Role Of Magic In The Tempest

Role Of Magic In The Tempest
TEST 1: THE TEMPEST
1. What is the role of magic in the play? Are there any different kinds? How is it used? Consider the
concepts of magic, miracle and magician.
The role of magic in this play, The Tempest by William Shakespeare, is very important and it can be
seen even from the beginning of the play who controls it has the power over all the things that
happens on the island.
The play opens with the deafening noise of thunder and lightning creating tension and anticipation
for what is to come. The magical tempest represents Prospero's power but also his suffering at the
hands of his brother. Moreover, the storm besides representing the political and social unrest in
Milan, it also represents Prospero's darker side, his vengeance and his ... Show more content on
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Moreover in the play are only two women; the first one is the witch Sycorax, and the second one is
Prospero's daughter, Miranda. About Sycorax we know very little and we could say she is a bad
influence. However, Miranda, who is only fifteen years old is the opposite of Sycorax. She is loyal
and obedient to her father since he is the only family she has. Although during that period women
were not independent, they always were under the responsibility of a man; if she was not married
her father, brother or relative was in charge of her, and if she was married she was the responsibility
of her husband.
Miranda represents good nature, mercy, compassion, generosity. Those attributes are seen in the
relationship between Miranda and Caliban when she teaches him how to read and write. Yet in Act
1, Scene 2, Lines 350–361 Miranda's words are surprising and shocking because despite her
intentions, Caliban is described as an ungrateful slave. " Abhorrèd slave, Which any print of
goodness wilt not take, Being capable of all ill! I pitied thee, Took pains to make thee speak, taught
thee each hour One thing or other. When thou didst not, savage, Know thine own meaning..." (Act 1,
Scene 2, Lines 356–362) In this excerpt Miranda breaks with her innocence and uses powerful
words against Calbian because he wanted to
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Comparing Isolation In The Tempest And Miss Potter
Through unexpected revelation or gradual realization over time, future possibilities may be revealed
through the journey of an individual. This is evident in the play, "The Tempest" by William
Shakespeare and the film "Miss Potter" by Chris Noonan, as each main character is shown involved
with a fantasy world, exploring the values of love, freedom vs isolation, and finally revenge vs
forgiveness. After exploring these aspects, one may be transformed to change their perspectives and
ideals of themselves and the world.
The individual's perspectives may be changed through challenges, leading them to develop on their
perceptions of themselves and others. Through an exposition between Prospero and Miranda we are
gradually revealed of their forced and restrictive isolation for 12 challenging years on an island. It is
also made aware that this restriction is cause due to Prospero's ignorance of his dukedom. What's
more his ignorance was caused due to his magic which is depicted through the quote, "by your
art....you have put the wild waters in this roar" symbolising his anger and hatred. In addition ...
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This is evident in, "The Tempest", where Prospero is a victim of an unjust act by his brother due to
his discovery of magic and power. We see this explored through the ongoing theme of Prospero's
inner debate between revenge and reconciliation. His summoning of supernatural spirits (Ariel) for
his vengeance and his magic symbolises his power and desire for revenge. This later subsides
through a duologue with Ariel, "The rarer action is in virtue than in vengeance" which depicts his
rediscovery of morality within reconciliation and the irrationality in revenge. Consequently he
forgives his brother, "you brother mine....i do forgive thee", and by releasing Ariel and Caliban, he is
able to realise and reassess himself and others through his transformed

The Tempest Quotes Analysis
The Tempest, by William Shakespeare written, between 1610–1611, follows a man named Prospero
whose dukedom is usurped by his own brother, Antonio. Prospero became stranded on an island and
is responsible for a tempest, which was created to seek revenge on Italian nobles for being complicit
and supportive of Antonio's usurp of Prospero's dukedom. With the fight to regain his title of the
rightful Duke of Milan, Prospero ends up breaking his oak staff, drowning his books, and setting
free all the power that he possesses on the island where the play is set. However, Prospero is not the
only one who has power, his servant Ariel is a magical spirit. His slave, Caliban, also has power
over his island. Many characters embody the role of colonizers ... Show more content on
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I prithee, be my god.
Counter–argument (Prospero's power over others) (2–3 quotes)
Many people believe that Prospero has the most power because even some of the most powerful
people think Ariel on the colonizers are controlled by Prospero.
The Tempest (I.ii.224–228) ARIEL: All hail, great master! Grave sir, hail! I come / To answer thy
best pleasure. Be't to fly, / To swim, to dive into the fire, to ride / On the curled clouds, to thy strong
bidding task / Ariel and all his quality.
The Tempest (III.iii.108–111) PROSPERO: My high charms work, / And these mine enemies are all
knit up / In their distractions. They now are in my power.
All things considered, there is not one omnipotent character in The Tempest. Each individual
character in the play has their own unique power. Prospero has control over others by doing a good
deed to someone and asking for a favor in return. Ariel has magic that Prospero uses against her
enemies. Caliban has authority over his island. Trinculo, Stephano, and other characters who
exemplify colonizers. get their power by telling native occupants of the isle that they are lesser than
them, due to their diversity or social

Prospero Is Human Essay
Prospero Is Human
Although in the first three scenes of the play, "The Tempest" written by Shakespeare, portray
Prospero to be a devious and malicious man seeking the next opportunity to pray upon his foes with
his powerful magic, Prospero is actually a good human when it comes to a level playing field.
Prospero, although upset at what was taken from him deals with his anger in a timely and apologetic
way. Prospero is a good person put into a situation that left him no choice but to break out in rage at
the first opportunity he got for he is human. He comes a long way in these short hours to reclaim his
dukedom as his while dealing with fury in ways of intense magic. In the beginning of the play,
Prospero was forced out of Milan after being the duke of the kingdom. After he was dethroned, he
was also vanished to a deserted ... Show more content on Helpwriting.net ...
As he quids all of the people that onced ruined his life to his home, he remembers how the dukedom
made him feel and began to think of the life with it compared to the one he is living in now. He
proclaims "I'll break my staff / Bury it certain fathoms in the earth / And deeper than did ever
plummet sound / I'll drown my book" (V.1.54–57). This passage shows that Prospero is willing to
give up everything he has to gain his old life back. He is willing to become powerless to become
powerful in himself. Not only will he give all of his powers he has up as well as his spirit servants,
he is also willing to throw all that happened to him in the past under the bridge. Him being
overthrown will all be water under the bridge and they can all start on a clean slate. As Alonso is
realizing what is it stake and is begging for forgiveness, Prospero shrilled, "There, sir, stop / Let us
not burden our remembrance with / A heaviness that's gone" (V.1.199–200). As a result, he is finally
humanized. He is ready to start over in his own benefit and will be duke of Milan

Research Paper On The Tempest
It is often said, by critics and literature scholars alike, that The Tempest was Shakespeare's "farewell
to theatre". However, his proposed ode to the arts has many levels of simplicity (which can be
confused with complexity but is ultimately different), and therefore a more in–depth analysis than
usually offered can conclude Shakespeare used the play as instructions for the audience as well as to
reflect on his own life. Shakespeare challenged his audience to accept, or perhaps even disagreed
with, his own perception of freedom, which was that freedom could only be sought by those who
made theselves vulnerable. The playwright demonstrated this vulnerability through the contrasting
characters of Caliban and Ariel, the self–usurpation of Prospero, ... Show more content on
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Ariel and Caliban are similar in many ways. Both are somewhat humanoid creatures, both were in
the service of Sycorax (to some extent) at some point, but most significantly, both creatures served
Prospero. However, there is one significant difference between the two characters: Ariel ends the
story free while Caliban remains enslaved. Throughout the play, Ariel demonstrates his will to be
free, "Since thou dost give me pains, let me remember thee what thou hast promised, which is not
yet performed me" (1.2. 287–289). Caliban also relays this same urge, "All the infections that the
sun sucks up from bogs, fens, flats, on Prospero fall and make him by inchmeal a disease" (2.2. 1–
3). However, Caliban is bitter towards Prospero, often cursing him, "All the charms of Sycorax,
toads, beetles, bats, light on you" (1.2.6–7). Ariel is the opposite, and respects Prospero, "I will be
correspondent to command and do my spiriting gently" (1.2. 353–354). In the end of the play, Ariel
is granted freedom after his service is over. Prospero realises him from his service by saying, "Spirit,
thou shalt ere long be free" (5.1. 96–97). After Ariel sings a song of celebration, the former duke
goes on to add, "Why, that's my dainty Ariel. I shall miss thee, but yet thou shalt have freedom"(5.1.
105–106). While Caliban's fate is left partly open ended, Prospero's directions to

