North Carolina Museum Analysis

North Carolina Museum Analysis
North Carolina Museum of Art: A Peaceful Journey It must have been 13 years or so since I have
been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too
long to have been away from the art museum, as my experience this year reminded me that. It was a
beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk
through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina
Museum of Art provides an abundance of artwork from various time periods, cultures, and one can
find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the
museum provides not only displays an abundance of artwork, but ... Show more content on
Helpwriting.net ...
Two of the paintings I came across, Ludolf Backhuysen, Ships in a Stormy Sea off a Coast, and
Philips Wouwerman, Stag Hunt in a River were very similar in many ways. First of all, they were
both European art, they are both 200 plus years old, and they both show very hectic times. The first
painting, Ships in a Stormy Sea, displays several ships, (although it is hard to see the other 4), being
almost entirely swallowed by an angry, wavy ocean, during an extremely stormy journey. All of the
ships are at different levels and some are leaned over, and tipped more than others, allowing the
viewer to realize the true horror occurring in this painting. The amount of line that this artist uses in
this painting is tremendous as well, as he presents plenty of diagonal lines throughout the painting,
such as on all of the ships sails. This piece of art is extremely realistic and gives me chills when I
imagine what these sailors must have been dealing with that night. Not only does this painting show
a hectic time, but another painting titled, Stag Hunt in a River. This painting displays a village, in
the mountains, lying on a river, where hunters, horses, and dogs of the village are attacking a deer
that is attempting to escape from them. This painting seems to describe a very hectic time for
everyone, as the dogs are desperately trying to do their job, the deer is attempting to escape, and the
hunters are relying on the deer for their food. Although there are many obvious differences in these
two paintings, the roles are reversed in the two, as in Ships in a Stormy Sea, nature is doing the
damage, while the people are trying to avoid danger. On the other hand, Stag Hunt in a River,
displays nature being attacked and endangered by the people themselves. My favorite
... Get more on HelpWriting.net ...

The Los Angeles County Museum Of Art
For my enrichment report, I decided to take a trip to the Los Angeles County Museum. However, I
was trapped with the challenging choice of choosing only one museum for my cultural visit. Since,
there are so many prodigious and amazing museums to choose from to visit in the county. But, I
have heard many great feedbacks about the Los Angeles County Museum of Art from fellow classes
mates, friends and family. So, I finally, had my destination set to and planned a visit to the Los
Angeles County Museum of Art. Upon my visit my attention was already fixated on the unique
building layout and the many arts exhibited located all around the outside of the museum building.
There were several building that housed the many different art exhibits. Such as the first building I
walked into, after purchasing a ticket. This building was called the "Ahmanson" building, which
housed voluminous and diverse art of the European, Islamic, South and Southeast Asian Art, Art of
the Ancient World, Art of the Pacific and Others. There were also many special exhibitions that was
hosted at the time of my visit, such as the modern art gallery and Rifkin Gallery for German
Expressionism. One of the sculpture centered in the middle of the building of the "Ahmanson"
building called "Smoke" really caught my attention. As it quite an enigmatic and stunning metal
sculpture that mesmerizes illusions based on your interpretation and perspective of the piece.
Granted, there were defiantly a lot of sensational

What Stomp At The Fox Theatre Downtown St. Louis
I went to see STOMP at the Fox Theatre in downtown St. Louis. Sometimes called the "Fabulous
Fox," it was once a movie theatre, but it is now a performing arts center with a proscenium stage
environment that boasts the most ornate and profoundly beautiful decorations that I've ever seen in a
theatre. Sitting down in my seat in the center of the house, on the floor, I was unsure of what I was
about to see. I was glad I didn't really have any preconceived ideas about what was going to take
place because STOMP was very different from what one usually expects when going to the theatre
or a dance concert. A blend of mime, dance, theatricality, and music performance, this the show was
definitely high energy and unique. During many of the pieces, the performers would use everyday
objects, both as props and as a way to make music. The very first piece of the show was danced by
the entire company of STOMP. The dancers were armed with brooms and wearing street clothes that
resembled what someone might be wearing on the streets of Harlem. Energetic and explosive in
nature, the piece started out with a lone dancer sweeping the stage. He swept the stage just like
someone might sweep the floor of their house or how a janitor might sweep the floor of a high
school gymnasium. As the piece went on, more dancers swarmed the stage. At one point in the
dance, the company members all stood in a row. In a ripple, they swung the brooms in a circle over
their heads, like human windmills. It

Rosalind Krauss Expanded Field
Rosalind Krauss
Sculpture in the Expanded Field
Rosalind Krauss, art theorist and critic, wrote an iconic easy that I found rather challenging to read,
but understand that Krauss is questioning the 3 dimensional art form of sculpture. She writes about
what the foundations of art were and were not and what they could turn out to be. She suggests that
the concept of sculpture is the expanding or stretching of the concept. Within the essay Krauss
discussed how the postmodernist period of sculpture was caught between non–landscape and not
architecture. This was one of the first essay's to record Postmodernism in art along with explain not
in eclectic, but logical terms. The "expanded field" relates to the end of classical and modern
sculpture with a new extreme approach to the creation of object in an environment. Krauss is purely
a structuralist and discontent with the terms modernist. Her critic and analysis in this essay is an
extension of Greenberg, who believed that the work in objective terms; structure and medium, that
later deferred to a subjective response and/or effect; abstraction art. Traditional sculputure had been
lost it was not architecture and not ... Show more content on Helpwriting.net ...
She states when referring to the expansion of sculpture, "The expansion to which I am referring is
call a Klein group when employed mathematical and had various other designations, among the
Piaget group, when used by structuralist involved in mapping operations within human sciences. By
means of this logical expansion a set of binaries is transformed into a quaternary field which both
mirrors the genial opposition and at the same time opens it. It becomes a logically expanded field.....
Logical operations, as Krauss refers to are the logically binaries circuit. (Figure 1) This diagram
exemplifies the modes of sculpture along with how the postmodernist's movement is all about

Current Art Vs Ancient Art
Yazeed Alamri
Argumentation and Research
August 19/2015
Final Paper
Current Art Vs Ancient Art
Introduction
Since time immemorial, art has always been a product of man's emotional and intellectual
connection with the world. The primary aim of art is to create a message that will either trigger an
inexplicable consciousness within the spirits of its audience, or provoke wisdom among the minds
of the curious persons. Owing to its deep–rooted role for man, art has long been explored in several
manners, with some scholars pursuing the mere aspects of art, while some take on deep comparative
examinations. However, the act of connecting ancient art to contemporary art is not, as easy as
taking into account, the time both came into existence. More so, how current artists perceive the
ancient art, and how it influences their current works. There is a more precise, more diverse
approach in understanding how ancient art measure up to the contemporary ones. The overall
purpose of this research paper is to gain insight of the perception and attitude towards ancient art
among current artists. To understand and complete this research topic, the paper will offer deep
research, which will also include interviewing current artists with an aim of completing the set
objectives. Nonetheless, current artists have the obligation to appreciate ancient art, so as to develop
the act of appreciating art works in the society, including the works of current artists.
Background of the topic
Being

