How Did Michelangelo Influence His Work

How Did Michelangelo Influence His Work
If you look at most of his art work, you can see his feelings he put in to them from his life and his
pain in his life time. He was a great arts that had many paintings that had different styles. Many rich
families back then wanted Michelangelo to paint for them, and many churches too. He liked being
wanted as a painter. The paintings he did were beautiful and amazing to the people that looked at
them. Michelangelo was influenced by two men in his life time. He was influenced by Domenico
Ghirlandaio who was an Italian Renaissance painter from Florence. Ghirlandaio was part of the so–
called "third generation" of the Florentine Renaissance. He was a great influence to Michelangelo.
He was born on January 11, 1449, Florence, Italy. He died on January 11, 1494, ... Show more
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That is a young age to be fames already back then at the time that they lived in. He was born on
February 24, 1463, Mirandola, Italy. He died on November 17, 1494, Florence, Italy. One of the
most fames artworks that Michelangelo did was his last ones. The Last Judgment was a big beautiful
painting that is on the wall behind the altar of Sistine Chapel. It took four years to finish the
beautiful painting. The painting was done between 1536 & 1541. Originally, the painting was
commissioned by Pope Clement VII. Who chose the subject of resurrection for the painting for the
church. But when the Pope Clement VII died, his successor Pope Paul changed the subject to The
Last Judgment. He thought that the painting would be telling of the times for Rome back then now
that he changed it. The Last Judgment has angles on top projecting the humans down on earth. The
painting has many things going on in it. There is fighting and brotherly love in it. The angles are
fighting the demons that wish to be in heaven to. But the humans are on earth helpless and need help
and are just lying there looking up to the heavens not knowing what to do. That is what I see when I
look at this
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Michelangelo's Impact On Art
Michelangelo Buonarroti is one of the most famous sculptors, painters, architects, and poets during
the high renaissance. He is mostly known for his sculpture of David and his fresco (plaster) painting
on the ceiling of the Sistine Chapel. Michelangelo lived a very intriguing life and had a huge impact
on art as we see it today. Michelangelo was viewed as a patron of the Mannerism movement. His
work of art conveyed an alternate style to this era. What used to be a more moderate style turned
into a more humanistic style in which Michelangelo regularly delineated with nudity. During
Michelangelo's life, the western world experienced what was maybe the most surprising time of
change since the decrease of the Roman Empire. The Renaissance saw ... Show more content on
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Medici was very impressed with his work, Michelangelo was invited to live and study with his sons
at Medici's palace. The people Michelangelo meet there heavily influenced him and his many ideas
about his art. (Sateren, Shelly. Michelangelo pg9) He studied human anatomy; he learned how the
body part fit together. He was also allowed to steady dead bodies at the hospital, where then he
learned where the muscles and veins are located, which helped him create lifelike statues. In 1492,
Lorenzo de Medici died. Michelangelo then decided to leave Florence shortly after the lost. Many
People had heard of him and his skills. Michelangelo was invited to Rome to work, where there he
was hired to carve a statue of the Greek god of wine, Bacchus. A church official saw his amazing
work and then hired him to carve a "pieta". His work in Rome had made him famous; many people
wanted Michelangelo to do work for them. In 1501 he decided to return to Florence, city officials
hired him to carve a statue that a previous sculptor never finished. The previous sculptor was
working on carving a large Goliath. But Michelangelo decided to carve a large David. Around that
time many artist sculpted images of David after he killed the Goliath, but Michelangelo decided to
sculpt David before the fight. (Edsel, Robert. Saving Italy pg. 146–147) (Jones, Jonathan. The Lost
Battles pg. 77–80)
In 1508 Michelangelo was asked to go back to Rome, to paint a fresso on a chapel's ceiling for the
Pope who

Essay on Magnificent Minds of the Renaissance
Magnificent Minds of the Renaissance
The renaissance era of the 1500's was a time of artistic, philosophic, and scientific wonder and
inspiration. Several new discoveries were made in the areas of science, and assumptions on the
world and universe around them were expressed by philosophers. Many individuals had been gifted
with artistic creativity and skill. The astonishing achievements of Leonardo da Vinci, Michelangelo,
and Raphael are considered momentous to the Renaissance period. In this paper, I will talk about the
endeavors and achievements of these three amazing Renaissance men.
Born April 15, 1452 in the small Tuscan town of Anchiano to Ser Piero, a wealthy Florentine and
Caterina, a peasant woman, Leonardo enjoyed a very ... Show more content on Helpwriting.net ...
(qtd. Encyclopedia Britannica n.pag.).
Leonardo created six pieces during his stay in Milan. The most famous of all his paintings, The Last
Supper, depicts Jesus with his 12 Apostles during Passover the moment that he reveals that one of
them will betray him (Encyclopedia Britannica n.pag.). Unfortunately, by the beginning of the 16th
century, the painting began to show deterioration due to the failed technique that Leonardo had
developed called tempra. Several attempts were made over the centuries to restore the piece but
were unsuccessful until modern restoration techniques were applied after World War II. Restoration
of this piece was completed in 1999 but very little of the original painting remains (Encyclopedia
Britannica n.pag.).
Leonardo based his scientific theories on careful observation and precise documentation. Sadly, is
treatises (writings) on several scientific subjects were never completed. The notebooks in which he
kept his theories logged, were written in a mirror script. This made it difficult for his work to be
deciphered during his lifetime. His scientific findings would have revolutionized science of the 16th
century had his work been published (Encyclopedia Britannica n.pag.). Leonardo anticipated
discoveries of the modern times.
Leonardo spent his last years at the Château de Cloux, near Amboise, where he died and was buried
in the palace church

The Discovery Of The Staircase
Humans are instinctually curious animals due to their frontal lobe, which causes higher thinking and
a desire for knowledge. The desire for knowledge and higher thinking often leads people to travel
due to the possibility to gain new experiences and discover something new. The mystery behind
certain iconic tourist sights that are brought to light through photography often intrigues and sparks
curiosity in humans with the promise of new knowledge and discovery. The Miraculous Staircase of
Saint Joseph in the Chapel of Loretto in Santa Fe, New Mexico offers mystery through the unknown
and unexplainable questions that have risen throughout the years regarding the stair cases history
and religious background. The mixture between the unanswered questions concerning the history of
the staircase and its baffling architecture captured through photography throughout the years cause
the stair case to be a focal point of many curious tourist minds in Santa Fe. The Chapel of Loretto
was finished in Santa Fe, New Mexico in 1878. The chapel was beautiful, but it was missing a way
to access the choir loft that was twenty–two feet up. Upset by this, the nuns of the chapel prayed to
Saint Joseph the "Master Carpenter" (Helix to Heaven). According to sources, on the ninth day of
the sisters praying a stranger showed up with a donkey and carpentry tools to help with the
predicament. He built the beautiful helical staircase that still stands today in a bout six months, and
then vanished before

