Cubism Annotated Bibliography

Cubism Annotated Bibliography
Yordi Schrank
10/11
Cubism
1907
Bibliography
http://en.wikipedia.org/wiki/Pablo_Picasso http://www.metmuseum.org/toah/hd/cube/hd_cube.htm http://www.artyfactory.com/art_appreciation
/art_movements/cubism.htm https://www.youtube.com/watch?v=RlNf5XZDcQs Cubism was one of the most influential visual art styles of the early
twentieth century. It was created by Pablo Picasso and George Braque. It was easier for them to invent something new that no one has not seen before
and both had a common interest. It was one of the first movements led by Pablo Picasso during 1907. The movement began in 1907. Cubism was very
popular during the early twentieth centuries. There were two most important people to Cubism art movement Pablo Picasso and George Braque....show
more content...
Their idea was meant to show the originality of the painting and the complication of the painting. One of their very first paintings was Mia Jolie
which amazed everyone. Picasso wasn't known for cubist style painting instead many know him for his artwork blue period. Soon after he discovered
worm colors he ended his blue period painting style.
Eventually he started to discover other types of arts with a lot more colorful and unique. Picasso was born in Francisco October 25, 1881. He lived in
France for most of his time and become known as one of the most influential artist of his time. He died in April 8, 1973 at the age of 91. "The artist is
a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's
web." One of Picasso famous quote.
George Braque was born may 13, 1882 in France. He was known for his art works and sculptor. His most important works were Fauvism and the
invention of Cubism with Picasso. He died August 31, 1863 at the age of 81. "There is only one valuable thing in art: the thing you cannot

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Cubism by Pablo Picasso and George Braques
During the beginning of the 20th century the world was developing at an unprecedented, intense speed, artists were looking for a new Avant garde way
to create works. Hence, cubism came to life– "a truly revolutionary style of modern art developed by Pablo Picasso and Georges Braques" (Lance
2010 :2). Many critics challenged this new style due to its unconventional use of semiotics and lack of social sense. However, this is exactly what
Cubists wanted to be, unconventional– challenging the traditions of Western art which they believed had become tired and run its course. As the
world was developing and new inventions were being created such as the car, aeroplane , cinematography and the telephone. People like Picasso and
Braque found it increasingly difficult to attempt to create works on the basis of these ideas. They believed that the modernity of these things and the
society at the time was unable to be represented by the exhausted constraints of the conventional forms of representation which had been around since
as early on as the Renaissance. Moving away from the traditional Western rules of what was suitable when creating art– dadists and surrealists start to
"undermine artistic convention" ( Freeman 1989 : 1) and in turn the cubists do to . As Freeman states in her article, they were attracted to that which
appealed to people not aesthetically but rather on an intellectual level, hence why critics believed that they had become devoid of any social sense
because

Cubism & Expressionism Essay
In this paper I will be comparing the expressionist art movement with the cubist art movement. I will discuss some of the artists that made these
movements a stepping–stone for the other movement that followed. I will look at Picasso and Kandinsky to name a couple.
Expressionism, which began in 1905, was the term used for early 20th century art that conveyed emotional and spiritual preoccupations of the artist,
using a variety of styles and subject matter (Arnason 124). These expressionist artists built on techniques of the post–impressionist movement; they
generally relied on simple and powerful shapes that were direct and sometimes crude expression (Arnason 124). All this was to heighten the emotional
...show more content...
Born in Moscow 1866, he studied law at the University of Moscow, and declined a professorship to be able to go and study painting (Arnason 134).
History of Modern Art textbook says that he always had devoted much time to the questions between music and art (135).
When you look at Kandinsky's works, it seems that the strokes he made had a rhythmic lines, and colors to them. Picasso on the other, want you see
is just all kinds of different size shapes mixing together. When I look at Picasso cubist work I tend to not be able to tell what it was he was looking
at when he painted. If I don't read the titles of some of his works I would have never known it to be that.
Pablo Picasso was born in Spain in 1881. He achieved legendary status within his timelife, in which his career dominated three–quarters of the century
(Arnason 155). He studied art since he was a child. His father being a painter I bet must have helped bit. But he did become rebellious against his
father (Arnason 158). He continued to paint and had one of his paintings selected to be hung in Paris in an exposition (Arnason 158).
Braque was also associated with the cubism period. For he met Pablo Picasso in 1907 who had studied works of Cezanne and had also been
fascinated with the Demoiselles. Braque worked very close to Picasso that their works resemble each others so much that I cannot differentiate them
when they were in the analytic cubism period

