Perez Art Museum Research Paper

Perez Art Museum Research Paper
Some building are meant to have a great façade and just show how and intricate design can stand up
on it s own, but while the Perez Art Museum has great façade and has a very interesting design, its
serves to much more than that. The PAMM is not only a Museum that shows all types of vintage and
contemporary artworks, but in addition it works as an education center for kids, as screenings and
presentations to an outdoor area for visitors to hang out and enjoy the views that Miami has to offer.
All these variation of spaces are achieved thanks to numerous factors for example the
interchangeable galleries that creates different moments for the visitors, the relationship between the
site and the building itself, a canopy that wraps around the whole the building creating a porch with
shade for people to enjoy the views, an auditorium with dual functionality, and third floor for offices
and educational centers with an amazing view to the bay. All these components generate social ...
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The auditorium plays a dual function, connecting the first floor to the second floor galleries, and it
also works as an event area. The seats are connected to the stairs creating bleachers in between, with
an open staircase pushed to the left of the wall. In this way visitors are able to engage in the space
by not only going up the staircase. This exposed area provides different types of events, from a
presentation or performance, to screenings projecting into the front of the auditorium, to more
intimate gatherings like groups and clubs. These more intimate spaces are due to the mechanized
walls that act a as a curtain to section off the auditorium. In this manner the spaces of the auditorium
adapt to the circumstances and the purpose of each different event, making the visitor feel like it's in
control of the
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Analysis Of Steven Lubar´s Inside The Lost Museum
In Steven Lubar's book, Inside the Lost Museum: Curating, Past and Present, the recurring idea that
museums are "more than the sum of their parts" plays a critical role in the overall argument (329).
Lubar notes many aspects that make up a museum, the collection, for example is an essential part of
any museum, but the community, as well as the experiences of the patrons create a lasting museum
experience. Additionally, Lubar aptly utilizes real–world examples, contemporary and historical,
highlighting the work of individuals in museums and establishing a connection between past and
current events. Central to this narrative is the example of the lost Jenks Museum. Lubar uses this
museum to argue that museums of the past can educate museum goers ... Show more content on
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Lubar states that "large museums have so much in storage; why not transfer some of those
collections to smaller museums, where they would be eagerly put on display? Even more radical
why not sell some and use the proceeds to fund the work that museums should be doing" (146).
Initially, this idea does seem radical. Large metropolitan museums giving their collections away is
not something that is often done. Lubar explains that "there are more than a billion objects in
American museum collections" (4). This number is so vast that is impossible to reasonably
conceive. Because of this, there can only so many artifacts that are on display at once thus leaving
countless others stuck in storage never seeing the light of day. Smaller museums that do not have the
budget to collect could potentially benefit from larger museums deaccessioning items.
In the end, Lubar concedes that this idea "probably goes too far" (146). In reality, it would not be as
easy as it sounds and it would not be an easy solution to museum storage issues. However, in the
book's closing Lubar draws on the example of Robert Fontenot's show Recycle LACMA (2009),
which repurposed items that the museum had deaccessioned and gave them new life (325). This
example proves that it is possible for museums to clear out their storage and at the same time be
apart of creating something

Reflection On The Charles Hosmer Morse Museum
I have attended the Charles Hosmer Morse Museum of Arts for my cultural event essay, on
Wednesday November 18, 2015. Attending this museum is considered a cultural event since it
provides you with the opportunity to learn about the different styles of artworks of different time
periods. This museum contained many works that are influenced by classicism which is a style of
"historical tradition or aesthetic attitudes based on the art of Greece and Rome" ("Classicism and
Neoclassicism"). One particular piece of art that drew upon my attention was the leaded glass
window of the Aurora, the Roman goddess of dawn created by Louis Comfort Tiffany, an American
artist and designer of the 19th century ("The Charles Hosmer"). The window was created based
upon the original painting of the Aurora by Will H. Low, a muralist designer for Tiffany
("Biography"). The Aurora is influenced by the roots of western civilization by visual characteristics
such as her contrapposto stance. I believe that this art is trying to communicate how Aurora is
preparing to renew herself in the water to carry out her duties as a goddess. ... Show more content on
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Tiffany used a technique known as plating, which is placing pieces of glass on top of one another to
create the effects of light and shade (The Charles Hosmer). The name Aurora in Latin translates to
"morning" (Took) so I assumed that the window is layered with glass to allow a certain amount of
light to appear through thus allowing the concept of early morning to be displayed in the artwork.
Roman mythology also states that her energy represents "new hope and renewal that each day
brings" (Dawn

Essay On Cultural Encounter Museum
For my Cultural Encounter Project, I had the pleasure of visiting The Cummer Museum of Art and
Gardens in Jacksonville, Florida. The museum was founded in 1958 by Ninah Cummer, who had a
very nice art collection in her home. The Cummer Museum is built on the site of Arthur and Ninah
Cummer's home and is considered the largest fine arts museum in northeast Florida.
The museum has a permanent collection of more than 5,000 objects from various points in history,
and the historic gardens have many statues and monuments. Artifacts in the museum include
porcelain pieces, paintings and sculptures from the Middle Ages through the 20th century. The
museum features various styles and periods of art, such as the Renaissance, and different styles of
art ... Show more content on Helpwriting.net ...
Her work, We Are One, is a mixed media consisting of clay, basket reeds, and wooden beads. This
beautiful piece of work explores the relationship between people and media. She redefines a place in
society, creating an artistic visual through handmade vessels. In this journey, you will see
connections with the past and hope for the future.
Outside the Jacobsen Gallery which features the LIFT exhibition, are photos of a sculpture called
The Harp created by August Savage (a native of Green Cove Springs, Florida) in 1939 for the New
York World's Fair. Approximately 16 feet tall, Savage's sculpture, titled The Harp, was strongly
influenced by James Weldon Johnson's song, Lift Ev'ry Voice and Sing.
The personified instrument, using twelve African American youth singers in various heights
symbolized the strings of the harp. The hand of God formed the sounding board, and the foot pedal
was represented by a kneeling man holding music. The sculpture was celebrated as one of Savage's
major works; however, with a lack of finances to cast it into bronze, the sculpture was destroyed at
the end of the Fair.
Despite the fact that The Harp does not exist in its final form, its legacy continues through numerous
photographs and souvenir reproductions. I was really impressed with the sculpture and the history of
its

Artifact Argumentative Essay
Argumentative essay Artifacts that are found in a country should stay in that country so it don't get
lost or broken. I think that if the artifact is in the museum then it needs to stay in one place so the
object doesn't get tossed around and gets broken. If the artifact breaks then that is a part of history
that is gone forever and it will not be here for us to learn about. I feel like if the artifact was found in
a certain country then it needs to be stored in its own countries' museums.
In the second story that I've read called Museums Preserve the Cultures of The World says that
"sometimes museums agree that it is appropriate to return these items, but sometimes the other
museums don't return the items back to the right museums that

