Dada Surrealism Essay

Dada Surrealism Essay
Dada Surrealism
What elements of dada and surrealism suggest the influence of Freud? The 20th Century marked a changed in how people viewed the known world.
Since its beginning art has played a major role in how people were able to express themselves. The early 20th century brought rise to new and
exciting art forms. These were types of writings, paintings and, documentaries that no one had ever seen before. From expressionism to Dadaism types
of work ranged by all means of the artist. About the 1920's a new wave of art would soon be seen worlds over. This art form introduced psychology in a
new way to look at the conscious and subconscious minds. From the beginning Dadaism and surrealism showed true signs of influence from...show
more content...
Each artist of the Dada era had a new way of expressing Freud?s ideas. They also felt that art was a powerful means of self–revelation, and that the
images came from ones subconscious mind had a truth of its own. As Marcel Duchamp mocked the Mona Lisa by drawing a Padilla 3 mustache
on her, stated that the painting was a lewd message set by the conventional way of thinking. Since the Dada artist did not believe in western culture
this made sense, because people only want believe what is told to them, instead of what is true. The Dada movement marked a meeting of people
to have ?noise concerts? where they recited poems in a free association verse. In these poetry readings the artist perceived how they felt about the
world. As World War I began the Dadaist perceived it as a world gone mad. Not only did they express their work in unconventional ways; they used
the subconscious as a way of making their views true. Although the Dada era was short lived it influenced and questioned the traditional concepts of
the western world. These techniques set an agenda for a new trial by error art form of this same era. The spirit of Freud in the Dadaist era never really
died, it is shown today as ?Pop art? or sometimes known as neo–Dada art forms. Also this revolution of thinking and art paved the way for the
Surrealist movement. The Surrealist movement of the 1920?s through 1930?s captivated the world with its bizarre way of thinking. Just as the Dadaist
used
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Surrealism : Art World Responses To Surrealism
Art World Responses to Surrealism While contemporary artists often look back on Surrealism as a deeply impactful revolution of thought in art, not
everyone agrees with the praise it is given. At its consummation, Surrealism was viewed by many in the art world as the pseudo–intellectual creations
of anarchic men. "In 1925, there were few indeed who saw in it anything more than a return to infantilism and nihilism" (Peyre). By the 1940s some
surrealists themselves viewed the movement in a negative light, including poet Louis Aragon. Author Anna Balakian states that: "[in] the April 1947
issue of Europe, in an article about the surrealist Desnos, Aragon [proclaimed] that with the passing of surrealism will also pass the excessive liberty
that the surrealists including himself had given to words; and he [urged] a return to the elementary language of common sense. He [believed] that he
has now learned once more to call things by their right names" (Balakian). Similarly, in 1948 Balakian described the work of the Surrealists with a
patronizing tone, stating that due to the realistic imagery required in Naturalistic Surrealism, the works produced were uninteresting in their
application, becoming "... a smooth, academic, almost banal way of using the painter's material" (Hodin). However, there were supporters of the
movement during its time. Published in 1935 in A Short Survey of Surrealism, author David Gascoyne praised the movement for its revolutionary
ideals, stating, "Already

Surrealism Impact
Surrealism: The Global Impact of the Puzzling Art Movement
Imagine having the ability to observe an entirely new universe not yet explored by the human eye. Visualize having the ability to completely free your
imagination, letting your thoughts and desires wander to form exotic scenes or locations. These unfamiliar worlds lay deep inside of the brain as
subconscious thoughts, usually undetected by the person with them in his or her possession. With the help of the intriguing art movement known as
Surrealism, however, these subconscious thoughts are finally able to be brought to fruition. Surrealism is a unique style of art that originated in France
with the help of brilliant writer AndrГ© Breton (Chilvers 599). He defined surrealism and its principles as a "purely psychic automatism through which
we undertake to express, in words, writing, or any other activity, the actual functioning of thought... Surrealism rests upon belief in the higher reality of
specific forms of associations, previously neglected, in the omnipotence of dreams, and in the disinterested play of thinking" (Chilvers 599). He also
strongly emphasized that its purpose was "to resolve the previously contradictory conditions of dream and reality into an absolute reality, a
super–reality" (Chilvers 599). Surrealism is a 20th century style of painting which rebels against traditional notions of art. In order to understand this
genre, it is necessary to examine the movement's characteristics, representative