Cubism : The Art Movement Of Modern Art
Cubism was the art movement that took modern art to the next level. It was one of the first major forms of Abstractionism. Cubism looks as if the
painting was build with blocks. Artists used blocks and geometric shapes to form figures of men and women. There was no certain color scheme,
however colors were usually very different in order to distinguish parts of the body. Anatomy was jumbled, but bodies were clear and visible.Pablo
Picasso is known to be a mastermind of the art world. He essentially invented cubism and contributed to the advancement of modern art. Les
Demoiselles d'Avignon is a painting that shows five nude ladies all posing different ways. All of them have very different faces and body shapes,
something that was common during Cubism. The women are formed out of geometric shapes, but their forms are definite. Georges Braque was the
neighbor of Pablo Picasso and he took Cubism on a different path. Instead of making the shapes 2D, he used light and perspective to make shapes
appear 3D. Man with a Guitar is very difficult to distinguish a figure, unlike Picasso's works. If you look closely and focus on different points, you can
see a man playing a guitar. The 3D shapes and dark colors give it a slight heavy–hearted feel.
Futurism was an art movement, as well as a social movement that originated in Italy. The movement had a emphasization in technology, science,
industrialization, and youth of the future. Futurists created objects such as

Essay on Cubism
In 1907, The Cubism is a new art movement which was created by Pablo Picasso and Georges Braque who challenged the traditional art by refusing
the single viewpoint in their painting. The achievement they got was based on Picasso's first phase which he called Analytic Cubism and then
developed to second phase – Synthetic Cubism. From studios of Picasso and Braque, there are many different forms of Cubism have been created and
became something that changed the world of art. This art movement was formed as a new way to represent the world through the viewpoints of
different art movement. According to Portrayals (2007): "Cubism is the most radical, innovative, and influential ism of twentieth–century art. It is
complete denial of Classical...show more content...
For example, in the large painting of Picasso – Les Demoiselles d'Avignon, he ignored the rules of traditional art such as space, shapes, perspective and
natural proportion. Therefore, "The illusion of space and plasticity takes second place to the question of representation and structuring of forms" (Anne
2004 p. 7)
With Cubism, Picasso and Braque literally represented the reality around them – still–life, landscapes and portraits in a way that challenged the
traditional theories of perspective with a reinterpreted a viewpoint. These methods were formed by using different shapes, geometric, edges and
depthless colors in their painting (Wise geek, 2003). In Braque's case, he's received a huge achievement of a measure of formal autonomy. As Werner
(1990, p. 30) points out: "A move towards the geometrical is apparent in both the pyramid like form and the precise but nevertheless "painted" lines
which chant out the rhythm". He refused to use a horizontal or vertical structure in his painting. Yet, he simplified colors in his painting with brown,
ocher and gray, that's how he described a typical Cubism. But not like the fragment structure of Braque's early still–life works, Picasso's Cubism has
become fully