Analysis Of Don Delillo 's White Noise
Don DeLillo is an American writer born in 1936. DeLillo is a postmodernist and has written eleven
books receiving various awards for his work. The title of DeLillo's eighth novel White Noise brings
forth many assumptions towards the overall meaning of the book. If one was to generally interpret
the meaning, "white noise" is produced when sound waves are joined together creating a constant
buzz. This buzz can produce a relaxing or an overwhelming feeling, depending, if it refers to a
repetitive noise one is trying to avoid or perhaps noise one is trying to embrace. With this being said,
DeLillo's White Noise is set in the twentieth century, and tells a story about a college professor by
the name of Jack Gladney who is a professor for the Hitler Studies at College–on–the–Hill.
Throughout the novel it is evident that Jack is the main character and the narrator of the story, who
experiences a constant murmur of his underlying fear of death invading his thoughts. The constant
reminder of "white noise" causes Jack to have uncertainties that stop him from repressing death in
the society around him. As a result, Jack is challenged with many obstacles as he tries to avoid,
cope, and confront the thought of death while diminishing the white noise that he is trying to escape.
Avoidance is choosing to hide from the inevitable truth instead of accepting the thought of death. In
the first part of the novel, Jack Gladney is seen as an average working man who has to earn an
income in

Cat’s Cradle: Bans Without Reason
In Kurt Vonnegut's eyes, America is being taught that some books and ideas are tantamount to
diseases. As a consequence, the humorous, satirical novel Cat's Cradle has been unjustly challenged
in a few areas of the United States. The novel looks at the structures that curb our society, especially
in religion and science, and contains an educational value that is paramount in correlation to its
suggestive themes. Therefore, despite Cat's Cradle's minor suggestive content, including religious
satire and mature themes, the book possesses important concepts that should not be overshadowed
by these negligible reasons. It is puzzling how the novel received bans for such irrational
conclusions.
Both of the parties behind the bans did not disclose much information on their reasoning. Other than
their conjecture of the book being "completely sick" and "garbage", assumptions can only be made
for why they considered its banning. As stated before, the book contains small passages pertaining
to either adult content or sensitive topics. Religious satire is seen throughout the novel as the book is
centered on a fictional religion. The religion, called Bokonon, is an outlet for Kurt Vonnegut's
prospective of religion, specifically Christianity. He sometimes demonstrated the darker side of
religion, and how people should be mindful of the power and influence it can have over them. For
example, in the book, people of an isolated island "made a captive of the spurious holy man named
Bokonon ...

Short Story : ' N The Screen ' And Koons '
Vittoria Belli
May 18th, 2015
Julia Cooke
Writing II n the screen and Koons Inside all adults are their 10 year old self's, contained but there.
For Jeff Koons, his profession has thus far been based on his love for the pure joy of childhood.
Coming from a loving family, art and design was been present in his life from the start. His parents
careers effected how he views the world and what he has done with the opportunities they gave to
him. After attending Maryland Institute of College of Art and School of the Art Institute in Chicago,
Jeff Koons career rapidly picked up while working at the MoMA after graduation. His work ranges
from oversized shiny toys to photographs of his sexual experiences with his lovers. Adam Weinberg,
... Show more content on Helpwriting.net ...
His most famous one, Balloon Dog is his physiological representation of what a classic symbolic
representation of a child 's birthday party is. This particular dog has become the most expensive art
work ever sold by a living artist, "sold at 58.4 million dollars" (Lestinsky, Lukas). Since 1999, Jeff
has been presented with multiple awards from a variety of Museum and Art Institutions. His first
show was at The New Museum in New York City in 1980 and has had his work showcased
somewhere every year since. In 2014, the Whitney was the first museum to display a compilation of
his work over said "Throughout his career, he has pioneered new approaches to the readymade,
tested the boundaries between advanced art and mass culture, challenged the limits of industrial
fabrication, and transformed the relationship of artists to the cult of celebrity and the global market."
("Jeff Koons")
In addition, he has had numerous solo shows around the world, such as France, Chicago, Italy and
the United States. The content of his shows range from "sex, race, gender and fame, and it comes to
life in such forms as balloons, bronzed sporting–goods items as inflatable pool toys." ("Jeff Koons")
The show "Made in Heaven" created immense controversy and talk due to his art being detailed,
graphic pictures of him having sex with his Italian porn start wife, Ilona Staller. From then on, his
work has always had sexual content

Relationship Between The Live Event And The Document...
This paper will explore a range of perspectives on the relationship between the live event and the
document within performance practice, specifically focus on in relation to body, time and space.
Performance art is commonly known as a performance presented to a viewer within a fine art
context. Through performance artists emphasize the body's role in artistic production. Historically,
performance archive has been characterized as an unfaithful representation of the momentary art
experience. Yet, in contemporary art the relationship between live performance practices and
documentation has progressed towards reconciliation. Whether, the performance is scripted or
unscripted, the performer's body is present or absent. Performance art can happen in any type of
venue and for any length of time. Documentation of performance practice documents the actions of
an individual or a group at a particular place and in a particular time.
A fascination with the human body, body were an experience that could somehow be held in
common. The ways in which we might experience the body as connected or represent it as
disconnected in a live performance. Shifting attention from traditional art object to the artist's
physical action further proposed that art existed in real space and real time. Marina Abramovic, a
pioneer of performance art began using her own body as the subject, object, and medium in the early
1970s as she said, 'In performance my body is object and subject.' For the exhibition

Manet And The Object Of Painting By Michel Foucault
Edouard Manet, an artist most commonly known in relation to the advent of modernist art, is
credited with introducing such painterly techniques as producing flatness in painting, and, a layering
down of hues (alla prima). He is regarded as the father of modernité, having many written works
have been produced as supplements, responses or studies of his paintings and influences in art–three
of which I present as subjects of scrutiny in this paper: the Painter of Modern Life by French poet
and essayist Charles Baudelaire, who produced several essays in relation to the phenomenon of
modernity (as both modulator and interpreter) Manet and the Object of Painting by Michel Foucault,
a French philosopher and critic, and Modernist Painting by Clement Greenberg, a mid–20th century
art critic. In each of these respective pieces, I will be analyzing closely the ... Show more content on
Helpwriting.net ...
They differ in terms of length, structure, style and method of evocation. Baudelaire resorts to sub–
heading sectioning, dividing his thoughts under twelve primary pillars, starting with I. Beauty,
Fashion and Happiness. Using such large, overbearing words and then breaking them down into
observational, almost ethnographical paragraphs where he describes behaviors, views and examples
in relation to his larger claims. In Foucault's Manet and the Object of Painting, the structural form
differs, as the text was originally a 1971 lecture given in Tunisia alongside a series of other lectures
he delivered in Milan, Tokyo, and Florence. Thus, what we find is a slightly tweaked, translated
transcription of the talk. Greenberg's Modernist Painting, however slightly shorter than the two
texts, reads clearly and is structured starting from a broad articulation of modernism that is then
rationed into specific claims or takes, enveloped in critical reflections upon artistic practice as well
as philosophy of the phenomenon–similar to Baudelaire's