Metropolitan Museum Analysis
Since ancient times, humanity has used art to express feelings, emotions, ideas, and much more.
Also, it was used as a medium to communicate between each other. As a result, it is not surprising
that we feel delighted while observing works of art. Now, there are many opportunities to go to
museums, and enjoy the precious art pieces shown there. One of the museums that has a wide
variety of art, is the Metropolitan Museum of Art.
The Metropolitan Museum is extraordinary because it displaying artwork from all over the world,
and reveales 5000 years of history through its exhibitions. The museum also shows pieces of art
from our ancestors and our contemporary artists. "The mission statement of this museum for the past
140 years is to establish ... Show more content on Helpwriting.net ...
The left hand it is resting casually over the club which is covered with a lion skin, representing the
first labor that Hercules had to accomplish. This particular statue is a free standing sculpture made
of bronze, so it has a smooth but firm texture, and gives spectators the feeling of being in the
presence of a god. Even though the sculpture looks opaque, when it was made, using a casting
techniques, it shined and glowed to represent heroic person.
This research was done through The Metropolitan Museum of Art's website, a very user friendly site
to browse and learn about art. Since everything is well organized, and it has links that can help
people find what they are looking for, it is an excellent source to do research papers. The only thing
I will recommend to the museum is to make videos about the sculpture or rotatable pictures in order
to observe them from all angles. Even though the experience of being in front of a piece of art is
incomparable, the website provides a very realistic experience, and history lesson for anyone

Essay on Meaningful Symbols in the Rye by J.D Salinger
Catcher in the Rye", by J.D Salinger, is about a boy named Holden Caulfield. He thinks the adult
world is a bunch of "phonies." The novel contains many key symbols that help develop the novel,
and to help show Holden Caulfield's point of view on the way he sees the world. Three of these key
symbols include: Holden Caulfield's red hunting hat, the ducks in the Central Park lagoon, and The
Museum of Natural History. One of the most important and recognizable symbols in the novel is
Holden Caulfield's red hunting hat. It symbolizes his uniqueness. The way he wears the hat gives off
an impression that he wants to be very different from everyone around him. He "swung the old peak
way around to the back." This may ... Show more content on Helpwriting.net ...
The ducks left the pond. This symbolizes exactly where Holden is in his life right now. He left his
childhood, and is now a part of the adult world. He desperately wishes that he was like the fish in
the pond. He wish he can "just stay there," and be an innocent child forever. Finally, another key
symbol in the novel is The Museum of Natural History. It symbolizes a perfect and pristine world
that Holden desires to live in. Holden enjoys museums because they are unchanging. In a museum,
everything is so peaceful and simple, an ideal place to live for Holden Caulfield. One of his biggest
fears and challenges is change. For example, this is the reason why he is so scared and terrified to
call Jane Gallagher, a girl who he finds very attractive and is one of the few people that Holden
actually admires. He is afraid that if he calls her, she would be a changed person, and that is the last
thing he wants...change. This symbol shows the main purpose of the novel, too. Holden is so afraid
of surrendering to the life of an adult that he has such a difficult time figuring out reality. However,
sometimes he shows his change into maturity by getting drunk and lusting for sex.The Museum of
Natural History represents innocence and purity in the novel. Like the museum, Holden does not
want to change. He wants to be just like the displays in the museum: pristine and permanent. He
believes that everything "should just stay the way they are." Holden wants to

The Art And Reflection Of The Red Room
The rich raspberry red blanketed over the canvas is more than enough to entice it's viewers. The Red
Room, made by Henri Matisse in 1908 is and has been a highly popular piece of artwork. The art
piece captured what it meant to be a fauvist artist with its bright colors and unrealistic appearance.
Matisse and other fauvist artists decided to go against what society decided was normal at the time
and succeeded. My recreation of the Red Room uses the same intensity of color, line, shape, form,
texture, space, unity, balance, contrast, emphasis, rhythm, and proportion to represent the greatly
valued art piece. The Red Room is an oil on canvas artwork that is exceedingly two dimensional
while still showing examples of space. The art portrays a woman setting up a table within a highly
saturated red room. The table and the wall paper are almost indistinguishable if it weren't for the thin
wobbly line that differentiated them. A blue branch like pattern spans from the bottom of the canvas
to the top while staying in the range of the table and wall. Also part of the pattern are vases of
flowers that are additionally outlined in black. On the table are various circular fruits, mainly in the
color yellow, green, orange, and red. Beside the fruit are long round bottomed vases that are half full
of some sort of elixir. The fruit and vases were common to see in Matisse's work during that period,
"Matisse turned to a motif common in the works created that year: a room decorated with

The Birth of Venus Anaylsis Essay
Ciera Callahan
Art History II
10–20–13
Sfakianos The piece that I chose to write about is entitled The Birth of Venus and was painted by the
French artist Nicolas Poussin. This painting was sold to Catherine the Great of Russia in 1771. It
was sold another time by the Hermitage Museum in 1932 when the Soviet government was
desperate for western currency. It was then that it was acquired for the Philadelphia Museum of Art.
The painting was made in Italy in either the year 1635 or 1636. The medium that Poussin used was
oils on canvas, and the size of the painting is roughly around 38 by 42 inches. This painting is
considered to be included the Baroque period. (Philadelphia Museum of Art) Along side of the
painting on display is a ... Show more content on Helpwriting.net ...
A blue cloth is flowing in the wind behind him, sort of draping off of his back like a cape. Behind
him are a man and a woman farther in the background. The man is standing in the water while the
woman is sitting on what looks like a porpoise. On both sides of the center three women are two
men with wreaths on on top of their heads, and they are blowing into what looks like horns. On the
right side of the painting are three more figures. One is a woman sitting on top of a rock with a
white cloth underneath her bottom. Her back is facing towards the viewer and she seems to be
looking towards the man on the other shell. She holds a green cloth on the top of her head with her
right arm while resting on her left arm for support.There is also a tipped vase in front of the rock
that is spilling water into the ocean. To her right is a muscular man holding a woman on his back.
Behind the two is an orange yellow cloth flowing in the wind. In the front of venus is an cherub
angel laying on an orange yellow cloth with it's arms around the head of a sea creature. Above the
pink cloth that Venus is holding up are six more cherub angels. Some are dropping flowers down on
the congregation and some have their little bow and arrows out. There is a lot of clouds in the sky
behind them. On the clouds to the left is a chariot being carried by doves with another angel in it.
The women figures and the angels are pale

The Museum Of Natural History
Museums are information organizations, that is, they are about giving the most up–to–date
information to their patrons. No matter how well their organization, commercially, is wrap it up that
part of them remains the same. From the two museums that I visited, the Henry Ford Museum and
the Museum of Natural History, are clearly about passing information to the patron. There are
differences between them, however, it is the equivalences that I want to focus on as they are what
bind them. The three areas of focus are community, academic outreach, and the stories they share.
Creating a strong and vibrant community is important to museums. Dr. Ronquillo, a leader a
Philippine Archeology museum, so elegantly wrote, "A properly planned community museum can
express and elucidate the community 's cultural wealth through the appropriate presentation and
exhibition of their important natural and cultural heritage" (Ronquillo, 1992). It is the community
that keeps generation after generation coming back to see the history that us humans, the earth, and
beyond have gone through. The journey of information, for most, begins as a child during our time
at school. For the Museum of Natural History, this is quite literal as the museum is a part of the
University of Michigan culture. They have the mascot, the wolverine, College students are going in
and out of there through the day. Most are heading to class or doing work–study, but a community is
still present. But it is just not college