Surrealism Essay
History: Surrealism is one of the most distinguishing movements of art. It was proclaimed by the poet AndrГ© Breton in Paris in 1924. It is defined
by Breton as "Pure Psychic automatism, by which one tries to express verbally, in writing, or by any other method, the actual process of thinking." It's
goal was to liberate thought from the oppressive boundaries of rationalism. The source of artistic creativity for surrealism was inspired by the
unconscious mind, particularly dreams. The Surrealist movement emerged from Dada art in Europe after world war one. Dada art sought to break all
other art movements with an anti–aesthetic style. On the other hand, "Surrealism's emphasis was not on negation but on positive expression." Surrealism
...show more content...
Either way, a dream state was conveyed. Surrealism objects and sculptures Breton wanted objects to be seen in all its strangeness for the first time.
Unlike with Dada art, the strategy was not to make the objects for the sake of shocking the middle class, but to make object surreal. The goal of it
was "the displacement of the object, removing it from its expected context." He sought to defamiliarize the object from normal circumstances, and to
have it seen without its cultural context. A famous Surrealist that are known for their three dimensial work is Dali. He formalized surrealist objects.
One of his most famous works is called Lobster Telephone, which is exactly what it sounds like– a lobster on a telephone. It illustrates the
untrustworthiness of objects. Similarities with the objects such as the similar shape and texture of the lobster and telephone receiver suggest that
people "may be foolish to take for granted the inanimate innocence of our telephones". Surrealist objects also are inspired by the workings of the
unconscious mind, and depict a dream like state, and is described by Breton as "the objectification of the activity of dreaming, its passage into reality."
Since surrealist objects are easily made, they relied more on assembly rather than craftsmanship. Surrealist films Surrealism was the first art movement
to experiment

Surrealism During World War I
development in visual artwork and writing, thriving in Europe between World Wars I and II. Surrealism became essentially was the next step up from
the dada movement, which before World War I delivered works of against artwork that defied all reasoning; yet Surrealism's accentuation was not on
invalidation but rather on positive expression. The development spoke to a response against what its individuals saw as the devastation created by the
"logic" that had guided European society and governmental issues in the past and that had finished in the detestations of World War I.

Essay on Surrealism and Salvador Dali
Surrealism and Salvador Dali
Surrealism is defined as an art style developed in the
1920's in Europe, characterized by using the subconscious
as a source of creativity to liberate pictorial subjects and
ideas. Surrealist paintings often depict unexpected or
irrational objects in an atmosphere or fantasy , creating a
dreamlike scenario ( www.progressiveart.com 2004). The word
Surrealism was created in 1917 by the writer Guillaune
Apollinaire. He used it to describe two instances of
artistic innovation ( Bradley 6). In 1924, in the
Manifeste du Surrealisme which launched the surrealist
movement, the writer Andre Brenton and his friend Philippe
Soupault adopted the word,"baptized by the name of...show more content...
Another popular Dali paintings from the 1930's

is "The Atavism of Dusk" .Sex, cannibalism and death were
linked in Dali's mind. By paranoiac association , precisely
these anxieties were inspired by Millet's painting
depicting the piety of two laborers. In The Atavism of Dusk
Dali expressed more explicitly this irrational significance
which he divined in The Angelus. The posture of the two
peasants is reproduced faithfully. The male stands to the
left , his hat concealing his sexual arousal, but his face
has been transformed into a skull, an image which invokes
the consequences of his fatal sexual encounter with the
female peasant standing at the right. The threat posed by
the woman is evident in the way she assumes the attitude of
a praying mantis. This alludes to the practice of the
female insect of the species devouring the male after
coition (Dali 63).
4
Dali also created "The Wearing of Furniture–Nutrition"

in the 1930's. This painting represents a further variation
in the capacity of the paranoiac critical method to
"interpret"reality by establishing irrational connections
between disparate elements. Unlike Dali's image , in which
several elements may be recognized within a single
configuration, here the same configuration is repeated in
various parts of

