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Shooting script
- 1. Shot Number Page Number ShotType Description Dialogue/Reference Shot length 1 1 EstablishingShot The shot will fade inandthere will be acar parkedin the road about 30 metersaway.Cameraslowlymoves incloserto the car until 4 people become visible. 10 sec 2 1 MediumShot The camera comesthroughthe windowintothe car 5 sec 3 1 Close up Close upon Jamesas he starts talking,he isthe main character and therefore shouldbe the firstone tobe seen. Dialogue playsthrough JAMES Right okay, this is the meeting point SAMUEL How far? 5 sec 4 1 MediumShot Gets everyone intoone shotwhile conversationtakes place JAMIE Just round the corner, not that far JOSHUA Good because I'm not running again BRADLEY Don't try steal someone's phone then JAMIE Just remember this place alright? 8 sec 5 1 Long shot Camerastay inplace as the car drivesoff (Firstthree shotsare 1 continuousshot) 9 sec 6 2 MediumShot Little bitof dialogue JOSHUA That is a nice house JAMIE That's why we aren't going there JAMES They're all around here 5 sec
- 2. 7 2 Close up In car dialogue,LookingatJamesâface withBradley asleepinthe background. JAMES Are you taking the piss? SAMUEL What? JAMIE He's fallen asleep again SAMUEL Wake him up then BRADLEY Huh? JAMIE Do you remember the meeting point? BRADLEY Oh, are we already here? SAMUEL Someone needs to keep an eye on him at all times 15 sec 8 2 Long shot Shotpositionedacrossthe roadpossiblyusingatripod 5 sec 9 2 Overthe shouldershot Conversationoutside the car JAMIE 10 minutes JOSHUA Same as always 5 sec 10 2/3 Master shot Coveringthe whole livingroom,all fourpeople are visible JAMIE Whatâs the problem then? SAMUEL I just donât have the money JOSHUA Wait, sorry what donât you have the money for? SAMUEL A car JOSHUA I think we all need money really BRADLEY Yeah my job barley even pays me JAMIE Letâs just rob a bank then SAMUEL 30 sec
- 3. (Sarcastic) Laugh Yea thatâs not a bad idea JAMES Yeah, like we could rob a bank JAMIE Canât be that hard, people do it all the time JOSHUA People also go to prison for it BRADLEY Just donât rob a bank then JAMIE What do you mean? SAMUEL Bradley mate, we are joking you know BRADLEY Iâm just saying rob something smaller and youâll probably get away with it 11 3/4 Overthe shouldershot AimedtowardsJamie,thenpanstoSamuel whenhe saysâOr a house?âandthento Bradleywhenhe says âYea a house I guessâ JOSHUA Youâve watched way too many films JAMIE When you say something smaller what do you mean like a shop or something? SAMUEL Or a house? BRADLEY Yea a house I guess 10 sec 12 4 MediumShot FollowingbothJamesandJamie astheywalkdownthe hallway JAMES This probably wonât end well JAMIE It should be fine JAMES I mean itâs not a good idea though JAMIE Itâs a good way to get money JAMES Yea but not if we get caught JAMIE We wonât 10 sec
- 4. 13 4 Long shot Panningintothe roomfrom the lastshot,(a fewdays later).JamesandBradleyare bothsat down.Jamie, Samuel,andJoshuaall walkin. JAMIE Right letâs get to it JOSHUA How bad of a crime is this? SAMUEL We're robbing people, so pretty bad JAMES Okay, so we are actually doing this? 8 sec 14 4 Mediumshot All charactersin conversation free shot,moveslittleand not often JAMIE Well hopefully with your plan it will work out JOSHUA Alright, letâs hear it SAMUEL Yea, we need to know what we're doing JOSHUA We really donât want to get caught BRADLEY Whatâs your plan then? 15 sec 15 5 Close up All charactersin conversation CloseuponJames JAMES Okay so we rob multiple houses in a night but only take a little form each house. JOSHUA So high risk low reward? JAMES Yes 5 sec 16 5/6 MediumShot All charactersin conversationfree shot,moveslittleand not often JOSHUA Whatâs the point, we might as well go all out. JAMES If we think it through enough and make sure nothing can go wrong it will work out better JAMIE But why only take a little? JAMES Well are you planning on getting caught? 20 sec