A Brief Note On Toit ƒ™ Otago Settlers Museum Essay
Overview of the Organisation
Toitū Otago Settlers Museum (TOSM) is a regional museum that focuses on the history of the early
settlers to Otago. As New Zealand's first great city, Dunedin holds a lot of history and was one of the
main settlement sites of New Zealand.
Toitū is considered a Dunedin City Council facility and underwent a redevelopment several years
ago. The museum reopened its doors in December of 2012 and has since seen a large increase of
visitor numbers in comparison to the 'old' museum.
Kiri Griffin – Collections Manager
Job Description
Kiri Griffin is currently the Collections Manager of Toitū; and as a member of the Toitū Otago
Settlers Museum Management Team she oversees collections, conservation, and archives, whilst
supporting the work of exhibitions, visitor experience, and communications and operations. Key
responsibilities of the collections manager include managing the Museum 's collections team,
developing and implementing collection policies and procedures to ensure the long term
preservation and access to the Museum collections.
The official "position purpose" in the job description states:
The Collections Manager is a member of the Toitū Otago Settlers Museum (TOSM) Management
Team and is responsible for the care and safety of all of the Museum's collections, including the
Archives collection. The job holder will manage all aspects of the collection management systems,
policies and procedures, including facilitating access to the collections

The Bloody Sunday Massacre in 1905
Architectural buildings around the world make up one factor of the beauty and culture of each
country. The Winter Palace is an incredibly beautiful architectural building in St. Petersburg, Russia.
The Winter Palace consists of great importance politically, culturally, and symbolically in the city's
third century. In 1708, the Winter Palace was first built as a wooden house with a Dutch style to be
the Imperial residence of Peter the Great and his family. In 1711, the wood was replaced by a stone
building. However, in 1731 Francesco Bartolomeo Rastrelli was assigned to reconstruct the palace
into a much larger and newer design. The third reconstruction of the palace was completed in the
year of 1735. Nevertheless, it only lasted 17 years before Rastrelli was asked again to expand the
building even more. Two years later, he decided to completely rebuild the Winter Palace after the
confirmation of the empress. (saint–petersburg.com) Ratrelli's designs for the exterior were in a
Baroque style, which have remained the same till this day. (about–eastern–europe.com) The Winter
Palace takes over the Palace Square and the south embankment of the Neva River. (saint–
petersburg.com) In the center of the palace square, an erection of Alexander on a column is found.
The erection of Alexander was erected to honor the Russian victory over Napoleon in the 1812–
1814 war.(tristarmedia.com) The Winter Palace consists of an imperial eagle on the gate. (saint–
petersburg.com) This column

Mademoiselle Pogany II Analysis
Controversial and shameful was the words that first described the Mademoiselle Pogany II.
Apparently, this piece of art was an innovation for its generation. Where it is housed today, the story
of its beginnings, and the specifics of it, comprises the history and entity of the Mademoiselle
Pogany II. This sculpture is the Mademoiselle Pogany II, which is crafted in limestone and refined
with bronze, by the artist Constantin Brâncuși in 1925. Currently, Mademoiselle Pogany II is housed
in the Norton Museum of West Palm Beach, Florida. The simplicity of the abstract art piece draws
the fascination of the viewer, along with the glistening gold tone. Mademoiselle Pogany II is a
streamline sculpture mimicking an egg with huge eyes that scream elegance and status. Also this
artwork laminates a feminine spirit. All of these factors draw the attention of several art lovers, as
West Palm Beach is a traditional vacation spot and the sculpture itself is beautiful to behold. ...
Charmingly, the Romanian Constantin Brâncuși was commissioned by the Hungarian Margit
Pogány in 1910 to create a portrait of her. Firstly, the pair met in Pairs. After several initial sittings
with Pogány, Brâncuși formed two sculptures from memory. Giving her the option to choose which
version she preferred, Pogány explained that she did not have a preference. Pogány obtained a note
with the bronze version, warning Pogány to not set her hands upon it, as it would destroy the
craftsmanship. Strikingly, the large eyes and wrapped arms are the most distinguishable feature of
the piece. Traditionally, Brâncuși returned to his works to mold a finer and perfected version. He
actually constructed two more versions of the sculpture seven and twenty years later. Assuredly,
Margit probably did not know that the humble start of the sculpture would lead to it becoming an
innovation in

The Fight Against The Oligarchs Of Russia
The global Swedish furniture chain Ikea threatened to call it quits after years of trying to run a clean
business in Russia. When the head of Ikea in Russia, Lennart Dahlgren, left the company in 2006, he
revealed that the company had been subjected to years of legal traps that it sought to solve by
meeting personally with Putin. But a high–ranking official told them that a meeting with Putin
would cost $5 million to $10 million. Not knowing whether the officials were serious or joking,
Dahlgren told reporters, "I sensed that it would be better not to get into that discussion any deeper
(Dawisha 1).
This is a perfect example of a business, trying to play fair and failing, to the point that the only
option to fix it was to pay between ... Show more content on Helpwriting.net ...
So that Hermitage would owe $1 billion to shell corporations. Russian law dictates that a suspect
can be held for up to a year before being tried in court. Magnitsky was refused medical attention for
his extreme cases of gall stones and pancreatitis (Browder). He was killed by the guards of the
prison just seven days before the one year of legal holding was up (Browder). He died in extreme
pain.
According to [Magnitsky 's] heartbreaking prison diary, investigators repeatedly tried to persuade
him to give testimony against Hermitage and drop the accusations against the police and tax
authorities. When Magnitsky refused, he was moved to more and more horrible sections of the
prison, and ultimately denied the medical treatment which could have saved his life (Matthews).
He was later proved innocent from a confession of an individual that was involved. The Moscow
Public Oversight Commission (MPOC), stated, in its report after investigating the murder:
Of particular concern are two facts. First, Magnitsky made a statement about the large–scale fraud
involving theft of state money by high–ranking officials of the Russian Interior Ministry. He gave a
detailed description of the fraudulent scheme and named names. Second, the one year in pretrial
detention was due to expire. The investigators did not have sufficient evidence to prove his guilt
(Aldrick).
This murder led to the adaptation of the Magnitsky bill by the United States government. This

Reflection Paper
When I was growing up, my father tried his best to teach me the story of my people and our
struggle. As a child, I did not believe that things were as bad as he said they were. I felt that the
stories he told me were just that, stories of a bygone era. After all, I had plenty of friends of many
different races, and never felt the sting of prejudice. As I have grown, I have learned that the stories
that he told me were indeed true, and have shaped me into the person I am today.
During the summer of 2016, I was blessed to serve as a Conservation Intern at the Smithsonian's
National Museum of American History. It was there that I found a connection to myself that I had
ignored for years. As I wandered through the exhibits, I realized that my history, African American
history, along with countless others, was absent from many of the stories being presented. I spoke
with my mentor about this issue. As we spoke, he told me about the shortage of African American
males in the museum field, and how hard it was to find people like myself. At that moment, I knew
that museums were where I felt I could implement the most change. The Smithsonian also gave me
hands–on experience in the field of conservation. As an intern, I conducted research to determine
information about a variety of pieces, ranging from a ceramic figurine to a framed collection of
presidential hair. I utilized common conservation techniques such as color matching and object
analysis, and used an X–Ray Florescence