Impressionism vs. Cubism Essay
Impressionism vs. Cubism
Art, according to Webster's Dictionary, is a human skill of expression of other objects by painting, drawing, and sculpture. People have used art as a
form of expression for a long time. From the Mesopotamian era to the Classical Greeks and the present. Art is expressed in many different ways and
styles, and is rapidly changing, one style replacing another. Impressionism and Cubism broke away from the traditional style of painting. They were
both looking for a new way to express everyday life. Time is an important tool that is used in Cubism as well as Impressionism. This element is
expressed in Claude Monet's Sunrise and Pablo Picasso's Man with a Violin in different ways. Impressionists' works...show more content...
It is composed of geometrical shapes, abstraction and time. There are no specific colors or objects used. Cubists were looking for a different way to
express human form as well as art in general. They provided what we could almost call a God's–eye view of reality: every aspect of the whole subject,
seen simultaneously in a single dimension. According to Fiero, the Cubist image, conceived as if one were moving around, above, and below the
subject and even perceiving it from within, appropriated the fourth dimension–time itself. In a sense, Cubism is four–dimensional: depth, height, breath,
and time, but seen all at once. It displays different viewpoints from different aspects. The object is taken and looked at in many perspectives and is
represented that way on the canvas. Monet's painting Sunrise displays vivid color, which is commonly used among impressionists. The painting is of
the sun rising over the lake, over looking the bay and the boats within. "Sunrise is a patently a seascape; but the painting says more about how one
sees than about what one sees. It transcribes the fleeting effects of light and the changing atmosphere of water and air into a tissue of small dots and
streaks of color–the elements of pure perception" (Fiero 114). This painting is typical of its style because it captures light at that moment. The sun is
rising and its color is projected to everything in its path. Monet seems to capture this

Cubism Essay
Cubism
Before the twentieth century, art was recognized as an imitation of nature. Paintings and portraits were made to look as realistic and three–dimensional
as possible, as if seen through a window. Artists were painting in the flamboyant fauvism style. French postimpressionist Paul CГ©zannes flattened still
lives, and African sculptures gained in popularity in Western Europe when artists went looking for anew way of showing their ideas and expressing
their views. In 1907 Pablo Picasso created the painting Les Damsoilles d'Avignon, depicting five women whose bodies are constructed of geometric
shapes and heads of African masks rather then faces. This new image grew to be known as 'cubism'. The name originating from the critic...show more
content...
The outcome was to be of intellectual vision rather then spontaneous. ?The aim of Analytical Cubism was to produce a conceptual image of an object,
as opposed to an optical one? (Harden, 1999).
Around 1912, Analytical Cubism reached a point where it threatened to go beyond the visual comprehension of the viewer. At this time Picasso and
Braque took a different approach by replacing parts of the pictures of real things with abstract signs and symbols. In Synthetic Cubism size scales no
longer mattered; in Picassos painting The Three Musicians the hand of a man playing a guitar would be two inches while the guitar itself was two
feet. Bright, flashy color returned. Synthetic Cubism is credited with creating the collage. Picasso made the first collage using decorative paper and
words and images clipped from newspaper and sheet music put on wood to create the image of a guitar. Other artists began using sand, rope and even
mirrors to symbolize things. In this way Synthetic Cubism came back slightly to the conventional method of representing objects realistically and the
shape of objects became easier to recognize.
Cubism gained the interest of critics who had mixed views. One critic viewed a Picasso painting of a violin and said he considered it an insult to the
viewers? intelligence to be expected to believe that a violin would look like that. Daniel–Henry Kahnweiler, a Paris art dealer and

Purpose Of Art And Cubism
Art is a general term for the expression of ideas. There are various forms of art, ranging from painting and drawings, to writing, to music, as well as
theatre. Through each of these art forms, they have a purpose of expressing concerns the artists face as well as world issues. Art is important as it
helps people improve themselves (Armstrong, 2013). Defining the purpose of art is personal and unique to each individual. From the Renaissance
ages art was a reflection of ideas that concerned men's mind. Michelangelo believed that the truth of any matter existed in nature. It was the job of the
artist to seek the truth within the world and capture it in his art. This way of thinking is what made Michelangelo a great artist. The quote "great artists
have the social function of constantly renewing the appearance of nature in the eyes of the public" was mentioned by Apollinaire, a French poet and an
art critic (The Editors of EncyclopГ¦dia Britannica, 2017). Apollinaire focused on the subject of modern painting, during 1880–1918, Cubism. Cubism
was considered to be pure art, it was a new way to view reality (TATE , 2017). It was a major style during the 20th century, a modern twist to
depictions of nature. Pablo Picasso was a major contributor to Cubism art style. Through this new style, it was also a new interpretation of the world.
Many people did not agree with the art style while others found it pleasing to the eye. Apollinaire argued that cubism painters no longer imitate