Surrealism And Surrealism
In 1925, the original surrealists forged a clear and resounding document, stating, among other things, that the surrealist movement is a revolution,
unarguably. They asserted that their movement was not one of poetic form. Furthermore, that it was not even a literary movement. They firmly
established, in the infancy of Surrealism, that it was not an aesthetic endeavour. It was "a revolution of the mind." Surrealist actions and thoughts
function "in the absence of any aesthetic or moral concern." This idea was thoroughly tested with the many events to come. It was tested when
Salvador Dali went so far with a lack of moral concern as to support Hitler himself, earning himself an excommunication, after a characteristically
dramatic trial. It was tested when Andre Breton, honorary founder of Surrealism, stated that "The purest surrealist act is walking into a crowd with a
loaded gun and firing into it randomly." This has since, regrettably, been forgotten. We have forgotten, somehow, the broken bones, the muddied faces,
the chaos, and the legitimate taboos in which Surrealism languished. We have forgotten how, historically, we have stared in the face that which no one
else dared to glance at. We have cast aside that which hurts us, for we do not care to include it in our reality. We have also become much more tolerant,
since Breton's death in 1966, of that which is not actually surrealist. At the risk of sounding anti–progress, I say that the movement has become less pure

Surrealism And Surrealism
Surrealism was an art movement rooted in the early twentieth century, largely created in response to scientific discovery relating to the unconscious
mind as well as rebelling against the bourgeois society at the time. It grew out of the Dada movement and expanded on the ideas of the importance of
our primitive, sometimes perverse impulses as well as psychoanalysis which were seen as cultural taboos in this repressive society. It also sought to
dismantle the academic perception of art, where stark realism and replication of the outer world were the only options available. Dada was a reaction to
the brutality and destruction of world war one and was completely opposed to the fundamental values of nationalism, bourgeoise and of the construct of
society as a whole. The movement was shocking and at times abrasive, as the artists – like Hannah HГ¶ch below – wanted to disgust and outrage the
audience. The work shown here is clearly expressing the destruction of war and the broken fragments it has left behind. There is a stark bitterness and
despondence in the work, due to the chosen colour palette as well as the meticulously placed newspaper trimmings conveying HГ¶ch's condemnation of
the nationalist belief in war and violence.
Hannah HГ¶ch, Cut with the Dada Kitchen Knife through the Last Weimar Beer–Belly Cultural Epoch in Germany, 1919, collage of pasted papers,
90Г—144 cm
The foundations of surrealism are a focus on the unconscious, the inclusion and development of automatic