Analysis: The Mint Museum At Randolph
The Mint Museum at Randolph is located in Charlotte's Eastover neighborhood. It was once part of
the United States Treasury Department: a mint. In 1936 it became the state's first art museum. It
houses a collection of cozy galleries to display everything from textiles, pottery, ceramics, glass and
decorative arts. The exhibit I viewed showcased works from three generations of artists: Newell
Convers Wyeth (patriarch), Andrew Wyeth (son) and Jamie Wyeth (grandson).
'Harbor Monhegan' was created in 1998 on Monhegan Island in Maine by Jamie Wyeth. It is an oil
painting on canvas, rich in texture and color. Wyeth's use of space it defined by the foreground,
middleground and background. The piece has movement depicted throughout; It looks almost
chaotic, movement is present in the flames, smoke, waves, and seagulls bringing the piece together.
... Show more content on Helpwriting.net ...
My eyes move from the fire to the billowing smoke just above it as it encircles the painting even
going off of the canvas and back to the seagulls to the lower right side of the work, then I observe
the boy whom in turn is observing me. Finally my sight wanders to the background grouping of
boats out at sea.The bursting flames from the fire coming alive as if trying to escape the canvas. The
flying seagull on the lower right hand corner of the painting helps achieve a sense of depth.The trash
laying on this Island looks out of place until you relate it back to the fire. The boy seems at home,
not afraid of his surroundings; almost as if he is wondering why I am there and if I am going to start

Stolen Art of the Holocaust
While death was the major tragedy of the Holocaust, all of the art stolen was definitely a dark spot.
Most people don't realize, but the art was taken from all Jews and many others by the Nazis. Some
pieces of art have been found, but most still remain lost. Many that have been discovered are in
museums and are not given to the true owners. There should be efforts spent on finding and
recovering the art stolen by the Nazis to return it to their rightful owners. Hitler would have his
soldiers take the art from the homes where the Jews lived when they took them away. Sometimes, if
he wanted a specific work of art, he would have his people steal it or take it and kill the people who
owned it. He would have his men steal all of the art and other artifacts from the homes of every
person they took to the concentration camps, as well as those they simply killed in their homes.
Taking the art was his way of taking everything from them, and a way that he could show his
superiority over them. He took it because it was something they had that he wanted. Very few works
of art taken by Hitler have been found, and many that are discovered reside in museums. Some have
been discovered in museums or galleries in Austria, while thousands still remain lost. Recently, "a
long–lost Monet and other art treasures stolen from Jews during the Holocaust have been discovered
in the home of an 81–year–old German art collector," Julian states (Julian). Cornelius Gurlitt, the art

Artists And The Art Trade
'While artists and the art trade were in the business of presenting the new, this was a conceptual
challenge for museums.' (Altshuler, 2008, 15). Discuss the challenges that advanced artistic practice
presented for museums in the late 19th and early 20th century.
The period of the second half of the 19th and the beginnings of the 20th century saw some of the
most extensive transformations in the art market and the institution of the art museum in history.
With the rise of the avant–garde and new artistic practices, the traditional enlightenment didactic
vision of the museum was put under threat. This essay will focus on the tension between the
museum's historicity and the general tendency to move towards modernity and the discussions ...
However, the works acquired were still exclusively under the strict rule of the Academy, operated by
the state. The rise of progressive artists advocating advanced art, pioneered by the likes of Courbet,
Manet and others caused a re–evaluation in the system of these principles. The coming of the avant–
garde together with the increased commercialisation of art set in motion an increased tension with
the established institutions. Eventually this culminated in the formation of autonomous exhibition
spaces where artists displayed their works separately from the Academy. This tradition began with
the Salon des Refusés in 1863 and extended to establish a parallel to that which would have been
traditionally the role of the state museums as the academy continued to turn away from progressive
art practices. Although some of the contemporary works were acquired by the state, it was not until
1896 that the Luxembourg agreed to exhibits works of the impressionists, and it would be even later
when state run institutions would acknowledge the full extent of the modern art tradition.
In the span of the last decades of the 19th century, art in Europe began to focus itself on new
developments in artistic practice. Exhibitions such as the

Hum 111 Week 10 Assignment 3 Strayer
HUM 111 WEEK 10 ASSIGNMENT 3 STRAYER
To purchase this visit following link: https://coursehomework.com/product/hum–111–week–10–
assignment–3–strayer/ Contact us at:
HELP@COURSEHOMEWORK.COM
HUM 111 WEEK 10 ASSIGNMENT 3 STRAYER
Due Week 10 (03/14/2016) and worth 100 points
As a way of experiencing the Humanities beyond your classroom, computer, and textbook, you are
asked to do a certain type of "cultural activity" that fits well with our course and then report on your
experience. Your instructor will require you to propose an activity and get instructor approval before
you do it and report on it (students should look for any instructions in that respect). Every effort
should be made to ensure that this is a hands–on experience (not a ... Show more content on
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Note: Submit your cultural activity choice to the instructor for approval before the end of Week 5
(earlier is even better). Look for guidance from the instructor for how or where to make your
proposal. You may also seek advice from your instructor (provide your town/state or zip code) for a
good activity in your general area.
Visiting a Museum
It makes sense to approach a museum the way a seasoned traveler approaches visiting a city for the
first time. Find out what there is available to see. In the museum, find out what sort of exhibitions
are currently housed in the museum and start with the exhibits that interest you.
If there is a travelling exhibition, it's always a good idea to see it while you have the chance. Then, if
you have time, you can look at other things in the museum.
Every effort should be made ahead of time to identify a museum that has items and works one can
easily connect to our HUM 111 class and book. Since HUM 111 covers from ancient times to the
1500s AD, it makes more sense to focus on items from that time frame. In general, museums with
artistic cultural artifacts and fine arts work better than history museums.
Any questions about whether a museum–visit activity fits the course and assignment well enough
will be decided by the instructor when the student seeks approval for the activity. Any alternative

Corporations That Influence Public Art Museum
Corporations and Their Influence in Support for Public Art Museums
Statement of Intent Historically, museums have relied on four sources of financial support:
individual contributions, corporate and foundation support, earned revenues, and government grants.
This paper focuses on present day corporate support for art and the museums that collect and display
that art. It urges museums to reassess their assumptions about corporations and suggests ways that
museums can develop new approaches to align their solicitation of support with changing corporate
objectives.
Introduction As an inquiry into art and corporate culture, this capstone investigates the importance
and evolution of corporate support for the arts. A brief history of art and ... Show more content on
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Thus arts organizations must act to align their needs with the evolving requirements of corporate
benefactors if lasting partnerships are to be formed. Museums must position their brand to
corporations as places of value, enhancement and richness to local communities. Corporations need
to reevaluate museums as a pillar for support on par with any other social cause, with value for
society at large. With better understanding of the overlap of objectives both corporations and arts
organizations share, public museums can offer creative, outside–the–box thinking in seeking
corporate support. Museum development professionals can better understand the value to not only
maintain existing resources, but ways to seek new partners through innovative corporate
engagement by aligning museum programming and values with the increasingly social and
environmental causes corporations have come to identify. By observing trends in federal and
corporate funding for the arts and funding shifts, this capstone will explore why corporations who
currently support public art do so through funding and art collections, and their increasing needs for
employee engagement. Understanding the relationship history corporate America and art share, and
the wide reaches art has made in contemporary society, can offer museum advancement teams new
approaches for funding, and to aid corporations to no longer isolate