Cubism Movement In Diego Rivera
Cubism, a short lived, though massively influential visual art movement began in the early 20th century created by Pablo Picasso and Geroges Barque
in Paris. The term "cubism" was coined around by its styled and various viewpoints in its one chaotic composition that withheld simplistic geometric
shapes and interlocking planes. The main purpose of cubistic art was to generically simplify nature and its representation in emphasis of the two
dimensionality by reducing and fracturing objects into geometric forms and then realign these within shallow space. However, the Cubist painters
rejected the inherited concept that art should replicate nature, or adopt traditional techniques of perspective, modeling, and even foreshortening. There
is no doubt that the cubism movement held numerous artist alike Cezanne, Chagall, Klee and more; however, Rivera found unique sense into Cubism
that provoked contextual messages through murals and canvases while powdering uniqueness within his work in a different place.
Diego Rivera, one of the most prominent and controversial Mexican artists of the twentieth century, gained international acclaim as a leader of the
Mexican mural movement that sought to bring art to the masses through large scale work on public walls. Rivera's accessibility to grandiose surfaces
let him tackle the grand themes of the history and future of humanity; concerning himself primarily with the physical process of human development
and the effects of technologic

Gertude Stein And The Art Of Cubism Essay
The Cubist painter renounced the work of artists who drew only what society wanted to view as art. Instead of painting for the appraisers of
conventional art, Cubist painters assembled shapes and movement from different angles to create a completely innovative artistic perspective. Like the
Cubist artist, Gertrude Stein, a modernist writer of the 20th century, rejected the expectations of a society that required writing to model the speech of
the English language just as it required art to model the visions and still life images of everyday situations and experiences. Stein's writing is often
compared to the visual art of modernist painting, such as Duchamp's work from the 1913 Armory Show, Nude Descending a Staircase No. 2, in which
he...show more content...
In the section entitled "A Waist," Stein uses anaphora and begins each of three separate, disconnected thought patterns in the same manner: A star glide,
a single franctic sullenness, a single financial grass greediness. Object that is in wood. Hold the pine, hold the dark, hold in the rush, make the bottom.
A piece of crystal. A change, in a change that is remarkable there is no reason to say that there was a time. A woolen object gilded. A country climb is
the best disgrace, a couple of practices an of them in order is so left (1171). A pattern is maintained within this section that creates the rhythm between
the separated thought patterns, but at the same time does not permit the reader to move out of the present, thus forcing the reader to continue moving
through the section. The disconnected thought patterns within Stein's work are created mainly by the construction of unlikely associations between
the words within each phrase, and also between the sections and their corresponding headings. Duchamp's painting also uses unlikely associations
between what is seen initially when glancing at his work, and what the disjointed shapes and angles are meant to represent according to the title of the
painting. Stein and Duchamp both place labels on their pieces that initially implant an idea of what the viewer may be intended to see, such as

Essay about Picasso and Cubism
Along with George Braque, Picasso was responsible for the invention of cubism. Cubism is one of the most radical restructuring of the way that a
work of art constructs its meaning. Cubism is a term that was derived from a reference made to geometric schemes and cubes. Cubism has been known
as the first and the most influential of all movements in twentieth century art . Before Picasso did any cubism paintings, there were works exibititing a
raw intensity and violence due to his reading of non western art aligned with European primitivism. This contrasting position provided the dynamic for
Picasso's work. In his paintings such as Mother and Child, Picasso showed the fetishistic and simplifying aspects of primitivism. In his paintings...show
more content...
By the end of 1901 Picasso had developed a primary blue pallet. From 1901 until 1904 this time was known as the Blue Period during which his
imagery focused on outcasts, beggars, and prostitutes. The paintings of the prostitutes were based on observations he made at the prison of St Lazare.
He also produced his first sculpture which was a modeled figure called, seated woman. An important work that he did of this period was a painting
called LaVie which was a complex symbolist work that evolved through numerous sketches. October 1904 marked the end of the blue period
where Picasso put on an exhibition of twelve works from the past three years. By late 1904 Picasso's color schemes and subject matter of his
paintings began to become brighter. His paintings began to be dominated by pink and flesh tints. This was known as the Rose period. Picasso may
have had an interest in images of saltimbanques, harlequins, and clowns .This interest may have been liked to frequent visits to the Cirque Medrano.
In the autumn of 1905 in the town of Schoorl he produced works that were developed in gravity and opacity and he began to introduce weightier
figures. The work of Cezanne and Henri Rousseau each played an important part in the evolution of Picasso's art . In the late 1930's Picasso became
involved with two women named Marie– Therse Walker and Dora Marr. He continued his involment with Dora Marr even after he met a young painter
by the name

