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PRESENTATION IN UC PBI 2013
DOG AND “THE OTHER DOG”
6 July 2013
Putri Ayu Rezkiyana
Sanata Dharma University
What do you think when you hear the
word ‘table’?
Nida
„a single word may have number of quiet
different meanings‟ (1975:11).
 A First Course in Linguistics about
semantics
„a word is limited to certain context‟ and
„the context decides the meaning of word
may have‟ (Simpson; 1979:177).
DJENAR MAESA AYU’S WONG ASU
 Wong Asu (2003), a short story written by
Djenar Maesa Ayu that translated into The
Dog Man (2005), is actually taken from
Javanese language.
Javanese Indonesian English
wong manusia Human
asu anjing dog
If the translation becomes The Dog Man,
is it the same with Spiderman, Batman,
or Superman?
WORD MEANING AND CONTEXT
 In the short story of Wong Asu, there are two
meanings of understanding the word „asu‟.
Javanese and Indonesian language…
 Asu  a four-legged animal
 Asu  for swearing, feeling of excitement
DOG IN CULTURAL CONTEXT
 The context is when the first person (-) tells
the story that lit up the temper of the second
person (+). (see They Say I’m a Monkey!
page 70-71)
Source Text Target Text
Wong Asu That Dog Man
Manusia Anjing That human dog
Anjing The dog
Anjinggg! Doggg!
Benar-benar anjing What a dog!
Anjing, lu.. You dog!
DOG IN CULTURAL CONTEXT
 To acknowledge the loss and gain in this
translation, the componential analysis will
see semantic features on both languages.
anjing dog
+ animate + animate
+ human - human
± male ± male
DOG IN CULTURAL CONTEXT
 In term of sociolinguistics, dog in English
symbolized loyalty because a dog always
follows the owner. It is different from
Indonesian culture that most people consider
dog as an animal which tends to be avoided.
LOSS AND GAIN IN TRANSLATING ‘DOG’
 The first is the intention of A using „dog‟ to
refer human behaviour.
“He behaved like a dog” (p. 70)
• The second is the reaction of B in understanding
the word „dog‟ from A.
anjing!  something annoying, unpleasant
Asu
Di saat yang membahayakan itu saya teringat Ayah.
Dulu saya sering menemani Ayah menulis.
Sesekali Ayah terlihat kesal, memukul-mukul
mesin ketiknya dan mengumpat, "Asu!"
Kali lain, saat menemukan puisi bagus di koran,
Ayah tersenyum senang dan berseru, "Asu!"
Saat bertemu temannya di jalan,
Ayah dan temannya dengan tangkas bertukar asu.
Pernah saya bertanya, "Asu itu apa, Yah?"
"Asu itu anjing yang baik hati," jawab Ayah.
Kemudian ganti saya ditanya,
"Coba, menurut kamu, asu itu apa?"
"Asu itu anjing yang suka minum susu," jawab saya.
Sementara saya melangkah mundur,
anjing itu maju terus dengan nyalang.
Demi Ayah, saya ucapkan salam, "Selamat sore, asu."
Ia kaget. Saya ulangi salam saya, "Selamat sore, su!"
Anjing itu pun minggir, menyilakan saya lanjut jalan.
Dari belakang sana terdengar teriakan,
"Tolong, tolong...! Anjing, anjing...!"
(Joko
Pinurbo, http://jokopinurbo.blogspot.com/2011/12/asu.ht
ml)
COMMUNICATING THE CULTURAL
MEANING
 “Idiomatic translation uses the natural forms
of the receptor language, both in the
grammatical constructions and in the choice
of lexical items. A truly idiomatic translation
does not sound like a translation” (Larson;
1984:16).
 We have to know the meaning of ST and TT
 as natural as possible, to avoid ambiguity
COMMUNICATING THE CULTURAL
MEANING
 Even if the criteria of good translation are like
idiomatic translation, the whole meaning of
SL is sometimes unable to be adjusted in the
TL  loss and gain in translation
 The difficulty in translating terms or concepts
from SL to TL demands the translator to write
additional information in order to make the
meaning understandable, if it is necessary.
FINAL REMARKS
 The difference influences the translation of Djenar
Maesa Ayu’s Wong Asu in which the essence of the word
‘dog’ in TT has softened the meaning from the original
one.
 The difficulty of translating ‘asu’ into dog comes up
because of the difficulty in ‘defining characteristics of
the natural kind’
 Maintaining cultural identity is actually difficult to create
a translation as natural as possible because culture of
source language is sometimes different from the target
language.