The Surrealist Movement During World War One
The Surrealist Movement
World War 1 was a gruesome point in history that led to immense carnage and anguish of millions. However, on a happier note, this dark time was
followed by movements such as Cubism, Precisionism, and Expressionism. Among these movements existed Surrealism, a movement that would not
have come to be without the influence of "the war to end all wars".
During World War 1 at the city of Nantes one would find a man namedAndrГ© Breton (Sandrow). AndrГ© Breton, born in 1896, is regarded as the
founder of Surrealism, and the way his time was spent during the war influenced that outcome. For instance, during his time at Nantes, he encountered
a few people that would leave a lasting impression on him. One of these people went by the name of Apollinaire, an admired poet–dramatist and the
precursor to Surrealism. He pushed Breton away from pessimism towards investigating the philosophical relationship between poetry and painting. In
fact, the word "surrealism" was first coined by Apollinaire in his play Les Mamelles de TirГ©sias (Magill 448).
AndrГ© Breton served as a doctor during the war. More specifically, he worked in the Neuropsychiatric ward. He dealt with with the shell–shocked
and the deranged. From the constant contact with these soldiers who begot strange and bizarre images, a sort of fascination was...show more content...
Dadaism was a reflex reaction to World War 1, and like what has been mentioned earlier, the war was an awful time. It brought despair, andDada was
means of escape. Their philosophy was one of absurdity and meaninglessness. The artists and intellectuals involved gained satisfaction through the
shock and enragement of their audiences. AndrГ© Breton joined the ranks of the Dadaists, gained power, but eventually split away due to his different
vision. Dada was too iconoclastic and focused on negativity compared to Surrealism, which was a movement of positive

Essay On Surrealism
Surrealism. I In this Essay I will Discuss and analyze the Modern Art movement that was will talk about the history of surrealism and how it came
about and how it impacted culture. I will also focus largely on a particular Spanish Surrealist artist named Salvador Dali who is widely known as
the poster boy for Surrealism as well as being an eccentric and interesting character. Surrealism as a theme has always interested me usually
because of weird and strange dream like visuals I have mostly seen in Film and Television. I chose to write mostly about Salvador Dali as I have
always been a fan of his work and when I was much younger I was at an exhibition of some of his paintings whilst on Holiday in Andorra. I will
discuss some of Dali's work and compare it with other examples of Surrealist work I find that uses the same principles and ideas such as Movies and
certain Directors and their work.
I will also be analyzing his style the similar Principles of Sigmund Freud's Theories about dream interpretation which was widely considered to have
had a big...show more content...
The Surrealist group carried on and developed ideas from the Dada movement which was a protest and reaction to World War 1. According to
'Understanding Modern Art' by Bohm – Duchen and Cook' The Word Surreality means ''beyond or above reality'' which I agree to and especially in
terms of the artwork I will be discussing this is a very true point and it makes sense when you read into the work and analyze it. The Surrealists
wanted to connect the worlds of dreams and reality to make a new reality, be it in any media. A lot of surrealist work can be disturbing and bizarre but
it can also be playful like the way dali often put things together that normally wouldn't be seen with each other like his famous lobster phone. (figure

Art History Of Surrealism
Surrealism is about expressing the unconscious mind. It is not about what is but rather what could be. I chose the art movement because I have been
fascinated with it since high school. I researched Surrealism for my art journal, and upon finding Rene Magritte's works, I fell in love. I love that
Surrealism pushes viewers to not just question themselves but to question the world around them. Each Surrealism piece shows a world that cannot
exist anywhere but within ourselves, and Surrealism artists are the vessel through which we can experience these worlds. I find that I much prefer the
Surrealist worlds of make believe to any other. In 1924, Dadaism gave birth to Surrealism, and it flourished in Europe between World War I and World
War II. Founded by Andre Breton, Surrealism was an artistic and literary art movement that, unlike Dadaism, expressed positive philosophy and
proposed enlightenment. Profoundly influenced by Sigmund Freud, Breton became obsessed with the unconscious mind; he believed the unconscious
mind, the source dreams, was the basis of all artistic creativity. Surrealist artists believed that the rational mind blocked the power of the imagination,
and they strived to channel the unconscious as a means to unlock this power. By doing so, Surrealists hoped to unify the world of dream and fantasy to
that of the everyday rational world. The Surrealism art movement allowed artists to express themselves in ways never thought possible, and although
Surrealism was