Research Paper On Michelangelo Buonarroti
In this essay I be discussing subtractive sculpture which one of the many types of art sculpture and
an artist that truly captured and encompass this type of art work. Subtractive sculpture is the art
works of carving. Usually this works begins with a large block of wood or stone and the artist cuts
away the unwanted material. Stone carving was originated near the Mediterranean around the 13th
century and one of the greatest subtractive artists is Michelangelo Buonarroti, born March 6, 1475 in
Caprese, Tuscany. Michelangelo known for his art painting as well. One of Michelangelo's greatest
sculptures is the Pietà, noted to be one of the art history greatest sculpture.
Pietà caved in Rome between 1498–1499, the sculpture created by the young Michelangelo who
was only 25–years–old at the construction of this piece. Viewers would ... Show more content on
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Which ties into the principle of composition of the sculpture, Mary's body is greater than that of
Jesus, yet it looks natural. The proportion of the work gives it mass and draws the viewer into every
inch of the sculptor. Your eyes follow the face of Mary to her drapery as it cradled Jesus body. Her
face looks youthful; stated that her youthfulness attest to her "purity" which the artist portrays in the
sculptor. Her face not depicted in a grief stricken state, however; it portrays "resignation" has to say
she knew and was acceptable of her son's death. The way that Mary is holding Jesus' lifeless body is
the way a mother holds her baby for the very first time. The face of Jesus in this sculpture does not
show signs of suffering. One could say that it was the Michelangelo's intention to create an image
that showed a face of serene and abandonment in Jesus. The sculpture shows the greatest sacrifice
for mankind and the ultimate expression of eternal love. The focal point of the sculptor is Mary's
face; which shows love for her son and blessed by God to have Jesus as her

Raphael's Influence On Society
Century after century our world goes through different stages; we grow, we learn, and overall we
push the boundaries. Life is more than waking up every day and living by the expectations a society
gives you. There is proof in our history and our art that no matter what decade, people will try and
break those social norms. This shows tremendously in the making and remaking of the St. Peters
church. The original basilica was built by the emperor Constantine in 326 A.D, in the Vatican City.
Constantine was the romans first Christian emperor. He chose the spot for the church because it was
believed to be where Simon Peter, Saint peter, was buried. Simon Peter was one of Jesus Christs
Twelve Apostles, they said he was 'flawed'. He was unreliable, ... Show more content on
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Why was so much money going to these unnecessary and unreasonable objects. Thousands of
dollars spent on art, money taken from people to buy of their sins, or the sins of the deceits.
However, not as a way to break from the church, he wrote a list of everything he thought was wrong
with the church and put on the front door. The church was furious because it led to the split of the
church. Leo did not take Luther that serious when it came to his protests. Towards the end of his
reign, and life, he was noted to be a very great pope and the last to take the papacy as a serious
temporal monarchy. Luther did not see himself as the founder of the new religion, his followers
however did. The two religions now were very split and it cause a major feud between the two. You
had to be one or the other and if your neighbor was the opposite you were no longer on good terms.
The roman church made it so you wanted to come back to the church, you had

Mark Rothko Research Paper
I have struggled with depression for several years now. This semester I decided to take control of it,
and conquer it, if you will. I was in a Creative Strategies course and I used that to face my fears. In
doing so, my professor mention a guy by the name of Mark Rothko. Mark Rothko is an american
painter who was born in Russia of a Russian Jewish descent in September of 1913. He was brought
up in a secular and political household, and due to the fact that he was raised in an environment
where Jews were blamed for many of the bad things that happened to Russia at the time, his
childhood was filled with fear. His father, in fear of his children being drafted into the Imperial
Russian Army, emigrated to the US when Rothko was ten years old. He went through school in the
US, graduating with honors in June of 1921 at the age of seventeen. He received a scholarship to
Yale, but it was not renewed after the first year he was there so he worked as a waiter and delivery
boy in order to pay for his schooling. However, he dropped out after his sophomore year, finding
Yale to be elitist and racist. (Mark Rothko) From there, Rothko went to New York where he found
work in the garment district. While visiting a friend at the Art Students League of New York, he saw
some ... Show more content on Helpwriting.net ...
Three walls display triptychs, while the other five walls display single paintings. These paintings
were ones that Rothko started in 1964, as a series of black paintings, which incorporated other dark
hues and texture effects. They represent his gradually growing concern for the transcendent. For
some, witnessing these paintings is to submit themselves to a spiritual experience, which
approximates that of consciousness itself. It forces viewers to approach the limits of experience and
awakens them to the awareness of their own existence. For others, the large paintings, whose dark,
nearly impenetrable surfaces represent hermeticism and

Francesco Borromini Research Paper
Francesco Borromini is the most quintessential Baroque architect of all time. Though he was born in
Canton Ticino in the Alps, he came to Rome early and remained for the rest of his life. He was
suspicious and dedicated, evident in that he carefully supervised his designs from models, to
drawings, and even to the completed structure. His works, such as the church of San Carlo alle
Quattro Fontane and the church of Sant'Agnese in Agone, still stand today and continue to show his
amazing skill and expertise, and they still show his unrelenting pursuit of perfection. The church of
San Carlo alle Quattro Fontane is Borromini's first independent commission. He received the
commission from Cardinal Francesco Barberini in 1934, but Barberini's initial interest in funding
the church had diminished, causing the project to go through financial difficulties ... Show more
Before they were decommissioned, the foundation and many of the lower walls were constructed.
To increase the originality of the plan, Borromini disrupted the longitudinal stress drastically. He
extended the transverse arms so that the eye would be led to the left and right and away from the
high altar. The wall area was also changed so that the crossing became an exact octagon.
Borromini's chief contribution was his facade. By the time he resigned, the facade reached cornice
level and the dome was completed as far as the lanterns. When Carlo Rainaldi returned he hollowed
out the piers, providing space for altars with retables and space for oratories. The church of San
Carlo and the church of Sant'Agnese have a few similarities, the most obvious one being that both
are Roman churches by Borromini. However, they also started out as a greek cross plan, and both
had a lack of aisles. Because they were churches, they were funded by Vatican officials, namely
Cardinal Francesco Barbernini and Pope Innocent X,

When Art Speaks: an Analysis of Two Artist and Two Works...
When Art Speaks:
An Analysis of Two Artist and Two Works of Art
Wanda M. Argersinger
Southern New Hanpshire University
When Art Speaks
The Italian Renaissance produced many artists and even more works of art, but there were three
artists considered to be the Trinity of Great Masters, Michelangelo, Leonardo da Vinci and Raffaelo
Santi, or simply Raphael. While these artists often worked in different mediums, Michelangelo
preferred stone and Raphael preferred oil paint. Michelangelo and Raphael were able to portray
emotions in their work. In two of these works, The Pieta and La Madonna di San Sisto, these artists
were able to bring to works of art the raw emotions felt by their subjects. Though their works are
quite different, ... Show more content on Helpwriting.net ...
They look puzzled and somewhat bored, a bit mischievous and not at all reverent. The colors are
similar to others used during this period but do not contain all the colors used by Michelangelo in
his painting of The Sistine Chapel. They are not bright or harsh, but rather muted. There is sparing
use of red and blue, but show more use of brown and gold. The curtains and clothes are dark. The
images have little shadowing, showing only under the feet of Mary and one of the saints. The lines
of the painting show an opened curtain and clouds on which Mary and the saints stand. The cherubs
appear to be leaning on a solid surface that is, in fact, the very bottom of the painting, which is the
only straight line of the piece. The clothes appear to be flowing, captured by the use of curved lines
and shadowing in the folds. The light source appears to be the clouds which are the brightest of the
piece. Personally, it is the cherubs that speak to me, and not the entire work of art. I like the
playfulness they show in their eyes. I like the idea that not all religious work is completely serious
and that some fun exists in religion. Intellectually, I wonder what the purpose Raphael had in
including them in a Church commissioned work. This work is much like other works of the time –
religious in nature, done in oil, and displayed in a house of worship. No doubt that Rafael was
influenced by other artists and the trend in art of the time, and yet from this one work