- 5. JAMIE Obviously not JAMES Exactly, that means that we can take a little so that itâs not obvious theft, everyone loses money SAMUEL So it basically doesnât look like anyone was ever there JAMES Yeah SAMUEL That could work JAMIE I mean yea but itâs not gunna get us a lot of money JAMES Thatâs why we do them fast and through the night, get like 10 houses a night JAMIE Right well thatâs not gunna be easy SAMUEL Itâs the best idea weâve got so write it down 17 6 TrackingShot The shot starts comingthroughthe door way JAMIE Everyone ready? 10 sec 18 6 Long shot Cameraâssat inthe doorwaylookingupat all the characters. BRADLEY We off then? 10 sec 19 7 Mediumshot Lookingat the three inthe back BRADLEY So which house are we going to first? JAMIE We looked around here the other week and it looks like a lot of people leave there back doors 20 sec
- 6. open, we could be wrong but itâs worth a try SAMUEL How many houses are we getting tonight? JAMES Well we might as well start off small then as we get better we can do more 20 8 Long shot Cameraacross the streetfromthe car. (fronton angle) They drive the car to a different part of the neighbourhood 5 sec 21 8 Mediumshot Inside car trackingthe speaker JAMIE Okay get your stuff together BRADLEY So which house am I going to? JAMES Number 14a JAMIE It says on the plan which house you go to 15 sec 21 8 Close up Close upon people whentheytalk JAMIE Okay get your stuff together BRADLEY So which house am I going to? JAMES Number 14a JAMIE It says on the plan which house you go to 5 sec 23 8 Long shot Same as shot no.20 JAMES 15 minutes be back in the car, if anything goes wrong with your house go to the meeting point JAMIE 10 sec
- 7. Alright everyone know whatâs going on JOSHUA Yeah SAMUEL (Mumbles) Yea BRADLEY Mmmhmm JAMES Letâs go 24 9 Long shot Stationaryshotlookingatall characters Everyone is geared up and they all tap the roof of the car and spread out. 5 sec 25 9 Trackingshot Camerafollows JAMIE JAMIE walks up to a house, looks around for some time then moves in 10 sec 26 9 Trackingshot Camerastarts in frontof JAMES, thenhe walksto the leftof shotand camera turnsto followhim JAMES stands across the street from a house looking over at it, he looks left then right and crosses the road towards the house 10 sec 27 9 Establishingshot Shotsmoveslefttoright(wall onleft) toreveal SAMUEL stoodin garden SAMUEL is in someoneâs back garden 5 sec 28 9 Long shot Shotsstationaryas Joshuawalkstowardscamera JOSHUA walks down the side of a house 5 sec 29 9 Trackingshot FollowsBradleythengoesoverhisshouldertosee him openthe door andwalkin.Camera stayin the same position. BRADLEY walks up to a door and turns the handle, it opens and he takes a step in. 8 sec 30 9 Trackingshot Shotwill followJamiearound JAMIE goes to the backdoor and sees a key on the other side of the door 10 sec 31 9 Mediumshot Stationaryshotfrominside the house,see Jamieuse the stickto get the key He finds a stick in the garden and gets the key through a cat flap. 10 sec 32 9 MediumShot FollowSamuelseyes(lookwhere he islooking) SAMUEL goes inside an unlocked garage, looks around for a while and doesnât find anything. 7 sec
- 8. 33 9 Trackinglong shot ShotfollowsJoshuafromadistance,thenwhenhe opensthe doorthe shotcatchesup withhim.Withwill turn the shotintoa mediumshot JOSHUA walks around the house and tries to open the back door, itâs locked, he walks to the front and tries it and it opens. He listens out for a second then starts to walk into the house. 10 sec 34 9 Long shot Shotfrom across the room. BRADLEY walks into a kitchen picks up a wallet and takes some money. He then turns around and walks out quietly. 