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1
STAGE-2005
BASKETBALL
JUDGING AND
INTERPRETING CONTACT
CORRECTLY
2
STAGE-2005
DIFFERENCES
COACH / REFEREE
• For a Coach a Block is CORRECT
• For a Referee a Block is FOUL
• For a Referee a SCREEN CORRECT
3
STAGE-2005
LEGAL SCREEN.
PICK n ROLL
• To be able to recognise the plays.
• To be able to recognise legal and illegal plays
• By defensive and offensive players.
4
STAGE-2005
PLAYER WHO CONTACTS A
SCREEN
• PUSH – through the screen
• DISPLACE the screen ...
CANNOT:
With hands
With arms
With thighs
With shoulders
5
STAGE-2005
STATIC
2 feet on the floor
before contact
PLAYER WHO SETS A
SCREEN
Knees - Legs - Elbows
Forearms - Stomach
CANNOT MOVE OUT OF THE
CYLINDER
IMPORTANT
REFEREES MUST SEE THE WHOLE PLAY
CONTACT
Level of
contact is
incidental
6
STAGE-2005
LEGAL SCREEN.
OPPONENT IN MOTION
• Time and Distance
• Time.... sufficient space to avoid the screen
• Distance
Stopping or
Changing
direction
Not less than 1 step
Not more than 2
steps
7
STAGE-2005
LEGAL SCREEN.
OPPONENT STATIONARY
• Inside visual field As near as he wants Front and lateral.
• Outside visual field 1 normal step before contact. (arm´s length)
8
STAGE-2005
LEGAL SCREEN.
KEYS FOR OFFENSE
• Observe the illegal use of hands at the moment of contact and before the continuation to the basket.
• Observe the illegal use of body, thighs and legs of the screener when he goes to the opposing player as he team leaves the paint.
• Observe the illegal contact of the screener when he pushes/dislodges the defensive player before play begins around the basket.
• Be careful not to interpret such illegal actions as incidental contact which puts the defensive player at a disadvantage..
9
STAGE-2005
LEGAL SCREEN.
KEYS FOR DEFENSE
• Observe the illegal use of hands/body by the defensive player preventing the movement of the screener
• Observe the illegal contact which pushes the screener onto another opponent.
• Observe the illegal use of hands/body when contacting the screen
• Observe the defenders pushing out the opposing centres with knees/forearms or pushing out into the 3 pt
shooter.
• Be careful not to interpret these illegal actions as incidental contact because they place the offensive
players at a disadvantage.
• Incidental contact is part of the game, but the illegal use of hands, arms or body is not.
10
STAGE-2005
HOW TO SEE
Use mechanics to be in the best positions
Boxing –in. All players must under control and
observed by officials when the ball is dead an play
stopped.
Continuous movement. Keep looking for the best
position in order to see through the spaces.
Good position – Good decision. Their is a strong
correlation between good position and good decisions.
Penetration. Penetrate when there is a pass, dribble
or shot to the basket.
Position – Change position and responsibility in
relation to the position of the ball.
11
STAGE-2005
ANALYSE: To interpret the game and all its
actions correctly.
?
INTENSITY – Consistent interpretation
ADV/DISADV – Caused by contact
WHO – Responsibility and intent
KNOWLEDGE – Read and understand the
play
12
STAGE-2005
DECIDE: Penalise only what is illegal and affects the play.
Do not penalise contacts which do not occur
Fantasy – do not penalise what you “think”
you see, only what you know you actually see.
NO-call – sometimes the best call is a no-call
Consistency – be constant in your decisions
from start to end of the game.
Interfere – do not stop the game if there is
no disadvantage or affect on the play.
Incidental – contact is part of the game.
13
STAGE-2005
SCREENS
The object of a screen is to legally prevent
an opponent from reaching a desired
position on the court
14
STAGE-2005
CONTROL OF THE GAME
The best team should win the game if it is played
and officiated in the correct spirit.
Officials must maintain a level of officiating that is
consistent with the demands of the game.
Consistent , intelligent and knowledgeable
application of the spirit and intent of the rules.
The best referees exercise their authority with
simple humility and quiet but strong personal
relationships on the court.