The Movement Of Protest Movement Essay
The Movement of Protest
1) "It was a decade of extremes, of transformational change and bizarre contrasts: flower children
and assassins, idealism and alienation, rebellion and backlash. For many in the massive post–World
War II baby boom generation, it was both the best of times and the worst of times." (K. Walsh)
a. Historians nostalgically described the sixties as a counterculture and revolution in social norms,
such as: art, sexuality, formalities, and philosophy. The decade was also called the Swinging Sixties
because the relaxation of social taboos relating to sexism. Challenging the idea that a good citizen
conforms to gender norms and heterosexuality.
b. One can blatantly observe this in the art of the time; especially when referring to feminism in
dance.
i. Examples relating to modern dance.
c. Thesis: Exploring dance as a form of female protest, rebellion and counterculture in the 1960s.
2) A deeper look at cultural context and influences of countercultural.
i. Historical events that set up trends of counterculture.
1. Baby boomers experienced the Space Race, nuclear threats, antiwar movement, civil rights
movement and the assassinations of John F. Kennedy and the Rev. Martin Luther King Jr.
2. The events of such as the Cold War and the civil rights movement encouraged women to rethink
the idea that their primary service to the nation rested in their roles as wives and mothers. For
example, the Soviets' launch of Sputnik in 1957 led the dominant culture to

Essay about The Crying of Lot 49
Technology has long been recognized as a mixed blessing. Its up/downside nature was illustrated
nicely in Walt Disney's Fantasia by the myth of the Sorcerer's Apprentice:not only does the "magic"
of the machine produce what you desire, it often gives you much more than you can use––as Oedipa
Maas, the heroine of this stark American fable, discovers on her frenetic Californian Odyssey.
Information which strains to reveal Everything might well succeed only in conveying nothing,
becoming practically indistinguishable from noise.But there is noise, and Noise. Many of the
devices Pynchon uses to establish informational patterns in Lot 49 are metaphors for life in a
mythic, fractionalized and increasingly noisy modern America.
Hapless Oedipa ... Show more content on Helpwriting.net ...
That the world has things to tell her is not an entirely new idea to Oedipa.At the inception of her role
as executrix, she sits in her convertible gazing down upon a typical Southern California suburb––
and is instantly reminded of the insides of a transistor radio:
... there was to both outward patternings a hieroglyphic sense of concealed meaning, of an intent to
communicate.There'd seemed no limit to what the printed circuit could have told her (if she had
tried to find out) ...[2]
However, hieroglyphs can be merely decorative––intriguing manifestations of absolutely nothing;
and therefore random signals broadcast to the medium at large; a medium of which Oedipa just
happens to be a part.Oedipa's dilemma quickly becomes a parallel to the theorized task of Maxwell's
Demon:Where the Demon is fabled to sort hot from cold molecules and thus produce Work, Oedipa
must sort useful from useless information and thus produce Meaning.Through it all, the underlying
question with which Oedipa flirts but never confronts: Isn't it all, perhaps, just noise?
Pynchon establishes certain objects and images as avatars of noise, the first being the television
("greenish dead eye of the TV tubeî), which is followed by the first of many invocations of the name
of God[3].The TV is

Theme Of The Crying Of Lot 49
The crying of lot 49 is Thomas Pynchon second book, was published in 1965 and was described by
himself as a "short story with a gland problem". The basis of the story is that oedipal mass is an
unhappily married woman who is going through her day to day of her life when out of the blue her
ex–boyfriend has died and made her the executor of his will. She then must sort through his
enormous assets. On her journey has tons of fun sometimes hallucinogenic fun along the California
coast, but on this journey, she repeatedly encounters a secret organization that has been around for
centuries called trystero. I have found the the crying of lot 49 has a significant amount of hidden
meanings and Such has the symbol of the horn that is supposed to be the symbol of tristero oedipal
keeps encountering represents the miscommunication of people at the time. There was focal a
moment in the book that oedipa finds a paintning that represents the situation of not only herself but
the book. In the painting there are woment that are locked in a tower and weaving a tapestry and as
the tapestry is leaving the tower it forms the world. So take that image of an Inaccessible place that
is creating the world as we know it and compare it to another image in the book, a projector in a
planetarium. The comparison between these two images icreates a series of questions that you must
think oedipal is thinking. is my experience created or dicated by an outside force is my world or my
life as chaotic as it

Critical Analysis Of Art By Yasmin Reza
Art by Yasmin Reza, translated by Christopher Hampton and directed by Luke Sutherland was
performed at the Warwick Campus on Friday, October 13 at 7:30 pm. Art is about the ambiguity of
modern art. The play Art raises many unsolved questions how it's viewed and treated in modern
time.
Art can hold many meanings. You may think it's art while other people would probably think it's
garbage. Art is set in Paris in the mid–1990's in the main room of an apartment. the room is bland
and there's barely any furniture with only simple colors. We the audience are introduced to three
main characters throughout the play. The first character we're introduced to is Marcia, played by
Erin Archer next, we have Serge, who is played by Kayla Renee and lastly, we have Yvan who is
played by Clark Agostino.
The play Art tells a story about accepting what you believe is art. Art is inner, your definition of
what's beautiful can mean something else to someone else. What you see others cannot see. The
saying beauty is in the eyes of the beholder is heavily implied. No matter what way or angle you
have them look at it no one sees what you see. Each character is faced with their own inner conflict.
The biggest barrier is their friendship and power struggle that each character is trying to impose on
each other.
With every actor, there's always a star, that star happened to be Marcia played by Erin Archer she
was the most

Postmodernism's The Swan As A Metaphor For Love
Postmodernism is a very unique era within American literature. In previous time periods authors
wrote very structured eventful stories that would often relate to the most common themes of the
time, however Postmodernism completely defied this formula. In most cases Postmodern stories do
not have story arcs nor do they have common themes. At most, the Post era can be bound by very
vague similarities. Most of the stories are conveyed through streams of conscious, which is
essentially using an unedited snippet of someone's life to create a story. There are no inner
monologues or poetic speeches, rather they only showcase a small scale continuous sliver of life.
The narration device similarity is cut and dry, however this can not be said for the themes within
Postmodernism. In the vaguest of words, Post era literature can be bound within a common ideal of
expressing the terrible and disappointing aspects of life. One of the most commonly attacked aspects
of life is the sense of love. In most forms of art and media love is portrayed as a glorious thing so
long as it is true. Love can conquer any mountain and defeat any foe, however Postmodernism
portrays love in a very different manner. In " The Swan as a Metaphor for Love" love is compared to
a swan. On the surface swans are seen as majestic creatures, similar to how love is seen as a
beautiful emotion, but underneath the water swans are revolting creatures covered in " swan shit"
and " pond scum". This idea that a normal life