Cultural Relevance, Understanding And Education
Cultural relevance, understanding and education are the key areas that modern museums seem to be
addressing seriously. As a public institution a museum must consider its role in society, the way
culture is represented and displayed and most of all, how interpretation affects those not of museum
training backgrounds, for example a visitor or patron. Some would argue that art, is an expression of
a culture and its political and economic values (Hein 2006), while others would suggest that is the
artifacts of long lost peoples and cultures that have the most worth to the public (Sabeti 2015).
The mixture of these two mediums seems like an obvious step in achieving reinterpretation,
presenting political messages, and displaying the importance ... Show more content on
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(Stam 1993). One way this may be interpreted is that a shift towards a more open, interactive style
of museum exhibition should be the starting point of exhibition planning and execution.
The discussions and in some cases successful installations of eco museums for example, represent
the ever shifting and changing people and cultures, instead of the static and non–changed ancient
cultural heritage of forgotten civilizations and their material culture. The eco museum provides no
exclusion of peoples or histories. With some limited success in exposing the cultures of ever
changing people and customs to a larger audience in eco–museums, other historical institutions have
frankly missed the mark. "The 'new museology' started with the intention of introducing a new
philosophy around how museums function and a changed relationships between museums and their
societies and communities" (McCall and Gray 2014).
The framework suggested in the museology based on how a new function of museums can be
achieved, really leaves one to ponder just how effective the application of literature surrounding
these ideas can actually be when put into practice. There is no clear checklist of steps to achieve
such a change in the framework and context of a museum as an educational institution, as a cultural
reference or as an open public forum, so the missing re–interpretation can sometimes be taken on by
an

The University Of South Florida Contemporary Art Museum Essay
In order to compose this assignment, I visited the University of South Florida Contemporary Art
Museum (CAM). The USF Contemporary Art Museum is a compact museum on campus located
near the Dance buildings and the Theatres. The museum opened its establishment in 1989 and has
offered a wide range of art from around the world including the United States, Africa, Europe, and
Latin America (usfcam.usf.edu). In order to keep students engaged in the art, the museum changes
its exhibits a couple times a year. Currently, the exhibition on display is entitled Extracted and
incorporates "the extraction and circulation of natural resources around the globe" (Megan Voeller).
Despite the museum being not large in size, I was able to attain a sense of nature through
photographs, sculptures, video messages, and banners produced from artists including Otobang
Nkanga, Marina Zurkow, Claire Pentecost, Mary Mattingly and Daniel Shiffman. The social angle
most strongly related to the exhibit on display at this time is nature and culture. Extracted was
motivated by relationships between humans and the environment referring to "complex technical
processes behind oil drilling and mining or industrial agriculture" (Megan Voeller). Most of the
artists focus their work on nature including the environment, ecosystems, and life itself. One artists
in particular whose work stood out to me was Claire Pentecost with her work Soil–erg. This distinct
exposition was located in the hearth of

Analysis : Tate Digital Strategy
Critial analysis of Tate Digital Strategy 2013–15.
Introduction
As one of the most excellent British modern museums, Tate Modern ran several digital strategies
aim to creat incomes and build interactive communication with their audice. In that process, Tate
proved how important that digital communication offered to museum to create and nurture an
engaged arts community and to maximise the associated revenue opportunities. In the three years,
Tate Modern had improvement on their incomes, however, their number of website visitings was not
stable, thus, the result should be analysised with theories, to find out why it would happen.
Case study:Tate Digital strategy
As Tate stated in Tate Digital Strategy 2013–15 (Stake,J.,2013), the museum promote lots of digital
strategies. Firstly, Tate has published over 50,000 digitised archive items since 2014. Tate also paid
attention to offer visitors with good experience in all galleries, the Wi–Fi, mobile website and tablet
computers were avalible. Digital learning studios offered facilities to engagement and learning. Tate
Modern considered their digital editorial content (in the form of short videos or blog posts) as the
"keystone" of their digital communications. They also used their own media to tell stories
effectively. Tate Modern built digital communities, for example, Tate Kid, Tate Collectives online.
The Museum have used social media very well.
Analysis
Theorical analysis
Russo and Peacock (2009) described how important

A Rainy Day In Lea Research Paper
It was a rainy day in LA. I have been praying to not have rain while I am in LA but unfortunately, at
the point of where I almost got rid of the cold, it has rained at last. However, I had a good
experience/visit along rain. Although I am a fashion student, I am interested in ceramics because I
had worked and made a lot of ceramics since my cousin sister got her degree in ceramics. When I
was about 6 years old that I first made my own pots. Because I love making things with clay and
familiar with ceramics, Peter Shire's art works were really interesting to me that those are unusual,
unique, different from the tradition mold of the cups, kettles, etc. Next day, we had a very busy day
of visiting galleries and studios. If was a non–stop visiting

San Carlos Warehouse Observation Report
I decided to do the volunteer work at the San Carlos warehouse of the Museum of American
Heritage (MOAH). I went there for 3 days to complete the project. On the first day, Jim gave a brief
introduction about the warehouse and the types of work they do there. I was surprised when Jim
explained that the warehouse is mostly run by volunteers. Then, he introduced me about the main
process they did at the warehouse. One of the main tasks is to determine what to do with the artifacts
received through various means such as from donations, buying and other methods. As the storage
space is limited, it is important to decide what to keep. Unwanted items are either transfer to other
museums/archives, sell it for fund or simply throw it away. What items ... Show more content on
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As I was working with the item, Jim helped me explain the history, the features, when was it made,
where and how it was use for almost every item we worked with. It was engaging and easier to
remember that just simply reading. I also have to do a little bit of research on some items I worked
with. So, it was a very good opportunity to learn about history. I also went to the California History
Center because I was curious about the type of work there and wanted a different experience. It was
fascinating to read newspapers on a film–like machine, but the type of work there was much closer
to research paper work. I personally prefer the type of work at the San Carlos warehouse because I
got a physical interaction with the primary source – artifact itself. It was like going to a museum and
learning about history by looking at the artifact. It has the same feel as going on a field trip and
learning the history base on experiences. For me, this was much more interesting than just simply
researching and writing a paper. It is a very interesting active learning project; I was able to get a bit
of hand–on experience on history and learn various components of American