Michelangelo : The Powerful And Inspirational Artist
Michelangelo Buonarroti; the powerful and inspirational artist
Art, architecture and poetry among other creativity–based subjects have been around for well over
half a millennium. However, artistic history can never be complete without mentioning one iconic
artist whose reputation has lasted over five centuries now. Michelangelo di Lodovico Bounarroti–
Simoni was born on March 6, 1475, in Caprese, Italy, born to a middle class family, which thrived
on banking business. He was more interested in painting works than learning, his passion for art
made his father apprentice him to Domenico Ghirlandaio, a fashionable painter in Florence at that
time. Michelangelo learned about art in the sculptures gardens owned by the powerful Medici
family of a Florentine ruler Lorenzo the Magnificent between 1489 and 1492. It is here where he
perfected his artistic skills under coaching of the respected sculptor Bertoldo di Giovanni and
mentoring from prominent scholars, poets and learned humanists of the time. He became a
renowned artist at the time of the Italian Renaissance with an outstanding artistic prowess.
Michelangelo made significant achievements during his life in Rome and Florence. He was one of
the most respected artists of his time, living the glory of social and royal recognition and
appreciation of his creative work. After Lorenzo's death in 1942, Medici family lost their rule and
Michelangelo left for Bologna.
Some of Michelangelo's flagship works
Michelangelo is an

Essay on The Art of the Renaissance
Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities
of Florence, Rome and Venice were of great importance to this period. Major artists created art
mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other
important factors. Throughout history, the Roman Catholic Church was very insistent on promoting
their ideas. During this time, they used artists and their creativity to promote the Bible and other
aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art
they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual
images had on people's ideas (Kleiner, 599). ... Show more content on Helpwriting.net ...
His inquisitiveness of the world around him proved his interest in the advancement of the arts.
Leonardo's Mona Lisa is probably one of the most famous paintings for a couple different reasons.
For one, Da Vinci painted it. He was a master of many subjects, and this was his. He started using
landscape in the background, he had never wanted to sell it, and nobody knows who (or where) the
woman is or fits in to history. Aside from the fact that she is beautiful, it is one of the small "art
mysteries" that mystify observers and make the art famous, which makes it one of my favorite
pieces by Da Vinci.
Chapter 22 displays different renditions of the last supper including Leonardo Da Vinci's (22–4) and
Tintoretto's (22–48). A third one by Paolo Veronese originally bore the title The Last Supper, but
was later retitled Christ in the House of Levi (22–49). All three paintings are unique in their own
ways. Da Vinci's and Paolo's are both painted from the same aspect, whilst Tintoretto's is from a
completely different angle. Da Vinci's light comes from the bottom of his painting and distributes
itself throughout, Tintorettto focused his light on his subject's

Who Is Raphael?
Raphael
Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architecture who created
numerous works of art. The boy born on April 26, 1483 in Urbino Italy became a Renaissance
sensation through his "Madonnas," and other oil paintings. In 1514, Pope Julius II gave Raphael the
opportunity to be his chief architect, and later on in life created the great painting we know today as
the Sistine Madonna. Raphael was an extremely influential man of the era through his early life,
architecture and paintings.
Growing up with just a father only helped is art aspire. Giovanni Santi, was a painter for the Duke of
Urbino and also Raphael's father. The young Raphael was taught basic painting techniques and was
exposed to the principles of humanistic philosophy by Giovanni. He was inspiring and never gave
up on Raphael which became the greatest traits of Giovanni. When Raphael was just 11 years old,
he took over his father's work after he ... Show more content on Helpwriting.net ...
Many people have stated that The School of Athens is the most famous painting that Raphael has
created. Another painting that exploded in the artistic community was the Sistine Madonna. In the
creation you will see the Madonna holding the Christ Child and bounded by Saint Sixtus and Saint
Barbara. This particular painting has become very popular in Germany where it is noted as supreme.
The last painting done by Raphael was the Transfiguration. The painting is broken up into two parts,
the top half shows Christ saving a possessed boy from demons with the prophets Elijah and Moses
on both sides of him. On the lower half, the Apostles are attempting to rid a possessed boy from
demons. Many interpret this painting as a contrast between God and man. Giorgio Vasari, an Italian
painter, claims the painting to be Raphael's "most beautiful and most divine" work. The works of
Raphael does not stop here, there are many more of his paintings out in the world waiting to be
discovered by

Michelangelo
From the 14th century to the 17th century the Renaissance took place and was consider the cultural
bridge that connect the middle ages to modern history. During this time many spectacular things
took place. Artwork was created that looked as though it were from the heavens. Sculptures were
generated that looked as an angel had sculpted the masterpiece. The architecture that took place
looked as though it were created from the 19th century. Many architects, artist, and sculptures were
present during the Renaissance, but there was one person that stood out the most. He all of the
abilities that three men combined did not have and his name was Michelangelo di Lodovico
Buonarroti Simoni. Michelangelo has many painting that our still around today, ... Show more
Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican
City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there
is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary
holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is
not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance
belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only
amazing by the meaning but the glorious detail that Michelangelo was able to go into with
practically a hammer and chisel.
Michelangelo's plays a huge role in the way that art was created during the Renaissance and well
into today's society. His painting allow historians to grasp on to many more ideas that were
expressed during the Renaissance. He is still one of the most talented human beings to walk this
earth. There has been very few that have accomplished what Michelangelo di Lodovico Buonarroti
Simoni has accomplished in the short life of a human

The Italian Renaissance was the start of a strongly...
The Italian Renaissance was the start of a strongly religious, cultural and artistic revolution
throughout Western history, which was dominated by the catholic church. The church was seen as
the highest authority due to the fact that they were literate and well educated, and seen as a safe
haven to seek refuge from hell, gods punishment, and the plagues. Although the church was the
heart of life during the Renaissance, it all began to change, as seen through artists such as
Michelangelo's painting in the Sistine chapel. Popes who are in power through association with the
church were taking money from the poor and uneducated. The impact of the Roman Catholic
Church on the Italian renaissance society such as art, political figures ... Show more content on
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Once the church grasped these new playings they seemingly buried what life was rightfully about
and as stated "their aim was no longer a holy life...they became interested in armies, in wars against
Christians." – (P.26) Priests were no longer good representatives of the pope, they became corrupt
and indulgences became a huge part of their plan. Sales of indulgences was an immense thing for
the church. ( See Appendix D4) During the 1400's they strictly believed that for their sins they
would be punished and sent to purgatory, to pay for their actions and behavior and then gain
entrance to heaven. To avoid such a penalty they would feel guilty and would pay a certain expense
to the church to flee away from purgatory, and go straight to heaven. They feel as if their a higher
class, they are the only people who understand the bible ( See
Appendix E5) aren't willing to translate it, it makes them feel empowered. The church didn't fulfill
it's purposes, people eventually began to realize that churches religion began to go corrupt.
"Roman Catholics were the largest Christian religious group" Savanorola who began to disagree and
point out the famous sinners. They viewed god as someone who wasn't loving and caring and
eventually that changes with certain artists such as; Michelangelo, Martin Luther etc. Once the
printing press was made other people were

