Slides from the presentation "The Online-Life of Media Art-Archives", at the conference "Reimagining the Archive", Panel 5.3 – Artists and Archives, UCLA, 12-14.11.2010
THE ONLINE-LIFE OF MEDIA ART-ARCHIVES
Florian Wiencek, M.A., Jacobs University Bremen
Research Center „Visual Communication and Expertise“ (VisComX)14.11.2010
Presentation at the Reimagining the Archive. UCLA, 12-14.11.2010
Panel 5.3 – Artists and Archives
Outline
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ What is new in „Digital Archives“?
¨ How „natively digital“ are current archives and
platforms for media art?
¨ What is the discourse space around media art
formed by these platforms and archives?
Digital Archives (1)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ dynamic content à user-generated through queries
¤ „shift from read-only to a generative, participative
form of archival reading“ (Ernst 2010, p. 81)
Digital Archives (2)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ task of the archive is „to meaningfully link up
different information nodes“ (Ernst 2010, p. 84)
à relation (e.g. through hyperlinks)
¤ „The Internet is a network where a different context is
always only one click away, and everyone is engaged
in a continuous process of (re)contextualizing. Linking to
and commenting on other websites creates information
filters, portals, and new contexts.“ (Paul 2010, p. 103)
Digital Archives (3)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ Distinction of 2 generations of online collections (Cameron 2003)
1. first generation: thematic solutions / narrative à „digital objects are
presented in a hierarchical storyline with theme and
subtheme“ (Cameron 2003, p. 3).
n use of classical museum devices (object labels, graphic images , didactic
texts) in fixed order
n not many hyperlinks or interactive possibilities
n particular narratives are privileged
2. second generation: offer alternative pathways through collection by
the offer of greater contextual possibilities (e.g. alternative
navigation systems (multimedia-, text- or image- based) like semantic
maps)
n allows users to create new pathways
n non-hierarchical system ruled by relationships
à next generation?
¨ Categorization of the material
4 Dimensions of Meaning Generation in
Digital Visual Archives
main categories from virtualart.at
main categories from V2_archive
¨ Categorization of the material
¨ Interactive processes of digital archives
¨ Visualization and contextualization of archive material
¨ Retrieval
4 Dimensions of Meaning Generation in
Digital Visual Archives
main categories from V2_archive
¨ Categorization of the material
¨ Interactive processes of digital archives
¨ Visualization and contextualization of archive material
¨ Retrieval
4 Dimensions of Meaning Generation in
Digital Visual Archives
Semantic Map, netzspannung.org
¨ Categorization of the material
¨ Interactive processes of digital archives
¨ Visualization and contextualization of archive material
¨ Retrieval
4 Dimensions of Meaning Generation in
Digital Visual Archives
Advanced Search at GAMA (gama-gateway.eu)
Sample
Institutional Archives
¨ Ars Electronica Archiv
¨ V2_archive
¨ virtualart.at
¨ Daniel Langlois Foundation
¨ Medien Kunst Netz à Educational Platform
¨ netzspannung.org à
¨ rhizome.org à Collaborative Online Platform
¨ GAMA à Subject Gateway
Archives in Scientific Contexts
Educational Platform /
Collaborative Online Platform
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
How digital are current Online-Archives
and -Platforms?
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ Text & images are still the most prevalent mediation-
modalities, but also video, audio and other means such
as hyperlinks, automated search (dynamic content) and
interactive applications / visualizations are used.
¨ natively digital objects (Rogers, 2009)
¤ „objects, content, devices and environments that are ‚born‘ in
the new medium, as opposed to those that have ‚migrated’
to it“ (Rogers, 2009, p. 1)
à What kind of digital objects does one find in
online-archives and –platforms for media art?
