CONTEMPORARY ARCHITECTURE

ANUPA BHATTA 206
DIPESH PRADHAN 215

EXPRESSIONISM

MODERNISM

SUSTAINABLE ARCHITECTURE

CONTEMPORARY ARCHITECTURE

1
ANUPA BHATTA 206
DIPESH PRADHAN 215

CONTEMPORARY ARCHITECTURE

2
ANUPA BHATTA 206
DIPESH PRADHAN 215

EVOLUTION OF EXPRESSIONISM VIA GERMANY

EXPRESSIONISM
ANUPA BHATTA 206
DIPESH PRADHAN 215

EXPRESSIONIST MOVEMENT-INTRODUCTION

 Present the world solely from
subjective perspective
 Artists sought to express emotional
experience rather than physical reality
 Characterized reaction against
Positivism, Naturalism and
Impressionism

CONTEMPORARY ARCHITECTURE

4
EVOLUTION

ANUPA BHATTA 206
DIPESH PRADHAN 215

 Julien Auguste Herve called his Art
Exhibition as EXPRESSIONISMES in
1886 while Czech Art historian
Antonin Matejcek coined the term in
1910
 Precursors were Friedrich Nietzsche,
August Stindberg, Walt Whitman,
Fyodor Dostoevsky, Edvard Munch,
Vincent Van Gogh, Sigmund Freud….
 Die Brucke led by Ernst Ludwig
Kirchev in 1905- founding
expressionist movement

Van Gogh
EXPRESSIONIST MOVEMENT

5
ANUPA BHATTA 206
DIPESH PRADHAN 215

Characteristics in ART
 Subjective interpretation, to express
emotions, moods and ideas
 a form of ‘self-expression’ that offer an
individual voice in a world perceive as
both insecure and hostile.
 Use of intense colours

CONTEMPORARY ARCHITECTURE

6
ANUPA BHATTA 206
DIPESH PRADHAN 215

EXPRESSIONIST ARCHITECTURE-Intro - Context

 Expressionist architecture described the activity of the German, Dutch,
Austrian, Czech and Danish avant garde from 1910 until 1930
 Political, economic and artistic shifts called Expressionist movement
especially due to loss in war and depressions
 Arts and Crafts movement and Art Nouveau influenced expressionists
 Constructivism, Futurism and Dada movement had similar expressions

Monument to the March Dead

CONTEMPORARY ARCHITECTURE

7
ANUPA BHATTA 206
DIPESH PRADHAN 215

ARCHITECTURE CHARACTERS

 Distorted form for emotional
effect, subordination of realism
 Efforts to achieve innovation
 More mineral and elemental
than organic and florid
 Artistic and craftmanship
 Architecture as a work of artprime concept
 Profusion of works on paper,
representation of concepts
rather than pragmatic
products.
 Tendencies towards Gothic,
Romanesque and Rococo
styles.

CONTEMPORARY ARCHITECTURE

8
ANUPA BHATTA 206
DIPESH PRADHAN 215

ARCHITECTS AND ARCHITECTURE

 Ar. Bruno Taut inspired from
the writings of Friedrich
Nietzsche that resulted Taut’s
Alpine Architecture
“Objects serve psychologically to
mirror the actors' emotions
and gestures."

Erich Mendelshon built Einstein
Tower built to symbolize greatness
of Einstienian concept - 1919
CONTEMPORARY ARCHITECTURE

9
ANUPA BHATTA 206
DIPESH PRADHAN 215

MATERIAL AND TECHNOLOGY

Brick was used
as inherent nature
of material as
Josef Franke in

 Unify the materials so as to
make it monolithic.
 Collaboration of Bruno Taut
and poet Paul Scheebart
inventing Glass Architecture

Catholic parish
church "HeiligKreuz" at
Gelsenkirchen,

"Coloured glass destroys
hatred","Without a glass
palace life is a
burden","Glass brings us a
new era, building in brick
only does us harm"- Paul
Scheerbart

Einstein Tower,
Mendelshon –
Example of
Expressionist use of
Monolithic materials.

CONTEMPORARY ARCHITECTURE

10
ANUPA BHATTA 206
DIPESH PRADHAN 215

LEGACY, DECLINE AND REBIRTH

 Influences on Art
Deco -immediate
successor

 21st Cent.
Deconstructivism,
Blobitecture and
works of Calatrava

CONTEMPORARY ARCHITECTURE

1930 after Hitlers’ regime
expressionism declined
New Objectivity came as
the reaction to subjective
expressionism
Existenzminimum
philosophy- use of minimal
resources
11
ANUPA BHATTA 206
DIPESH PRADHAN 215

NEO EXPRESSIONISM

 Brutalist architecture as typically very
linear, fortresslike and blockish, often
a concrete construction