How Did Picasso Use Cubism
This piece of art by Picasso is Abstract. In this piece Picasso uses cubism. The picture uses a curves. The color scheme used in this artwork seems
to be as local. It seems this is the typical color that could be seen in daylight. This painting seems to show tenebrism. Looking at it, it looks as if its
dark on the right but seems to brighten up to the left. This space in this piece is 2d. The texture shown in this piece is visual texture. The quality of
this piece is perceived. The color scheme of this artwork repeats. The artist used time.

Cubism Essay
Cubism is an endeavor to express, in visual requisites, the notion of the four dimensions. Thanks to the contribution of Paul CГ©zanne, cubism began
as an idea but later become a style. There are three main features of cubism; multiple views, geometry, and course. Pioneered by Braque George
cubism started in the early 20th century. Cubism artwork entails the breakdown of objects and reassembling them in an abstract manner (Cotter 2005).
The objects are depicted from more than one point of view thus creating greater context. The Spanish artist Juan Gris made a remarkable contribution
to art in this period through his work such as the "The Teacups" of 1914 (Cotter 2005). Cubism originated in France and later spread to other European
nations...show more content...
Cubism, on the other hand, was a 20th–century art movement that borrows from realism in that it represents the truth, as it is (Brown 1996). Similar to
realism, cubism sort to represent the world in a new manner that was representative of the truth rather than mere appearance. Cubism, however, rather
than paying close attention to the objects and personal appearances like realism, it sorts to represent the situation. The painters mostly painted what
they believed rather than what they saw like in the realism movement. Cubism deviates from realism as a form of painting objects in the most detailed
manner but maintains the aspects of realism as a movement focusing on the situations that the middle and low–income earners experience during their
everyday lives. Realism focuses on the conceptual and the perceptual realities except for a few artists who unsuccessfully sort to limit the use of
realism to perceptual reality. Cubism does not put much significance on the perceptual reality but rather emphasizes using deformations, geometry, and
multiple views of the conceptual reality (Brown 1996). Nonobjective art does not make any reference whatsoever to nature or reality. Nonobjective art
relies instead on formal elements. The visual elements, design principles to carry its message. While many artists experimented with abstraction, seeing
how far art could go without

Pablo Picasso Cubism Essay
YEAR 10 MAJOR CRITICAL ANALYSIS TASK
YEAR 10 MAJOR CRITICAL ANALYSIS TASK
CRITICAL TASK ANALYSIS
Step 1: Description
Pablo Picasso is a widely acknowledged Spanish artist in the twentieth century. He was born in Malaga, Spain in 1881.Cubism was the first style of
abstract art which evolved at the beginning of the 20th century in response to a world that was changing with unprecedented speed. In 1909, Picasso
used cubism influenced by Paul Cezanne created an artwork called "The Factory at Horta de Ebro". The painting is a cluster of three dimensional
buildings and a wide range of colour tones. In the image the foreground displays an uneven cube with a path of the tones of green blended in with the
orange and creating the tones of...show more content...
There are inconsistent light coming from all directions in the painting. I can see that the dark green leaves from the big and tall trees in the
background of the painting have had pressure put against it. It makes the leaves of the tree stand out because of the pressure put into it, making it
different from other objects. The lines of each object are straight and made to look realistic but not realistic enough. The shading of the colours is well
blended and the outline of every shape in the artwork is clearly seen through the contrasting. "There are painters who transform the sun into a yellow
spot, but there are also others who, thanks to their art and intelligence, transform the yellow spot into the sun". –Pablo Picasso. In each object there are
many colours combined and blended together but you can still see the colours trying to blend in. The focal point of this artwork is the uneven
pentagonal prism with many different tones of colours used. Overall, it depends on where the eye lands first because there are three objects that stood
out in this painting. In the foreground there is the half the uneven cube. In the middle is the uneven pentagonal prism and in the background is the tall
and thin building. Picasso has created excellent paintings and so is this fine artwork.
Step 3: Interpretation "Until Cubism, all art, all pictures, could be 'read' by anybody. If this hadn't been so, the Christian message wouldn't have been
seen by