Surrealism Essay
This essay will examine the relationship between surrealism and artist film, cinema and gallery work. An art film is a motion picture originally created
for a confined audience as opposed to a mass market. Art films provide opportunities to display unique conventions independent from mainstream
film.They're clear differences between the two movements film presents a clear purpose of action opposed to the social realism style often seen in art
films where the focal points are the imagination and cognitive thoughts of characters and a prominent display of the directors' diction. 'Dictionary:
Surrealism, n. Pure psychic automatism, by which one proposes to express, either verbally, in writing, or by any other manner, the real functioning
...show more content...
However, there is a flaw in this method to transmit Surrealism, as art films are only accessible to a limited market and are thus unable to expose
the unconscious and adapt it with rational life. This makes it impossible to achieve the goal of successfully changing or influencing social attitudes
and behaviour. Cinema is a valuabe creative genre and can be a global form of commuinication. No words are needed to explore various cultures or
dispute political perspective. Film enables viewers the chance to see the same message in many different ways. Films are also cultural expression
created by particular cultures in order to affect said culture or potray said culture. The 1928 L'Etoile de Mer (The Starfish) is directed by Man Ray
and is based on a poem written by Robert Desnos. The film represents the Surreal movement by illustrating the change in direction of artistic vision.
The film focuses on examining the different emotions and moods present throughout a love story but also opposes narrative apprehension and
challenges the views on love depicted in mainstream representation. L'Etoile de

Stylistic Elements Of Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. Officially consecrated in Paris
in 1924 with the publication of the Manifesto of Surrealism by the poet and critic AndrГ© Breton (1896–1966), Surrealism became an international
intellectual and political movement. The Surrealists sought to channel the unconscious as a means to unlock the power of the imagination. Artists
painted unnerving, illogical scenes with photographic precision, creating strange creatures from everyday objects, and developed painting techniques
that allowed the unconscious to express itself. Its aim was to resolve the previously contradictory conditions of dream and reality into an absolute
reality. Surrealists work features element of surprise and unexpected however many surrealist artists and writers regard their work as an expression of
the philosophical movement. With respect to that surrealism has many characteristics of work completed such as Automatic Writing, the Surrealists
were big on this thing called "automatic writing." That's when you write whatever comes to your mind without stopping or structuring your thoughts.
You just go with the flow, and let everything pour out onto the page unfiltered. Juxtaposition, one of the defining stylistic characteristics of Surrealism
is the juxtaposition of imagery. The Surrealists like to put together crazy things that we wouldn't normally associate with one another. They might
compare

Surrealism : An Art Movement
Surrealism was an art movement based on dreams, unconscious thought and defying conventional logic. It grew out of the earlier avant–garde
movement called Dada in the 1920s.
Dada was about chaos and rejecting logic and rationality, and was also referred to as anti–art. Just like Surrealism it often featured bizarre imagery that
didn 't make sense.
Famous surrealist artists include Salvador DalГ, RenГ© Magritte, Marcel Duchamp, Man Ray, Max Ernst, and Frida Kahlo (although she rejected the
label).
Dali 's "The Persistence of Memory", one of the most famous surrealist paintings
Painting and sculpture are what gave Surrealism its fame, but it was also important in literature, music, and of course film. Some of the most
well–known Surrealist artists even directed some movies.
The first film I 'll mention is Rhythmus 21. It was directed by a German artist named Hans Richter who was influenced by cubism and was part of the
Dada movement.
Rhythmus 21 was completely abstract, 3 minutes long, and black and white. There are no actors or dialogue, just shapes growing in size and moving
about the screen. The short is one of the earliest and most influential abstract films.
Next, there 's the 1923 short Return to Reason by the prominent Dada/Surrealist artist Man Ray.
Born in 1890 in Pennsylvania, Man Ray became known for his photography and painting in the 1910s and 1920s. He ended up being part of the first
Surrealist exhibition held in Paris in 1925.
Return to

