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WOMEN’S WEAR
Sonali Bhati
B.Sc. Fashion Technology
+1year diploma
GARMENT INDUSTRY
Project Report
On
Women's Wear
Towards the
Partial fulfillment
Of
1st Year B. Sc. Fashion Technology
By
Sonali Bhati
Dezyne E’cole College
106/10, civil line, Ajmer
www.dezyneecole.com
ACKNOWLEDGEMENT
I 'am Sonali Bhati, student of Fashion Design department of Dezyne E’cole College. I
would like to show my gratitude to the mentors who had helped me in the completion of
this project
I also thank Dezyne E’cole College for giving me this opportunity to make this project
and looking for my insight capability and helped me to understand the working of this
project.
FASHION DICTATED BY ROYALTY
Until the Industrial Revolution, people belonged to one of two main classes : the wealthy landowners or the poor laborers and farmers.
Because wealthy was afford to wear fashionable clothes. Royalty, at the top of both the social and economic ladders, set fashion trends
while other members of the aristocracy followed their example in order to gain approval
At the turn of the eighteenth century, members of King Louis XIV’s court became the arbiters of taste, making Paris the fashion capital of
Europe. The textile industry grew in Lyons and other French cities, supplying the court with silk fabrics, ribbons, and laces. dressmakers
and tailors, sponsored by the wealthy, developed their skills to a high level using this beautiful materials.
HAND SEWING BY DRESSMAKERS AND TAILORS
Dresses and suits for individually sewn by dressmaker or tailors to their employers’ specifications. The identities of personal
dressmakers were secrets guarded by the wealthy. No one wanted to share the talents of clever dressmakers for fear or losing them
Rose Bertin (ber-tan’), dressmakers Queen Marie Antoinette was known only because she was made the official court minister of fashion
GROWTH OF COUTURE
France became the center of fashion due to the patronage of the royal court and the development of the silk industry there. In France, the art
of dressmaking was known as couture (koo-tour’). The male designer was a couturier (koo-tu-ree-ay’); his female counterpart was a
couturie’re’ (koo-tu-ree-air’).
FASHION DEVELOPMENT
Fashion, As We Know It Is A Relatively New Concept. In Ancient And Medieval Times, Clothing Styles Remained Practically Unchanged
For A Century At A Time. Fashion Change Become To Accelerate During The Renaissance, As Western Civilization Discovered Different
Cultures, Customs, And Costumes . As New Fabrics And Ideas Became Available, People Craved More New Things. The Pace Of
Fashion Change Has Continued To Increase.
Christian Dior ( chris- tee-ahn’ Dec- or ) showed his first collection in 1947 and was an instant success. In a reaction against the wartime
silhouette, women adopted this New Look with longer, flare skirts; smooth, rounded, sloping shoulders; and tiny fitted waists.
Within a few seasons, Dior’s name became a household word, and he was doing as much business as the rest of the couture combined.
Elsa Schiaparelli ( ska-pa-rell’-ee ) was the trendsetter of European fashion in the 1930s. Schiaparelli moved the center of interest to the
shoulders, which she began to widen, accentuating them by pleats, padding, or braid, a silhouette that remained popular through World War
II
IMPORTANT TRENDSETTING DESIGNERS
Jean Patou ( Gsahnpa- too’ ) created the famous Flapper look in 1925 bvaccentuating the hipline strengthening a straight silhouette, and
making shorter skirts with uneven hemlines. He confirmed that the young, independent women was the new ideal.
Paul Poiret (pwah- ray ), whose tubular dresses liberated women from corsets, was the first Paris couturier of this century to become a
trendsetter.
ILLUSTRATION
YOKES
YOKES
CUFF
WAIST BAND
POCKET
NECKLINE AND COLLAR
SKIRTS
HEAD THRORIES
8 Head Theory:
1 head= 1”
1 head= head
½ head= neck
3 head= torso
3 head= arms
3 ½ head= legs
½ head= feet
10 Head Theory:
1 head= 1”
1 head= head
½ head= neck
3 head= torso
3 head= arms
4 ¾ head= legs
¾ head= feet
12 Head Theory:
1 head= 1”
1 head= head
½ head= neck
4 head= torso
4head= arms
6 head= legs
1 head= feet
1
FABRIC TEXTURE
FABRIC
MANIPULATION
SOME OF MY ASSIGNMENT OF FABRIC
MANIPULATION
SOME OF MY ASSIGNMENT OF FABRIC
MANIPULATION
TUCKS
SOME OF MY ASSIGNMENT OF FABRIC
MANIPULATION
BOX PLEAT
PHULKARI
SOME OF MY ASSIGNMENT OF INDIAN
TRADITIONAL EMBROIDERY
KANTHA
MY ASSIGNMENT OF INDIAN TRADITIONAL
EMBROIDERY
GRAPHIC DESIGN
Corel draw is a vector graphic software it is used for graphic designing in this software I have learned how to use vector graphic software to
give perfect look to my illustration through shape tool logo design, text editing typography, cover pages, layouts and pattern making with the
help of editing tool use 2 point curve, 3 point curve, mathematical defined curved line, smooth looking graphics saved on bitmap file format
design are easy to select color, move re-size and many other effect and tools..
COREL DRAW
COMPANY LOGO CREATE ON
COREL
TYPOGRAPHY
GRAPHIC DESIGN
SONALI BHATI
B. Sc. FT 1ST yr
GRAPHIC DESIGN
FOUNDATION
DESIGN
COLOUR WHEEL
COLOUR SCHEME
ELEMENT AND
DESIGN
LINE- A line is a series of connecting point. It is the simple design element line have direction length width. Line creates movement by
leading eye up down, side to side, line may be straight , curved, bent, horizontal, vertical, diagonal.
