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For their first game Gloomywood decided to make a game with a unique “retro” look, a mix of old-school pixel art and new display techniques. In 2Dark (www.2dark.cc), the backgrounds are made of 2.5D tiles but with normal maps and “dark” bumps…They use 3D voxels characters raytraced in real-time to take the lights and use an infinity of animations! It’s how Gloomywood used technology in their creative process…
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Hundreds of games launch every single day, and most of them get lost in a sea of new releases. So which platforms are best to launch on in 2015? tinyBuild’s Mike Rose will take a look at how many copies of your game you should expect to sell in each platform, ranging from Steam to Xbox One, from iOS to PlayStation 4.
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Due to the surprise success and widening game scope, the team faced many challenges against the backdrop of a rapidly expanding company. Listen and take heed to some cautionary tales and an after action report on what it was like taking the art department from a team of 3 people to a team of 30 in one year. Successes and failures, highs and lows.
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In un momento di grande difficoltà come quello attuale, la cooperazione riesce a difendere i livelli occupazionali. Purtroppo però in assenza di politiche di rilancio nazionali e locali, anche le cooperative rischiano nei prossimi anni di pagare un prezzo molto caro sul piano della crescita delle aziende e dell' occupazione. Occorre essere attrezzati meglio per far fronte a questa crisi perché non è ancora passata e anche le cooperative si devono rinnovare con ristrutturazioni aziendali forti.
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For their first game Gloomywood decided to make a game with a unique “retro” look, a mix of old-school pixel art and new display techniques. In 2Dark (www.2dark.cc), the backgrounds are made of 2.5D tiles but with normal maps and “dark” bumps…They use 3D voxels characters raytraced in real-time to take the lights and use an infinity of animations! It’s how Gloomywood used technology in their creative process…
Thierry Platon: 2Dark, how do we get our neo-pixel unique look?
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DevGAMM Conference
Hundreds of games launch every single day, and most of them get lost in a sea of new releases. So which platforms are best to launch on in 2015? tinyBuild’s Mike Rose will take a look at how many copies of your game you should expect to sell in each platform, ranging from Steam to Xbox One, from iOS to PlayStation 4.
Mike Rose: How well do games sell in 2015?
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Due to the surprise success and widening game scope, the team faced many challenges against the backdrop of a rapidly expanding company. Listen and take heed to some cautionary tales and an after action report on what it was like taking the art department from a team of 3 people to a team of 30 in one year. Successes and failures, highs and lows.
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In un momento di grande difficoltà come quello attuale, la cooperazione riesce a difendere i livelli occupazionali. Purtroppo però in assenza di politiche di rilancio nazionali e locali, anche le cooperative rischiano nei prossimi anni di pagare un prezzo molto caro sul piano della crescita delle aziende e dell' occupazione. Occorre essere attrezzati meglio per far fronte a questa crisi perché non è ancora passata e anche le cooperative si devono rinnovare con ristrutturazioni aziendali forti.
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Are you tired of being in a stagnant relationship with your game's audio system? Our team felt the same way, so we broke up with FMOD and started seeing Metasounds instead. We had to navigate some challenges during the transition, but we built custom editor scripts to automate certain processes, and we found that while FMOD made it easier to design sounds and music, Unreal provides fewer bugs. And while both Unreal Audio and Metasounds have their quirks, we decided to take matters into our own hands and build our own custom tools and features to make the workflow as efficient as we can.. Our bumpy journey from transitioning to Unreal Audio is not without any problems, but we feel like we are on the right track. We have the flexibility to create the sounds we want and take our game's audio to new heights. So if you're ready to break free from your boring audio engine, join us as we share our story of breaking up with FMOD and embracing the wacky world of Metasounds.
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Join Jan Kuhlmann, Marketing Manager for Europe at Xsolla, as he shares his expertise on taking your game to new heights. Discover the power of incorporating payments and direct-to-consumer strategies, and learn how to effectively connect with players globally. With Xsolla's fully customizable solutions, you'll have the tools to tailor your game to your players' specific needs, resulting in increased revenue and profitability.
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Utilizamos materiais com pronta entrega, tornando o fornecimento de bloco de concreto em sp mais simples, também buscamos orientar o consumidor dos benéficos logísticos com a finalidade de realizar um atendimento à sua necessidade, qualidade é o que baseia a reputação do nosso bloco de concreto em sp. http://www.iporablocos.com.br/bloco-concreto-sp
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During a year of the war, our studio continues working and creating audio for video games. What helps us to stay productive and meet the deadlines under rocket attacks and blackouts? My short story is about choices and real steps which help us to adapt the mind and business to the new reality.
The art of small steps, or how to make sound for games in conditions of war /...