The Assigned Portrait By Anthony Van Dyck
The assigned portrait is a work by Anthony van Dyck that dates back to 1621, presumably finished
before the artist left his native city of Antwerp for Italy (Genua). From the title, we gather that Van
Dyck is depicting a family of three. The father is sat on the right, while the mother is sat on the left;
they are both facing the viewer. Their young child is positioned on the mother's lap, its head turned
towards the father. The colour scheme includes rich, dark colours for the attire of the couple, a
vibrant red colour for the drapery behind the mother and similar shades of dark green for the
mother's skirt, the child's skirt and the velvet fabric on the furniture approximate to the child's skirt.
Additionally, the inset of the mother's dress ... Show more content on Helpwriting.net ...
The bear little resemblance to other depictions of Wildens, whose "satyr–like" characteristics and
"sharp glance" are considered distinctive. However, the features of the father in our case study look
oddly familiar. That is because they are much more similar to the characteristics of the father in the
portrait 'The Family of Cornelis de Vos (1584/5 – 1651),' also by Van Dyck. In addition to the facial
features, Van Dyck diligently portrayed "the fine lace ruff and sleeves of the man's attire and the
tightly starched ruff of the woman" (The State Hermitage Museum, "Family Portrait") in both
portraits, pairing those with delicate hand gestures, present in both paintings. To boot, Van Dyck
used the same landscape art as a background for the father's head and the same deep red coloured
blinds behind the mother. The colour schemes and even the golden button details and the wooden
handle on the furniture where the mother is sat are alike, too. Given these similarities (and the fact
that de Vos painted a portrait of his own family during the same period), it might be possible that the
family in the portrait is actually that of Cornelis de Vos. (Dickinson, "Sir Anthony Van Dyck") Since
we know that Magdalena, the youngest daughter of de Vos was born in 1619, it is possible that the
family portrait below was painted in 1620 and our case study was actually painted

Museum Analysis Essay
Museum Analysis Essay
On October 26, 2017. I made a visit to the Menil Collection by 1533 Sul Ross street, Houston Texas.
It was amazing to be in such a lovely place. I was accompanied to the museum by my aunt name
Cynthia. who volunteered in taking care of my new born baby during the trip. Everything at the
museum is so great. Especially the people that work there, the way they communicate with the
tourist was so simple and understanding. Even at the end of the visitation, I was given a sticker
which was placed by the right–hand side of my chest. During the visit, they are some lots of great
artworks that I admire so much. In Victor Brauner "Memory of Reflexes" (memoire des reflexes),
1954. The artist incorporates vibrant colors and patterns, ... Show more content on Helpwriting.net
...
His artwork is permanent part of the Menil Collection. However, this artwork was painted with
watercolor, link, and wax on hardboard 49 1/8 x 54 3/8 inches (124.8 x 138.1 cm).
I chose this artwork because it was one of the work that remained in my memory throughout the
museum visit. Though, I saw other great artwork design in the Menil Collection but I really adored
the way the pieces retorted to my emotional side. I really wish if I would have this artwork in my
home. The first thing that catches my eyes was the way the colors were used. They were three
images shown on the artwork. The one on the right–hand side was painted with yellow and green
with a light color of pink and red on the chest side which appears more brighter and coloful. On the
other hand, the one on the left–hand side was painted with red and pink and a little green at the feet
side which looks more specifically like Egyptian royal traditional way of dressing. Furthermore, the
middle one was design with more of green, black, and red color on the head and legs side that gives
patterns to the artwork. Meanwhile, the background was like yellow that seems like fading into dark
brown color. It seems that the concertation of the artist focuses more on the colors that brings out the
beauty of the image. However the visual rhythm and movements, shows more traditionally way of
communication. Moreover, the watercolor, ink, and wax was

Catherine The Great : The Failure Of Catherine The Great
Catherine the Great, also known as Catherine II, born Princess Sophie of Anhalt–Zerbst, seized the
throne in 1762. When Russia was an absolute monarchy that was placed at the despotic end of the
spectrum which extended through the Prussia to the France and only abstained in 1796 upon her
death. Catherine was known as a 'Cultural Minerva', according to one of Catherines early
biographers, Alexander Briickner, "She liked to be called Minerva. ... She greatly needed to be
praised all the time. ... The thought of failure was most difficult for her." It was from this that she
erected the Hermitage in 1764, also in this year she became the the founder and patron of the
Russian Academy of Arts. Each of these both show her to be a woman of great pride, and authority,
if it was not for her 'personal vanity' she would not have aimed for these titles. Though this may
seem overtly pessimistic Catherine lost interest quickly in the Academy of Arts after she became its
patron. Falconet, a contemporary writer, criticized the Russian Minerva for neglecting the institution
founded under her auspices. Though she did neglect the Academy of Arts due to her vanity, she was
a true collector of antiquities, as the Hermitage was her personal gallery to demonstrate her wealth.
It was the Hermitage which imbued power throughout Russia, the museum was what Foucault
would call the perfect "other" place, or "heterotopia," "a kind of effectively enacted utopia in which
the real sites, all the other real sites that can be found within the culture, are simultaneously
represented, contested, and inverted.' Other academics such as Karen Dovey, refers to different
forms of power; 'power over' and the 'power under.' Catherine uses the 'power over' as it is the power
over one agent (or group) over another, the power to ensure compliance over the other one's will.
This is how Catherine ran her authoritarian state. Dovey, also speaks about ways in which the 'power
over' can be implemented; such as seduction, authority, or domination, which Catherine was guilty
of employing all of those tactics, many of them were just using the Hermitage to intimidate the
society by showing her grandeur. The architecture was a key part in the control over

Athena Museum Research Paper
Founded in 1959, The El Paso Museum of Art has been a pillar of the community (reword). The
museum mission is to preserve, interpret, and exhibit artwork that strengthens the Museum's
permanent collection. The museum also offers programs and training devoted to education the
public in regards to the regions cultural diversity. The El Museum of Art also displays films,
lectures, and concerts to the general public. The museum permanent collection includes more than
5,000 works of art. The museum is funded under the jurisdiction of the City of El Paso. More than
80,000 visitors a year travel to view the El Paso Museum of Art.
During our visit to the El Paso Museum of Art, our docent (insert name) took us on a tour of their
current exhibitions: Robert Delaunay and Albert Gleizes: The School of Paris from Modern Master
Series: Highlights from the Solomon R. Guggenheim Museum, The Immaculate Conception,
Amplified Abstraction, and Modern Stone Totems. In addition to our expedition we observed art of
Mexico and New Spain that showcased 17th and 19th century paintings and sculptures. European art
with includes paintings and sculptures from the Samuel H. Kress Collection. As well as, early
American art from the 19th century to the mid 20th century. ... Show more content on
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These temperature readings are stored for 15 years." The pieces in this museum are made out of a
variety of material. Some of the materials used include: fiberglass, cast bronze, mosaic, acrylic, oil,
resin, ink, and real

