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Running in the Family

                    Subjects: Family
                     or family life,
 Genres: Long         Parents and
    fiction,       children, Authors
Autobiographical   or writers, Asia or
    fiction        Asians, Novelists,
                   England or English
                    people, Fathers
Michael Ondaatje’s autobiographical
  novel Running in the Family is an
  imaginative reconstruction of the
author’s family history. A mixture of
fact and fiction, the novel chronicles
 Ondaatje’s attempt to gain insight
    into his own identity by better
   understanding his parents and
               relatives.
In the novel Ondaatje returns to
Ceylon for the first time since his
    childhood in order to meet
   relatives and learn about his
   family. The novel consists of
      stories about Ondaatje’s
  aristocratic family interspersed
    with accounts of Ondaatje’s
experiences while visiting Ceylon.
As the novel progresses, the reader learns
 that Ondaatje left Ceylon to live with his
mother in England and that his father, who
    remained in Ceylon, has died in his
absence. It becomes increasingly clear that
Ondaatje’s desire to understand his family
     is at bottom a desire to know and
      understand his father. His lack of
 knowledge about his father is an empty
  space in his identity and this emptiness
     haunts him throughout the novel.
As he meets various friends and relatives
   and listens to their stories Ondaatje
 struggles to understand his father’s life
  and his father’s relationship with his
 mother. He also struggles to put to rest
fears he has about his father’s character.
Ondaatje hears stories about his father’s
  wildness and drunkenness, about his
mother’s dramatic flair, about his parents’
arguments, and about the circumstances
        surrounding their divorce.
He comes to realize that while these exaggerated
and contradictory stories capture the spirit of the
 1930’s generation of aristocrats in Ceylon, they
tell him nothing of what he really wants to know,
nothing of his father’s thoughts and experiences,
nothing of “the closeness between two people,”
  of how his parents “grew in the shade of each
                other’s presence.”
In the end, Ondaatje recognizes that his
father will remain “one of those books
we long to read whose pages remain
uncut.” Ondaatje can rely upon only
faith and imaginative insight as means
of understanding his father and of filling
the empty space in his own identity.
Running in the Family has been
 appreciated for its striking imagery
   as well as for its carefully crafted
    prose. Although it was initially
  criticized for failing to address the
political realities in Ceylon, the novel
    has since been accepted as an
       evocative depiction of the
 relationship between one’s identity
        and one’s family history.

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508 running inthe family

  • 1. Running in the Family Subjects: Family or family life, Genres: Long Parents and fiction, children, Authors Autobiographical or writers, Asia or fiction Asians, Novelists, England or English people, Fathers
  • 2. Michael Ondaatje’s autobiographical novel Running in the Family is an imaginative reconstruction of the author’s family history. A mixture of fact and fiction, the novel chronicles Ondaatje’s attempt to gain insight into his own identity by better understanding his parents and relatives.
  • 3. In the novel Ondaatje returns to Ceylon for the first time since his childhood in order to meet relatives and learn about his family. The novel consists of stories about Ondaatje’s aristocratic family interspersed with accounts of Ondaatje’s experiences while visiting Ceylon.
  • 4. As the novel progresses, the reader learns that Ondaatje left Ceylon to live with his mother in England and that his father, who remained in Ceylon, has died in his absence. It becomes increasingly clear that Ondaatje’s desire to understand his family is at bottom a desire to know and understand his father. His lack of knowledge about his father is an empty space in his identity and this emptiness haunts him throughout the novel.
  • 5. As he meets various friends and relatives and listens to their stories Ondaatje struggles to understand his father’s life and his father’s relationship with his mother. He also struggles to put to rest fears he has about his father’s character. Ondaatje hears stories about his father’s wildness and drunkenness, about his mother’s dramatic flair, about his parents’ arguments, and about the circumstances surrounding their divorce.
  • 6. He comes to realize that while these exaggerated and contradictory stories capture the spirit of the 1930’s generation of aristocrats in Ceylon, they tell him nothing of what he really wants to know, nothing of his father’s thoughts and experiences, nothing of “the closeness between two people,” of how his parents “grew in the shade of each other’s presence.”
  • 7. In the end, Ondaatje recognizes that his father will remain “one of those books we long to read whose pages remain uncut.” Ondaatje can rely upon only faith and imaginative insight as means of understanding his father and of filling the empty space in his own identity.
  • 8. Running in the Family has been appreciated for its striking imagery as well as for its carefully crafted prose. Although it was initially criticized for failing to address the political realities in Ceylon, the novel has since been accepted as an evocative depiction of the relationship between one’s identity and one’s family history.