Analysis of Prospero from The Tempest by Shakespeare Essay
Prospero, the male lead of the Tempest, starts out as the victim of the play, but as the story goes on,
it becomes apparent that he is actually the cause of all the problems and plots within the play.
Prospero is important because he is the puppeteer that leads all of the characters to complete his
orders. He strings all of the characters along to do his bidding, and by the end of the play, he is the
only one who wins. Prospero is interesting because, without him, there would be no plot. He is the
one who stirs up the Tempest and brings his usurpers to the island. Despite the original belief that
Prospero is the victim of his brother's commandeering of his throne, it becomes obvious that
Prospero does not have good intentions, and is ... Show more content on Helpwriting.net ...
Prospero also punishes Trinculo and Stephano for no reason. Trinculo and Stephano have no reason
to be on the island besides aiding and abetting Caliban in his plot to overthrow Prospero. Because
Prospero originally made the different groups of people who stayed on the island, he must have
wanted Trinculo and Stephano to meet Caliban, and in turn punish them for a crime that he made
them commit, implying that Prospero wanted to use his magic to further harm more people.
Prospero enslaves Caliban and Ariel, seizing the island for him and Miranda, just like Alonso and
Antonio had done to him. The rightful ruler of the island is Caliban, and although Caliban at one
time tried to rape Miranda, Prospero repeatedly punishes him for this one event that occurred much
before this play takes place. Prospero initially "helps" Caliban by educating him and in exchange,
Caliban taught Prospero and Miranda how to survive on the island. Prospero uses the act of
attempted–rape to justify his seizure of the island. This take–over should have been enough
punishment but Prospero enslaves Caliban, threatening to hurt him if he does not do his bidding. By
endlessly punishing Caliban, Prospero inadvertently shows his malicious side. Although Prospero
freed Ariel from the tree he was bound inside, Prospero blackmails Ariel and essentially enslaves
him too. Prospero repeatedly tells Ariel that he will set him free but, it seems as if that is an empty

Irony In William Shakespeare's Romeo And Juliet
The play closes with Delio, Antonio's best friend, coming on stage right after Bosola, the Cardinal,
and Ferdinand have all killed each other. He's brought in the only living son of Antonio and the
Duchess, and ends the play by saying, "... Let us make noble use/Of this great ruin; and join all our
force/To establish this young hopeful gentleman /In's mother's right. ...Integrity of life is fame's best
friend, which nobly, beyond death, shall crown the end." (5.5.109–115, 119–120). Sounds very
optimistic. "Yeah, what happened here was pretty devastating and bad, but if we can just nurture this
son well and make sure he takes over his mom's dukedom, everything will be just wonderful." The
real difficulty is, after dealing with heart wrenching suffering

Prospero's Manipulation In The Tempest By William Shakespeare
In Shakespeare's The Tempest Prospero is a dynamic character who possesses great power
stemming from both his books and his manipulation of other characters and events. This view of
Prospero has changed over many years with the development of postcolonial theories. Before this
development, Literary Critics such as Mowat, Gooder, and Belton argued that his magic is just
that¬–a form of magic with no link to his power as a colonial leader. He is still seen as a
manipulator, but not a leader of the people on the island. With more recent academics such as Orgel
comes a new postcolonial view that shows Prospero as a colonial leader rather than possessing
magic. Orgel particularly uses postcolonial theory to show how language shapes reality. My
contribution to the conversation is the idea that Prospero's colonial leadership is an aspect of his
manipulation. Prospero's manipulation goes beyond his power as a colonial leader because he uses
his manipulation for more than getting Caliban and Ariel to do ... Show more content on
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He is also getting rid of his staff which is arguably a manipulation in itself in the way he does not
seem to use his staff to perform this magic. He arguably carries it as more of an illusion to appear as
if he has a supernatural power he does not actually have. He is also ridding himself of his books
which are arguably the real source of his magic. Prospero is also the one describing this moment
proving his language is most important in making up the image we see of his magic through his
language. This also proves that his power of language goes beyond even his books because after this
part he is still manipulating the people on the island. With the image of him ridding himself of his
books also proves through his language that he is giving up his power much like a colonial leader
freeing his subjects from his control. He does end up doing this as well in the way that he later frees
Ariel and

The Tempest Research Paper
The Tempest is a play written by William Shakespeare, about Prospero (the rightful duke of Milan)
being betrayed by his brother, Antonio. Prospero is seeking his revenge by causing a storm with his
magic to destroy a ship containing Prospero's enemies. His magic scatters its passengers about the
island. In this process, Prospero wasn't only seeking for revenge, but power too, which his enemies
wanted. Everyone at a point gains both revenge and power, but that causes to change relationships.
The Tempest in general conveys that the desire of power changes relationships through actions and
dialogues of the characters.
One relationship that changes is between Prospero and Antonio. Prospero almost tears his
relationship with Antonio to get his ... Show more content on Helpwriting.net ...
Prospero wanted a lot of power to control Miranda and her life for her own benefit. Prospero loses
that control as he loses that power. For example, when Miranda questions Prospero why he causes
the Tempest, he replies, "obey and be attentive" and it is clear that she respects him back as she says,
"my dearest father." Prospero's power and control over Miranda is something that really stands out.
Prospero clearly hides the truth and their past from Miranda which essentially gives him power
because that is what made her so gullible and naive–"Twelve year since, Miranda, twelve year
since,/Thy father was the Duke of Milan and/A prince of power..." Throughout The Tempest
Prospero slowly makes sure that Ferdinand and Miranda's love won't fade quickly. Prospero wanted
Miranda to have the best life and so he is controlling it to be that way. This way the couple wouldn't
become a lost cause. "They are both in either's powers. But this swift business I must uneasy make
lest too light winning make the prize light" Prospero says. He is revealing his true plan to Ariel that
he wants to make Miranda harder to get. This is because Prospero feels their love will be stronger if
it is harder to

Prospero's Rediscovery
Through relationships, the composer represents human experience as constituting an awareness of
humanity's capacity for evil and good. This prompts self–reflection, resulting in the rediscovery of
the power of empathy to liberate oneself from the past. In Shakespeare's play The Tempest (1610–)
and Johnathan Teplitzky's film The Railway Man (2013), Prospero and Eric Lomax respectively
discover the duality of human nature and learn to recognise the futility of vengeance and thus, the
value of forgiveness, allowing Prospero to regain his dukedom and discover good governance, and
Lomax to uncover the capacity of benevolence in providing him a gratifying life. This process of
discovery comprises the human experience, providing a deeper understanding ... Show more content
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An older Eric Lomax embarks on a journey into his past life as a prisoner of war, emerging with an
enhanced understanding of human nature and rediscovering of the power of forgiveness to
overcome the past. Lomax's flashback to the past showing the mid–shot of silhouetted soldiers
emerging from a tunnel, accompanied by the diegetic sounds of aeroplanes flying overhead builds
tension, confronts responders, and thus is a visual representation of Lomax's discovery of the
brutality of war and humanity's capacity for cruelty. Lomax's flashbacks suggest that to move on
from the past, he must gain an understanding of the evil innate in human nature, and the power of
empathy to overcome this. The close–up shot showing Patti (Lomax's wife) appearing concerned,
with her dialogue "Eric, whatever's wrong, you can talk to me about it", reveals her genuine care
and concern for Lomax, illustrating his awareness of the compassion and empathy innate in
humanity through spousal relationship. Through relationships, Lomax gains a deeper understanding
of the polarity of human nature, this experience integral to being

