the piece as well as the grave detail to the piece itself. Manet is basically trying to play
with the old aspects of Acidemic Art, and use it as a tool to slowly introduce a more Modern Art. Understanding Manets style, we can see his
talents are superb and he is one who likes to challenge for the fun of it. Looking at his piece, we can see Olympias facial features are not perfect, as
opposed to Venus. Olympia is looking directly at her viewer(s), showing that she is confronting us as we look at her. Venus is known to look away
in her pieces, giving a more harmonic and sensual aspect. The viewers of Venus do not have any discourage from not looking, because the piece is
intentionally signaling the viewers to look, by having Venus look away. This also gives viewers a "reason" to admire the piece... quote on quote
because it's clearly a naked woman to check out. Manet is challenging that idea, and trying to give his audience less justification as to why they are
looking at that piece. As opposed to Venus, Olympia is a prostitute rather than a mythological goddess. Manet is confronting the 19th century for its
corruptness. Rather than detailing Olympias breasts and abdomen like average artists, he only detailed hands and feet which was upsetting to the
press. Manet also intentionally unmasks his paint, for the viewer to know it's a painting, not a complete illusion like other art. He uses it as a
reminder, to know why we are looking at the piece and what the piece really consists

A Formal Analysis Of Giorgione's Sleeping Venus
A Formal Analysis of Giorgione's Sleeping Venus
Giorgione's piece titled sleeping Venus is located in Gemaldegalerie at Dresden. It was painted by Giorgione in Italy and completed by Titian in
1510. Sleeping Venus mainly represents a nude women is sleeping in a village. This piece is painted with oil on canvas, and it is 42.7 inches wide and
69 inches long.
In this painting, an elegant, nude young women is sleeping in the countryside. Her eyes are closed; she puts her right hand under her head and left
hand on genital. In the background, grass grows everywhere, the sky is blue and cloudy, and a few houses in the right corner are surrounded by trees.
This artwork emphasizes the women is relaxing and peaceful even she exposed her nude body in the countryside. ... Show more content on
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The shape is organic because she is human. The light source is not seen. The environment is darker while her body is brighter. For example, there is
a lot of shadows on the grass; the stone behind her is dark brown; some clouds in the sky is gray; the pillow under her head is dark red. Overall, it
creates a strong contrast between the women's body and surroundings, which make the nude women pops out and drags views eyes to the women. This
painting is colorful and suggests a color harmony by using a lots of adjacent colors. It has grey, yellow, brown, green and light blue in the
background; it has organic human skin and lip color on the body. Since this work shows nature and human being, it has a real texture. Her body is
closer to the viewer, but small hills, trees and mountains are further, which gives it a

Ariana, The Silent Statue By Chirico
Giorgio di Chirico's painting, "Ariana, the Silent Statue," depicts a womanly statue, presumably Ariana, made of what seems like worn out stone.
The location, with its many arches, appears to be at a train station. Ariana's position exudes discomfort and vulnerability because of her slightly
contorted body (bent head and breasts) and an extended arm over her head that exposes the armpit. The lower portion of her body displays a pattern
of eroded stone that seems to connect to two cracks between her breasts. The erosion suggests that her body has experienced depreciation that leads to
a harmful effect on the space between her breasts; the pain from the depreciation causes an implosion or crack near her heart, which acts as a symbol
of emotions such as heartbreak. Although Chirico adds many details to Ariana's body, the dynamic... Show more content on Helpwriting.net ...
Through Ariana's expression, Chirico emphasizes the mental anguish that Ariana seems to experience as a silent statue. Because Ariana has to remain
silent, she perhaps feels a sense of confinement (underscored by Chirico's use of dark colors and shadows) in her situation of immobility. W.H. Auden's
poem, "Musee Des Beaux Arts," explores humanity's indifference to other people's hardships. The first half of Auden's poem demonstrates examples of
Auden's observations from Pieter Brueghel paintings. In the first stanza, Auden mentions that "for the miraculous birth, there always must be children
who did not specially want it to happen, skating on a pond at the edge of