Patience is an elastic band. Eventually it breaks
and firm action is required which is seen to be fair
and deserved.

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Contact pp

  • 2. 2 STAGE-2005 DIFFERENCES COACH / REFEREE • For a Coach a Block is CORRECT • For a Referee a Block is FOUL • For a Referee a SCREEN CORRECT
  • 3. 3 STAGE-2005 LEGAL SCREEN. PICK n ROLL • To be able to recognise the plays. • To be able to recognise legal and illegal plays • By defensive and offensive players.
  • 4. 4 STAGE-2005 PLAYER WHO CONTACTS A SCREEN • PUSH – through the screen • DISPLACE the screen ... CANNOT: With hands With arms With thighs With shoulders
  • 5. 5 STAGE-2005 STATIC 2 feet on the floor before contact PLAYER WHO SETS A SCREEN Knees - Legs - Elbows Forearms - Stomach CANNOT MOVE OUT OF THE CYLINDER IMPORTANT REFEREES MUST SEE THE WHOLE PLAY CONTACT Level of contact is incidental
  • 6. 6 STAGE-2005 LEGAL SCREEN. OPPONENT IN MOTION • Time and Distance • Time.... sufficient space to avoid the screen • Distance Stopping or Changing direction Not less than 1 step Not more than 2 steps
  • 7. 7 STAGE-2005 LEGAL SCREEN. OPPONENT STATIONARY • Inside visual field As near as he wants Front and lateral. • Outside visual field 1 normal step before contact. (arm´s length)
  • 8. 8 STAGE-2005 LEGAL SCREEN. KEYS FOR OFFENSE • Observe the illegal use of hands at the moment of contact and before the continuation to the basket. • Observe the illegal use of body, thighs and legs of the screener when he goes to the opposing player as he team leaves the paint. • Observe the illegal contact of the screener when he pushes/dislodges the defensive player before play begins around the basket. • Be careful not to interpret such illegal actions as incidental contact which puts the defensive player at a disadvantage..
  • 9. 9 STAGE-2005 LEGAL SCREEN. KEYS FOR DEFENSE • Observe the illegal use of hands/body by the defensive player preventing the movement of the screener • Observe the illegal contact which pushes the screener onto another opponent. • Observe the illegal use of hands/body when contacting the screen • Observe the defenders pushing out the opposing centres with knees/forearms or pushing out into the 3 pt shooter. • Be careful not to interpret these illegal actions as incidental contact because they place the offensive players at a disadvantage. • Incidental contact is part of the game, but the illegal use of hands, arms or body is not.
  • 10. 10 STAGE-2005 HOW TO SEE Use mechanics to be in the best positions Boxing –in. All players must under control and observed by officials when the ball is dead an play stopped. Continuous movement. Keep looking for the best position in order to see through the spaces. Good position – Good decision. Their is a strong correlation between good position and good decisions. Penetration. Penetrate when there is a pass, dribble or shot to the basket. Position – Change position and responsibility in relation to the position of the ball.
  • 11. 11 STAGE-2005 ANALYSE: To interpret the game and all its actions correctly. ? INTENSITY – Consistent interpretation ADV/DISADV – Caused by contact WHO – Responsibility and intent KNOWLEDGE – Read and understand the play
  • 12. 12 STAGE-2005 DECIDE: Penalise only what is illegal and affects the play. Do not penalise contacts which do not occur Fantasy – do not penalise what you “think” you see, only what you know you actually see. NO-call – sometimes the best call is a no-call Consistency – be constant in your decisions from start to end of the game. Interfere – do not stop the game if there is no disadvantage or affect on the play. Incidental – contact is part of the game.
  • 13. 13 STAGE-2005 SCREENS The object of a screen is to legally prevent an opponent from reaching a desired position on the court
  • 14. 14 STAGE-2005 CONTROL OF THE GAME The best team should win the game if it is played and officiated in the correct spirit. Officials must maintain a level of officiating that is consistent with the demands of the game. Consistent , intelligent and knowledgeable application of the spirit and intent of the rules. The best referees exercise their authority with simple humility and quiet but strong personal relationships on the court. Patience is an elastic band. Eventually it breaks and firm action is required which is seen to be fair and deserved.