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Murakami Too 
Song Hia
Murakami Too lets 
you translate pretty 
much anything into 
the prose of Haruki 
Murakami.
He has a distinct 
style…
“He (Jay Rubin) shared the story of a time 
when he gave Murakami a headache with his 
pages and pages of notes and questions, 
seeking clarity on things such as ambiguous 
language use to inconsistencies in the 
narrative that could have been either 
deliberate or unintentional.” 
from Haruki Murakami: A Conversation, a talk at Berkeley, October 11, 2008
“She (Rebecca Suter) described Murakami's 
writing as a Japanization of western 
language and indicative of the relationship 
between Japan and the West, which is not 
so much a passive imitation of foreign 
models but an active appropriation that 
destabilizes it. ” 
from Haruki Murakami: A Conversation, a talk at Berkeley, October 11, 2008
distinct themes…
distinct behaviors…
distinct prose…
…
similar projects
gizoogle.Net
wonder-tonic.com/geocitiesizer/
approach
I. identify hallmarks of Murakami’s prose 
commonly used words: identified via developing 
concordance of a data set of his works 
recurring phrases (putting on a jazz record, 
surreal mundane observations, expression of 
existential angst, etc. see bingo) 
grammatical structure
II. identifying, appending, replacing elements 
in text to be translated 
synonyms: replace with Murakami’s dictionary 
recurring phrases: deciding how to interject 
these 
grammatical structure (unknown, can existing 
libraries be leveraged)
“Unfortunately, the clock is ticking, 
the hours are going by. The past 
increases, the future recedes. 
Possibilities decreasing, regrets 
mounting.” 
― Haruki Murakami, Dance Dance Dance

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Murakami Too

  • 2. Murakami Too lets you translate pretty much anything into the prose of Haruki Murakami.
  • 3. He has a distinct style…
  • 4. “He (Jay Rubin) shared the story of a time when he gave Murakami a headache with his pages and pages of notes and questions, seeking clarity on things such as ambiguous language use to inconsistencies in the narrative that could have been either deliberate or unintentional.” from Haruki Murakami: A Conversation, a talk at Berkeley, October 11, 2008
  • 5. “She (Rebecca Suter) described Murakami's writing as a Japanization of western language and indicative of the relationship between Japan and the West, which is not so much a passive imitation of foreign models but an active appropriation that destabilizes it. ” from Haruki Murakami: A Conversation, a talk at Berkeley, October 11, 2008
  • 9.
  • 14. I. identify hallmarks of Murakami’s prose commonly used words: identified via developing concordance of a data set of his works recurring phrases (putting on a jazz record, surreal mundane observations, expression of existential angst, etc. see bingo) grammatical structure
  • 15. II. identifying, appending, replacing elements in text to be translated synonyms: replace with Murakami’s dictionary recurring phrases: deciding how to interject these grammatical structure (unknown, can existing libraries be leveraged)
  • 16. “Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.” ― Haruki Murakami, Dance Dance Dance