Michelangelo's MET History
The MET presents a landmark exhibition on Michelangelo
One of history's most admired artists, Michelangelo Buonarroti, will soon be the protagonist of the
largest retrospective in its history at The Metropolitan Museum of Art..
Opening on November 13, the exhibition, titled "Michelangelo: Divine Draftsman and Designer,"
will explore Michelangelo's rich legacy as a supreme draftsman and designer and his resulting
influence on art. Calling it a "once–in–a–lifetime exhibition," the MET is set to present an
extraordinary range and number of works by the artist, featuring 128 of his drawings, three of his
marble sculptures, his earliest painting, his wood architectural model for a chapel vault, as well as a
substantial body of complementary works by other artists for comparison and context.
"This is an exceptionally rare opportunity to experience first–hand the unique genius of
Michelangelo," said Daniel H. Weiss, President and CEO ... Show more content on Helpwriting.net
...
Dr. Carmen C. Bambach, curator of the exhibition, commented: "This selection of more than 200
works will show that Michelangelo's imagery and drawings still speak with an arresting power
today. Five hundred years seem to melt away in looking at his art."
The exhibition "Michelangelo: Divine Draftsman and Designer," is sponsored by Morgan Stanley
and will open at the MET on November 13 and will run through February 18,

Sphinx
Oscar Jacobson, who was also an art professor for the university, founded the Fred jones Jr. museum
of art in 1936 (Wikipedia 2016). The museum is home to over ten thousand beautiful and very
valuable pieces of art, including sculptures, paintings, and even some books. Recently, the museum
had a collection of busts from the Immortales collection in Rome. This was the first time that many
of these pieces have ever left Italy and was the only place in the United States that they have been.
Whenever you are approaching the museum from the main entrance you are greeted by a beautiful
bronze sculpture entitled "Sphinx". The piece was designed and cast by Columbian artist Fernando
Botero, who is known for his often–oversized cartoon like creations. ... Show more content on
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I felt as though it was just a completely different setup, the mahogany wood did not fit well with the
plain white stonewalls of the rest of the exhibits. It was also set up as if it was a house with couches
and tables but they were not for sitting on and so it just takes up space. It can be distracting from
actual paintings displayed there. However, other then the distractions the mahogany wood was
beautiful. It almost transported the viewers into a different time period. It was a weird choice when
compared to the rest of the museum, but if you were to examine just those two rooms by their selves
then you can appreciate the effort took in designing the setup. The last thing that has not been
addressed with the critique is the setup of the gift shop, however, I personally did not get the
opportunity to look into the gift shop so I can not comment on its setup, but if the gift shop is
anything like the rest of the museum then I am sure that it is a nice store with great products for sale.
In conclusion, the Fred Jones Jr. Museum of Art is a wonderful example of an art museum. It is one
of the nicest museums in the country on a college campus. The museum also is always free, free
admission to such a huge collection of artwork is not something that happens very often and we are
blessed as a university to

The Early Renaissance Art in Florence
The early Renaissance art in Florence focused on an elaborate, Gothic style of painting; very formal
and traditional, yet there was always something that seemed to be lacking. Perspective and depth
were two very important qualities in painting, yet up until the time of young Masaccio, (born
Tommaso Guidi), paintings were beautiful, but seemed to just be art that hung on the wall. In
Masaccio's work, "rather than recede in space, the figures seem to come forward" (Cole 120). He
may not have known it at the time, but his style of painting would influence many painters well after
his death; Donatello, Michelangelo, and so on. Masaccio may have only painted for a total of 8
years, but during those 8 years he revolutionized not only the ... Show more content on
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It has undergone many repairs, and has been to many places, so it can sometimes be hard to really
see past all of the new and really see what Masaccio created. Yet, really looking past what has been
changed, a viewer can really see Masaccio's talent: "Masaccio's perspective design of the vault was
created within the surface geometry. The foreshortened pattern of coffers could be calculated using
simple geometry" (Polzer 1). Masaccio was not just an artist, but also used basic math and geometry
skills to really create that realism in his works. This shows that he was also very intellectual as well
as creative, and became part of another era of painting that used skills such as geometry, and not just
creativity, in creating art. The Holy Trinity truly creates the illusion of Christ being crucified right in
that archway, and that the viewers could just walk right in and become a part of the painting. As
James Ackerman says, "the magnificent vault arching over the austere figures in Masaccio's fresco
[is] an utterly convincing illusion of architectural form extending into space" (Achkerman 171). In
this piece, Masaccio's use of vanishing points and linear perspective draw the spectator's eye to the
center of the painting, right below the

Michelangelo 's Work Of The Italian Renaissance
Michelangelo Buonarotti Simone
Michelangelo was born in Caprese, region of Florence – Italy on March 6, 1475, was born to a
family that had for several generations belonged to minor nobility in Florence but had, by the time
the artist was born, lost its patrimony and status. His father was an official with a well–off position
in the city and his mother died when he was 6 years old.
Son of the Florentine arts, this magnificent sculptor, painter and architect, of the Italian Renaissance
manifested his artistic talent since very early on, being the art of the sculpture where he begins to
emerge.
Having to overcome the opposition of his family, at the age of 13 a family friend took him to the
workshop of the painter Domenico Ghirlandaio, ... Show more content on Helpwriting.net ...
Between 1490 and 1492, Michelangelo made his first drawings, studies on the Gothic frescoes of
Massacio and Giotto and the first reliefs, the Virgin della Scala and the Battle of the Centaurs, in
which there is already a clear definition of his style. In them it is shown as the clear heir of
Florentine art of the fourteenth and fifteenth centuries, while establishing a more direct link with
classical art. Nowadays this works are preserved in the Buonaroti house in Florence. After the death
of Lorenzo de' Medici in 1492, Michelangelo flees Florence, staying for a time in Bologna, where
he sculpts various works influenced by the work of Jacobo della Quercia. In 1494, he carved three
saints for the church of San Domenico, the statuettes of San Petronio (the patron saint of Bologna), a
candlestick–holding angel San Procolo (closely recalling the statue of David, made ten years later).
They show dense forms, in contrast to the linear forms which were then dominant in sculpture.
In 1496 Michelangelo decides to go to Rome, a city that saw him succeed, where he carved he's first
surviving large statue The Bacchus which preceded his masterpiece, the Pieta in which Mary
supports the dead Christ across her knees. Larger than life size, the Pietà contains elements which
contrast and reinforce each other: vertical and horizontal, cloth and skin, alive and dead, female and
male.
This was a special work of art even in the Renaissance because at the time,