Pepe Research Paper
For my final art project, I created my own version of the popular meme known as "Pepe." Collecting
rare Pepes was a famous trend that took the internet by storm. Though the trend has died down now,
I wanted to make my own version to call my own. Since it would be the only one ever created, it
would rank among the rarest Pepes ever created. I've based my Pepe on one of the first ones ever
made, created by artist Matt Furie. If he hadn't created the Pepe, my final art project would have
been completely different. Matt Furie's art is almost all very colorful and strange, practically
abstract. His art way my inspiration for my project. This is very similar to my creation. My Pepe is
both colorful and abstract, which I hope enforces my love for colors and randomness. My artist,
Matt Furie, was born in 1979 in. He is still alive today. Since to most he is not considered a big
artist, his most known works being Feels Good Man and Sad Pepe, it wasn't easy finding
information on him. Based on his art, he seems to be a very creative and strange person. What we
know is that he first created the original Pepe, Feels Good Man, in '06 in an ... Show more content
on Helpwriting.net ...
My influence, Matt Furie, gave me amazing examples of how to use these things in all of his
computer creations. I believe I successfully showed this to the audience with the creation of my
Pepe. Throughout the project, it was mostly smooth sailing with a few minor bumps in the road with
mixing colors and smudging paint. I used the principles of variety, line, shape, contrast and
emphasis, and infused them into my project to create something I can describe as magnificent. My
favorite thing about the "Rave Pepe" is the silly randomness of the markings, lines and dots spread
across his face. To me, the liveliness and energy that I've captivated in my project is astonishing.
Since there is only one of its kind, my Rave Pepe is truly one of the rarest Pepes of them

Maus
Analysis of Maus I and II by Art Spiegelman Maus, by Art Spiegelman, shows the trials and
tribulations that the main character, Vladek, and his companions suffered during the Holocaust. No
matter the situation, Vladek rises up to the challenge, and does the only thing he can do: live. For the
Jewish people during that time surviving was a challenge and for those that actually survived was
pure luck. Throughout Maus we find this survival in the portrayal of Vladek Spiegelman; father of
the author. Vladek resourcefulness helps him survive because of his knowledge of different
languages, skills to work on anything, and initiative to make trades with others allows him to
survive the years that he was trap in the Holocaust. Vladek played ... Show more content on
Helpwriting.net ...
Before the war he worked in textiles, but he held many different jobs during the years of the war.
After he was released as a prisoner of war, he traded clothes with Ilzecki (Maus I, 77). When that
fell through, he started to trade gold, jewelry, and food (Maus I, 84–85). Also in Sosnowiec, he did
some work in a German woodshop in order to get papers that said he worked (Maus I, 90–91). In
Srodula, he worked in a shoe shop. In Auschwitz, he worked as both a tin man and a shoemaker
(Maus II, 47, 61). As a tin man Vladek worked for a little time, but it was an opportunity to show
that he could work on that because he just needed help on how to do it and after that he was able to
do it right, this is demonstrated in the panels that Spiegelman presents on page 47 of Maus II. After
a while, on page 60 of Maus II, he gets the job of the shoemaker because the last one was gone
because the S.S wanted him for something. Also he proves that he has been a shoemaker for a long
time, more than being a tin man, because he proves to the Kapo that he can fix the shoes. And, after
the war, he sold stockings in Sweden (Maus II, 125–126). The final aspect of Vladek's
resourcefulness that helped him to survive the war was his ability to initiate trade with others. After
Vladek's family was caught hiding from the guards in Srodula, he bribed his cousin to help himself
and Anja escape (Maus I, 114–115).

Allusion In Infinite Jest
In his celebrated 1,079 page novel set at a tennis academy and addiction recovery house, David
Foster Wallace borrows a phrase from Shakespeare's Hamlet for the title, Infinite Jest. The allusion
is grounded in the vital plot device also named 'Infinite Jest,' a necromantic film that engrosses the
viewer to the point of catatonia and eventually death. The filmmaker is the character James O.
Incandenza, who sought to produce a film so radically entertaining that it would affectively tear his
son Hal from anhedonia, a sarcastic and apathetic state of being that characterized, for Wallace,
American culture at the time. As it becomes clear very early on in Infinite Jest, James is dead for the
majority of the plot, appearing as a ghost late in the ... Show more content on Helpwriting.net ...
Catherine Nichols points this out, calling James the 'infinite jester' of the novel (11). In view of his
connection to Yorick, the allusion to the graveyard scene in Hamlet is twice made explicit: once near
the beginning and once toward the end of Infinite Jest; Hal shares a dream with the novel's other
protagonist, whereby the two dig up James' head (16–17; 934). Of course, the graveyard dream
recalls the grave scene from Hamlet, where the titular character discovers that the skull uncovered
by the gravediggers is that of his childhood jester Yorick, whom he describes as "a fellow of infinite
jest" (5.1.191–2). As Indira Ghose suggests, the 'infinite' in this line is enclosed within Hamlet's
recollection of the jester, so the infinity is reduced to the confines of a single character's memory
and is recalled only upon his chance encounter with the skull; the infinite is juxtaposed with the
image of the empty skull he holds up to the audience, so the infinite as a concept is exposed as "a
huge joke" (1015). Aside from James' 'The Joke,' his film Infinite Jest itself functions as a jest: the
overt impossibility of a film engaging a viewer to the point to death, the hyperbolic mother–son
theme parodying psychoanalytic theory, and, perhaps most poignantly, the glaring absence of the
infinite. In Hal's dream, he digs up his father's head in order to find, as it is elsewhere inferred, the
master copy of the film. However, as the reader and Hal are aware, James' head was destroyed, thus
the film no longer exists. This absence recalls the gaping emptiness of the jester's skull as Hamlet
holds it up to the audience. In both cases, the infinite itself becomes the joke, in the sense that the
yawning absence belies the immutable nature of infinity. Likewise, Wallace's

Postmodern Dance In The 70's
Postmodern dance was loosely defined as using expressive movements that weren't clearly defined.
It was two or more people dancing in a way that made it look more like art than traditional dancing.
There was no designed choreography, just bodies comingling and intertwined on stage. The dancers
didn't know what the next movement was going to be, they just went with what they were feeling at
the time. The more fluid and free moving the dancers were the better. There was also no need for the
standard sets, boring music or elaborate costumes of traditional dances. In this form of dance it was
thought that anyone could dance and that all people were considered dancers whether trained in the
art of dance or not. This particular style of dance did not last. It was only popular between the 1960's
and ... Show more content on Helpwriting.net ...
I believe that the distinctive styles of these three individuals mentioned below formed the basis of
what we consider dance today. Trisha Brown, Yvonne Ranier and Simone Forti were three of the
most influential dancers of that time period. Between the three of them they had very successful
dance careers and were the founding choreographers of the dance company called the Judson Dance
Theater. Trisha Brown's distinctive dance style comprised of using ropes and harnesses so that
dancers could experience gravity while scaling walls. Yvonne Ranier used repetition and sounds in
her dance and Simone Forti used animal movements and dancers that were very vocal on stage.
While the postmodern dance era was very short lived and was confined to about a ten–year period of
time, the dance techniques that were discovered during this time live on today in what is known
better as contemporary dance. This is the combination of both postmodern and modern dance
techniques mixed with today's choreography. It is because of these dancers that I believe we have
the dance style we have