The Tempest Response Essay
The Tempest Reading Response In the "Tempest" by William Shakespeare know character is more
intriguing than Prospero. Prospero's displays characteristics of being controlling and intelligent.
Prospero uses his magic to control characters throughout the story. Prospero also uses his
intelligences to manipulate characters into doing things that serve his self–interest. Another defining
characteristic of Prospero is his power which comes from his magic and spirits. This power
separates Prospero from most of the characters in the story because he can use magic to change the
weather and summon spirits. Prospero is interesting and complicated because of his origins.
Prospero was usurped as Duke of Milan by his brother 12 years before

Examples Of Forgiveness In The Tempest
The Tempest was published in 1623 and is considered one of the last plays of William Shakespeare.
This play is accepted as virtuous as Prospero, the protagonist, rises above his own problems and
dark depths of disturbance and pain to attain a level of tranquility. His mind elevates to such levels
that human frailties do not worry him; it is this mental elevation of Prospero that forms the theme of
forgiveness of the play.
After the shipwreck, we find Alonso in a lot of stress and mood of despair reaching to the level of
insanity. Alonso had totally forgotten about the sins and had no guilt for the wrong committed by
him, Prospero was pleased with the profound success of what he had set out to do as revenge. When
Ariel recites the success of the plot with delight and said that if he had a human, his heart would
have melted seeing the anguish of the sufferers, on listening to him Prospero reaches his merciful
decision which it is obvious was firmly in his ... Show more content on Helpwriting.net ...
Yet among the three sinners regeneration is evident in really true terms in Alonso alone. His
redemption begins soon after the loss of his son in the shipwreck. It is a nerve racking anguish of a
father. The hazy reflection over his past sins is brought into sharp focus when Ariel, in the shape of a
harpy, reminds him of his crimes against Prospero and Miranda twelve years ago. It is here that his
repentance becomes both intense and genuine. This redemption and repentance is, however, not
visible in the other two sinners. Sebastian is a minor character, so Shakespeare passes lightly over
his psychological insights and elevation but Antonio is a major character, and his crime is worst of
the three, since he betrays a generously trusting brother. Though he returns Prospero his dukedom of
Milan, there is more than an ample hint that Antonio does so more out of fear of Prospero's potent
magic power rather than any genuine

In William Shakespeare's The Tempest, the line between the...
In William Shakespeare's The Tempest, the line between the realm of reality and illusion is blurred
by Prospero, who through the use of his magic is able to manipulate and control both the island and
those who are stranded on it. The duality between illusion and reality, the contrast between the
natural and unnatural are being represented and questioned by Prospero's magic. Throughout the
play, Shakespeare is stating that illusions can distort reality, but in the end reality will always makes
itself apparent. Prospero orchestrates the events of the play with ease, his magic giving him the
power to manipulate the characters and environment around him. This almost omniscient power that
is presented pushes the audience to question what is ... Show more content on Helpwriting.net ...
"From the moment they arrive on the island to the time of their release and pardon, they are almost
continually guided, prompted, and motivated by visions that Ariel, acting for Prospero, weaves
before them and by the spells he casts upon them". Prospero's motivation behind all this
manipulating is to provide the group of nobles, mainly Alonso and Antonio, to become of aware of
their wrongdoings, repent for stripping away his dukedom and casting him out to isolation. The first
illusion that Prospero casts is planting the idea that Ferdinand has drowned during the shipwreck
firmly within the mind of his father Alonso. It doesn't take much for Alonso to be thoroughly
convinced that his son is head, batting away any words that offer any hope. "No, no, he's gone" At
this point in the play, Alonso has not associated the drowning and loss of his son with Prospero. He
believes that this is the result of marrying off his daughter Claribel to an African prince. Losing both
his children and heirs to the throne, he feels as though he cannot go on "O thou mine heir/Of Naples
and of Milan, what strange fish/Hath made his meal on thee?" Antonio and Sebastian fall victim to
Prospero's illusions as well. Ariel enters the scene and uses his music to put the entire group of
nobles to sleep, with the exception of Antonio and

How Does Shakespeare Present Virtue In The Tempest
William Shakespeare once said, "The rarer action is in virtue rather than in vengeance." In his final
play, The Tempest, Shakespeare expressed both virtue and vengeance. Virtue is the ability to
forgive, and vengeance is punishing a person who has wronged another. After reading The Tempest,
Shakespeare helped me realize virtue is more valuable than vengeance. Wronging someone elicits a
fury of anger from within. If the person has the ability to forgive, they may be able to remove that
weight of anger from their shoulders. If they seek revenge, they will never receive true victory or
closure; Punishing the wrongdoer until the end of time would still never be quite enough.
Shakespeare conveys these traits of virtue and vengeance when Prospero overcomes his human
instinct to avenge himself and daughter. In The Tempest Prospero's brother, Antonio, and two close
allies, Sebastian and Alonso, betrayed him by taking his dukedom and leaving him and his three–
year old daughter, Miranda, to die at sea. Once the three traitors reunited with Prospero, Prospero
attempted to undertake revenge against them. After all of his efforts to avenge himself and his
daughter for these actions, Prospero instead chooses to forgive Antonio, Alonso, and Sebastian. ...
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Prospero's first reaction was to pursue vengeance on Antonio, Sebastian, and Alonso;
accordingly,portraying the initial instinct of people to seek revenge. After a period of time, whether
it be days or years, a person will realize that inflicting revenge will never make them feel justified;
similarly to how Prospero reached this conclusion. Marianne Williamson demonstrates this
development when she said, "Forgiveness is not always easy. At times, it feels more painful than the
wound we suffered, to forgive the one that inflicted it. And yet, there is no peace without

What Is Mardra's Failure
Mardra's Failure Mardra was the eldest child and only daughter of the Duke of The Willows. She
was nine years old when she discovered she could do things that no one else in Aden could. She
could see the past, present, and future. She could start a fire or snowstorm with a thought. She could
do anything and everything other than bring back the dead; however, she did not realize what this
meant until it was too late. When she was ten, she went for a walk in the woods that surrounded the
dukedom. She was gone for a mere hour, but that was enough. When she came back, there were
people all around, keeping people out of the duke's house, but none of them were familiar to
Mardra. Someone noticed her and tried to send her away, but she refused. More people started
noticing, and they tried to send her away, but ... Show more content on Helpwriting.net ...
He then questioned Mardra about why she was not in the house. She divulged that she had gone into
the woods for a walk and to pick flowers, and that when she had returned, it was like this. She then
asked what had happened. The prince explained to her that a plague had come over the entire
dukedom, while she was on her walk, and that everyone else in the dukedom had been quarantined
inside the duke's house. He then advised her that they were waiting to see if anyone would survive.
The prince then left, and everyone else waited. After several hours, the prince returned. He reported
that no one had survived. Mardra lost it. She let her powers take over. Everyone fled as she set fire
to the entire dukedom. It was not until she realized that the prince was in the flames that she
regained her senses. They were both shocked when she healed him. The burns should and would
have been fatal. Mardra then broke down crying. The prince sat there, with the dukedom burning
down around them, holding the heart–broken girl who had failed to realize what she could do in