Lorenzo Ghiberti Research Paper
The son of a goldsmith, in Florence, Italy, Lorenzo Ghiberti would become one of the most
influential
Artists of the early Renaissance.A child prodigy, he received his first commission at age 23. Ghiberti
multi–tasked much of his work including the doors for the Florence baptistery and numerous
statues. He was a student of humanism and incorporated much of its philosophy into his work.
Lorenzo was born in Pelago, near Florence, Italy, in 1378 (the exact month and day of his birth are
unknown). He was well–trained by his father, Bartoluccio Ghiberti, a well–respected goldsmith in
Florence. In 1392, he was admitted to the "Silk and Gold" Guild as an apprentice, and by 1398, had
passed his examination to become a guild master goldsmith. In 1400, he ... Show more content on
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In rendering the doors, Ghiberti adopted the linear grace of the early 15th century gothic style of
Florence to the expressive power of the newer Renaissance style. The result was a heightened
illusion of depth. Completed and installed in 1424, the doors were so highly praised that the Arte
Calimala hired Ghiberti to work on another set of doors.
Over the 20 years that he spent working on the doors, Lorenzo Ghiberti also devoted his time to
creating the designs for the stained–glass windows of the Florence cathedral, and served as
architectural consultant to the cathedral's building supervisors.
In 1412, the Arte di Calimala gave him another commission: to make a larger–than–life–sized
bronze statue of their patron saint, John the Baptist, outside the guild's communal building, Or San
Michele (also known as Orsanmichele). A bold undertaking, Ghiberti finished the work in 1416 and
was quickly commissioned to do two more similar large bronze statues for the guild. To complete all
of this work, Ghiberti operated a smoothly functioning workshop with many

A Brief Look at William Byrd
While researching the style period the Renaissance, I came about the composer William Byrd. He
played a large role in the paper I instructed and thus caught my attention. I chose William Bryd as
the subject for this paper merely because according to "The Top 8 Renaissance Composer" Article
by Aaron Green, he was considered by many to be a "genius" on the keyboard and perhaps the
greatest English composer of all time. Other aspect about William Bryd I found interesting was his
interact with Queen Elizabeth I and Thomas Tallis, and this major works like "Latin motets or
Cantiones Sacrae" along with many more.
William Byrd's early life is unknown; He is believed to have been born in London sometime
between 1539 and 1545. The exact date is unclear. He was one of seven children. He had four
sisters, Alice, Barbara, Mary, and Martha and two brothers, Simon and John. His parents were
Thomas and Margery Byrd. There is no written record of William Byrd's education, however he was
a well–educated man, able to read and write very well in this time. William married in 1568 to a
Juliana. They then had seven children and a lifelong happy marriage. He eventually after a strong
career as a composer or chorister died on July 4th 1623 in a small village of Essex and was buried in
an unmarked grave. William was a top composer in the Renaissance era and composed a large
number of astounding musical pieces. Many believe that William Byrd outdid any other composers
of his era and called him "a

Giotto Di Bondone's Lamentation
Giotto di Bondone's Lamentation: Subject and Symbolism
Giotto Di Bondone's Lamentation depicts the mourning of the crucifixion of Jesus Christ. The
Virgin Mary is pictured holding her son's body, mourning his death. Saint John the Evangelist is
seen with his arms thrown back, dramatizing his grief (Kleiner 409). Mary Magdalene is seen at his
feet, in sorrow, looking at the wounds of the crucifixion. Four other disciples are seen with the
golden halos above their head, two expressing outward grief, while the remaining two Surrounding
the Virgin Mary, Saint John, and Mary Magdalene are several other mourners. Their bodies are
slouched while their faces express their similar feelings of despair. Above the mortals mourning on
Earth are several angels "darting about in hysterical grief" (409). Behind the group is a rocky
background, with a barren tree perched atop the seemingly arid land. The sky, while blue, is still
dark and gloomy. The representation of lamentation expressed both by the angels and humans
connects both the heavens and the Earth with a shared sorrow. The ... Show more content on
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Giotto makes use of an implied line to direct the viewer's attention from the tree representing Adam
and Eve's original sin to the lifeless body of Jesus Christ. This diagonal line signals that Jesus Christ
is the focal point of the painting. In order to portray three dimensions in his two–dimensional
painting, Giotto relies on varying values of color on the clothing and bodies of the observers and
angels, as well as on the rocky background. Darker shades indicate shadows and lighter shades
imply light, such as the sun. A diagonal balance is seen from the dead tree, down to the seated
mourner in tan, following the line of the rocks in the background. Giotto also blurs the ends of the
robes worn by the angels. This technique he employs suggests the implied motion, or flight, of the
angels over the mourning congregation

Summary Of The Three Miracles Of Saint Zenobius
The work of art that I have chosen to write about, is the Three Miracles of Saint Zenobius (1500–
10). This painting is part of a bigger collection that depicts scenes from the life of Saint Zenobius.
It's sister pieces are spread out in different parts of the world, such places as, London, Dresden and
New York itself. The painter of this entire collection is Sandro Botticelli (1445–1510) and he
belongs to the Early part of the Renaissance. It is worth to note, that Botticelli was taught by Filippo
Lippi. Fra Filippo Lippi was a prominent artist of his time and he painted his work with great color
and as well with a narrative quality. Botticelli himself made a name for himself by his artistic style
and to his contribution to painting the frescoes of the Sistine Chapel and even though his most
notable work of art was the Birth of Venus that was created eighteen years prior to the Three
Miracles, this piece of work takes a different approach than his other paintings. The painting itself
resembles the Scenes from the life of Saint John the Baptist (1490/95) and it could be said that
Botticelli was inspired by it.
The medium of the painting was Tempera on wood and this was common practice use of painting
during the early part of the Renaissance. The painting itself tells a story. It shows three miracles that
saint Zenobius performed. In the first scene, we are shown Zenobius beside what is believed to be a
funeral procession for a young boy. In the painting itself, it is

Who Is Michelangelo Best?
Objective: Michelangelo best represents the Renaissance period due to his artistic abilities that
exemplified individualism through his extraordinary ability to showcase emotion and great skill in
his artwork which enlightened people.
Experience: 1475–1488 Caprese, Italy
He is raised by a foster mother. The mother dies when he is six years old.
He did have anyone to look up to, so he quit school and pursued his artistic career by signing up for
an apprenticeship as a painter. 1494–1495 Bologna, Italy
Sculpts three