Oil Paintings : Venus Of Urbino And Olympia
Venus of Urbino and Olympia are oil paintings from two different schools of painting, but the world is often used to compare these two paintings.
Venus of Urbino is an oil painting created by the Italian Renaissance painter, Titian, in 1538. Titian was a representative painter of the Venetianpainting
school in the late Renaissance, one of the most talented painters in Italy. He is good at portraits, landscapes, myths and religious themes. He was a
student of Giovanni Bellini. Under the auspices of the humanist ideology, he inherited and developed the art of the Venetian painting, and promoted the
use of the color, shape, and strokes of the oil painting to a new stage. His portraits can reveal the inner world of characters. His use of color not only
affected the Renaissance Italian painters, but also had a profound impact on Western art.
Olympia is an oil painting by French Impressionist painter, Manet, in 1863. The painting was influenced by Giorgione's "Sleeping Venus", Titian's
"Venus of Urbino", and Goya's "The Nude Maja". Manet was one of the founders of the 19th–century impressionism, born in Paris in 1832. Manet
began to learn from the school painter Thomas Couture, and then copied and studied the works of Titian, Velazquez, Goya, and others in the Louvre.
He had never participated in the Impressionist exhibition, but he was deeply innovative and artistic, and also deeply influenced Monet, Van Gogh, and
other new artists to lead art to the modernist road. By the

Reflection Of Jasper Johns
Based on my understanding of Jasper Johns painting False Start this piece, Johns shunned the nonverbal images of his prior works, rather depending
upon the building squares of dialect to draw watchers into an exchange with the artistic creation. The difference in topic was occasioned by Johns' want
to move past his prior targets and banners. As he noticed, the banners and targets have colors situated predetermined. Jasper John needed to figure out
how to apply shading with the goal that the shading would be controlled by some other technique. By concentrating on colors and the words that speak
to them, Johns disconnected each, expelling the customary affiliations that went with them. Instead of hand–painting each letter, Johns utilized a
locally acquired stencil – a readymade technique by which he could make a picture without uncovering the hint of the craftsman's hand. He stenciled
the words that mean color to finish everything and underneath the different layers of paint as he worked. John changed the words into objects by
rendering most in color disconnected to those which they verbally spoke to – "RED" seems painted in brilliant orange in the focal point of the canvas.
Johns delighted in the discord between the words and the colors, moving their capacity from assignment to an unimportant gathering of images, ready
for reevaluation. In spite of the fact that he moved media from encaustic to oil, Johns kept up his exchange with the Abstract Expressionists through a

Who Is Salvador Dali's In Voluptas Mors?
In Voluptas Mors is a black and white photograph by Salvador Dali, made in collaboration with photographer Philippe Halsman. The photograph is an
optical illusion, where the viewer initially sees a skull but upon closer inspection we see that the skull is made up of seven female nudes. Dali is
experimenting with the psychological aspects of death and desire. The image of the skull symbolizes mortality and the female nudes symbolize man's
pursuit of sensual pleasure.
In Voluptas Mors is a highly contrasted photograph. The use of pale bodies as an art medium and the use of dark shadows give the illusion of a
human skull. The whiteness of the female bodies assume the form of alabaster bone and the dark shadows become the caverns of a skull. The
triangular composition of the photograph leads the eye is immediately to ... Show more content on Helpwriting.net ...
The skull is a symbol of our mortality and was often used in the vanities of 17th century oil paintings such as in the painting The Ambassadors by Hans
Holbein. It is a reminder of the transience of life and the futility of pleasure. Dali plays with these psychological concepts in this work by using this
symbol from vanitas and incorporating the object of man's desires into the skull. The photograph is meant to provoke the viewer by blending our
fear of death and our earthly cravings. Dali's uneasy expression mirrors the viewer's troubled reaction at being confronted with the reminder of
mortality and the temptations of pleasure. Dali's presence in the photograph also suggests that he is the orchestrator of this composition. His position
in the foreground and his gaze outside the frame invite the viewer to share his disturbed feeling. He is fully dressed in a top hat and tails with his
face close up and clear to the viewer while the women are completely nude with their faces obscured. This gives Dali an identity in the photograph
while the nude women are molded into an object, faceless and on