10 sec 35 9 Trackingshot Shotfollows Jamie JAMIE leaves the door unlocked behind him and creeps into the house he gets down low and looks through another cat flap on the inner door. 8 sec 36 10 Master shot Jamesfallsontosofaina darkishroom JAMES falls into the house through the window, gets up and creeps about trying to find money, 7 sec 37 10 Trackingshot Walksacross a hallwayandtakesmoneyfromundera tray He finds a little tray with money hidden underneath it, he takes most but leaves ÂŁ5. He then heads over to the back door. 10 sec 38 10 Mediumshot Shotslookingatthe doorwayintothe garage SAMUEL walks out of the garage looking angry with alcohol in his hands. He starts to walk back to the car. 15 sec 39 10 Long shot Shotother side of house (feelslike someone else is watching) JOSHUA walks through the front of the house sees a tray with wallet and keys he tries to pick up the wallet and the keys fall off the wallet and make a clatter on the tray 10 sec 40 10 Trackingshot FollowJoshuaoutof the house He quickly takes some money from the wallet and hurries out of the house. 5 sec 41 10 Trackingshot Whenhe jumpsoverthe porch, move shotoverthe edge to lookdownonJoshua As he closes the door a car starts to pull up onto the drive way. He hides in the porch of the house and as the car moves up the driveway he jumps off the porch into a garden patch 15 sec
- 9. 42 10 Mediumshot ShotcoversJoshua,thenswipestothe side tosee the personwalkingtowardsthe frontdoor He backs into the corner and hopes they donât spot him. The car door shuts and someone walks towards him, they walk up to the front door and walk in. JOSHUA waits a second then runs of the property. 15 sec 43 10 Trackingshot FollowJamie throughthe house JAMIE approaches the handbag, he looks through it for a second then lifts a purse out. He takes some money out and puts the purse back, then he turns around and heads out the way he came. 15 sec 44 10 Mediumshot ShotseesJamie lockthe door When he gets to the back door he takes the key and locks it from the outside then puts the key through the cat flap. 10 sec 45 10 Mediumshot Looksthroughthe cat flapto see the keythrownto the otherside of the door When he gets to the back door he takes the key and locks it from the outside then puts the key through the cat flap. 10 sec 46 11 Master Shot Shotcoversall actors inscene JOSHUA How dâyou do? JAMIE Not bad JAMIE shows everyone the money he got SAMUEL I couldnât actually get any money, Iâve got this though 25 sec 47 11 Long shot Whenan actor is runningthroughdialogue theywill be inshot JOSHUA The front door was unlocked and when I left a car pulled up SAMUEL Good job on not getting caught BRADLEY walks around the corner towards the car BRADLEY Hey guys JAMIE
- 10. Hey, we need to go now 48 12 Mediumshot Track the speaker JOSHUA We did it JAMIE Wasnât so bad JAMES What next? SAMUEL What do you mean? 49 12 Master shot All actors inshot 5 months later 50 13 Close up Close upon Samuel SAMUEL Look I just donât want to do it JAMIE Why now though? SAMUEL If not now than when? Thereâs no good time to do this BRADLEY If you stop than Iâll go too 51 13 Mediumshot Trackingthe speaker JAMIE Youâre joking? BRADLEY Makes it easier if we leave together JAMES Wait, just do one more SAMUEL Whatâs the point? JAMES If you two are leaving then it seems to be a perfect time for us all to quit. JOSHUA Yea quit while weâre ahead JAMIE Why bother with one more?
- 11. 52 13 Close up Close upon James JAMES Letâs go bigger than before, try and get a load of money to send us all off JOSHUA Iâll do it JAMIE Sure SAMUEL Fine JAMES Brad? BRADLEY Yea might as well JAMES Okay, Iâll plan it out 53 14 Long shot Both actors inshot fromthe side onto the computer JAMES and JAMIE are sat in the bedroom 54 14 Mediumshot Closershotof the conversation JAMIE How much money we talking for this JAMES Not too sure, if we get like ÂŁ200-300 and some expensive crap per house, we can take like 5 houses each maybe JAMIE So a lot JAMES Hopefully, *pause* actually weâll do 6 houses each JAMIE Uhh okay 55 14 Mediumshot The three in the back andin shotwiththe camera placementinthe centre SCENE 9:INT. INSIDE CAR â NIGHT Everyone is back in the car for the last job. JAMIE and JAMES are in the front seats with everyone else in the back. 56 14 Close up WhenJamie talks,close uponhim JAMIE We all good?