Gianlorenzo Bernini Research Paper
A bronze canopy sculpture known as the Baldacchino in the church of St. Peter's Basilica in Rome
was a collaborated design and perfected by Gianlorezno Berenini. A brief summary of the artist,
historic and culture of the structure, and the structure with the sculptor, Bernini, is described. The
monument was Berenini's first architect projects. Known to be the greatest sculptor of the 17th
century and the creator of the Baroque style is Gianlorenzo Bernini. He was born on Dec. 7, 1598 in
Naples, Italy and son to sculptor Pietro Bernini. Bernini's father gave him his first art lessons as a
child and by the age of 10 he was making great progress. Bernini began making sculptures and
paintings. He was widely known for being such a young artist. In 1623 Bernini became the head
builder for the church of St. Peter in Rome. The sculptor died on Nov. 28, 1680 in Rome, Italy.
(Hillard) In the Old St. Peter, Maderno was the head sculptor until election of Pope Urban XIII.
Maderno began the Baldacchino during a renovation of the basilica. A temporary structure of eight
columns and four pilasters were placed and a permanent structure was placed when Pope Paul V
ordered a second altar to be placed so the bishop could look down. Pope Gregory XV asked Madero
to add supporting angels for decoration. Once Pope Urban VIII came ... Show more content on
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Peter's took approximately nine years to be built (1624–33). (St. Peter's Basilica) The architecture
Madero began the temporary version of the structure. It was not announced to be placed until
Bernini came to place in 1624. Bernini left the angels Madero designed and added a Risen Christ.
Bernini also hollowed out the columns and filled it with cement to cut on the use of bronze. He
proceeded with the columns by adding dramatic contrast and other structures with white marble.
This bronze structure became a marker of Christ and when bees were added for decoration it also
became a personal monument to the Pope.

How Did Peter Paul Rubens Became An Artist
Peter Paul Rubens spent some time in Antwerp and decided he wanted to pursue a career in
becoming a painter. He spent his time there studying under three instructors, Tobias Verhaecht,
Adam van Noort, and Otto van Veen. In 1598 Rubens was acknowledged as a master in the Antwerp
Guild of St. Luke, the painters' guild, or association. By going to Antwerp and working with these
instructors he became much more knowledgeable about the way painters think and view the world.
Peter Paul began his education for being an artist while he was in Rome. He studied with great
enthusiasm and persistence, He was excited to learn. He studied many things, including the
sculptures of antiquity and the paintings of Raphael and Michelangelo. While he was in Rome

The Renaissance Painter, Artist, And Poet Michelangelo 's...
James Loggins
Humanities 2210
Unit 2 Research Essay
24 October 2016 The Renaissance painter, sculptor, and poet Michelangelo is famous not only for
his painting of the ceiling of the Sistine Chapel or his sculpture of the Biblical King David, but he
also created another Biblical figure, the Hebrew Prophet Moses. The sculpture was commissioned
by Pope Julius II, in an attempt to mirror his "larger than life" reputation and personality.
Michelangelo' Moses along with other pieces of sculpture and artwork were to be enshrined in the
Pope's planned resting place, with the Moses statue placed opposite of another figure of Saint Paul.
However, it would never come to be, as the Moses sculpture would not be completed until more
than 30 years after Pope Julius' death in 1513. Pope Julius II had commissioned Michelangelo to
paint the Sistine Chapel as well as build his entire tomb, but the chapel frescos occupied all of the
painter's time (Michelangelo–Gallery.com). However, once the Sistine Chapel frescos were finally
completed Michelangelo immediately resumed his work on Moses, completing it in 1545. This
sculpture marks a significant innovation, combining sculpturing and architecture for the first time in
his career. Completed out of nothing but marble, the Moses became one of Michelangelo's crowning
achievements along with the Sistine Chapel frescos and his sculpture of David. It was placed on the
second tier of Pope Julius II's tomb which is housed in the church of San

Unearned Beauty And Earned Beauty
Beauty is an obtuse concept, due to subjectivity. It is a subject that has no clear maximum or
minimum. "Why is this" is the question that haunts us when we embark on deep intellectual
conversation. Well, Plato's cliché line "beauty is in the eye of the beholder" always rings true in our
minds. Cliché's only reach this status due to the fact they have some sort of intrinsic truth to them
and Plato's line is no exception. However, more must be added to the concept of beauty in order for
us to categorize things of beauty. It has to be broke in to unearned beauty and earned beauty. These
two sub–categorize help us better understand hierarchy of beautiful things as the beholder decides.
When we hear the term unearned, we naturally have a negative connotation, but when coupled with
the word beauty, you are slightly confused, is this a negative or positive idea. It certainly is still
positive. We must take away our bias and preconceived notions of the word "unearned". The
difference between unearned beauty and earned beauty is the path that is taken to get to become
beautiful. In order to go any further, we must state that things that have unearned beauty are still as
beautiful as earned beauty. The way they are different is how they are deemed beautiful. The way
they were deemed beautiful is the distinction we must understand. Unearned beauty was demanded
beautiful by outside influences. This concept of outside forces deeming value is best shown through
sexual attraction throughout history in regards to how outward image has changed. Also, it must be
noted that this has changed simply by standards of the world, society, religion and other large
systems that sway the process of deeming value. If we look at how the standard of beauty has
changed in the last 300 hundred years you will see that it has almost completely reversed. If we look
at early America and time of monarchs we see that beauty is a social and class structure. People who
were born into affluent families and were literate had the upper hand in the contest of beauty. In
these early days people who could stay inside all and avoid the fields often were the standard for
beauty. Being pail and overweight meant you had money and could afford the best

The Sistine Chapel Essay
Michelangelo's work in the Sistine Chapel is one of the greatest pieces of fresco work in the Italian
Renaissance. Every year millions of people travel to the Vatican to see this impressive work . Not
only is the Sistine Chapel an attraction for art lovers, but for Christians the Sistine Chapel is
considered one of the holiest chapels in our world today . However, the Sistine Chapel like any other
works of art was designed to send a message to its viewers. Like most art commissioned by the
Catholic Church, the Sistine Chapel was intended to elevate the standing of the church and to inspire
church goers in their faith. However, the creation of the Sistine Chapel frescos is not as simplistic as
those who commissioned Michelangelo to ... Show more content on Helpwriting.net ...
Although his actions were not beneficial to everyone, Pope Sixtus spent a vast amount of money
rebuilding the Vatican. He rebuilt bridges, streets, churches, and he founded the Vatican library. One
of his projects included the expansion of the Palatine Chapel which would be later referred to as the
Sistine Chapel. Pope Sixtus commissioned Florentine architect Bartelomeo "Baccio" Pontelli to
rebuild the chapel. Pontelli was known for his ability to reconstruct and fortify building structures,
which was pivotal to rebuilding of the dilapidated Palatine Chapel. The building plans for the chapel
required it to be built on a larger scale than most chapels during that time period, and to have
fortress on the top–level of the chapel to serve as security for the Vatican. The actual layout of the
chapel was a copy of the Jewish Holy Temple. It is still a mystery how that occurred, but many
researchers speculate that Pope Sixtus requested that the temple build a church similar to the Jewish
Holy Temple. The reasoning behind the layout of the temple has to do with a religious doctrine
known as successionism, which is the belief that one religion can take the place of another.
Researchers believe that Pope Sixtus' designed the temple to illustrate to the world that the Catholic
Church was the true church and that Judaism was not. Having a new Holy Temple meant that Rome
was now the New Jerusalem, and the capital of the Christian world. Pope Sixtus arranged