Cubism : A Successful Artist Essay
Picasso Cubism Picasso just like any other artist evolved over his long artistic career but his evolution of fracturing and multi–views during the Cubism
movement is of most importance. Cubism was developed by Picasso and Georges Braque and lasted from 1909 to 1912 and involves the use of
monochromatic neutral colors and the taking apart of objects and analyzing them based on their shapes. The later is defined as fracturing, while the
multi–views is when he looked at different objects from different angles finding all the different shapes an object can create and juxtaposing them
together. Picasso had a lot of natural ability combined with formal teaching at a young age together these allowed him to become a very successful
artist during his lifetime unlike most who only find it in death. Like many artists Picasso faced traumas in his life among them, the fights he had
with his father over art, and the death of his sister at a young age. These effected him for a long time and he used that to create art. Picasso
eventually grew out of this tortured phase and lived happily and simply. Picasso was born on October 25, 1881 to a Spanish middle class family. His
father was a painter, professor and curator in the art world, influencing Picasso to become a painter, sculptor, and printmaker himself. At the age of
seven, he began receiving formal training from his father, his criticism created a lot of animosity between the two and their relationship was forever
strained. At thirteen,

Pablo Picasso's Analytical Cubism
During Pablo Picasso's analytical cubism period, numerous works of art emerged that were unlike any of his several other periods. One of these
pieces was the Portrait of Daniel–Henry Kahnweiler created in nineteen ten. Pablo Picasso was a Spanish painter, sculpture, printmaker, ceramicist,
stage designer, poet, and playwright. The medium of this particular piece is oil on canvas and is 39.6 in Г— 29 in. Currently, this painting is being
displayed at the Art Institute of Chicago in Chicago, IL. Cubism was an extremely influential visual art style of the early twentieth century. The
movement was started by Pablo Picasso and Georges Braque in Paris sometime between 1907 and 1914. A cubist painting exchanges the traditional
perspective on painting, and instead shows the viewer several views of the subject matter at one time. This painting is a portrait of Daniel–Henry
Kahnweiler, who was an art dealer. He owned an art gallery in Paris and often showcased Picasso's work. It is said that Kahnweiler introduced Picasso
and Braque. Picasso had Kahnweiler sit around thirty times to complete this piece. He wanted to take the normal portrait and break it into numerous
shapes and then would paint them from a different point of view. Perspective and scale are not completely accurate, and any objects...show more
content...
The overall color scheme has dull, warm browns and some light grays. There are some bolder colors added to the warm browns. The face, in
particular, has a more vibrant and detailed aspect to it making it the focal point. The hands and the arms are a much whiter tone than the rest of the
painting. It is difficult to see the lines of the shapes. The brushstrokes are all different. Some parts of it have short dashes of paint that have the brighter
more vibrant colors. Other places have long dark brushstrokes that show very little