Aesthetic Analysis
Aesthetics is the branch of philosophy that asks questions about the nature of art and beauty. The
Classical definition of art is the good, the true, the beautiful. Art equals something that is beautiful
then it is true and leads the person experiencing it, to the good. While this may be the classical
definition of art it is not quite accurate. To think that something is true and good just because it is
beautiful is not right. There are three critiques of this definition which define art in a different light.
Leo Tolstoy defines one as romantic art; "The essence of a work of art is the emotion it causes to an
audience." It makes everyone feel as one because they are all feeling the same emotion. Malcolm
Bradbury defines modern art as a ... Show more content on Helpwriting.net ...
You have to listen to the meaning behind the note. As with John Coltrane's "A Love Supreme" he
wrote this song with four parts to it describing a religious experience he went through fighting drug
addiction. The first part "Acknowledgement" the start of the saxophone is like a deep breath, the
beats of the piano and drums start creating a feeling of almost tranquility in knowing love exists and
there is hope. The next part "Resolution" starts out quiet and faint, then a loud saxophone blares and
the drums and piano all come in at the same time almost chaotically. This showing the struggle in
his head most likely when he was going through withdraws and was having a rough time staying
committed. The third part "pursuance" the drums start and increase more rapidly, and more rapidly
simulating a person running, chasing the love supreme he is looking for. The final part "Psalm" has
the slower, calmer sounds of the saxophone and piano creating a sense of calm and happiness like he
has accomplished his goal in overcoming his addictions and he is praising! Just these simple note to
this song if one didn't pay attention could miss the story Coltrane is telling and the emotions he went
through. The last piece of music is a song written by Abe Meeropol a jewish teacher and union

Examples Of Postmodernism In Pulp Fiction
Postmodernism is a movement in the field of art, architecture and criticism. It includes a way of
interpreting culture, literature, art, philosophy, history, economics, architecture and fiction in a way
which is not easily convincible. Pulp Fiction is an American comedy crime movie directed by
Quentin Taratino which was released in 1994. Pulp Fiction is a term used to describe a huge amount
of creative writing available to the American public in the early nineteen–hundreds. In this paper we
discuss about postmodernism and the movie Pulp Fiction. Then we will look in to the amount of
postmodernism that director showed in this movie and whether we can call this work as postmodern
or not. There are many sources which support these both statements.
Postmodernism and The movie 'Pulp Fiction'
Jean–Francois ... Show more content on Helpwriting.net ...
To understand the movie one should have to give more concentration, thus you should be active
audient rather than a passive one. Intertextuality is also included in the film as we have discussed
above. It is the text that collects and samples various surfaces of previous texts to create a new one.
Film has postmodern dialogues where we can see casual conversation about drugs, sex and crime.
For example first Vincent and Jules discuss about food and then about drugs and murder. Film
shows 50s iconography in the Jack Rabbit Slims diner, the '60s pop music that scores its storms and
their preceding calms, the '70s "cool" exhibited by almost all the characters. Another example is
Butch's gold watch that he so dearly treasures and risks his life to take it back from his old
apartment. The film's legacy is understandably wrapped up in the history of independent cinema.
There lot of other scenes in the movie which support that it is postmodern movie. So I strongly
agrees that Pulp Fiction is a postmodern

Comparing The Work Of Two Artists
This essay compares and contrasts the work of two artists working in Australia since the 1960s on
the themes of migration, diaspora or cross–cultural heritage. It discusses themes explored in their
work and what issues these artists face in presenting their work in Australia? The first work by
Kathy Temin, 'My Monument: Black Garden', 2010/11 whose background as a descendant of the
Holocaust is compared and contrasted to Imants Tillers, Diaspora Series, 1992–96, a series created
partly in response to political events in Latvia, 1990. The works address issues of diaspora and both
artists revisit the past, returning to the land of their heritage. A sense of belonging is one of the key
issues they face as Australian artists. Temin understands the importance of objects as a means of
remembering another culture, a sense of displacement and loss, whilst Tillers senses a connection
with his inherited culture and upbringing. Their work addresses the issues and will be discussed in
more detail.
Contemporary artist, Kathy Temin, visited the concentration camps in Europe, her family history
dating back to the holocaust. Her father, a survivor of the Holocaust, was the only family member to
survive the onslaught. The thing about concentration camps is that they leave you feeling
overwhelmed and very small, both psychologically and physically. That's what the spaces are set up
to do. "My Monument: Black Garden," is enormous in scale and size really matters in relation to the
rationale

Making a Connection in Thos Pynchon's The Crying of Lot...
Making a Connection in The Crying of Lot 49 For as long as I could read comprehensively, I have
always believed that great writing centered around well written stories that would both provide a
certain measure of unaffected pleasure, as well as challenge the readers perception of the world at
large; both within and outside of the sphere of its prose. Thomas Pynchons' The Crying of Lot 49
encompasses both of those requirements; by enfolding his readers, through a variety of means,
within the intricate workings of his narrative. It centers around would be heroine Oedipa Maas, a
practical but somewhat restless woman, who's life is turned upside down when she discovers that
she has been made executor of the estate of old ... Show more content on Helpwriting.net ...
Both the reader and the characters develop similar problems in dealing with the chaos around them.
Like Pynchons' reader's, Oedipa is forced to either work toward interpreting the trail of seemingly
indecipherable clues being tossed in her wake or forgo it all and walk away in bewilderment. Like
the reader by deciding to go on, however aimlessly, she is forcibly drawn out of the complacency of
her own existence; into a chaotic system of intrigue that reaches far beyond her normal scope of
understanding. In the same turn, like Oedipa the reader's role is also based on interpreting numerous
symbols and metaphorical clues as a means of stumbling upon a legible conclusion that will stop the
madness. Each of them arriving at a different conclusion or none at all solely depended upon how
far the use of our perceptions will allow us to go. Unfortunately both Oedipa and the reader (myself
included) are overwhelmed by the myriad of inconsistencies and masked innuendo saturating this
book from cover to cover. Unable to sufficiently distinguish between what is real and relevant and
what is unreal and irrelevant, both are left feeling disconcerted and

Analysis Of ' The Era Of Postmodernism '
Throughout the history of man, human beings impose form and order on all aspects of life in order
to reassure themselves there is a grand design behind life's seeming uncertainty. Evidence of this
desire are social constructions such as religion and time. However, the strong need to understand the
word through concrete systems is also seen in smaller details of daily life, such as fiction novels.
The average person enjoys realistic fiction, or fiction that mirrors what one perceives as the "the
human experience." One method that fiction uses to enforce this desired reality is the use of a single
overarching storyline, or metanarrative. The era of Postmodernism upended this notion that a novel
should only have one grand metanarrative, and this upending is based in a reality closer to one's
lifespan where experiences are not singular or linear, but an amalgam of events and memories which
overlap, shift priorities, and transcend strict chronological time. Two Postmodern novels that
challenge the concept of a single metanarrative by including various micronarratives, employed to
confuse what story takes precedence over the other, are Vladimir Nabokov's Pale Fire and Italo
Calvino's If On a Winter's Night a Traveler. Nabokov employs the concept of intertextual
conversation between different sections of the book in Pale Fire while Calvino makes use of the
reader's self–awareness of their role as an active participant in the reading of If On a Winter's Night
a Traveler to