Essay on Surrealism and Salvador Dali
Surrealism and Salvador Dali Salvador Dali, was born Salvador Felipe Jacinto Dali i Domenech on Monday, 11 May 1904, in the small Spanish town
of Figueres, in the foothills of the Pyrenees, approximately sixteen miles from the French border in a region known as Catalonia. His parents supported
his talent and built him his first studio while he was still a child in their summer home at Cadaques. Dali went on to attend the San Fernando Academy
of Fine Arts in Madrid, Spain. He was married to Gala Eluard in 1934 and died on 23 January 1989 in a hospital in Figueres (Etherington–Smith, 12).
Dali never limited himself to one style or particular medium. Beginning with his early impressionistic works, greatest inspiration....show more content...
They believed that automatism "would reveal the true and individual nature of anyone who practiced it, far more completely than could any of his
conscious creations. For automatism was the most perfect means for reaching laid his foundation for his own Surrealistic art in his youth through his
'critical paranoia' method. This contribution of his was an alternate manner in which to view or perceive reality. It was no new concept; it could be
traced back to Leonardo da Vinci and his practice of staring at stains on walls, clouds, streams, etc. and seeing different figures in them (Stangos, 138).
Anyone who looks at a cloud and sees something other than just a cloud uses this technique.
Dali however gave this method a different twist. Dali linked his paranoiac–critical method, the ability to look at any object and see another, with
paranoia, which was characterized then by chronic delusions and hallucinations. Dali himself was not paranoid but was able to place himself in
paranoid states. In one of his more famous statements he said, "The only difference between myself and a madman is that I am not mad." He was
able to look at reality and dream of new ideas and paint them, which he called his "hand–painted dream photographs." (The Persistence of Memory,
163)
Through his paranoiac–critical method, Dali was able to look at everyday objects and attach a subjective meaning based on his obsessions, phobias and
conflicts. The result was a new, imaginative visual

Research Paper On Surrealism
Surrealism was both an artistic and literary movement that originated in Paris in 1924. Andre Breton founded the movement and also written the
Surrealist Manifesto. The Surrealist Manifesto defines surrealism as "pure psychic automatism by means of which one intends to express, either
verbally, or in writing, or in any other manner, the actual functioning of thought. Dictated by thought, in the absence of any control exercised by reason,
free of any aesthetic or moral concern" (Breton). Breton and surrealists believed that the imagination stemmed from the subconscious. That is why their
works evoke the appearance of dreams.
Breton also explains the Surrealist Manifesto that Sigmund Freud, an Austrian neurologist credited with the theory of psychoanalysis, influenced
surrealism (Breton). Breton was fascinated with Freud analysis on the connection between dreams and the subconscious. According to Leon Hoffman
in an interview with the American Psychoanalytic Association on Freud's book, Interpretation of Dreams, Freud believes that a person's subconscious
is communicating with their conscious through their dreams (Hoffman). As it relates to surrealism, surrealists use psychoanalysis as a tool to produce
their artworks. Psychoanalysis was a way to free...show more content...
Pierre Roy was an artist I took influences from in one of my drawings. Roy was a French surrealist who painted La Fortune au repos. He painted
what looks to be a wheel, wooden post, and a bamboo stick. He enlarged the objects and placed them in a landscape. Changing an object's size and
displacing the object are two common characteristics of the movement's style. For my drawing, I enlarged the woman's torso cast from the closet and
placed it in the middle of the ocean. The cast was meant to be a land form that took the shape of a woman's torso. I wanted to represent a form that is
found in