Comparing Olympia And Urbino
In the painting, Olympia receives flowers from a helper who is staring at her, which was very controversial at the time due to the fact she was
completely naked and it was seen as immodest. The flowers are presumed to be from a client, which gives more evidence to support her being a
prostitute. A black cat is shown standing at Olympia's feet provide a stark contrast to the dog at Venus of Urbino's. While the dog is laying docilely at
her feet, representing loyalty and love, the cat stands and almost seems to shake in shock and fear, representing secrecy and selfishness. The only
accessories on Olympia are a choker, shoes, flower in her hair, and a bracelet, while Titian's Urbino only wear a bracelet and earrings presenting a more
modest look. ... Show more content on Helpwriting.net ...
However, this can be seen as the speaker acknowledging the overwhelmingly true fact of her being dead while her husband lives. The speaker asks
her husband not to waste his time honoring her memory or trying to make gestures of love for her when they cannot be received. She also allows
herself the freedom to focus on herself and her afterlife. The speaker is revolutionary in her autonomy and her acceptance of the ever–constant change
that pervades human existence. Through this poem, Rossetti highlights the emerging feminist movement of the time and provides a stark contrast to
the usual male–driven

Beauty And Eroticism In Titian's Venus Of Urbino
Unquestionably, there is no universal notion of beauty or ugliness. The definition of the term is as ever–changing as our tastes both depending on the
period and world culture. European artists and philosophers dominated (and still dominate) a grand percentage of the art world and thus their
Eurocentric views on what is deemed beautiful or ugly, became the norm but it does not fit the conventions in the rest of the world. A piece such
as Titian's Venus of Urbino is viewed as a timeless masterpiece when it sits on the throne of exclusion in the art world. Eroticism is evident in the
painting, in fact, it recalls the marital obligations of the woman towards her husband. The erotic allegory is even clearer in the representation of
Venus, goddess of love, as a sensual and exquisite woman who stares at the viewer, who cannot ignore her beauty. The light and the warm color of
Venus' body contrasts with the background and dark cushions, further highlight the eroticism itself. Even though this painting was revolutionary in its
time, with Venus directing her gaze to the viewer, it is still considered a nude (versus naked), there is a sense of innocence in her corporal language,
even as she is cupping herself in an attempt to cover her nude body. Thanks to the good use of color and its contrasts, as well as the subtle play of
meanings and allusions, Titian achieves the goal of representing the perfect Renaissance woman who, like Venus, becomes a symbol of love, beauty and

Venus Of Urbino And Female Nudes
Female nudes are a favorite reoccurring subject matter through art history that offers symbolic significance from simplistic anatomy of the female body.
Venus of Urbino by Titian and Olympia by Edouard Manet are great representation that illustrates the difference in the portrayer of female nude. Hence,
both artworks are intriguing as it reflects the importance of cultural reformation between both periods. Titian painted Venus of Urbinoduring the
Venetian Renaissance in 1538, measuring 46" by 64" in the medium of oil painting ("Titian, Venus Of Urbino"). Venus of Urbino was commissioned
by the Duke of Urbino in conjunction with the celebration of his marriage ("Academy of Art University"). The female figure in the painting is
unidentified ... Show more content on Helpwriting.net ...
Iconographies like the black cat symbolize promiscuity, while orchid symbolizes eroticism, exoticness and sexuality. Manet's color patch technique
reflects a pasty skin instead of a marble–like skin, not only is Olympia's body flat, her hands are the only area that is evident of any shadows that
places emphasis on the surface ("Manet, Olympia"). Hence, sexuality became the subject matter with enhanced nakedness from Olympia's ribbon
around her neck and slipper. Therefore, critics are shocked when they saw the painting, from the iconography to the identity and posture of the female
nude it is obvious who Olympia is. Olympia was Manet's way of conveying the honesty in materials, subject, motives and desires; it is merely a
reflection of the cultural and political aspects of the 19th

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