Summary Of The Crying Of Lot 49
The mid and late 20th century is marked by the cultural movement known as postmodernism, which
redefined philosophy and literature. Postmodernism challenged the established modernist style of
literature by deconstructing the notion of an objective reality and championing satire, skepticism,
and paranoia. The notion of self–determination and one's ability to control their own life is largely
dependent on their ability to actualize their identity: to find meaning in their life. But, any
postmodernist would be skeptical of the idea that one can ever actually find true meaning in a
society filled with superficial and meaningless ideals. One of the preeminent works of postmodern
literature, The Crying of Lot 49, attempts to explore and critique this notion of self–determination as
it relates to popular culture and society. Oedipa Maas, a suburban housewife, finds her life
unraveling before her as she discovers a world conspiracy by the underground organization The
Trystero to dominate the mail carrier industry. As Oedipa finds herself more and more isolated, she
tries to find self–validation and meaning in her life. In The Crying of Lot 49, Thomas Pynchon
critiques the notion of self–determination by asserting that to truly find meaning in life ones must
reject mainstream society. Through the use of satire and the instability of his characters, Pynchon
asserts the idea life is desiccated within the confines of a superficial consumerist society. In The
Crying of Lot 49, the

The Fifth Avenue Art Gallery
The Fifth Avenue Art Gallery is a premiere gallery located in Brevard Country and has operated
since 1974. I visited this gallery on September 16th and liked that this gallery is open to the public
and has free admission. The Fifth Avenue Art Gallery contains wonderful art that are all originals.
These visual arts come in a variety of forms like painting, sculptures, crafts, and jewelry. The Fifth
Avenue Art Gallery has a wide variety of art too from many different artists and a beautiful
collection of many different pieces. I selected the Fifth Avenue Art Gallery because I was curious to
see how other people viewed Florida through their art. Two artists in particular caught my attention,
Bill McCoy and Nancy Hamlin–Vogler. Bill McCoy is a traditional oil painter that creates paintings
that reflect Florida's lifestyle and nature. His paintings are semi–realistic and capture the beauty of
Florida. Bill McCoy was the president of The Artists Guild of Brevard and The Strawbridge Art
League (website). Nancy Hamlin–Vogler is an artist of many talents and creates art of many
different mediums like acrylic, charcoal, and mixed media. Her artwork is sporadic and spontaneous
that ignites deep thought and emotion. She is an award winning artist and is a member of the St.
Augustine Art Association (website). I walked around the whole gallery and look at all the different
art, some art was really cool and others weren't so much. I focused my attention on these two artists
because they

The Most Promising Performing Artist Of Her Generation Essay
Hailed as "the most promising performing artist of her generation," choreographer and director Faye
Driscoll unabashedly creates a new and wholly visceral vocabulary to relay the human experience
through her work. Often incorporating an eclectic range of elements in her pieces, her ultimate
product usually tows the line between dance, theater, and performance art. A Brooklyn–based artist,
she grounds her work in a personal "obsession with the problem of being 'somebody' in a world of
other 'somebodies." This seemingly abstract concept is actually broken down, built up and then
blown out of proportion through the work, thereby allowing participants to really contemplate our
daily performances of self. With evident interest in hyper–theatrics and excess emotionality, Driscoll
appears to be one of the few contemporary artists who has taken on a uniquely experimental form to
explore the messier aspects of what it really means to be human in a postmodern society. Born in
Los Angeles California in 1976, Driscoll earned her Bachelors of Fine Arts in Dance from New York
University's Tisch School for the Arts. A very private person, there is little to no record of her past or
current life online. In an interview with the San Francisco Bay Guardian, she explains that because
she "had a lot going on in [her] home that was kind of crazy," dance became the fluid structure that
afforded her the space to finally express who she really was. A member of Doug Varone and
dancers, she

Technology And Its Impact On Art
In today's society, technology and art go hand in hand. Art has been around for a long time but
technology such as computers are still very new. These two mediums have comingled and now
evolve and effect the other. Art has changed to reflect the vast improvements technology has
contributed to communication and the ability to create using digital space. Technology has also
changed with artist pushing the boundaries of what is technical possible in the digital realm. Much
of today's art is created and presented in digital formats. The question of whether digital art is truly
art has risen among many critics in the art community. Computer art usually refers to any form of
graphic art or digital imagery that was created with the aid of a computer. Computer art which
curators today call digital art or new media art started to emerge in the 1950 and focused mainly on
geometric shapes in random combinations. Many critics at the time questioned whether computer art
could in fact be called art. Critics wondered whether computer art could still convey concepts of
"meaning", "expression", and "form". Early computer was much different from the computers we
know today. Artist were not interested in computers for art in their earliest designs. The earliest
computers did not have monitors and were massive machines that filled large rooms. An example of
such a computer, the ENAIC that was developed at the University of Pennsylvania in the 1940s was
the most powerful computer at the

Symbolic Deconstruction in Thos Pynchon's The Crying of...
Symbolic Deconstruction in The Crying of Lot 49
The paths leading toward knowledge (of self, of others, of the world around us) are circuitous.
Thomas Pynchon, in his novel The Crying of Lot 49, seems to attempt to lead the reader down
several of these paths simultaneously in order to illustrate this point. Our reliance on symbols as
efficient translators of complex notions is called into question. Beginning with the choice of
symbolic or pseudo–symbolic name, Oedipa Maas, for the central character of his novel, Pynchon
expands his own investigation of symbol as Oedipa also attempts to unravel the mysteries
surrounding the muted horn of the Tristero.
In choosing names that conjure up other images/ideas ... Show more content on Helpwriting.net ...
As an intuitive literary/historical detective discovering the existence of Tristero and W.A.S.T.E.,
perhaps Oedipa attempts to solve her own Sphinx's riddle. More important, however, is the mindset
Pynchon is able to create in the reader by including such overt symbolic references.
Other names, perhaps with less symbolic significance, begin to take on added meaning. The
precedent is set. It is possible then to find further significance in Oedipa's last name, Maas. Of
course this exercise can quickly degenerate into absurdity when the word itself can mean anything
from thickened sour milk, to a type of fish, to a farm cottage, to a vulgar form of the word master. It
is as an aberrant form of the word mass, however, that the name could acquire some symbolic
content. As a lump of raw material ready for moulding, or a large quantity often with the notion of
oppressive or bewildering abundance, or used to refer to the generality of mankind, the name Maas
begins to resonate in the actions and attitudes of both Oedipa and Mucho Maas. It is possible that
Pynchon encourages this symbolic discovery not to promote their thematic value to his novel, but
instead to force the reader to be aware of the power and paradox invested in creating symbols.
Symbols are culturally constructed artifacts which give an otherwise intangible concept form. We
are constantly engaged (consciously or unconsciously) in the act of

Intertextual Analysis of Works of Art
Postmodern art is the representation of the return to pre–modern art styles and genres, and there is
no longer a division between art, popular culture, and media. This philosophical term challenged and
reacted against what modernism had to say, echoing dramatic changes in our social and economic
features. Furthermore postmodern essays and critiques coincided with the arrival of contemporary
art. Contemporary art is more socially conscious and philosophically all encompassing of several
styles and medias than art works previous to this era. Contemporary art is experimental and often
includes crossbreeds of styles, as well as mixes of many varied periods of art history from earlier
times to the present times. Contemporary art cultivates ... Show more content on Helpwriting.net ...
Since Jansen's painting is inspired by his own unique interpretation of the world and how past,
present and future intertwine we are lead into the Psychoanalytical theory of art. I feel this theory
fits best with Jansen's painting 'Surreal'. The psychoanalytical theory is about bringing what is in the
unconscious out from it hiding place, because our dreams, wishes, and human nature are what
makes artwork. According to Sigmund Freud " past, present and future are threaded, as it were, on
the string of the wish that runs through them all (p.109)." He means that some event in the present
employs a plan to a future on the pattern of the past. Like dreams though, works of art embody all
three modes of time in a unique synthesis. Jansen's art employs all three past present and future. He
shows us the present with the urban cityscape that has an apocalyptic foreboding feel to it that the
future could be. And the past is brought in with Jansen's own background and how history repeats it
self in that the future could be like the past economic depression. The intact potential available to
the artist allows one to instantly tap into the subconscious when making the art, demonstrating that it
can be incredibly satisfying and illuminating. The Expressionist theory of art is that the relationship
between the artists, the work of art, and the