Digital Objects in Online-Archives and -Platforms
¨ hyperlinks
¨ hyperlink-lists
¨ static pages
¨ dynamic pages
¤ server generated
¤ based on user-input
¨ interactive data visualization / interactive
applications
¨ database-search
¨ search results
¨ related items
¨ media gallery
¨ embedded media
¨ embedded archive content
¨ rollover
¨ information-layering
¤ pop-up windows
¤ html-layer
¨ filter-mechanisms
¨ different views on data
¨ personalized features
¨ community features
¨ comment space
¨ RSS-feeds
¨ share-features
¨ folksonomy / tags
¨ widgets
¨ Wiki
¨ subscribable calendar
¨ multimedia objects (video, flash;
hypermedia lecture)
¨ clickable keywords / categories
¨ mailing lists
¨ quotation generator
¨ net art
¨ accessability tools
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Digital Objects // Hyperlinks
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
medienkunstnetz.de:
navigation within a site; navigation in a page;
position indicator within the site; link to internal sources
medienkunstnetz.de:
trigger searches via hyperlinks
rhizome.org: share-button
Digital Objects // Dynamic Page (Server Generated)
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
V2_archive: aggregated page virtualart.at: random content
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Digital Objects // Dynamic Page (Based on User Input)
GAMA: search results netzspannung.org: filter-mechanisms
Digital Objects // Database Search
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
GAMA: Advanced Search
Ars Electronica Archive: Simple Search
rhizome: Embedded Google-Search
GAMA: Film Strip & Related Search
Digital Objects // Interactive Data
Visualization / Interactive Applications
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
netzspannung.org: exploratory search interface
Semantic Map & Timeline
netzspannung.org
Digital Objects // Personalized Features
¨ expert communities
(netzspannung)
¨ Ariadne’s Thread (netzspannung)
¨ search patterns (netzspannung)
¨ member-curated exhibitions
(rhizome)
¨ netzkollektor (netzspannung)
¨ profile (netzspannung, rhizome)
¨ discussion board (with RSS feed)
(rhizome)
personalized features community features
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Digital Objects // Wiki
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
GAMA: Wiki – Guided Tour
GAMA: embedded archive-object
Digital Objects // Tags, Folksonomy
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
rhizome.org:
artist‘s terms
VokabWiki
Interlink Analysis
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Interlink Analysis of the sample
using the tool „Issue
Crawler“ (www.issuecrawler.net)
by the Govcom.org Foundation,
Amsterdam (NL).
Actors according to Google.de
1. European Media Art Festival (Osnabrück)
2. medienkunstnetz
...
4. IMAI
...
9. ZKM
...
11. mediaartnet.org
...
37. Werkleitz Gesellschaft
...
39. Edith-Russ-Haus
...
41. GAMA
...
79. ISEA 2010
¨ Archives
¨ Cultural Institutions
¨ Scientific Portals
¨ Educational Platforms
¨ Universities / Research Institutions
¨ Publishing House
¨ Funding Agencies
¨ Artists
¨ Events (Festivals, Conferences)
¨ Blogs
¨ Art Platforms
¨ Broadcaster
¨ Companies (Design, Advertising, Web, Bookstore...)
¨ Company Directories
¨ PR-Portal
¨ Cities
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Query for „media art“, 01.11.2010
Actortypes:
Actors according to Google.de (2)
1. de.wikipedia.org
2. medienkunstnetz
...
9. Edith Russ Haus
...
15. Werkleitz Gesellschaft
...
35. ISEA 2010
...
73. European Media Art Festival
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Query for „Medienkunst“, 01.11.2010
¨ Archives
¨ Cultural Institutions
¨ Educational Platforms
¨ Universities / Research Institutions
¨ Publishing House (incl. Book on
Demand)
¨ Funding Agencies
¨ NGOs
¨ Individuals (Artists, Ressearchers,
Curators)
¨ Art Projects
¨ Events (Festivals, Conferences)
¨ (Research) Blogs
¨ Art Platforms / Art Magazines
¨ Newspapers / Magazines (Print
& Online)
¨ Broadcaster
¨ Companies (Design, Advertising,
Web, Bookstore...)