The Tempest Research Paper
William Shakespeare is perhaps the greatest literary writer of all time. His works are still being
studied, read and performed today. Dramatist Ben Johnson was correct in stating that Shakespeare
"was not of an age but for all time." Shakespeare's The Tempest demonstrates the timelessness of
human nature and that the lessons portrayed in his play appeal to the reader, no matter the
timeframe. These lessons are revealed through the themes of freedom, forgiveness and power. All
individuals desire freedom. Shakespeare demonstrates that inequality exists in society, and that it is
human nature to fight for one's rights and freedoms. When Prospero conquers the island, he enslaves
the native, Caliban, who is the son of the evil witch Sycorax ... Show more content on
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This is most prominent in the character Prospero. Prospero was wronged by his brother, Antonio,
who conspired with the king to usurp his dukedom and banish him to the island. In his quest for
revenge, Prospero causes a tempest that shipwrecks the royals on the island. He punishes them by
providing the illusion that Ferdinand has died in the shipwreck, while Ariel leads him off to fall in
love with Miranda. Prospero further threatens the royals with "Worse than any death" (Shakespeare
3.3 95), which causes them to go insane with grief and regret. Prospero's desire for revenge is
evident when he states "Mine enemies are all knit up in their distractions. They now are in my
power, [...] Young Ferdinand, whom they suppose is drowned, and his and mine loved darling"
(Shakespeare 3.3 109). In his guilt, Prospero becomes sympathetic for the royals, especially
Gonzalo, the noble lord who helped him survive the journey to the island. Prospero's plans change,
as he realizes that what he seeks is not vengeance but forgiveness and reconciliation. This is evident
when he says "my nobler reason 'gainst my fury do I take part. The rarer action is in virtue than in
vengeance" (Shakespeare 5.1 34). Prospero leads the royals into his magic circle, returns their
mental state and forgives all who wronged him. This ultimately leads to happiness and Prospero
getting his dukedom reinstated. Shakespeare shows that it is human nature to be controlled by one's
emotions and that once forgiveness is achieved, one can focus on goodness rather than hatred. Need

Prospero
When one has wronged another, vengeance or virtue can lead one down two different paths. In the
play, The Tempest by Shakespeare, it is noted Prospero has had his own plan since the beginning of
the play. Prospero spends his days on a secluded island ruminating about how to get his dukedom
back. Throughout the twelve years after he was dethroned, he plans to slowly lure his enemies into
seeing that he is a merciful, virtuous ruler and make his way back to dukedom. In the beginning of
the play, Prospero torments his slaves, leaving them to loathe Prospero for the cruel acts he subjects
them to. With a hunger for dominance over the island, Prospero keeps his two slaves, Caliban and
Ariel, captured under his foot demanding that they follow his bidding. After taking over Caliban's
island, left for him by his mother Sycorax, Prospero enslaves Caliban and tortures him. ... Show
more content on Helpwriting.net ...
Prospero's plan to forgive commences at the beginning of the play when he manifests he is a
qualified ruler by enslaving Caliban and Ariel. On through his journey, the island grows to have a
hatred for Prospero, but this lines up the peak of his plan. Not only does this arrangement maneuver
his way back to dukedom, but this plan rehabilitates Prospero, leaving him a changed man. His path
to forgiveness proves Prospero's virtuous act to become the "bigger man". In the final act of the
play, Ariel states, "if you now beheld them, your affections Would become tender." (5.1.19–20)
giving the reader a sense of how powerful Prospero's forgiveness impacts the people who have
wronged him. If Prospero had not planned this at the dawn of the play, he would have chosen
vengeance over virtue, before thinking his procedure through, considering that he must have been so
bitter after his dethroning. The Tempest demonstrates an important concept of choosing what is right
from wrong, like Prospero chooses the act of reconciliation over the act of

William Shakespeare 's The Tempest
Government legislation has always been a social topic throughout the years. Thus, the bond in
which a government creates with its people is vital in order to create a functioning society. This has
led many scholars to provide social commentary on government legislature, allowing complex
issues to be portrayed in different mediums, generating a greater audience. During the
Enlightenment Era, William Shakespeare's writing were a form of social commentary on the English
Government. Endorsed by the king, Shakespeare's works told tales of tragedy and whimsy,
incorporating both fiction and nonfiction elements. One trademark of Shakespeare 's plays were the
subtle allusions to the concurrent events in the English government. This is evident in ... Show more
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The purpose of revealing its metaphorical nature is to display the true purpose and meaning of
Shakespeare's famous final play. The play attributes supernatural powers to the Prospero, the
protagonist, allowing him to be able to convey his actions and regain his lost dukedom. In The
Tempest, there are various tricks and illusions that unravel on the island. In context to the era, magic
and witchcraft were slowly displacing itself from the mainstream practices. Nonetheless,
Shakespeare attributes this characteristic to Prospero. These conjurations all stem back to Prospero
and his goal to returning things back to the natural order. In his time on the island, Prospero uses
magic to bully the island and its inhabitants. These actions are abusive to nature. Prospero's
character contrasts that of other Shakespearean roles because his actions and intentions are selfish
and controlling in nature. This is because his character is modeled after a selfish monarch. As
previously stated, Prospero uses his power to manipulate people and events on the island. These acts
of magic could relate those powers given to governmental legislation. Governments have always
possessed the ability to prevent social disorder through surveying and policing the public. Social
commentary around the abuse of these powers root back to their origin. Similarly, Prospero appears
as a king ruling over the island. Although merely illusions, these actions creates an unstable
relationship with

Analysis Of Shakespeare 's ' The Tempest '
Andrometa Buja
Professor: Stephen Spencer
English 220
Date: December 1, 2015
Forgiveness in The Tempest
Many critics believe that The Tempest is a comedy about reconciliation, forgiveness and penitence.
The play starts with a tremendous storm where Prospero takes revenge from his enemies and ends
by forgiving them. One of his enemies was his brother, who betrayed him. For many years Prospero
lives with his daughter in an isolated island where everybody believed that he was dead; even
though by the end of the play he forgives everyone for stuff that they were not even sorry about.
What is the real motivation here? We know from the play that he never attains true forgiveness,
when facing his enemies. Shakespearean critic Frank Kermode said, "Yet Shakespeare is clearly just
interested as before in the romance themes–gilt and repentance, the finding of the lost, forgiveness,
the renewal of the world that benevolence of the unseen powers."(218) Thus, all the readers believe
that the whole play is about forgiveness. However, in the play are many elements that show
Prospero's lack of sincerity. I agree that Shakespeare relies on this important image: even though I
would argue that Shakespeare use Prospero to say that penance and forgiveness cannot be fully
achieved.
The passage that most represent Prospero's lack of sincerity is in Act 5: lines 1–42 where Prospero
changes his attitude from vengeful to forgiving, "Now does my project gather to head/My charms
crack not my spirits

How To Become An Outsider?
AN ENDLESS DANCE, SPINNING ROUND AND ROUND IN AN ENDLESS CYCLE. OF
RISING AND FALLING, LIKE A DREAM WITHIN A DARK DREAM... Elléa. A country with
Five Royal Dukedoms, and one Central Government. Oh, and not to mention five different sets of
kings, queens, staff, advisors, and heirs. These heirs are to take the throne at the age of 18. But they
don't do it alone. Before they can take the throne, they have to set up a marriage selection. What is
the meaning of it, exactly? So when they take the throne, they can take it with their newly wedded
king or queen. Their parents? They retire when the heirs turn 20. What they do is up to them. The
siblings? They have the option to become the heir's noble. If not, the choice is up to them to decide
what ... Show more content on Helpwriting.net ...
About Aspen. Aspen Laeger, my one and only, my... secret love. Ever since he'd chosen to become
an outsider, everything's been harder than usual. Before, we were just 13, doing things after school
together, being partners in almost everything. But in other cases, Amera and I were almost always
paired by the teachers. Probably because we were the most productive, from what I'm guessing,
being that it's been 4 years since that. And then there was that rebellion. Where everyone was.
Where Natalie's brother and Lily's sister were taken. Dead, really. 'Taken' was the term we had to
use though. Then there was the rule my father and the other kings agreed on. You were a guard, or
you worked. If neither, an outsider. Aspen was pretty rich. So he chose not to work. Chose not to do
anything. Chose to be an outsider. Made our lives harder. It was hard for me to do things with him,
without being caught. I mean, no one could mistake the almost black hair and the golden eyes. The
almost quirky sense of style. Aspen was everything another guy wasn't. Was almost everything
another guy was? And then he stopped seeing me about a couple months after being an outsider. I
was yet to know why. And I've been still waiting to see