Trading With The Enemy 'And' Fly By Night (CAM)
The Contemporary Art Museum is one of the most visited in Tampa. It opened its door in 1989 near
the USF College of The Art. The museum has presented numerous exhibitions of contemporary art
from the United States and around the world including Africa, Europe, and Latin America. The
museum's primary objective is to bring the University and Tampa Bay community vital,
investigative and scholarly contemporary exhibitions (aboutsufcam). In doing so (CAM) is able to
present to the community a variety of exhibitions with different methods and culture from around
the world. The exhibition currently displayed in the CAM is tittle "Duke Riley: Flights of Fancy".
There is two Riley's project displayed: "Trading with the Enemy" and "Fly By Night" and ... Show
more content on Helpwriting.net ...
Both includes pigeons and appreciation of freedom. "Fly by Night" is a beautiful visual experience
that Riley wanted to share with people, in the way of his general appreciation that New York city has
given to him. For six weekends at the Brooklyn Navy Yard more than 2,000 pigeons were put on an
avian powered light show and hundreds of tiny lights shot up (Newman, Andy). The inspiration for
"Fly by Night" came during the process of the "Trading with the Enemy" where he put a light on
one of the birds which made him thinks what it would be like to see more of them. To develop this
project, he need help from a team, including a technician from China. Today, the illuminated birds
may be visible from other nearby vantage points, and if preferable it can be seen in person. The
performances of "Fly by Night" are free, but seats should be reserved. Even though I did not see the
actual performance, I was able to see the painting illustrating the LED lights. When I walked into
the room where they were displaced I wasn't sure what was the meaning behind it, but I must say
that I was impressed. He used a dark blue as the background and white linear strips that gave the art
piece a phenomena look. The piece is a great representation of the work he has in display in New

Ethnographic Reflection Paper
For my ethnographic report, I focused on my responses and those of the people I interacted with in
person on 8 November 2016 upon willingly choosing to give up all gadgets and devices with
internet capabilities for 24 hours. Ideally, the decision to disconnect on the 8th revolves around the
recently concluded Presidential elections in the United States. The goal was to ascertain my
responses towards every ongoing off–line aspect in my life without any forms of online interaction
in order to gauge my personal understanding of socio–political events and debates related to the
election. The twenty–four–hour disconnection began at midnight and ended on 9 November. The
morning of the election was particularly difficult due to the excitement caused ... Show more content
on Helpwriting.net ...
However, everything changed once the election results began to favor Trump. I learnt of the changes
as I shared a meal with my friends after they voted. The terror and despair we each felt reminded me
of the hyper reality Baudrillard foretold in his works about the postmodern society. In Simulation
and Simularca, Baudrillard cites the evidentiary changes observable in the postmodern era, marked
mainly by the emergence of the simulation society (McQueen, 2014, p.8). The defining aspect
Baudrillard notes of this period is the subjection, acceptance and adaptation of the hyper reality
presented in forms of media, art and photography that ultimately define the culture of this period,
effectively becoming the means of discerning and prescribing codes and models that define
everyday life for people (Baldwin, 2015). He believed that the images and spectacles immensely
mesmerize the media–saturated consciousness in postmodern society that the meaning behind the
depictions becomes less significant for the people and eventually dissipates into oblivion (Deuz,
2012, p.366). In essence, media is increasingly becoming the dictator of reality for the postmodern
society and Baudrillard believed the only means of awakening people to this fact would be through
an extreme representation of reality to the point the

Analysis Of Tin Man By Andrew Arvanetes
On the KCC campus there is many of great pieces of art to appreciate, however, when picking a
pieces of art to talk about the Tin man by Andrew Arvanetes is a very eye catching piece. Andrew
Arvanetes piece Tin Man sits right behind one of the newest additions to campus, and in front of the
River and walking trail. The Tin Man can be seen from a very far distances, for example where the
child cares playground was moved to they have a great view of both Chicago Nike and Tin Man. Tin
Man by Andrew Arvanetes is for the most part what it sounds like, a tin man. However, when many
people think of a tin man they think of two feet, two arms, and a face. This tin man does not have
any of that it has two legs with what look to be cement rollers

Art : The Influence Of Art
Art has played an important role in the history of the world as well as it has been one of the most
important elements of life. When food and water are very important for our physical bodies to keep
on working, art is the element that feeds our souls. Art can affect our emotions; sad, happy, calm,
excited and more, as well as it adds more color into life. It helps delivering imagination, point of
view and desire of the artist to the audience visually. Art has so many forms such as painting,
drawing, sculpture, crafting, photography, performance art and more, but it does not matter where
the artist comes from or what his point of view is, art is his tool that is used to transfer his dream, his
feeling about everything in life into his paintings or sculptures. Among hundreds of topics,
unclothed body is one of the greatest topic that inspires artists of all time. The Olympia by Manet
was one of the most popular nude figure paintings. Olympia ,was hung in 1865, gave its viewers the
most uneasy feelings. On the painting, there is a nude woman lying on a bed with a black ribbon
around her neck, gold bracelet on her wrist, a flower on her hair and an expensive slipper on her
feet. Especially, there is a dark shadow between her hand and her genitals which obviously
describing her identity as a prostitute. Also, there are a cat , that is arching it's back, and a black
maid, who is holding the flowers at the foot of the bed, on the painting but both of them we ignored
by the young

Influence of Trisha Brown and Steve Paxton on Modern Dance
The direct relationship in the artistic practices and methodologies of Trisha Brown and Steve Paxton
played a role in facilitating new ways of appreciating and developing movement.
Trisha Brown is considered to be one of the most pivotal choreographers of the 1960's as her work
and practice shifted away from historically considered "appropriate" movement for choreography.
This ideology references the modern era of choreographers, moving away from the aesthetics of
Martha Graham and Merce Cunningham who worked with codified techniques, virtuosity and
expressionism, whereas Brown saw dance as being of greater importance to the physical and mental
process of the performer. Born in Aberdeen, Washington and studying dance at Mills College in ...
Show more content on Helpwriting.net ...
While working with these companies in New York, Paxton discovered his interest in pushing and
playing with the body's physical potential. Paxton was inspired by the way Brown could manipulate
the physical form, observing the complexity in her form as she played with spills and falls. He found
this intriguing as it contrasted his background with Limon and Cunningham working with codified
vocabularies; something he considered to be a "paralysis" of the body via technique. Working with
Brown at Judson, Paxton was introduced to the methods of improvisation, using this insight to
create explorations playing with the dynamics and stability of gravity.
The Judson Dance Theatre had a significant influence not only on the direction of Trisha Brown and
Steve Paxton's artistic practice, but also the shift towards postmodernism. From the initial public
display by aspiring choreographers from Robert Dunn's composition class, Judson went on to
become the first avant–garde movement in New York since modern dance in the 1940's. There was
an interdisciplinary flavour produced via collaboration with dance, visual art and music, and
significant lack of grants and funding ensured that the Judson environment was that of willing
participation and exploration. Consequentially, this spurred ideas of innovation and new ways of
developing movement in terms of using inexpensive materials and space, allowing for exploration of
performance in non–conventional