The Pieta Michelangelo Research Paper
The High c is a roughly spans the four decades from the 1490 to the 1527, and the period when the
ideals of classical humanism were fully implemented in both painting and sculpture. At the High
Renaissance period of time, Michelangelo di Lodovico Buonarroti was a sculptor, painter, and also
considered to be one of the greatest artists of the Italian renaissance. Michelangelo was born on
March 6, 1475, in Caprese Italy. Michelangelo father worked for the Florentine government, but his
parents went back to Florence after his birth.
Michelangelo did a couple of great sculpture, relating to the Renaissance such as The Pieta'.
Michelangelo the Pieta' is a 5–foot, 8–inch sculpture did from one single block of marble. The Pieta'
was famous and common

Michelangelo's Sistine Chapel
Michelangelo always saw himself as a sculptor, even though some of his most famous works are his
paintings and architecture. In Michelangelo's words, "Painting is beautiful in the measure that it
approaches sculpture; sculpture is bad the more it approaches painting". In fact, when Pope Julius II
ordered Michelangelo to decorate the ceiling of the Sistine Chapel in fresco, Michelangelo rebelled.
The Sistine Chapel is an example of Michelangelo's impatience with others as previously
mentioned. In the fall of 1508 Michelangelo began the painting of the Sistine ceiling, calling on
assistance from Giuliano Bugiardini, Aristotile da Sangallo, Francesco Granacci and several
laborers. However, the work that Michelangelo's friends and laborers

Magnificent Minds Of The Renaissance in Europe Essay
The high renaissance of the 1500's was a time of scientific, philosophic, and artistic awe and
inspiration. Many new discoveries were being made in the field of science, and philosophers
expressed their assumptions on the world and universe around them. In addition, many individuals
were gifted with artistic dexterity and skill. The amazing achievements of Michelangelo, Raphael,
and Leonardo da Vinci are considered significant to the Renaissance period. In this paper, the
endeavors and achievements of these three Renaissance men will be examined and expressed.
Born in 1475 in Italy, Michelangelo was raised in an era of artistic wonder. Not only an artist, but
Michelangelo was also a poet, sculptor, and architect. Being gifted in these ... Show more content on
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At the old age of 89, Michelangelo died. Another magnificent artist, who was inspired by
Michelangelo, was Raphael.
On April 6, 1483, in the town of Urbino Italy, the greatest and most popular artist of all time would
be born, and he would be given the name of Raphael. In Raphael's early years, he became inspired
by his father, the painter Giovanni Santi, and began painting at an early age. At the age of 22, and in
search of new painting techniques, Raphael began studying some of the famous artists of his day
such as Leonardo da Vinci and Michelangelo. After years of studying, and observing Leonardo and
Michelangelo's art, Raphael developed his own techniques for lighting and shading and produced a
new informal manner of painting. During the premature developments of these new techniques,
Raphael tested his skill by painting various "Madonna" paintings such as Madonna of
the Goldfinch and Madonna del Baldacchino. Once these techniques were perfected around 1508,
Raphael was sent to Rome to decorate four rooms of the Vatican Palace with scenic frescoes. These
four rooms contain some of Raphael's finest work, such as the magnificent fresco The School of
Athens which depicts an open building scene in which Plato, Aristotle, and other ancient
philosophers are in deep contemplation and conversation. In addition to Raphael's Vatican Palace

Who Is Michelangelo Buonarroti
A rare exhibit: 133 of Michelangelo Buonarroti's drawings in one place. Over one hundred
masterpieces begging for attention, but one in particular caught my eye. A series of sketches of eyes,
locks of hair, and a side portrait of a man. The description suggested it was the collaboration of
Michelangelo and his pupils Antonio Mini and Andrea Quaratesi. In the bottom right hand corner of
this drawing Michelangelo writes a message telling a frustrated student to have patience. This
drawing spoke to me because it provides an understanding for Michelangelo's thought process. It
illustrates the growth Michelangelo wanted to see not only within himself, but his pupils as well.
These series of sketches show how much Michelangelo strove to understand

Van Gogh Motives
As humans have changed and progressed throughout history, so has their art– from cave paintings to
Greek sculptures to the incredible realism of the Renaissance. In addition, throughout history art has
been questioned– why did the artist make this? What are they trying to convey? What is the purpose,
the symbol, the reason? Every artist has a motive for creating, and it may be as honorable as
challenging a social injustice, or as mundane as a commission. The three most universal motives for
making art are for beauty, for money on commission, and to convey a message about the artist's
thoughts or emotions on a subject. Each of these motives can be influential, however conveying a
concept through art is the most powerful, as it has the ability to change the way society operates.
It is often said that art is meant to be beautiful for the audience. Artists follow this idea by making
and being inspired by beautiful objects such as nature or other people. One artist who displays this is
Vincent Van Gogh. Many of Van Gogh's paintings are based on the things around him, including
flowers, stars, or people. It is known that he was not on commission, as he only sold one painting in
his life. Although it is true that many of his paintings show great emotion, Van Gogh was not
specifically trying to say something, and any message in his paintings are assumed from his mental
illnesses. Although not considered beautiful in their time, Van Gogh painted to capture the beauty
around him. For

Pantheon And The Gods
Pantheon means all of the Gods. The first Pantheon was built in 27 B.C., but it burned to the ground
in 80 A.D. Titus then became Rome 's Emperor and rebuilt Agrippa 's work, but it, too burned down
in about 110 AD. Consequently, it was then rebuilt in 126 A.D. The purpose of the Pantheon is
unknown, but from what we know today it suggests that it was used as a temple. Whether people
worshiped there or the emperor made appearances there is unknown. On the facade of the Pantheon,
there are words inscribed in latin that in English read "Marcus Agrippa son of Lucius, having been
consul three times made it." This was a dedication to commander Marcus Agrippa who had built the
original Pantheon. Below the main inscription is a smaller one indicating the restorations carried out
by Septimius, Severus and Caracalla in 202 CE and reads, "with every refinement they restored the
Pantheon, worn by age" (translated to english).Though in my journey to the inside, it was interesting
that the inside of the Pantheon looked nicer than the outside and that this was indeed done
deliberately . What I was most impressed by what they layout of the circular part of the building
which is entranced via two bronze doors and the interior is further lightened by five rings of 28
coffers which reduce in size as they rise towards the center of the dome. Presently, the Pantheon is
used as a church which is what is was being used for since 608 A.D. Masses are held there every
Sunday. It also