Art Museum Vs. Private Museum
Museum Comparison This paper compares four separate museums. The first two compared, are
private art museums in the United States, compared to a private art museum in another country.
Secondly, a university natural history museum is compared to another university natural history
museum in a foreign country. The comparisons involve taking a closer look at the history, function,
staffing, and programs at museums. Many reasons can lead collectors to starting a private museum.
Whether collectors feel that a collection can serve an educational function, or perhaps to keep
control over the collection, a private museum is an option that provides the public access to their
work (Traditional Fine Arts Organization). One notable example is ... Show more content on
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The museum has a small staff of eight employees (two positions focused on education) and has an
average of two–hundred visitors on a weekly basis (Buchanan 2002). The exhibit changes twice a
year and they are considered one of the founders of the Miami art scene (Buchanan 2002). This
museum is the Rubell Collection's main mission and function is to share their vast collection of
contemporary art and support emerging artists. They have an active internship program, lecture
series, and a partnership with Miami–Dade county schools to support education (The Rubell
Collection). The museum also houses a research library with over forty–thousand volumes and a
bookstore (The Rubell Collection). In order to share their expansive collections, the Rubells also
lend their exhibits to other museums all over the world (Solway 2014). Taking a look at a private art
museum in another country, The Pinacotheque in Paris is presented. The Pinacotheque is Paris's first
private art museum and was established in 2007. Pinacotheque loosely translates into the image box
(Restellini 2011). The Pinacotheque displays art like the Rubell Collection, but they are not
displaying art from one collector, but many collectors. One exhibit included the art collection of two
prominent Hungarian families: The Esterhazys and The Romanovs, from the eighteenth century
(Restellini 2011). Their mission, like The Rubell Collection, is to make these

Metropolitan Museum Of The Modern Museum
This week readings discusses both the history of museums, primarily in the United States, and their
evolution from high brow institutions to ones that serve, educate, and engage the populace. The
articles also trace the constant discussions museum professionals had regarding the focus and
dissemination of their collections. These articles all agree that museums must transform from places
that solely focus on the collection, preservation, conservation, and dissemination of rare items to
ones that also become a part of the community, represent the many voices and interests of the
public, educate, and become a forum for discussion about issues beyond the items in a glass case of
hung on he wall. The evolution of the modern museum began during ... Show more content on
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In addition to the traditional artifacts one expects to find, the museums presented different voices
and perspectives, in addition to many opportunities for the visitor to get closer and interact.
Additionally, they provided current perspective to their exhibitions. My recent visits to the Stax
Records Museum, the Birthplace of Country Music Museum, and the Hermitage, proved
enlightening as to the prime function and obligation of modern museums, as well as their future
roles in society. While the primary draw to the Stax Records Museum is the connection the visitor
has to the music from the label and studio, Stax begins the tour in a reconstructed church and
exhibitions that trace the culture and heritage essential to understanding the people and the art
preserved and displayed. The recently opened Birthplace of Country Music Museum in Bristol,
Virginia provides the visitor several opportunities to "lean in," interact, and personalize their
experiences with the various exhibitions throughout the floorspace. For example, they provide a
multimedia discography of the records made during the "Big Bang of Country Music." The
information with the touchscreen display can be sorted and searched by the patron from the
academic "date of recording" and "personnel" to the entertaining "song theme." The Hermitage
recently opened a new exhibit detailing the life of Andrew

Paragraph On Natural History Museum
4. Natural History Museums
Natural History Museums are institutions that collect, display and research materials, collected or
extracted from the natural world. The multifaceted purpose of such a museum is to: (i) build or store
natural history collections, (ii) conduct research and interpret the results, (iii) support the purpose of
science and biological conservation, (iv) enhance public understanding and appreciation of the
natural world, and (v) collaborate with the public in deriving their own meaning from the natural
heritage they encounter in the museum and in nature.
The Oriental Museum of the Asiatic Society of Bengal, established in Calcutta in 1814, had various
natural history objects on display from its inception. During last two hundred years, sixty natural
history museums or natural history galleries were set up in various parts of the country. The
distribution ... Show more content on Helpwriting.net ...
Next was the Natural History Museum, set up in the premises of Kerala State Museum and
Zoological Garden in Thrissur (1885), Gass Forest Museum was established in Coimbatore in 1902.
Next was the Bengal Natural History Museum set up in Darjeeling in 1903. A Museum of
Arthropoda was opened in Pune in 1961. A large natural history museum was opened in
Thiruvananthapuram in 1964. Two natural history museums were attached to the nearest zoological
gardens in Ahmedabad (1974) and Hyderabad (1979). Two natural history museums were opened in
the northeast, namely, Assam Forest Museum (1983) in Guwahati and Biological Museum (1998) in
Imphal. Five natural history museums with thematic galleries and extensive educational activities
were established in New Delhi (1978), Mysore (1995), Bhopal (1997), Bhubaneswar (2004), and
Sawai Madhopur (2014). A government natural history museum was established in Chandigarh in
2001 and another such private museum was opened at Thar in Rajasthan

Art Review: I In La Town By Cao Fei
We visited MOMA/PS1 in Queens this week, and it's the first time I visit this museum. Comparing
to MOMA, the collections in MOMA/PS1 are definitely more spicific to smaller range of
demographic. Although the museum itself is not very big, but the usage of the space and the style of
the enviornment give visitors a stronger feel of personality and less authority than MOMA. I spent
most of my time on Cao Fei's solo exhibition. Cao Fei is a young female artist from China, her work
has been on the scene internationally for nearly 20 years. Unlike some other Chinese contempory
artist, I think her works are really focusing on presenting the content to the audiences rather than
expressing the concept or the statement from the artist, which I like a lot. No matter which kind of
medium she used, her works are always composed by a complete narrative structure with very solid
amount of content and a lot of insightful details. La Town ... Show more content on Helpwriting.net
...
This is a work about parallel simulation. The world of this work is a parallel universes and people
are survieing in parallel lives. Though the installations itself may be composed of no more than dolls
and plastic toys, Cao asserts a lot of intersting details and smart references in it, and the video
highlighted both the mundanity and vice of contemporary society through the creation of an
obviously fake, alternate world modeled on our own. It's interesting for me to see how something so
very unreal can be a source of real anxiety as soon as one realizes that there are indeed many
truthful parallels in our

Religious Effects And Effects Of Religion On Art
EFFECT OF SOCIAL STRUCTURE ON ART
Art has been found everywhere in every historical period. We can define it as a tool for human
beings which is used to tell the ideas and thoughts of people, passing people's emotions and feelings
to other people and highlighting the wonderful creatures that exist in nature. Moreover, people exert
it to raise awareness of some important events. People who are making art reflect all these things
through their art creations. Their works can be a sculpture, painting, photograph, book, music,
theatre, movie or other countless types. Art is highly related with interpretation on emotions and
thoughts, creativity and imagination. Human beings have been using art for these purposes from
time immemorial. Some of the ... Show more content on Helpwriting.net ...
It can be easily seen that nearly all art works have a religious issue in them. There are many
examples which can be used for an evidence to religious effects on art. People can observe huge
impact just by observing some works in museums or elsewhere. Many works that includes prophets
or religious beliefs exist in art creations. For example, there exist Islamic art creations. These works
can be seen in many places like museums. Maki (2013) mentions that there are many religious
works that exhibit in the museums and effect of these works on people. Moreover, religious objects
can be a proof for consideration of faithless things. (as cited in Paine, p. 78). Similarly, in Christian
art there have many paintings which have a relationship with religion. Beller (2012) suggest that
there were many Christian paintings that found in public areas in early modern Italy. These
painitngs' location showed the spirituality of the community. (para.3). Moreover, there are many
painitngs that place Jesus in them. These paintings give some messages about Christian religion
through the scenes of Jesus. People can easily understand what is the ideology in each religion
through the religious