Explore Shakespeare’s Presentation of the Themes of...
It can be argued that William Shakespeare's "The Tempest" is a play about forgiveness and
reconciliation. The title, The Tempest is both literal and metaphorical. Shakespeare begins the play
with a fierce storm which wrecks the courtier's ship. I think this storm symbolises "the tempest of
life" (i.e. the struggle of life) around which the play is based. Throughout the play, the aristocratic
party is torn by conspiracy and betrayal between many different characters. In their attempts to gain
power, they are constantly either at each other's throats, or conspiring against one another, and
"stirring like a storm." The tempestuous imagery stays throughout the play until reconciliation
occurs with the unity of the new generation, represented ... Show more content on Helpwriting.net
...
Shakespeare uses apostrophes in this play as there is a considerable amount of information to
convey, and this compacts the speech. However, this positive relationship ended when Caliban
attempted to rape Miranda. Prospero then made Caliban his slave and now punishes him using his
magic, often in the form of sprites which torment Caliban. Caliban has spent all of his life on this
island and is a being who is uncontaminated by the effects of civilization and class. Yet, he easily is
tempted by the worst that 'civilisation' can offer to the island, alcohol. When he meets Stefano and
Trinculo, Caliban gets drunk with them and, in return, coaxes them to help plan to murder Prospero
and Miranda and take over the Island. Some people suggest that Caliban's plotting to kill Prospero is
justified. However, Shakespeare does not ratify this vengeance. Prospero has made Caliban his
slave, but he had just cause to, and he does not threaten Caliban with death at all. Prospero shows
little or no forgiveness towards Caliban. The only slight hint of forgiveness is hidden in an order,
"Go, sirrah, to my cell;/ Take with you your companions; as you look/ To have my pardon, trim it
handsomely." Prospero also announces to Caliban: "This thing of darkness, I/ Acknowledge as
mine." Prospero's referral to Caliban as "This thing of darkness" demonstrates how Prospero sees

How Does Romeo Change Throughout The Tempest
At the end of William Shakespeare's, The Tempest, the main protagonist is faced with the subject of
whether or not he can return to his dukedom of Milan a good leader. In the beginning, Prospero's
brother, Antonio, dethrones Prospero as he lost sight of the limit of the power he possessed.
Becoming obsessed and primarily focused on his studies of magic, Prosperous gave the
management of his domain to Antonio in order to keep the nation running. Antonio soon took on a
larger role in the government, breaking the screen between a proxy to Prospero and the true duke to
Milan. Overthrown, Prospero was cast away to a desert island where he would spend the next ten
years awaiting his return to Milan. While on the island Prosperous has a change of ... Show more
In Act V Scene 2, Prospero finally confronts all of the visitors of the island, from the King of Naples
to the boatswain and his crewmates. The two most important interactions that outline his change in
character are the ones between his brother Antonio, and the King of Naples, Alonso. Prospero takes
the initiative and forgives his brother, twice. He confronts Antonio, "I do forgive thee, / Unnatural
though thou art" (V.i.88–89) and, "I do forgive / Thy rankest fault, all of them" (V.i.151–152). Lines
like these show an overview of Prospero's new character at the end of the play. The first of change is
admitting the wrongs and moving on from the past, both of which Prospero does. Prospero's
opinions about Alonso is also decidedly different from the beginning of the play. When talking to
Miranda, Prospero refers to the Kind as "being an enemy" (I.ii.145) as well as Antonio composing
"A treacherous army" (I.ii.152) of both the forces of Milan and Naples. It is clear that Prospero
initially had strong feelings against the Naples family tree and kingdom. However, alongside the
marriage of Ferdinand, the prince of Naples, and Prospero's own daughter, relations between the two
seem to have bettered by the end. Prospero only treats Alonso with respect saying, "I embrace thy
body" (V.i.120) and, "Let me embrace thine age, whose honor cannot / Be measured or confined"
(V.i.135–136). Prospero already begins to deal with the politics of Milan has he ensures that the
relationship between the two countries is strong. These attempts show that Prosper is more disposed
to his people and no longer just

Examples Of Chaos In The Tempest
Chaos has always been a par in society. Though it might be a from different things like a murder, to
crimes, to a storm like in "The Tempest" by William Shakespeare. The story began on a boat out on
the water. While a huge raging storm is going on. Prospero makes sure everyone on the shipped was
not harmed, but the men came ashore on the island, but in 3 different places. Each group tries to kill
Prospero, but in the end of the story Prospero decides to try and forgive everyone and the group
heads to Milan. The Milan is chaos to order it progresses through the story from the beginning as
chaotic and as it gets to the end of the story everything starts to fall into a peaceful order in the end.
In the novel Shakespeare uses visual imagery to demonstrate complete chaos. When introduced to
the first act your immediately greeted with a violent storm rages a small ship at sea". This quote
shows how the story started off chaotic. ... Show more content on Helpwriting.net ...
"While Ferdinand is falling in love with Miranda,Alonzo, Sebastian, Antonio, Gonzalo, and other
shipwrecked lords search for him on another part of the island". This quote is given the audience a
glimpse on how the play might end in the future. Through the story we can learn about how in our
on live there's always hope like the hope Ferdinand has in Miranda. Ferdinand figured he was the
only survivor so as he sees Miranda his hope is put into her and in our life we also all have hope we
put into something. It might be someone or something but we all have hope into something. King
Alonso has hope as well his hope is into his son Ferdinand. While exploring the island he hopes his
son is alive and he puts his whole hope into his

Marxist Reading Of The Tempest
Even on a desolate island, political struggle between classes shape the islanders fates. In the
Tempest by William Shakespeare, the struggle for political power between classes and the dream of
being king of the island present itself. The struggle for political power results in damaging and
destructive endings for the stranded islanders. The play has clear social and political structures that
can be viewed critically with the Marxist lense. The damage and destruction from a bureaucratic
society and political system can be clearly viewed throughout the Tempest. The play allows a
Marxist reading to occur with the presence of power hungry Antonio and Stephano, oppressed
slaves, and Gonzalo's dream of being king. Deserted on an island brings opportunities to climb the
... Show more content on Helpwriting.net ...
Antonio commits treason and attempted murder against Prospero, so that he may gain the power that
comes with controlling the dukedom. Prospero details the history of his arrival on the island to
Miranda by explaining that "Out of the dukedom, and confer fair Milan. With all the honors on my
brother. Whereon, A treacherous army levied, one midnight. Fated to th' purpose did Antonio open.
The gates of Milan, and, i' th' dead of darkness,The ministers for th' purpose hurried thence. Me and
thy crying self." (1.2.150–156) Antonio craved Dukedom so he attempted to murder Prospero by
sending him to sea where he was stranded on an island for 12 years. This shows the terrible and
harmful results of a hierarchical political system. Stephano, the drunk butler, takes Caliban as his
slave and wants to be king of the island. Stephano is willing to murder Prospero to gain power on
the island, which is a clear example of the damage of hierarchical political forces. Stephano agrees,
"Monster, I will kill this man. His daughter and I will be king and queen–save our graces!"
(3.2.114–115) Stephano is willing to murder Prospero to gain