Sistine Chapel Essay examples
Michelangelo de Buonarotti, a distinguished painter, sculptor, architect, and poet of Italy was born
in 1475 in the territory of Arezzo, in Tuscany. His time was of a new age of enlightenment where
artistic and inventive freedom was beginning to come back into the forefront, Michelangelo stands
as the archetype of the Renaissance genius, with a talent that transcends time and continues to
influence and inspire contemporary artists. Michelangelo grew up and was first exposed to stone
carving, "he regarded himself first and foremost as a sculptor." (FIERO) Michelangelo was
commissioned by Pope Julius II Della Rovere in 1508 to repaint the ceiling of the Sistine Chapel
frescoed earlier by Piero Matteo d'Amelia with a star–spangled sky. ... Show more content on
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In my opinion, this depiction of the Last Judgment is beautifully rendered and very stylized.
The idea of commissioning an enormous fresco, the largest ever painted in that century, depicting
the Last Judgment, was probably suggested to Clement VII by the traumatic events that were
undermining the unity of Christians at the time. After the pope's death, on September 25, 1534, and
only two days after Michelangelo's arrival in Rome, his successor, Paul III Farnese confirmed the
commission to Michelangelo, and in April 1535, scaffolding was put up in front of the altar wall.
Even before its official unveiling, the Judgment became the target of violent criticisms of a moral
character. All that had happened in the church in the years that preceded the Judgment, including the
Reformation and the Sack of Rome, had a direct influence on the work's conception: painted on the
altar wall, the Last Judgment was to represent humanity face to face with salvation.
The first impression I have when faced with the Last Judgment is that of a truly universal event, at
the center of which stands the powerful figure of Christ. His raised right hand compels the figures
on the left hand side, which are trying to ascend, to be plunged down towards Charon and Minos,
the Judge of the Underworld while his left hand is drawing up the chosen people on his right in an
irresistible current of strength. Excluded are the two upper lunettes with

How Did Michelangelo Di Lodovico Buonarroti Simoni
Michelangelo di Lodovico Buonarroti Simoni was born in 1475 and he lived till eighty–nine years
old in 1564. He is a sculptor, painter and architect, although he expressed his artistry in many media,
but he would always consider himself a sculptor first. [1] Michelangelo's mother died when he was
six, despite his father initially didn't support his interest in art, yet when Michelangelo was thirteen,
he sent him to learn from painter Domenico Ghirlandaio. His talent was discovered by Lorenzo de'
Medici, who invited Michelangelo to Humanist academy, and in there he was inspired by the
scholars and writers in Lorenzo's intellectual circle. [2] In there, he was greatly influenced by
palatial artworks and formed neo–platonic philosophic ideal. However, in 1494 Michelangelo was
banished from Florence and ... Show more content on Helpwriting.net ...
[3] Despite that he created numerous masterpieces, his works demonstrated high level of skills and
innovative content. His style that formed in Florence was exposed to Classical art and humanist
thought. For instance, the paintings on the ceiling of the Sistine Chapel, Michelangelo painted the
scenes in reverse chronological order, and the complexity of figures presents a relaxed and relived
mood. Besides, he emphasized the power inherited in the human body, especially torso. David is a
example in this case, it represented a state of relaxation and tension, and its proportion is
corresponded more to Hellenistic style than Classical Style. His muscular figures are rendered in
exaggerated contrapposto, which are one of the most monumental images in Western art. [4] On the
other hand, Michelangelo's late style revealed the pressure of patronage on artists during the
renaissance. His anxiety about completing the sculptures is revealed in his work of sculptures and
paintings. Many scholars consider his late style as a mark of the close of renaissance and as part of
new Mannerist development.

The Rothko Chapel Essay
Mark Rothko is recognized as one of the greatest artists of the twentieth century and during his
lifetime was touted as a leading figure in postwar American painting. He is one of the outstanding
figures of Abstract Expressionism and one of the creators of Color Field Painting. As a result of his
contribution of great talent and the ability to deliver exceptional works on canvas one of his final
projects, the Rothko Chapel offered to him by Houston philanthropists John and Dominique de
Menil, would ultimately anchor his name in the art world and in history. Without any one of the
three, the man, the work on canvas, or the dream, the Rothko Chapel would never have been able to
exist for the conceptualization of the artist, the creations on ... Show more content on
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Rothko was well accepted in the New York art community, but experienced limited success during
this time. Needing to add to his income he took a position at the Center Academy instructing
sculpture and painting and maintained this position from 1929 to 1952. As Rothko advanced in his
painting style he began to metamorphose from using imagery and symbolism to using colour fields.
Typically his paintings feature large rectangular expanses of colour arranged parallel to each other,
usually in a vertical arrangement. The edges of these shapes are softly uneven, giving them a hazy,
pulsating quality, and they seem to gently hover or float over the canvas. The paintings are often
very large and the effect they produce is generally one of calmness and contemplation, but in spite
of their tranquility, they cost Rothko enormous emotional effort: 'I'm not an abstract artist...I'm not
interested in the relationship of colour or form or anything else. I'm interested only in expressing
basic human emotions–tragedy, ecstasy, doom and so on. And the fact that a lot of people break
down and cry when confronted with my pictures show that I can communicate these basic human
emotions...The people who weep before my pictures are having the same religious experience as I
had when I painted them ( Chilvers 515).' In 1960, for the first time, John and Dominique de Menil
visited Rothko in his studio in the Bowery of New York City. They had a dream and they wanted his

Classical Iconography Within The Commissions Of Lorenzo De...
The Important Incorporation of Classical Iconography Within the Commissions of Lorenzo de'
Medici and Pope Julius II
Julius II and Lorenzo de' Medici arguably had not so dissimilar goals in their patronage. Patronage
was a tool for exerting political power, exemplifying personal magnificence, and invoking a sense of
civic duty. These patrons attempted to display different pieces of these attributes in different ways.
Lorenzo de' Medici, born into arguably the most prestigious family in Florence, grew up familiar
with the importance of the commissioning of artworks and public works projects. The
commissioning of these works allowed the banking family of the Medici's, who were not originally
of noble lineage, to display their magnificence in the public sphere. The commissioning also
allowed them a participation in the contribution expected by Florentines to the civil pride of the city
itself. The Medici family had to straddle a fine line in their patronage. Florence was a long–standing
republican society, and the Medici's patronage had to equally reflect their civic and religious duties
as well as their own personal interests. Lorenzo began his political and artistic education early,
understanding the importance and fragility of his family's dynasty.
As a youth, Lorenzo served upon a number of artistic and civil committees informing his taste as a
patron. His servitude upon these councils allowed him also early direct influence within Florence
that he would continue.

Analysis Of The Play ' Red By John Logan
The play RED by John Logan was a phenomenon. It portrays artist Mark Rothko at a serious time of
his life, a time where he was becoming depressed and even considering suicide. The play deeply
expresses Rothko's conflicted mindset about the role of art. The conflict between his intellect and
will for art represents an internal battle that artists may experience when creating. The play is also a
good depiction about the ideas that society has on art... art appreciation. At the same time, the play
shares an exhilaration of creating a piece of art. It is for these reasons that the play itself is a work of
art. Rothko's dichotomy was very distinct. It was revealed through the only two characters in the
play, Rothko and his assistant Ken. Rothko was portrayed as a very aggressive man who drank,
smoked, and became angry at times. Rothko was very passionate about his art so when he was
presented the opportunity to exhibit a series of his paintings at the Four Seasons restaurant, he
accepted. He believed that he was doing it for the right reason, to create a place where the viewer
can live in contemplation with his work. He wanted his work to be understood, to the point that he
treated his paintings as if they were his own children. However; he was fooling himself because he
knew the location would be a restaurant. So initially, he was driven by the money, although he
wasn't consciously aware. On the other hand, Ken, who is a fictional assistant was intellectually
challenging,

How Did Michelangelo Influence His Work

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