Rhetorical Analysis Of ' The Novel '
The use of irony in the novel also contributes to its postmodernism. Many postmodernists treat
serious subjects jovially to distance themselves from the difficult subject. They evoke black humor
and different types of irony to offer critics of society and to display how society should not fear dark
and somber things. DeLillo sprinkles irony all throughout his story using it even at the most serious
of times. He uses it to show how the characters should not fear death and how the characters ignore
danger when "the smoke alarm went off in the hallway upstairs, either to let us know the battery had
just died or because the house was on fire" (8) and they did nothing about the possible imminent
danger. DeLillo also uses irony to mock certain characters and expose the ridiculousness of certain
beliefs and customs. When Jack's boss advises him to change his name and appearance to gain more
prestige, the change they make is pretentious as it is the same name only without one letter, "we
finally agreed that I should event an extra initial and call myself J.A.K Gladney" (16). DeLillo
continues to ridicule society and its principles by exposing absurdity such as Jack not knowing
German despite being the founder of Hitler studies and his college requiring all Hitler majors to
understand some of the language, "I had long tried to conceal the fact that I did not know German"
(31). The use of irony not only gives the novel a lighter tone, but also exposes DeLillo's critique of
society

Analysis Of Kurt Vonnegut 's ' The Monkey House '
Kurt Vonnegut is known for his dark humor, wit, and imagination. He is consistently listed among
the great American authors of the later twentieth century and his novel's such as Cat's Cradle and
Slaughterhouse Five are considered modern classics. In this essay, I will focus on two of Vonnegut's
short stories "Welcome to the Monkey House" (1968) which takes place in a dystopian future where
everyone is required to take pills that take all the pleasure out of sex and "Miss Temptation" (1959)
which takes place in a small east coast town by looking at them through a feminist lense. Both
stories come to the same ultimate conclusion that over–moralization of human sexuality is pointless
and harmful but they come to this conclusion in very ... Show more content on Helpwriting.net ...
When Nancy counters this with "you certainly manage to make a woman feel like an object rather
than a person," Billy's response is "thank the pills for that." This moment is presented as one of the
first "lessons" that Billy teaches Nancy, that the pills are bad and somehow making her less of a
woman. However, what it really suggests is that a woman isn't worth listening to if her sexuality
isn't involved. Once Nancy reaches Billy's hideout, other women are more than happy to assist him
in raping her. It is later revealed that all of these other women were also once raped by Billy but
have now "they understand" and "they're grateful." The fact that these victims would not only be
happy to assist their rapist and kidnapper but also are described as almost worshipping him seems to
suggest more of a Stockholm syndrome situation instead of one where Billy has "saved" them. Billy
obviously holds the power within his "gang" and these women are willing to do whatever it takes to
help him rape other women. The idea that all these women needed to become grateful was to be
forcefully "deflowered" by Billy perpetuates the patriarchal idea that women need to be introduced
(often forcefully) to their own sexuality. Instead of just letting the women stop taking their pills and
then waiting for them to make their own decisions about what to do with their bodies, Billy rapes
them almost as soon as the

Perception and Memory in The Keeper of the Books, The Men...
The three authors Jorge Luis Borges, Scott Russell Sanders, and E.B White all have different stories
yet somehow they tie together. Borges' "The Keeper of the Books", Sanders' "The Men We Carry in
Our Minds" and White's "Once More to the Lake" all touch upon perception throughout their stories.
Their perceptions thoroughly shape their stories, but their memories also influence and shadow their
perception as well. Throughout this essay I hope to prove how memories influence and tie together
with our perception of our individuality. There are two different types of memory; individual and
collective. Individual memory is defined in the article "Individual and Collective Memory" written
by Sara Hanneman and Brianna Brandon, as "a ... Show more content on Helpwriting.net ...
Say a woman lost her husband in 9/11. Her husband had a certain smell about him that distinguished
and defined him. If this women smelt this smell again, she may instantly refer back to that
individual memory of that smell and this could affect her formation of new, collective memories.
Maybe this scent is a reminder of her deceased husband and could form negative memories. On the
other hand, it could do the opposite. This individual memory could serve as a positive reminder of
the good memories she had with her husband. When she smells the smell she may only think of the
individual memory of the smell itself. Or she could think of memories involving activities she and
her husband did while he was wearing the scent, ultimately having collective memories. However
we decide to handle our individual memories ultimately attaches and weigh together with our
collective memories. Another thing that dominates our perception and memory is archives. By
definition, archives are any extensive record or collection of data (dictionary.com). When it comes
to memory, we decide what is important to 'store' or 'collect' and what isn't. We may keep certain
memories in the back of our mind in an archive until we need it. The question that comes with
archives is, what do we decide to remember and what do we decide to forget? Erika Hayasak talks
about this in the article "How Many of Your Memories are Fake?", stating, "For all of us, the
stronger

The Proposition of a Museum Design for Media Essay examples
Research conducted over the past decade has shown the important role new media plays in
contemporary society. While many of us engage with new media in our daily lives, the ideals behind
archiving, curating, and exhibiting it are still difficult to approach. As more types of new media and
digital media are created, we struggle as interior designers to understand how to represent these
works spatially. The proposition of a museum for new media will be outlined by assessing a variety
of emerging topics. Investigation regarding the historic ideologies of object oriented artwork as well
as classic philosophies of the art scene will be contrasted to the modernized requirements of new
media. Opportunities regarding displays, casework, and ... Show more content on Helpwriting.net ...
Creating an engaging experience which encourages the presence of audience participation as well as
a space which facilitates interactions at a human–scale plays a crucial role (Xia & Li, 2009, p. 3).
Research regarding anthropometrics and user interaction could assist in the programming of these
issues. Exhibiting and archiving new media in the most appropriate manner is an important
consideration during the design phase of this typology. Xia and Li (2009) state that "The essential
purpose of exhibition is the transmission of information. We need to transmit the information from
the exhibits to the public and improve their understanding" (Xia & Li, 2009, p. 1). Designing a
space which facilitates improved user comprehension could be accomplished through research
regarding lighting, air quality, signage, or other interior factors. Poor lighting or signage could affect
the users understanding of the works in the museum, therefore attention to detail as well as
craftsmanship will play an important role. The typology of a new media museum also allows for
experimentation within the realm of design. Many of the projects being exhibited are met with a
variety of spatial constraints and opportunities. Designing a space which allows the work to interact
with users in a harmonious environment is an experimental process. Shelly Bernstein, the Chief of

North Carolina Museum Analysis

Recommended

Recommended

More Related Content

More from Christina Valadez

More from Christina Valadez (20)

Recently uploaded

Recently uploaded (20)

North Carolina Museum Analysis