Cubism And Futurism
Introduction
The two movements, with more or less abstract tendencies, that first influenced the majority of experimental artists in this country, beginning about
1913 when both movements were at their altitude. Cubism and Futurism, both of which had a great influence in the United States derives from the
researches of Cezanne and Seurat. The beginnings of Cubism date back to about 1908 under the twin aeg
Cubism
The 20th–century style and movement in art, particularly painting, in which perspective with a single viewpoint was reckless and use was made of
simple geometric shapes, linking planes, and later, collages. Cubism was a revolutionary style of modern art developed by Pablo Picasso and Georges
Braques. It was the first style of abstract art which changed at the beginning of the 20th century in response to a world that was changing too fast.
Cubism was an effort by artists to revive the tired traditions of Western art which they believed had run their progression. The Cubists challenged
conventional forms of representation, which had been the rule since the Renaissance.
From 1870–1910, western society saw more technological progress than in the previous four centuries. During this period, inventions such as
photography, sound recording, telephone, the motor car and the airplane indicated the start of a new age. Photography had begun to...show more
content...
Their aim was to change to a new seeing completely. They were more concerned in changing viewpoint as it was affected by space or time. The idea
of Cubism was to show all viewpoints at the same time. The usage of human form in paintings was influenced by African tribal masks. Pablo Picasso
and Georges Braque started the art movement known as Cubism in 1907. As an aesthetic and philosophical improvement, this type of sculpture and
painting changed modern abstract art for the rest of the 20th century. Paintings in this style are familiar by their faceted nudes,

Cubism And Surrealism
d.He exerted an enormous influence on the development of Cubism, Constructivism and the modern advertising poster as well as various forms of
applied art.
e.Surrealisms also left its mark on Leger, loosening up his style and making it more curvilinear.
f.LГ©ger's unique form of Cubism that relied on cylindrical forms was influential to many abstract painters and sculptors, including Henry Moore,
while his bold use of color in combination with his idea of art as something that "everyone can understand" inspired many Pop artists. His belief that art
can unify people may even have influenced community–based art as activism movements, such as Fluxus.
g.LГ©ger influenced many New York School painters and administered a lecture series at Yale
...show more content...
3.In its grip on recognizable subject matter and the illusion of three–dimensional interspersed with experiments in abstraction and non–representation,
LГ©ger's work synchronizes the challenging dualities in much of twentieth–century art.
4."His art examined the way in which basic primary and secondary colors can be put together with black and white in order to make a canvas that
could be appreciated without having to read it as a certain scene or narrative."
III.Examples of Work
1.Nudes in the Forest (1909–10)
a.This painting is considered Leger's first major painting. It was showcased at the Salon des Independants in 1911.
b.It displays his break from Impressionism and his alliance with Cubism, particularly in his monochromatic palette and his breaking of form into
geometric shapes.
c.His attention on drawing and form rather than color indicates his influence from Paul CГ©zanne.
d.Although the painting involved cubism, it was very distinct. Leger does not abandon three–dimensionality and volumetric form to the same degree as
Pablo Picasso and Georges Braque whose canvases from this period lack all but the merest illusion of space.
e.The use of cylindrical form, his interest in nature, and machine like forms is what

What Was Cubism And Fauvism?
What is Cubism and Fauvism? Well, lets start with Cubism first. Cubism is a style of modern art developed by Pablo Picasso and Georges Braque.
These two artist were always working with each other very closely, so closely that their paintings were almost indistinguishable in who the artist was.
Fauvism on the other hand, "was the first of the avant–garde movements that flourished in France in the early years of the twentieth century" (Rewald,
Hilbrunn Timeline of Art History). Fauvism was first portrayed by Henri Matisse and also shown somewhat in the paints of Van Gogh's. So what is the
different between Cubism and Fauvism? Many characteristics separate Cubism from Fauvism, such as: multiple angles, reconstruct objects, flattened
space and geometric blocks of color. There are also many characteristics that separate Fauvism from Cubism, such as: sketchy brushwork, explosive
colors, impulsive brushwork, and having themes of modern urban alienation. Some of the artists of Cubism and the paintings that we learned about are
Pablo Picasso and his House on the Hill, and Georges Braque and his Violin and Palette. These paintings are easier on the eye compared to Fauvism.
Fauvism has a more bold personality and can sometimes be harsh on the eyes. Artists of Fauvism include Henri Matisse and Van Gogh. Henri Matisse
most famous Fauvism painting that the book talked about was The Joy of Life (Le Bonheur de vivre). This painting is full of colors exploding across
the canvas. The Joy of

Cubism Annotated Bibliography

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