The Tempest Act 5 Essay
In the starting of Act V, Prospero is content that his plan is working well and that it is right on
schedule with everyone obeying him at the power of his spell. Prospero also acknowledges Ariel's
request to stop working. As it was six o'clock and that was a deadline for Ariel's services, but
Prospero still asks about the situation for Alonso and his companions, and Ariel responds, "Confined
together In the same fashion as you gave in charge, Just as you left them, all prisoners, sir, In the
line grove which weather–fends your cell. They cannot budge till your release" (5.1.7–10). Ariel
also feels sympathy for them, but Prospero argues that he has more sympathy for them. Thus,
Prospero asks Ariel to round up Alonso and his companions and bring them to him. Ariel obeys and
quickly executes his Master's command. ... Show more content on Helpwriting.net ...
Prospero, with Ariel's help puts on his Dukedom clothes and then releases the charm on Alonso and
his companions. Prospero now talks and persuades Alonso and everyone that he is Prospero and that
he is the same person who was the Duke of Milan. Alonso and his companions are still skeptical
because of all the mythical and magic that has happened on the island. Prospero still continues and
proves that he is who he is, and demands his Dukedom back, but also forgives his brother for his
sinister act. Alonso then also mentions the loss of his son. However, Prospero also mentions the loss
his daughter. Afterwards, Prospero rolls down the curtain and there we can see Ferdinand and
Miranda playing chess. Where Ferdinand is delighted to see his father and Miranda is astonished to
see more human faces and praises. At the same time, Prospero also orders Ariel to bring the
Boatswain and the master. Alonso grabs his son and daughter–in–law's hands and blesses them with
wishes and begs forgiveness from Miranda, but Prospero mentions that, there is no need to weep
anymore, but to be

Beowulf and the Tempest-Revenge
Revenge Many comparisons can be seen between Shakespeare's novel The Tempest and the epic
Beowulf. One of the strongest similarities is the idea of revenge. Shakespeare's novel occurs
basically in order for Prospero to have revenge on his enemies from usurping his dukedom.
Beowulf's original monster, Grendel, starts acting out less due to revenge and more out of pure
frustration. His death though, causes his mother to act on revenge, killing one of Hrothgar's trusted
advisor, Aeschere, causing Beowulf to kill her for revenge. The dragon got mad about a stolen
article and burned down Beowulf's home in revenge, and so Beowulf went after him. Although they
have different motives, both plots are caused greatly because of revenge. ... Show more content on
Helpwriting.net ...
So the brave Beowulf once again came to the rescue. She lived under water so that was where he
fought her and the place where she met her bitter end. Beowulf's final battle was also due to
revenge. The dragon had a valuable cup that had gone missing from the treasures. He was furious
and ransacked the entire country, including burning down Beowulf's house. Therefore Beowulf went
after the dragon to avenge his lost home. This was his final battle, the fight where he lost his life.
Although revenge is a major theme in both The Tempest and Beowulf, their reasons for revenge are
very different. Prospero wants revenge in order to get his life back. He was thrown out of his
dukedom and onto a deserted island. He wanted his enemies to feel remorse and to gain back his
dukedom and that was all. In Beowulf it was very different. Everyone wanted revenge because they
were upset and wanted to hurt the nemesis. Grendel was upset with his lineage so he wanted to stop
all happiness so he attacked Heorot. Grendel's mother wanted to avenge her son's murder so she too
destroyed Heorot, including killing Aeschere. Beowulf and all the Danes wanted to avenge
Aeschere's murder so he killed Grendel's mother. The dragon wanted his treasure back so he raided
the country, and Beowulf got angry and attacked the dragon. Prospero just wanted remorse and he
was happy. The characters in Beowulf wanted

King Henry V Research Paper
Henry V was a young boy who played a lot of games. He was a wild child before his father died.
When his father died, Henry became a very responsible person. In this paper I will talk about Henry
V before his father died and after his father died. I will talk about the way Henry V was in his
childhood years. When he was a child he played way too much. When he was a child he acted
nothing like Henry IV. Henry IV was full of grace and fair regard. To start off, Henry V was a very
wild child. He hung around wild people. All of his friends were wild. Before Henry IV died Henry
V did not care about the world. He did not want to solve any problems in life. All Henry V cared
about was partying and having fun. That's what all kids ... Show more content on Helpwriting.net ...
He has made big decisions. His transformation turned him into a very responsible leader. Now,
Henry V is busy with making decisions that he never thought he would make before. No one knew
that King Henry V would turn out the way he did, considering he wasted his childhood with rowdy
lowlife people. The people in Henry V think that his transformation is nothing short of a blessing
and miracle. This is the King Henry V that turned out to be like his father. This is the new and
impro0ved Henry V that everyone wanted him to turn out to be. No one has ever repented as quickly
as Henry V. He scrubbed out all of his bad qualities and no one has ever let go of their stubbornness
as fast as King Henry V did. Ely says that they are blessed that he has changed in this kind of way.
Canterbury and Ely talk about him with admiration and say that he has learned a lot since he has
changed. They say that he makes the most complicated things in life the simplest things to resolve.
According to Canterbury, 1.1.43–44, its states," Here him debate of commonwealth affairs/ you
would say it hath been all in all his study." This is saying to listen to him talk about politics and you
would think that that was the only thing that he had studied while he was in school. Canterbury and
Ely are admiring King Henry V a lot. This shows that King Henry V has changed a lot since his
father died. Canterbury and Ely think of this as a

The Tempest By William Shakespeare And Inferno
Written about 300 years apart, The Tempest, a play, by William Shakespeare and Inferno, a poem,
by Dante, both highlight the topic of justice. Being from different time periods and composing
stories of different genres, having different definitions of justice. Justice in The Tempest is Prospero,
the protagonist who is stranded on an island, returning to Milan and reclaiming his rightful
dukedom. Justice in Inferno is divine, with God's creation of nine levels of Hell with individualized
punishments for sinners. In both texts, Shakespeare and Dante similarly prove that justice is
hypocritical and selfish with three components: their motives in writing the stories, the cruel actions
taken to bring about justice, and the desired balances that the justice creates. These three
overarching characteristics, however, vary in the content of the actions, the balances, and the
motives.
The authors' motives for writing contrast. Dante Alighieri wrote Inferno while wandering, having
been exiled from Italy. In writing Inferno as one of the three parts in the Divine Comedy, he was
channeling his loss of hope and feelings of injustice in the world. He writes, "Midway on our life's
journey, I found myself/In dark woods, the right road lost. To tell/About those woods is hard–so
tangled and rough/And savage that thinking of it now, I feel/the old fear stirring: death is hardly
more bitter." Dante wants people to see the injustices done to him in the world, feel his pain, and
experience the

Examples Of Colonialism In The Tempest And Robinson Crusoe
The Tempest and Robinson Crusoe : The Castaway as a Pro–Colonial figure.
Through the figure of the castaway The Tempest and Robinson Crusoe engages readers to accept
that colonialism is a good venture to pursue. Both narratives show that despite being secluded on an
island that European Colonialism is inevitable as it's shown to be of the human condition. The
Castaway figures themselves seem to embody the vision of colonialism through actions and though
throughout their stories. Both novels support the four main features of Colonial narrative; The
control of natural resources for economic gain, the exploitation of people and nature, through labour
for personal gain, the insistence of hieratical structure through restriction and supply of knowledge
and the maintenance of European cultural ideological values as to not descend into what they term
"savagery".
Colonialism is established for the retrieval of resources to further benefit the colony and grow the
nation. The strict narration of all belongings we find kept by Crusoe throughout his term on the
island shows the colonists mindset of economic control through possession as his driving force.
Even before the shipwreck, while living upon his plantation in Brazil he is a studious book keeper
and prioritises his assets compulsively along with the monetary gain he will benefit from them. As
Defoe himself was a merchant trader, it is only expected that we find Crusoe, a merchant, to be
diligent in his recordings. Jacob Sider notes that Crusoe embodies a "parabolic representation of
economic concepts and ideologies." (Sider Jort, Jacob)
In The Tempest the natural resources Prospero collects are that of the inhabitants on the island. He
exploits those around him to gain status and to grow his magical abilities. He doesn't view either
Caliban or Ariel as people, more as commodities. Stephano and Trinculo refer to Caliban as "fish",
"savage" and "monster" further announcing him as unhuman to European eyes. Ariel is kept by
Prospero as his magical 'familiar', he commandeers Ariels natural abilities to control natural and
magical phenomena to benefit his own gain and advance his nefarious plot to restore his Dukedom.
Both parties endeavours to increase their wealth