Surrealism Research Paper
"Surrealism is a cultural movement that began in the early 1920s.The aim was to "resolve the previously contradictory conditions of dream and reality."
Surrealism is a style in art and literature, which is developed in the early 20th century, focusing on the subconscious or non–rational images. Artist or
writers who involve with surrealism are referred as surrealist.
"Surrealism was officially inaugurated in 1924 when the writer AndrГ© Breton published the Manifesto of Surrealism. Similar to Dada, Surrealism was
characterized by a profound disillusionment with and condemnation of the Western emphasis on logic and reason. However, Breton wanted to create
something more programmatic out of Dada's nonsensical and seemingly unfocused activities. Consequently, Surrealist works were bound up with the
psychoanalytical theories of Sigmund Freud relating to the irrational and...show more content...
Deep psychological truths and connections may be revealed in symbolic form. Salvador Dali suggests this connection in what may be the best known
of all surreal paintings, The Persistence of Memory. The clue to this jarring image lies in the title. As suggested by his melted clocks, the past is gone
forever, except in our memories. "
The relationship between Dreams, Surrealism and psychoanalysis are based on the unconscious mind.
Psychoanalysis attempts to explain that the human– behaviour is influenced by the feelings from the past for example (memories–that have been stored
in the unconscious mind.)
Surrealism attempts to influence the thinking of the human mind by evoking the feelings of the unconscious mind by via the use of visual arts.
Dreams open up new possibilities while dreaming our mind is in a subconscious state when we sleep, our mind makes sense of our memories by
ordering them and converting some into representative

Surrealism. Surrealism is defined as a 20th century art movement, which attempted to tap into the subconscious mind of the artist. This style of
painting involved creating imagery and ideas that were seen to contradict each other. In a surrealistic work of art, the world of dream and the world
of imagination are joined to the everyday reality. Therefore, it combines both a very rational, and irrational style. Surrealist Theory was based on a
simplistic understanding of the writings of Sigmund Freud recreated for the use of poets and visual artists, the mind and human psychology became a
source of inspiration. Like the underdeveloped photograph, the contents of the mind are latent, speaking in a secretly language that is wholly private
and individual. Surrealism sought this secret language through the fixing of the dream images into works of art. The broad meaning of Surrealism
represents a significant constituent of human feeling, a love for the world of dreams and of fantasy. In Walter Friedlander's duality of
rational–irrational, this is the real for the irrational; it depends upon inspiration rather than upon rules, and it values the free play of the individual
imagination rather than the codification of the deals of society or of history. Artists such as Hieronymous Bosh, Salvador Rose and Goya all explored
the free element of fantasy as only a part of a total conception that is basically traditional. The class of subject matter chosen by the artist and their

Art, Surrealism, and the Grotesque Essay
The term "grotesque" in art and literature, commonly refers to the juxtaposition of extreme contrasts such as horror and humor, or beauty and
monstrosity, or desire and revulsion. One function of this juxtaposition of the rational and the irrational is to subdue or normalize the unknown, and
thereby control it.
The simultaneity of mutually exclusive emotional states, and the discomfort it might cause, inspires a Freudian analytic critical approach because of its
focus on controlling repressed desires through therapeutic rationality.
There are volumes of Freudian art criticism, which typically begin by calling attention to manifestations, in some work of art, of the darkest desires of
the id. Perhaps in no field...show more content...
In this discussion, I hope to put a different spin on surrealism and the grotesque by drawing on the works of Sartre, and if we're not too dizzy from
spinning when all is said and done, I shall have put together a way to investigate the grotesque in Modernist art and contemporary life. After a
summary of the surrealist's use of Freud and a look at Sartre's criticism of surrealism, we will look at surrealism in Sartre's work and derive an
existentialist definition of the grotesque and examine how this might reconfigure the surrealist goal of liberation. Surrealist art is almost always
analyzed in terms of
Freudian psychoanalytic theory because the surrealists openly announced Freud's study of the psyche as the inspiration for the practice of surrealism.
AndrвЂљ Breton, author of the many surrealist "Manifestoes" and the self–appointed spokesman and scribe of the surrealist movement, eulogized
Freud, who died in
1939, by writing that: ". . .the death of Freud is enough to render the future of psychoanalytic ideas uncertain, and threatens once again to turn an
exemplary instrument of liberation into an instrument of oppression" (Breton 282).
The liberation to which Breton refers, has to do with the freeing of unconscious expression,

Dada Surrealism Essay

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