The film BARAKA is described as non-verbal spiritual meditation on t.docx
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The film BARAKA is described as non-verbal spiritual meditation on the relationship between humans and nature. The film consists of three segments representing the following themes: the beauty of the natural world and the spiritual world, the negative impacts of humans/technology on the natural and spiritual worlds and the reconnection between humans and nature via spirituality/religion. From this perspective, spirituality is at the center of the relationship between humans and nature and its also the means by which humans connect or reconnect with nature. Our text book presents a different perspective. According to our text, technology is the means by which humans adapt to, interact with and make sense out of nature. Technology is what allows us as humans to live fully within an otherwise powerful and somewhat uncontrollable natural world. From this perspective, technology, rather than spirituality, is at the center of the relationship between humans and nature and the means by which humans connect or reconnect with nature. How do you perceive, based on your personal experience, the relationship between humans, technology, nature, and religion/spirituality? Do you agree with the perspective of the film? With the text? A combination of the two? Neither? Be specific in your argument and use examples from the film, text, and your experience to support your argument. .
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Gender discourses define the gender tent of social activists in the form of producing and reproducing a certain conceptual context of gender and the social relationships on which they are formed. The purpose of this article is to examine the representation of male-dominated and equal-minded(liberation) gender discourses in Iran's popular cinema, emphasizing the concept of love. Content analysis method is used in this research because it has more reliable criteria than other methods of text analysis in the field of sociology. Selection of demoes (samples) by selection of typical items from popular films of the two decades of seventyeighty cinemas of Iran has taken place and a total of 14 films have been examined. The results of the research show that the dominant gender discourse represented in the films examined was male-dominated. This representation has been considerable both in the economic and social situation of women and men as well as in cultural status. Also, the love represented in films has been largely romantic.Representation of gender discourses with an emphasis on the concept of love i...
Representation of gender discourses with an emphasis on the concept of love i...International Journal of Arts and Social Science
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Gender discourses define the gender tent of social activists in the form of producing and reproducing a certain conceptual context of gender and the social relationships on which they are formed. The purpose of this article is to examine the representation of male-dominated and equal-minded(liberation) gender discourses in Iran's popular cinema, emphasizing the concept of love. Content analysis method is used in this research because it has more reliable criteria than other methods of text analysis in the field of sociology. Selection of demoes (samples) by selection of typical items from popular films of the two decades of seventyeighty cinemas of Iran has taken place and a total of 14 films have been examined. The results of the research show that the dominant gender discourse represented in the films examined was male-dominated. This representation has been considerable both in the economic and social situation of women and men as well as in cultural status. Also, the love represented in films has been largely romantic.Representation of gender discourses with an emphasis on the concept of love i...
Representation of gender discourses with an emphasis on the concept of love i...International Journal of Arts and Social Science
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The film BARAKA is described as non-verbal spiritual meditation on t.docx
- 1. The film BARAKA is described as non-verbal spiritual meditation on the relationship between humans and nature. The film consists of three segments representing the following themes: the beauty of the natural world and the spiritual world, the negative impacts of humans/technology on the natural and spiritual worlds and the reconnection between humans and nature via spirituality/religion. From this perspective, spirituality is at the center of the relationship between humans and nature and its also the means by which humans connect or reconnect with nature. Our text book presents a different perspective. According to our text, technology is the means by which humans adapt to, interact with and make sense out of nature. Technology is what allows us as humans to live fully within an otherwise powerful and somewhat uncontrollable natural world. From this perspective, technology, rather than spirituality, is at the center of the relationship between humans and nature and the means by which humans connect or reconnect with nature. How do you perceive, based on your personal experience, the relationship between humans, technology, nature, and religion/spirituality? Do you agree with the perspective of the film? With the text? A combination of the two? Neither? Be specific in your argument and use examples from the film, text, and your experience to support your argument.