Museums and Photographs in the Open-Air
The shot shows a male figure viewing photographs. We see the person from the rear, look over his
shoulder, past him, as he passes along the collection of images, and at the same time we look into
some of the faces that are visible in the photos and which seem to be looking at us outside of the
picture frame rather than at the person in the picture viewing them. We are dealing here with black–
and white photographs from the late 1920s, which, among others, were taken by the German
anthropologist and racial theorist Egon von Eickstedt between 1926 and 1929.1 A selection of these
pictures, created in connection with research into the indigenous population of India listed under the
generic term Adivasi and–this should be stressed first–without explicit reference to the problematic
race–theory–based history of its origins, was brought back to India in 2012. Accompanied by a team
of ethnologists from Germany and England, the photographs were exhibited in Tejgadh, in the state
of Gujarat in northwest India, in different locations: in the still young "Museum of Voice" of the
Adivasi Academy, in individual private houses in the neighbouring villages and in a consecrated
place in the open air, reserved for rituals. This latter–mentioned setting has been recorded in the
above–mentioned photo. Mounted on brown card, the photographs hang in long lines, three rows
above one another on a movable wattle wall, which flanks the place of encounter in the outside
space. A presentational

Art Museum Research Paper
A museum is the house of the Ancient Muses. But for us, since the 19th century, a museum is much
more than a house of bunch of semi divine chicks with weird hobbies: Calliope (epic poetry), Clio
(history), Euterpe (flutes and lyric poetry), Thalia (comedy and pastoral poetry), Melpomene
(tragedy), Terpsichore (dance), Erato (love poetry), Polyhymnia (sacred poetry), Urania
(astronomy). We consider museums as places of solace and quietness, places were beauty and
history collide to give a special experience.
Art museums are, nevertheless, special among museums in general. They have that certain allure
that drives people in and let them enjoy whatever they see. You can find art museums in almost
every city in the world and even though they ... Show more content on Helpwriting.net ...
That is what art museums art for. They help us appreciate stuff we usually never stare at, like an old
pair of shoes, a basket of fruit, a landscape, some people playing cards or a stack of hay. Going to an
art museum provides us with such great joy out of simple images of everyday things that it is almost
mandatory to visit one once in a while. The hurries of our daily lives deprive us of the wonders of
the little, the humble and the ordinary. Art museums restores all that and make our eyes stare like
they never have

How Does One Re Work History?
How does one re–work history? Do they re–work the message around it or do they re–work culture
that surrounds it. In this essay we will look at two artists that reshape and re contextualize historical
works. They create a meaning that forms a new genealogy around the image, creating a new subject
of discussion.
Kehinde Wiley works with historical paintings. He re–shapes the imagery to re–work the influence
historical works portray; a rich aristocratic power and influence. He re–works this by replacing the
figures, with black youths in ghetto clothing .He has the youths reflect the pose of what would be a
symbol of wealth and power. He re–works the history he wants to tell, and how much he wants to
portray in his works . He photographs his subjects, and have them pose in the poses of the artists he
draws inspiration from; Baroque Flemish painter Peter Paul Rubens, British artist Thomas
Gainsborough, and Napoleon's court painter Jacques–Louis David. There's a reason he draws
inspiration from these artists, "there is a reason for that" Says Wiley " and that has to do with power"
These poses are meant to evoke a conversation around art history. The subjects in the original
paintings are white males or females of power or of some importance, paid for by the people who
can afford. This was the height of luxury in the eighteen centaury. "Big flashy pictures of young
African American men recast as kings, dandies, prophets and saints of European portraiture subvert
the time warn

Courage Essay: What Does Courage Means?
What does courage mean? Well courage means a a whole lot of things. Courage can mean to be a
leader and be successful or it can mean to refuse.
However in source 1: An Act Of Courage it says "For Rosa Parks on December 1,1995, courage
meant refusing to give up her seat on a public school bus" so for Rosa Parks courage meant to refuse
be disrespectful and disobey. Rosa Parks refused of giving up her seat on a public school bus but she
didn't move instead she sat there and disobeyed the drivers comment.So one way or meaning of
courage is to refuse and disrespect.
Another way of courage is to put effort into what you are doing. In source 2 it says "hitler had
planned the systematic looting of Europes finest museums and private collection" so ... Show more
content on Helpwriting.net ...
Courage an mean to refuse just like in Rosa Parks she gave the courage to refuse and not give her
seat up. Another way courage can mean to save and put effort into what you are doing just like in
source 2 where hitler planned to save the museum from getting broken into by the Nazis. So courage
can mean a lot of things.What does courage mean? Well courage means a a whole lot of things.
Courage can mean to be a leader and be successful or it can mean to refuse.
However in source 1: An Act Of Courage it says "For Rosa Parks on December 1,1995, courage
meant refusing to give up her seat on a public school bus" so for Rosa Parks courage meant to refuse
be disrespectful and disobey. Rosa Parks refused of giving up her seat on a public school bus but she
didn't move instead she sat there and disobeyed the drivers comment.So one way or meaning of
courage is to refuse and disrespect.
Another way of courage is to put effort into what you are doing. In source 2 it says "hitler had
planned the systematic looting of Europes finest museums and private collection" so depending on
that hitler put courage to save the museum from the Nazis because the Nazis tried to break and steal
the treasure and the private collection inside the museum. So courage meant to put effort and save
your

Queen Of Someday
een of Someday "Books are one thing I love beyond all else. In a story, I can become anyone, travel
any place. In those pages lives my only true freedom." This is a quote from the book Queen of
Someday, written by Sherry D. Ficklin. This is a story following Princess Sophie of Anhalt–Zerbst,
with the setting mainly in the Winter Palace in Saint Petersburg. She is surrounded by friends, foes,
lovers, and allies and must navigate the vicious royal court in order to gain the Grand Duke Peters
hand in marriage. Sophie must gain the respect of the Empress Elizabeth and the love of her
beautiful, but harsh, nephew Peter, all while quickly climbing the social ladder of the Imperial
Court. This novel is classified as Historical Fiction and Young Adult, ... Show more content on
Helpwriting.net ...
But the one thing it will never be is practical. Love is irrational by its very nature. It demands
passion, fire, and no less than absolute surrender. It is a longing, a burning that consumes you,
leaving you without reason, or defense. When love comes, nothing can stand in its way." I believe
the most prominent themes in this book is heartbreak and betrayal. Sophie is no stranger to hurt and
deception. Sophie is sent away to marry a man she does not love by her family. "I try to smile, but
it's hollow. Of course, I want my father to be happy and have his lands and title secure; I only wish I
didn't have to sell my soul to Russia to do it." But even after everything shes been put through since
the beginning of the book, Sophie is still able to find love. She finds a man who will treat her like a
goddess and love her like she needs too. But even that simple thing is taken from her. To Sophie,
everybody betrays her, her family, her lover, and the people closest to her. "When waging a war of
the heart, you must only fight if you are absolutely sure you can

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