“Architecture's principal function is
emotion.“ – Ar. Mathias Goeritz

Eero Sarinen – TWA Terminal – organic
forms close to Herman Finsterlin

CONTEMPORARY ARCHITECTURE

Sydney Opera House- Jorn Utzon
with the shell structure

12
ANUPA BHATTA 206
DIPESH PRADHAN 215

CONTEMPORARY ARCHITECTURE

13

Expressionist Architecture

  • 1.
    CONTEMPORARY ARCHITECTURE ANUPA BHATTA206 DIPESH PRADHAN 215 EXPRESSIONISM MODERNISM SUSTAINABLE ARCHITECTURE CONTEMPORARY ARCHITECTURE 1
  • 2.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 CONTEMPORARY ARCHITECTURE 2
  • 3.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 EVOLUTION OF EXPRESSIONISM VIA GERMANY EXPRESSIONISM
  • 4.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 EXPRESSIONIST MOVEMENT-INTRODUCTION  Present the world solely from subjective perspective  Artists sought to express emotional experience rather than physical reality  Characterized reaction against Positivism, Naturalism and Impressionism CONTEMPORARY ARCHITECTURE 4
  • 5.
    EVOLUTION ANUPA BHATTA 206 DIPESHPRADHAN 215  Julien Auguste Herve called his Art Exhibition as EXPRESSIONISMES in 1886 while Czech Art historian Antonin Matejcek coined the term in 1910  Precursors were Friedrich Nietzsche, August Stindberg, Walt Whitman, Fyodor Dostoevsky, Edvard Munch, Vincent Van Gogh, Sigmund Freud….  Die Brucke led by Ernst Ludwig Kirchev in 1905- founding expressionist movement Van Gogh EXPRESSIONIST MOVEMENT 5
  • 6.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 Characteristics in ART  Subjective interpretation, to express emotions, moods and ideas  a form of ‘self-expression’ that offer an individual voice in a world perceive as both insecure and hostile.  Use of intense colours CONTEMPORARY ARCHITECTURE 6
  • 7.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 EXPRESSIONIST ARCHITECTURE-Intro - Context  Expressionist architecture described the activity of the German, Dutch, Austrian, Czech and Danish avant garde from 1910 until 1930  Political, economic and artistic shifts called Expressionist movement especially due to loss in war and depressions  Arts and Crafts movement and Art Nouveau influenced expressionists  Constructivism, Futurism and Dada movement had similar expressions Monument to the March Dead CONTEMPORARY ARCHITECTURE 7
  • 8.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 ARCHITECTURE CHARACTERS  Distorted form for emotional effect, subordination of realism  Efforts to achieve innovation  More mineral and elemental than organic and florid  Artistic and craftmanship  Architecture as a work of artprime concept  Profusion of works on paper, representation of concepts rather than pragmatic products.  Tendencies towards Gothic, Romanesque and Rococo styles. CONTEMPORARY ARCHITECTURE 8
  • 9.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 ARCHITECTS AND ARCHITECTURE  Ar. Bruno Taut inspired from the writings of Friedrich Nietzsche that resulted Taut’s Alpine Architecture “Objects serve psychologically to mirror the actors' emotions and gestures." Erich Mendelshon built Einstein Tower built to symbolize greatness of Einstienian concept - 1919 CONTEMPORARY ARCHITECTURE 9
  • 10.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 MATERIAL AND TECHNOLOGY Brick was used as inherent nature of material as Josef Franke in  Unify the materials so as to make it monolithic.  Collaboration of Bruno Taut and poet Paul Scheebart inventing Glass Architecture Catholic parish church "HeiligKreuz" at Gelsenkirchen, "Coloured glass destroys hatred","Without a glass palace life is a burden","Glass brings us a new era, building in brick only does us harm"- Paul Scheerbart Einstein Tower, Mendelshon – Example of Expressionist use of Monolithic materials. CONTEMPORARY ARCHITECTURE 10
  • 11.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 LEGACY, DECLINE AND REBIRTH  Influences on Art Deco -immediate successor  21st Cent. Deconstructivism, Blobitecture and works of Calatrava CONTEMPORARY ARCHITECTURE 1930 after Hitlers’ regime expressionism declined New Objectivity came as the reaction to subjective expressionism Existenzminimum philosophy- use of minimal resources 11
  • 12.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 NEO EXPRESSIONISM  Brutalist architecture as typically very linear, fortresslike and blockish, often a concrete construction “Architecture's principal function is emotion.“ – Ar. Mathias Goeritz Eero Sarinen – TWA Terminal – organic forms close to Herman Finsterlin CONTEMPORARY ARCHITECTURE Sydney Opera House- Jorn Utzon with the shell structure 12
  • 13.
    ANUPA BHATTA 206 DIPESHPRADHAN 215 CONTEMPORARY ARCHITECTURE 13