Creative Writing: Nightrays By Sharon Rainsworth
He indeed noticed the changes in her features and body and realized how odd he had to look like,
since his aspect had stayed the same since he had accepted his role as Glen. The light in his eyes
was older, just like hers, but that was all: the rest of his body was crystallized, forever trapped in the
very same form till his death. Only the tone in his voice and his gestures would show he was older
than he looked, and to those who did not know him nor his story would be shocked by that young
boy who behaved like a mature man. After all he was meant to be the weird one, wasn't he? He and
Sharon Rainsworth had always been mere acquaintances ( a noblewoman and a valet belonged to
two different worlds, and moreover the Nightrays had

The Tempest By William Shakespeare And Mama Day By Gloria...
The Tempest by William Shakespeare and Mama Day by Gloria Naylor are two fantastic stories that
both belong to the genre magical realism, which is where magical elements are incorporated into
realistic fiction. Prospero the main character is robbed of Dukedom and marooned on an island with
his infant daughter where he meets natives and fire demons who do his bidding. Mama Day the
main character in Gloria Naylor's novel is a no nonsense woman who uses her magic to help the
other residents of their island. Even though Naylor denies that Mama Day is modern retelling of the
Tempest it is hard not see that there are similarities between the stories. However, there are some
differences. Prospero takes justice into his own hands, just as the characters around Mama Day take
their situations into their own hands. They do not trust Mama Day's ways until they are forced to ask
for her help. Whereas Prospero and Miranda might seem like parallel characters because they both
use magic, Miranda knows its limits and uses it to help others, while Prospero only discovers the
limits of magic after he gives it up.
After breaking his staff and throwing his books into the sea, Prospero is left with little to no power
of his own. It is in his last speech in the play, in the epilogue, that he realizes that his magic is
nothing without outside help. He no longer has the outside power of his books and staffs to make his
magic work so he is weak and vulnerable. Prospero realizes he will never get off

Prospero Evil
Human beings are not one–dimensional, nor are they two–dimensional. Every individual is a
dynamic, three–dimensional person who should be treated and viewed as such. Just as one cannot
view only part of a painting and expect to understand the meaning and subject of it, one cannot fully
understand a person without taking the whole view into account. However, it is often assumed that
the part glimpsed is indeed the whole picture. Though this is commonly done to a wide variety of
people, a high percentage of those who have their intentions misconstrued by way of their actions
are considered 'evil' or 'immoral' people. It is difficult to look past someone's heinous acts and
search for compassion and humanity. Often, it is not even attempted as ... Show more content on
Helpwriting.net ...
He is the usurped Duke of Milan, trying desperately to reclaim his kingdom from his conniving
brother. After twelve years in exile, Prospero is master of only two now, whereas a whole city used
to obey him. He is accustomed to having servants, to have people obey his every word and fulfill his
every command. However, he is not a cruel master. After Caliban, a deformed slave of possible
devilish descent, tries to rape Prospero's beloved daughter, Miranda, Prospero does not punish him
to the full extent of the law. He does not kill the criminal, instead opting to exile him to the cell in
which they live. Caliban is forbidden to leave unless on assignment from Prospero that takes him
elsewhere. Prospero punishes Caliban, but he does not kill him. The reasoning behind this action, or
rather inaction, is unclear. Perhaps Prospero was unwilling to lose a servant, no matter the crime, or
he could be fundamentally opposed to bloodshed. Shakespeare never identifies the reasoning, but
the facts are there: Prospero does not kill Caliban for a crime where such a punishment would have
been deemed reasonable. Prospero shows similar compassion to his other servant, Ariel, described
as an airy spirit. Ariel is anxious for his freedom, for although Prospero is not a bad master, Ariel
has understandably tired of being enslaved. When he brings this up, the promise Prospero gave to
free him one day, Prospero angers. He saved Ariel from a malevolent mistress, who imprisoned him
in a tree trunk for twelve years. Prospero threatens to "rend an oak/And peg thee in his knotty
entrails till/Thou hast howled away twelve winters," (I.ii li. 355–357) but he never does. This lack of
punishment is not leniency, nor is it compassion, but it is not evil or immoralness either. Prospero
threatens Ariel liberally, but he never carries any of them out, and, at the conclusion of the play,
frees the spirit before the deadline they had agreed

Orlando's Motivation
Since the beginning, man has based their actions on certain motivations. Several dramas toy with
the subject of devotion. In Shakespeare's "As You Like It" devotion is the base of each character.
Most individuals have certain motivation which keeps them going. In the well–known Shakespeare
play, "As You Like It" all main characters have major devotions revolving around love, hatred, and
commitment which affect their actions.
Love is essential for the character's development. To begin with, Rosalind fell in love with Orlando
at first glance, and since then goes all out to see if Orlando is truly right for her. In addition,
Rosalind says, "Gentleman, wear this for me. I'm a woman who's down on her luck, and I'd give
more if I could" (1.2.243–244). This quote is when Rosalind gave Orlando her necklace, this marks
the beginning of Rosalind's affection towards Orlando. Furthermore, after being banished by Duke
Fredrick, Celia and Rosalind go out to the forest of Arden disguised as Ganymede and Aliena. At a
certain point in the play, Rosalind (as Ganymede) begins to testify Orlando to see if he is "the one".
Incidentally, Silvius shows many times his love and dedication towards ... Show more content on
Helpwriting.net ...
Primarily, Oliver has tremendous hatred towards Orlando for no reason of any sort, enough to not
give him a proper education or any cash from the inheritance. Moreover, Duke Frederick says "Find
out thy brother, wheresoe'er he is. Seek him with candle. Bring him, dead or living, within this
twelvemonth" (3.1.5–7). Duke Frederick despises Orlando because the Duke and Orlando's father
were enemies. He wanted Orlando dead or alive brought by Oliver within a year. Hate drives him to
do this unnecessary act. Similarly, Duke Frederick overthrew Duke Senior and exiled him from the
Dukedom. This shows Duke Frederick has no compassion for Duke Senior and does not lend him
any space in the Dukedom which causes Duke Senior to go off into the

The Tempest 'And Thomas Awkner Floats'
AOS: DISCOVERY ENGLISH SPEECH – TASK 1
A discovery can be orchestrated by circumstances or by people but what is made of a discovery is
up to the individual and it is what they make of it that determines how much their perspectives of
themselves and the world change. This is seen through Prospero's characterisation in The Tempest
by William Shakespeare and in the short story "Thomas Awkner Floats" by Tim Winton.
In The Tempest, Prospero is established as a character with the ability to make sapient discoveries
about himself and his world but he is not receptive to these discoveries due to his traits of anger,
bitterness and self–righteousness at the beginning of the play. Prospero's magic was once his 'art',
his traits were shown when he ... Show more content on Helpwriting.net ...
Having suffered in his childhood and being thought of as no more than "an idiot...,the best courier
possible", he has little confidence or dignity as he "cultivated complete incuriosity". By facing his
fear of flying, in a plane that encounters turbulence, symbolic of him rising above his self–doubt and
fear of failure, he discovers he is frightened by his own curiosity. The flashbacks in the art gallery
allowed him to discover himself, "he saw pieces of himself everywhere" with the stained glass
ceiling of the art gallery reminding him of the old church windows. His excitement of discovering
himself is seen when he jumps into the fountain "Cool water rushed through his clothing and he felt
like singing". This is particularly significant as there is a motif of the heat and sweat throughout the
story. The simile, "you'll sink like a stone" in relation to the ocean is juxtaposed against "Thomas
Awkner floated" at the end. This juxtaposition emphasises his characterisation changing as Thomas
went through such significant self–discovery that Uncle Dubbo is unable to see him though his
actions indicate his