¨ Company Directories
¨ Social Media Platforms
¨ Shopping Platforms
¨ Cities / City Marketing /
Counties
Actortypes:
Inlink Analysis
¨ other archives / platforms
¨ festivals
¨ cultural institutions
¨ blogs
¨ research blogs
¨ private pages of idividuals
(artists, researchers, curators)
¨ conferences
¨ universities, colleges & other
research institutions
¨ libraries
¨ research networks, platforms
¨ art portals & magazines
¨ information services on art
¨ research projects
¨ companies (partly involved in
these projects)
¨ administration
¨ web services
¨ social bookmarking
¨ broadcaster
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
Classification of hosts linking to archive‘s homepages:
Conclusions
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
¨ All sites use natively digital objects, but some are
„more digital“in their approach than others.
¨ Archives should try to bind the discourse to the
archive material.
¤ tools for collaborative meaning making are needed
References (1):
Assmann, A. (2004). Zur Mediengeschichte des kulturellen Gedächtnisses. In A. Erll & A. Nünning, . Berlin, New York.
Bolter, J. D., & Grusin, R. A. (1996). Remediation. Configurations, 4(3). Retrieved from http://muse.jhu.edu/
journals/configurations/v004/4.3bolter.html.
Caianiello, T., & Giebeler, J. (2010). Conserving Interactivity. imai Case Study on Bill Seaman's "Exchange Fields."
ISEA 2010, Panel "Still Accessible? Rethinking the Preservation of Media Art 1, 24.08.2010. Dortmund.
Cameron, F. (2003). Digital Futures I: Museum Collections, Digital Technologies, and the Cultural Construction of
Knowledge. Curator, 46(3), 325-340. doi: 10.1111/j.2151-6952.2003.tb00098.x.
Daniels, D. (2004). Das Vermittlungsparadox der Medienkunst – Thesen und Modelle zur multimedialen Vermittlung.
In G. J. Lischka & P. Weibel, Die Medien der Kunst – die Kunst der Medien (pp. 90-104). Wabern, Bern: Benteli.
Ernst, W. (2010). Underway to the Dual System – Classical Archives and / or Digital Memory. In D. Daniels &
G. Reisinger (Eds.), netpioneers 1.0 - contextualising early net-based art (pp. 81-99). Berlin, New York: Sternberg
Press. Retrieved from http://143.50.30.21/static/publication09/np_ernst_09.pdf.
Ernst, W. (2002). Das Rumoren der Archive : Ordnung aus Unordnung. Internationaler Merve-Diskurs ; 243. Berlin:
Merve-Verl.
Haber, P. (2006). Gegenwart dokumentieren – Eine Annäherung aus historischer Sicht. In L. Reddeker, gegenwart
dokumentieren. handbuch zur erschließung moderner und zeitgenössischer kunst in archiven und datenbanken (pp.
17-26). Wien: basis wien - Kunst, Information und Archiv.
Kampman, M. (2009). YouTube's Flagging System. Retrieved from http://www.minkekampman.nl/index.php/
2009/09/04/index/.
Lemke, J. L. (2002). Travels in hypermodality. Visual Communication, 1(3), 299-325. doi:
10.1177/147035720200100303.
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
References (2):
Lovink, G., & Niederer, S. (Eds.)(2008). Video Vortex Reader – Responses to Youtube. Amsterdam: Institute of
Network Cultures. Retrieved from http://networkcultures.org/wpmu/portal/files/2008/10/vv_reader_small.pdf.
Ludwig Boltzmann Institut Medien.Kunst.Forschung. (2009). Abschlussbericht 09 des Ludwig Boltzmann Institut
Medien.Kunst.Forschung. Retrieved from http://mediaartresearch.at/de/news.php?iMenuID=35&iNewsID=98.
