Detail of a Buddhist wall painting from the cave shrines at Ajanta (Maharashtra, India), Gupta period, ca. 475 C.E. Avalokiteshvara (known in China as Kwanyin and in Japan as Kannon) is the bodhisattva of infinite mercy.
The Achaemenid Persian Empire, created by Cyrus, had reached its fullest extent under Darius when Persia attacked Greece
in 490 B.C.E. As shown by the colored area on the map, it extended from the subcontinent of India to the Aegean Sea, and
even into Europe, encompassing the lands formerly ruled by Egyptians, Hittites, Babylonians, and Assyrians. The main
segment of the Achaemenid “Royal Highway” (shown in red from Sardis to Susa) took some 90 days to traverse on foot.
An extensive network of overland and sea routes connected Eurasia from the Mediterranean Sea to the China mainland. The central position of the Iranian plateau, Inner Asia, and the subcontinent of India in this vast trading zone provided them with great wealth and influence, although North and East Africa and Southeast Asia formed important links as well.
Zoroastrian priests hold hands around a devotional flame during a religious New Year’s celebration in London in 1999.
A gold coin first minted under Darius I of Persia, fourth century b.c.e.
The Parthians were superb fighters and were particularly noted for the “Parthian shot,” firing arrows backward while mounted on a galloping horse. It is not difficult to imagine the fear that must have gripped non–horse-riding peoples upon the sight of such swift and mobile cavalry forces.
A sculpted head of the Buddha, second century b.c.e. Hellenistic influences are evident in the realistic modeling and sculptural plasticity.
Cliff-cut tombs at Nagsh-i Rustam, Iran. Stone relief depicts Philip the Arab in Roman dress kneeling before the third-century Persian King Shapur I on horseback wearing royal armor and crown, who grasps with his right hand the uplifted arms of the Byzantine Emperor Valerian. Located at the tombs of the Achaemenids, in Istakhr, Iran.
This map shows the Gupta and Sasanid empires and the trade routes that linked them to each other and to other areas of the world.
This leaf from a Manichaean book (ca. eighth–ninth century c.e.) shows priests in white robes and tall hats kneeling in front of low desks. Each has a sheet of white paper, and some hold pens. Works such as this are an important source for our knowledge of Manichaean communities.
The spread of Christianity along the Silk Road perfectly illustrates the close connection between missionary activity and trading routes in late antiquity. Although the Nestorians had little impact on Christian communities in the Mediterranean and Europe, they were well represented from Iran east along the Silk Road to China. The stele depicted here, built in 781 c.e., commemorates the introduction of Nestorian Christianity to China.
This map shows not only the major cities and regions of the Iranian lands and the Indian subcontinent, but also the neighboring eastern Mediterranean world. Although the Mediterranean was closely tied to the Iranian plateau from Achaemenid times onward, its contacts with India in the wake of the conquests of Alexander the Great were many and varied.
This sculpture, carved from a single sandstone block, sat originally (c. 250 b.c.e.) atop the Ashoka pillar or column at Sarnath, close by Varanasi (Banares) in present-day Uttar Pradesh, India. The base of the column is still in its original place (where it commemorated the Buddha’s first sermon), but the lion capital resides in Sarnath Museum. The heads of the four Asiatic lions on the Ashoka column are said to have originally carried a large dharmachakra (now lost) above them. Used by Ashoka as the emblem of his rule, it was also adopted in 1950 as the Indian National Emblem or Seal and set, minus the lotus, over Sanskrit words from the Mundaka Upanishad, “Truth alone triumphs.”
1. Why might Ashoka have chosen the elements used in this capital as emblematic of his rule? Draw on what you know of his reign and life.
2. Why might independent India have decided on this royal emblem of an ancient Buddhist ruler as its national emblem? How does its symbolism transcend its possible original Buddhist symbolism?
3. How can the chakra be an apposite symbol both in Ashokan usage and in modern Indian usage?
This is an outstanding example of early Buddhist relic mounds. The mound, seated on an Ashokan foundation, was added to over the centuries. Magnificent carvings adorn its stone railing and gateways, one of which is shown in the left foreground. Sanchi is located in north-central India.
Fifth-century statue of Lokanatha from Sarnath, which, despite damage, shows the fine sculptural work of the important school of Gupta artists at Sarnath and the influence on them of both Greco-Roman antecedents and native Indian traditions and conventions.
By the middle of the seventh century c.e., Indian traditions, art, and music exerted a pervasive influence throughout Southeast Asia, even though the number of Indians who traded and migrated there was not great.
The Buddhist Temple of Borobodur with tiers of stupas looking out over the island of Java. Built out of a half million blocks of stone, it represents a schema of the Buddhist cosmos. Construction began late in the eighth century c.e.; the temple was intended originally to be a Hindu sanctuary.
By the twelfth century c.e., Buddhist traditions had taken root in many parts of Southeast Asia, often blending with local customs, as well as with Hindu traditions that had been introduced earlier.
A magnificent South Indian bronze of Shiva. The fluid, balanced image depicts the so-called dancing Shiva engaged in his dance of simultaneous destruction and creation of the universe, an artistic-mythical rendering of the eternal flux of all worldly existence.