THANK YOU…

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Dog and “the Other Dog”

  • 1. PRESENTATION IN UC PBI 2013 DOG AND “THE OTHER DOG” 6 July 2013 Putri Ayu Rezkiyana Sanata Dharma University
  • 2. What do you think when you hear the word ‘table’? Nida „a single word may have number of quiet different meanings‟ (1975:11).
  • 3.  A First Course in Linguistics about semantics „a word is limited to certain context‟ and „the context decides the meaning of word may have‟ (Simpson; 1979:177).
  • 4. DJENAR MAESA AYU’S WONG ASU  Wong Asu (2003), a short story written by Djenar Maesa Ayu that translated into The Dog Man (2005), is actually taken from Javanese language. Javanese Indonesian English wong manusia Human asu anjing dog
  • 5. If the translation becomes The Dog Man, is it the same with Spiderman, Batman, or Superman?
  • 6. WORD MEANING AND CONTEXT  In the short story of Wong Asu, there are two meanings of understanding the word „asu‟. Javanese and Indonesian language…  Asu  a four-legged animal  Asu  for swearing, feeling of excitement
  • 7. DOG IN CULTURAL CONTEXT  The context is when the first person (-) tells the story that lit up the temper of the second person (+). (see They Say I’m a Monkey! page 70-71) Source Text Target Text Wong Asu That Dog Man Manusia Anjing That human dog Anjing The dog Anjinggg! Doggg! Benar-benar anjing What a dog! Anjing, lu.. You dog!
  • 8. DOG IN CULTURAL CONTEXT  To acknowledge the loss and gain in this translation, the componential analysis will see semantic features on both languages. anjing dog + animate + animate + human - human ± male ± male
  • 9. DOG IN CULTURAL CONTEXT  In term of sociolinguistics, dog in English symbolized loyalty because a dog always follows the owner. It is different from Indonesian culture that most people consider dog as an animal which tends to be avoided.
  • 10. LOSS AND GAIN IN TRANSLATING ‘DOG’  The first is the intention of A using „dog‟ to refer human behaviour. “He behaved like a dog” (p. 70) • The second is the reaction of B in understanding the word „dog‟ from A. anjing!  something annoying, unpleasant
  • 11. Asu Di saat yang membahayakan itu saya teringat Ayah. Dulu saya sering menemani Ayah menulis. Sesekali Ayah terlihat kesal, memukul-mukul mesin ketiknya dan mengumpat, "Asu!" Kali lain, saat menemukan puisi bagus di koran, Ayah tersenyum senang dan berseru, "Asu!" Saat bertemu temannya di jalan, Ayah dan temannya dengan tangkas bertukar asu. Pernah saya bertanya, "Asu itu apa, Yah?" "Asu itu anjing yang baik hati," jawab Ayah. Kemudian ganti saya ditanya, "Coba, menurut kamu, asu itu apa?" "Asu itu anjing yang suka minum susu," jawab saya.
  • 12. Sementara saya melangkah mundur, anjing itu maju terus dengan nyalang. Demi Ayah, saya ucapkan salam, "Selamat sore, asu." Ia kaget. Saya ulangi salam saya, "Selamat sore, su!" Anjing itu pun minggir, menyilakan saya lanjut jalan. Dari belakang sana terdengar teriakan, "Tolong, tolong...! Anjing, anjing...!" (Joko Pinurbo, http://jokopinurbo.blogspot.com/2011/12/asu.ht ml)
  • 13. COMMUNICATING THE CULTURAL MEANING  “Idiomatic translation uses the natural forms of the receptor language, both in the grammatical constructions and in the choice of lexical items. A truly idiomatic translation does not sound like a translation” (Larson; 1984:16).  We have to know the meaning of ST and TT  as natural as possible, to avoid ambiguity
  • 14. COMMUNICATING THE CULTURAL MEANING  Even if the criteria of good translation are like idiomatic translation, the whole meaning of SL is sometimes unable to be adjusted in the TL  loss and gain in translation  The difficulty in translating terms or concepts from SL to TL demands the translator to write additional information in order to make the meaning understandable, if it is necessary.
  • 15. FINAL REMARKS  The difference influences the translation of Djenar Maesa Ayu’s Wong Asu in which the essence of the word ‘dog’ in TT has softened the meaning from the original one.  The difficulty of translating ‘asu’ into dog comes up because of the difficulty in ‘defining characteristics of the natural kind’  Maintaining cultural identity is actually difficult to create a translation as natural as possible because culture of source language is sometimes different from the target language.