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DevGAMM Conference
Are you tired of being in a stagnant relationship with your game's audio system? Our team felt the same way, so we broke up with FMOD and started seeing Metasounds instead. We had to navigate some challenges during the transition, but we built custom editor scripts to automate certain processes, and we found that while FMOD made it easier to design sounds and music, Unreal provides fewer bugs. And while both Unreal Audio and Metasounds have their quirks, we decided to take matters into our own hands and build our own custom tools and features to make the workflow as efficient as we can.. Our bumpy journey from transitioning to Unreal Audio is not without any problems, but we feel like we are on the right track. We have the flexibility to create the sounds we want and take our game's audio to new heights. So if you're ready to break free from your boring audio engine, join us as we share our story of breaking up with FMOD and embracing the wacky world of Metasounds.
Breaking up with FMOD - Why we ended things and embraced Metasounds / Daniel ...
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How Audio Objects Improve Spatial Accuracy / Mads Maretty Sønderup (Audiokine...
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GameDev community has very mixed feeling about hyper-casual in general Some admire it, majority don't understand and hates it 3 years ago it was really strange market filled with questionable people, low-quality projects and a lot of hype Years have passed, industry matured, adequate business ethics established And most important, this is not about mobile anymore! Almost every publisher have PC (Steam) or Console department right now They are porting successful mobile hits to our favourite platforms Combine it with very fast passed and data driven production cycles, opportunity to try different staff on monthly or even weekly basis and you get perfect environment to apply your passion of making great games and predictable financial conditions
Why indie developers should consider hyper-casual right now / Igor Gurenyov (...
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In this talk we'll cover the complexities of the AI/ML landscape and what that means for independent studios. We'll look at tools for image, text, video, and multimedia and how these tools could be used to help smaller studios stand out in a competitive landscape. We'll also explore the potential legal and ethical ramifications of utilizing these tools and provide a roadmap for how to navigate this tumultuous ocean of technology
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Agile processes have been widely adopted in software development for over a decade, but their adoption in game development studios is relatively new. In this talk, Epam Management experts Ganna Ivanicheva and Boris Lesun will discuss the benefits of adopting Agile processes in game development studios, drawing from their expertise and industry research. They will also explore the similarities and differences between software and game development processes, and common pain points studios face. Additionally, the speakers will delve into the acceleration of game development processes due to the adoption of artificial intelligence (AI).
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This session is jam-packed with valuable info. Explore the software that will make your life easier in PR, sales and other forms of outreach. Discover the latest software tools for finding emails, tracking replies, scheduling demos, and more. Explore AI-powered writing technology that will elevate your messaging. Leave with a wealth of options and practical tips to streamline your workflow and boost productivity
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Does managing an art team differ from managing any other team? This speech is based on personal experience in managing an art team. It is a story about forging and sustaining a healthy and trusting atmosphere that allows artistic growth. It is about a collaborative team culture, clear communication, professional development, and alignment with project goals. Discover how focusing on these areas has allowed us to create a space where personal goals can help achieve the project goals.
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Join Jan Kuhlmann, Marketing Manager for Europe at Xsolla, as he shares his expertise on taking your game to new heights. Discover the power of incorporating payments and direct-to-consumer strategies, and learn how to effectively connect with players globally. With Xsolla's fully customizable solutions, you'll have the tools to tailor your game to your players' specific needs, resulting in increased revenue and profitability.
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Author draws from the experience of providing marketing services for 10 game development studios, the majority of which are PC developers. Presentation is divided into 3 parts: - Chinese social media & distribution platforms introduction - logic behind selected tactics - case study: games we worked on, actions taken & most effective practices
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This time Zindhu's CEO will share more about Turkish gaming industry and its numbers. The salary ranges in Turkey, turn-over ratios, most popular reasons of turn-over and Game Studio insights diversified by genre, size and their performance
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Are you struggling with LiveOps and can't seem to figure out what's going wrong? You're not the only one. In this talk, Alexander Devyaterikov, a game producer at Belka Games, will dive into the seven most common reasons why LiveOps isn't working and provide practical solutions to overcome these challenges.
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In this talk, we'll explore the power of music collaborations and how they can help reach and engage gameindustries’ audience. With music and games being among the most popular entertainments among the youthful demographic, so they make a perfect match. We'll share real-life examples of how games are using music collabs to captivate players and drive success. From game soundtracks to in-game events, we'll show how to use music to connect with audience in meaningful ways and turn it into essential tool for every developer and publisher.
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Branded content is the ultimate tool for building strong emotional connections with players. Alex Brodsky will share success stories and explain how to extend and deepen game titles with compelling storytelling. Learn how to communicate with existing and potential audiences at a new level.
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Breaking up with FMOD - Why we ended things and embraced Metasounds / Daniel ...
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Strategies and case studies to grow LTV in 2023 / Julia Iljuk (Balancy)
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Why is ASO not working in 2023 and how to change it? / Olena Vedmedenko (Keya...
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