Ludwig Boltzmann Institute Media.Art.Research. (2009). Visualization Showcase - Projects. Retrieved from http://
vis.mediaartresearch.at/webarchive/public/view/mid:1.
Manovich, L. (2001). The language of new media. Leonardo. Cambridge, Mass. [u.a.]: MIT Press.
Manovich, L. (2008). Software takes command. Retrieved from http://softwarestudies.com/softbook/
manovich_softbook_11_20_2008.doc.
Morville, P., & Callender, J. (2010). Search Patterns (1 ed.). O'Reilly Media. Retrieved from http://
www.amazon.de/dp/0596802277.
Mulder, A. (2007). The Exercise of Interactive Art. In J. Brouwer & A. Mulder, (pp. 52-69). Rotterdam: V2 Pub./NAi
Publishers.
netzspannung.org. (2009). netzspannung.org – Werkzeuge zur Wissenserschließung. Retrieved from http://
netzspannung.org/about/tools/.
Paul, Christiane (2010): Context and Archive: Presenting and Preserving Net-Based Art. In D. Daniels & G.
Reisinger (Eds.), netpioneers 1.0 - contextualising early net-based art (pp. 101-120). Berlin, New York: Sternberg
Press. Retrieved from http://143.50.30.21/static/publication09/np_paul_09.pdf
Rogers, R. (2009). The End of the Virtual – Digital Methods. Retrieved from http://www.govcom.org/
rogers_oratie.pdf.
Schröter, J. (2009). On the Logic of the Digital Archive. In P. Snickars & P. Vonderau (Eds.), (pp. 330-346).
Stockholm: National Library of Sweden.
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
References (3):
Snickars, P., & Vonderau, P. (Eds.) (2009). The YouTube Reader. Stockholm: National Library of Sweden.
V2_ Institute for Unstable Media. (2004). Capturing Unstable Media. Retrieved from http://
capturing.projects.v2.nl/recomm.html.
Weinberger, D. (2007). Everything is miscellaneous. New York, NY: Times Books. Retrieved from http://
katalog.suub.uni-bremen.de/DB=1/LNG=DU/CMD?ACT=SRCHA&IKT=8000&TRM=82269460*.
Wiencek, F. (2009). Gedanken zur Online-Vermittlung von Medienkunst. In A. Rotert, H. Nöring, & R. Sausmikat,
Katalog des European Media Art Festival Osnabrück 2009 (pp. 216-217). Osnabrück.
14.11.2010Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive
14.11.2010Wiencek, Seizov, Müller - Multimodal Online Mediation @ ECREA 2010
References (4):
Sample:
Ars Electronica Archive: http://90.146.8.18/de/archives/index.asp; http://90.146.8.18/de/archives/
prix_archive/prix_projekt.asp?iProjectID=2475#
Daniel Langlois Foundation: http://www.fondation-langlois.org/html/e/; http://www.fondation-langlois.org/
html/e/page.php?NumPage=2186
GAMA: http://www.gama-gateway.eu; http://www.gama-gateway.eu/index.php?
id=search&workdetail=gama:ars-electronica:main:Work:966
Medien Kunst Netz: http://www.medienkunstnetz.de; http://www.medienkunstnetz.de/werke/very-nervous-
system/
netzspannung.org: http://www.netzspannung.org; http://netzspannung.org/cat/servlet/CatServlet?
cmd=document&subCommand=show&forward=%2fnetzkollektor%2foutput
%2fproject.xml&entryId=147823§ion=base&lang=de
rhizome.org: http://www.rhizome.org
Virtualart: http://www.virtualart.at; http://www.virtualart.at/database/general/work/very-nervous-system.html
V2_archive: http://www.v2.nl/archive; http://framework.v2.nl/archive/archive/node/work/default.xslt/
nodenr-162937
Wiencek – The Online Life of Media Art-Archives @ Reimagining the Archive