The Tempest By William Shakespeare
Qiuyu Tian(Damon)
11/19/2014
Core–106
Professor John Holzwarth
Long Paper Assignment Throughout The Tempest by William Shakespeare, there is a complex
interplay that is defined by the different characters that has extraordinary sense of styles. For
instance, the protagonist Prospero, who can be defined as a magus or duke, shows the audience the
clear personality traits insipidly with the process of the story. On the other hand, Caliban, who is
Prospero's dark, earthy slave, who is the son of a witch–hag, and the only native on the island. He is
an extremely complex character in the play, even he is not the main character of the play, and seems
as a totally different role as Prospero. He shares the similarities with the protagonist Prospero. The
play was written in 1623, when the European countries were in the midst of their age of exploration.
Pioneers and navigators from those European countries like England and Spain were traveling all
around the world and brought thousands of new ideas and stories about the world. Shakespeare was
also one of the members in the Virginia Company, "which refers collectively to a Joint stock
company chartered by James 1 on 10 April 1606 with the purposes of establishing settlements on the
coast of North America."(Cite) Thus, even Caliban and Prospero shares some similarities with each
other, they refer to two different worlds, the savage world and the civilized Europe. The Prospero's
final victory to get his dukedom, revenge to his enemies

Comparing Family Dynamics In Kaka's Metamorphosis And The Te
The family relationships and dynamics in Metamorphosis by Franz Kaka and The Tempest by
William Shakespeare explore the issues surrounding the financial challenges being more important
than emotional bonds. This is portrayed through the shift in responsibility and loss in the family
relationships. The shift in responsibility with the wage earner, Gregor in Metamorphosis and with
Prospero handing over his responsibility of Miranda to Ferdinand, in The Tempest. Financial issues
are also raised in the loss of a family relationship, the loss in a financial income with Gregors
impairment in Metamorphosis. The same also applies in The Tempest, Prospero has a financial gain
in land and a slave in Caliban after he loses his mother, Sycorax at Prospero's hand. ... Show more
101). Gregor Samsa is the main earner in his family and his work keeps the family in a respectable
state of living, and at the threat of losing his job he becomes desperate to explain his circumstances.
Gregors transformation is the sole reason for the shift in responsibility in the Samsa household as
now Gregor is unable to provide for his family financially. Within this occurrence the reader
becomes aware that Gregor is also paying back a large sum of money that his parents owe to his
director "once I've got the money together to pay back what my parents owe him – it may take me
another five or six years – then I'll do it, no question." (Kafka and Hofmann, 2007, p. 89). This
displays Gregors complete devotion to his responsibility to his family and that he will do what it
takes, however long to do what he needs to financially for

Theme Of Social Norms In The Tempest
Whether one realizes it or not, the world we live in is governed by certain expectations and
unwritten rules that our society creates. These expected behaviors are called norms. When one
establishes the role that they play in society, they are governed by the expectations that society
places on that specific role. Norms give order to a society, but is that enough to say that they are
good for citizens? Are these norms needed to govern our behavior in a way that our government
cannot? Social norms and the effect that they can have on a person or group of people is shown
through Shakespeare's The Tempest. The characters in The Tempest are negatively affected by the
unwritten social norms that they are expected to follow, and today these ... Show more content on
Helpwriting.net ...
He encouraged two other men to join him, Stephano, a butler, and Trinculo, a jester. All three of
these men shared one thing in common: a low place in society. In an effort to free themselves from
society's pressure, the men plotted to murder Prospero. Stephano says, "Monster, I will kill this man:
his daughter and I will be king and queen, save our graces! and Trinculo and thyself shall be
viceroys" (Act 3 Scene 2 Lines 106–108). Before they got the chance to kill, Prospero caught them,
proving society's power, once again, to be too strong. Many times, Stephano and Trinculo talked
about how they would break from their low place in society. At the end of the story, however, they
find themselves stuck under King Alonso's power, just as they were before the shipwreck. Despite
all of their efforts, Stephano, Trinculo, and Caliban all were stuck in their low place in society. In
the same fashion, Prospero had also been told by society that the only way he could live a good and
prosperous life was to get his dukedom back. Without this fancy title, society convinced Prospero
that he was unimportant. Prospero had the whole island to himself, a slave, a magical spirit, and his
daughter, but yet, society tells Prospero that this was not enough. During the play Prospero said,
"Now my charms are all o'erthrown, And what strength I have's mine own, Which is most faint"
(Act 4 Scene 1 lines 320–322). This quote shows the incredible heights Prospero went to in order to
get his

Bolingbroke and King Richard
Bolingbroke accused mowbray of killing King Richard's uncle.mowbray denies having to do
anything with the embezzlement and conspiracy against the king. But knows how to scheme to kill
Gloucester and that he tried to kill Richard's uncle John. Mowbray and Bolingbrook have a heated
argument and they challenge each other to a duel Bolingbroke's father John tries to make them stop
but they don't because it is a matter of honor. Everybody gathers to wait for or Bolingbroke and
Mowbray to see if they can come to peace. Bolingbroke's father has a visit from the Widow of his
brother and she's angry about her husband's death and tells gaunt to revenge his death because
maybe he's next But he says no because he believes that King Richard was appointed by God and
going against him is treason and blasphemy against God And he believes that is gods job. Is very
important to note because many characters believe this. King Richard stopped the dual because he
fuck these acts would cause A still more so he banished Bolingbroke for six years and mowbray for
life Bolingbrook's dad told him to look at this in a. Philosophical viewpoint and King Richard says
that Bolingbrook may never see is that again. After this King Richard returns with some friends and
allies. One of them called bushy says that he saw Bolingbroke leaving London and King Richard is
told that the commoners Love Bolingbroke because he's nice to the. King Richard believes that
Bolingbroke might be running for king and he is

Prospero's Manipulation
The chaos presented in The Tempest is quite more visible to the audience because Shakespeare adds
the element of magic to the play and makes the miraculous event needed to restore order, even more
miraculous. Though Prospero's command restores order in this play, he differs from the authoritative
court of Volpone in that he grows mad with power, greed, and the recognition that he can do as he
pleases. Prospero, at the height of his revenge, is the authority corrupted and gone mad as he
poisons his bounty given to the banquet on the stage in Scene III, sending spirits in to ruin it,
spreading his madness to the men at the table. He shows that just as easily as he can generously give
his bounty to the men, he can take it away from them as ... Show more content on Helpwriting.net ...
We see this sense of manipulation through Ariel's mouthing of the script that Prospero has taught
him, while he tries to win his freedom from the king. Prospero manipulates Ariel to further his
persuasion and control over the men of the play. "Thunder and lightning/ Enter ARIEL, like a harpy,
claps his wings upon the table, and, with a quaint device, the banquet vanishes" (III, iii, 50–52,
1677). Authority here lies in the hands of Prospero's magic rather than in the court and is also
completely subjective, as Prospero's actions of "setting things right again" are highly paradoxical; he
feels targeted and vulnerable by the plan of Stephano, Trinculo, and Caliban to kill the king, but at
the same time is highly manipulative of Ariel and the other men, forcing them to dance jerkily. The
king is also staged as being situated on a platform above the action, highlighting his haughtiness and
power. However, after being highly controlling and scheming for the majority of the play, Prospero
begins to forgive and recognize his actions of trying to "play god" (especially in setting up his
daughter for marriage) are wrong, relinquishing his power in the final scene–"Now my charms are
all o'erthrown/ And what strength I have's mine own/ Which is

Role Of Magic In The Tempest

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Role Of Magic In The Tempest