- 12. 57 14 Close up WhenJamestalks,close upon him JAMES So remember we're taking more than usual JAMES I guess if there's something expensive then go for it 58 15 Long Shot Shotfrom highangle? Lookingatthe car The car pulls up in the road next to a park. 59 15 Close up Shotthrough the windowlookinginatthe characters JAMES This is the meeting point JAMIE It's close to all the houses The car pulls away and drives off JAMES This is the street, everyone remember your house? BRADLEY Yeah 60 15 Mediumshot ShotbehindJamie,ashe tapsthe roof,have James lookingatJamie fromacross the car. They all get out of the car in their gear, they tap the roof and part ways 61 15 Trackingshot Same trackingshot on all characterstryingto get intoa house Everyone walks towards their houses 62 15 Mediumshot See all charactersinside the houses Everyone walks towards their houses 63 15 Mediumshot All charactersleavingthe houses Everyone walks towards their houses 64 15 Long shot Shotsit otherside of the car as characters arrive JAMES One down They then do the same thing for the next 4 houses 65 15 Close up Close upon Jamie as he fallsintothe car seatwith everyone else JAMIE Okay only one more left JAMES Yea so take your time, don't get caught 66 15 Trackingshot FollowJoshuaashe dumpssome moneyintothe boot, closesthe boot,walkstowardsthe car door, closesthe JOSHUA That's shit tone of money
- 13. door withcamerastill outside,ashe windsdown the windowhe runshisdialogue JOSHUA That's shit tone of money BRADLEY How much have we got? SAMUEL Enough I suppose 67 15 Long shot Car setsoff and drivesaroundthe corner 68 15 Long shot Car stops The car comes to a stop and everyone is sat in silence for a few seconds. 69 15 Mediumshot Shotmovesintoto Jamie lookingconfused. 70 16 Close up Close upon bothJamie andJames JAMIE Aren't we a bit far away? JAMES It's not too far 71 16 Mediumshot Shotfrom outside the car,capture Jamie looking confused JAMIE looks confused and gets out the car. They all get out the car 72 16 Mediumshot Capture dialogue JAMIE This is the last time we're doin' this BRADLEY It's been fun 73 16 Panningshot Pan aroundto see Samuel andJoshuanodthenpan aroundto see everyone tapthe roof,thensee everyone part ways SAMUEL and JOSHUA agree with BRADLEY with a nod, they then all tap the roof of the car and walk off. 74 16 Long tracking shot Watch themwalktowardsthe car and unlockit. Everyone leaves the area but a little while later someone starts walking towards the car. They unlock the car and open the boot, 75 16 Trackingshot Followhimaroundthe car All the money they've made is there. The boot closes and the driverâs door opens 76 16 Mediumshot Frame shot soJamie isonlyseenat the lastsecond whenhe grabs James JAMES gets into the car and a few seconds later before he shuts the door JAMIE pulls him out of the car.
- 14. 77 16 Mediumshot Jamesison the floorand Jamie islookingdownathim JAMIE What the fuck you doing? JAMES I, I *pause* What do you want me to say? JAMIE So you were planning to just steal everything? 78 16 Close up Close upon James JAMES Look I didn't want to, trust me, not to you guys 79 16 Panningshot Veryslowlypanningaroundthe two JAMIE But you've done it anyway, so what changed? JAMES You all wanted to leave me, one person mentions leaving and you all ditched 80 17 Close up Close upon Jamie JAMIE It's not personal, it's just about time we stop 81 17 Mediumshot (will be done inmultiplyshotsasnoreal violence will be used) JAMES Maybe not for you JAMES head butts JAMIE and runs for the car again but as he gets up JAMIE grabs his leg and he falls over. 82 17 FIGHT FIGHT FIGHT 83 17 FIGHT FIGHT FIGHT 84 17 FIGHT FIGHT FIGHT 85 17 Close up Close upon Jamie JAMIE I'm not just gunna let you do this 86 17 Mediumtracking shot (will be done inmultiplyshotsasnoreal violence will be used) JAMES gets up again and JAMIE pushes him against the car and punches him in the stomach and throws him to the
- 15. floor, JAMES stands up and runs for the front seat, he gets in and JAMIE comes up beside him. He reaches in for JAMES but he kicks him onto the ground closes and locks the doors. 87 17 FIGHT FIGHT FIGHT 88 17 FIGHT FIGHT FIGHT 89 17 FIGHT FIGHT FIGHT 90 17 FIGHT FIGHT FIGHT 91 17 Close up Close upthroughwindow, Muffledsound(insidecar) JAMES Sorry 92 17 Long shot Car drivestowardsthe camerathenpast the shot until all we can see is Jamie inthe road. Before JAMIE can say anything JAMES drives off. And leaves JAMIE in the middle of the road. As the car leaves the shot we see JAMIE in the background stood in the same place.