Line - decorative and structural
Seam line hemline, panel tucks godets dart gores yoke plackets pleats neckline
ELEMENTS OF DESIGN
PRINCEPLES OF DESIGN
•REPEATATION
•GRADATION
•BALANCE
•DOMINANCE
•RYTHEM
•HARMONY
•PROPORTION
•RADIATION
•SCALE
•UNITY
GARMENT
CONSTRUCTION
CHILD’S BODICE BLOCK
WOMEN’S BODICE BLOCK
SALWAR BLOCK
KALIDAR KURTA
CHURIDAR PYJAMA
NIGHT SUIT
NIGHT SUIT
SKIRT
CHOLI BLOUSE
BLOUSE
KAMEEZ (KURTA)
DRAPING
DRAPING
DRAPING
Mid armhole Princess Panel
DRAPING
Mid shoulder Dart
CASE STUDY
CILENT BOARD
Make a salwar kameez for a lecturer in engineering college age 30 to 32 years using any
surface design technique ?
MY CLIENT
CLIENT NAME MRS. VERMA
AGE 31
OCCUPATION LECTURER
WORKING HOUR 9 to 5
OBSERVATION
CALM ,CONFIDENT, INTELLIGENT ,QUALITY , ENERGY ,POWER, BALANCE
RESEARCH BOARD
TYPES OF SALWAR KAMEEZ
TYPES OF SALWAR KAMEEZ
TYPES OF SALWAR
IDEA GENERATION
Formal Colors
MATERIAL BOARD
MOOD BOARD
ESTIMATION SHEET
FINAL CREATIONS
THANK YOU
Sonali Bhati
B.Sc. Fashion Technology
+1year diploma

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fashion technology 1st year presentation

  • 1. WOMEN’S WEAR Sonali Bhati B.Sc. Fashion Technology +1year diploma
  • 3. Project Report On Women's Wear Towards the Partial fulfillment Of 1st Year B. Sc. Fashion Technology By Sonali Bhati Dezyne E’cole College 106/10, civil line, Ajmer www.dezyneecole.com
  • 4. ACKNOWLEDGEMENT I 'am Sonali Bhati, student of Fashion Design department of Dezyne E’cole College. I would like to show my gratitude to the mentors who had helped me in the completion of this project I also thank Dezyne E’cole College for giving me this opportunity to make this project and looking for my insight capability and helped me to understand the working of this project.
  • 5. FASHION DICTATED BY ROYALTY Until the Industrial Revolution, people belonged to one of two main classes : the wealthy landowners or the poor laborers and farmers. Because wealthy was afford to wear fashionable clothes. Royalty, at the top of both the social and economic ladders, set fashion trends while other members of the aristocracy followed their example in order to gain approval At the turn of the eighteenth century, members of King Louis XIV’s court became the arbiters of taste, making Paris the fashion capital of Europe. The textile industry grew in Lyons and other French cities, supplying the court with silk fabrics, ribbons, and laces. dressmakers and tailors, sponsored by the wealthy, developed their skills to a high level using this beautiful materials.
  • 6. HAND SEWING BY DRESSMAKERS AND TAILORS Dresses and suits for individually sewn by dressmaker or tailors to their employers’ specifications. The identities of personal dressmakers were secrets guarded by the wealthy. No one wanted to share the talents of clever dressmakers for fear or losing them Rose Bertin (ber-tan’), dressmakers Queen Marie Antoinette was known only because she was made the official court minister of fashion
  • 7. GROWTH OF COUTURE France became the center of fashion due to the patronage of the royal court and the development of the silk industry there. In France, the art of dressmaking was known as couture (koo-tour’). The male designer was a couturier (koo-tu-ree-ay’); his female counterpart was a couturie’re’ (koo-tu-ree-air’).
  • 8. FASHION DEVELOPMENT Fashion, As We Know It Is A Relatively New Concept. In Ancient And Medieval Times, Clothing Styles Remained Practically Unchanged For A Century At A Time. Fashion Change Become To Accelerate During The Renaissance, As Western Civilization Discovered Different Cultures, Customs, And Costumes . As New Fabrics And Ideas Became Available, People Craved More New Things. The Pace Of Fashion Change Has Continued To Increase.
  • 9. Christian Dior ( chris- tee-ahn’ Dec- or ) showed his first collection in 1947 and was an instant success. In a reaction against the wartime silhouette, women adopted this New Look with longer, flare skirts; smooth, rounded, sloping shoulders; and tiny fitted waists. Within a few seasons, Dior’s name became a household word, and he was doing as much business as the rest of the couture combined. Elsa Schiaparelli ( ska-pa-rell’-ee ) was the trendsetter of European fashion in the 1930s. Schiaparelli moved the center of interest to the shoulders, which she began to widen, accentuating them by pleats, padding, or braid, a silhouette that remained popular through World War II IMPORTANT TRENDSETTING DESIGNERS
  • 10. Jean Patou ( Gsahnpa- too’ ) created the famous Flapper look in 1925 bvaccentuating the hipline strengthening a straight silhouette, and making shorter skirts with uneven hemlines. He confirmed that the young, independent women was the new ideal. Paul Poiret (pwah- ray ), whose tubular dresses liberated women from corsets, was the first Paris couturier of this century to become a trendsetter.
  • 12. YOKES
  • 13. YOKES
  • 14. CUFF
  • 19. HEAD THRORIES 8 Head Theory: 1 head= 1” 1 head= head ½ head= neck 3 head= torso 3 head= arms 3 ½ head= legs ½ head= feet 10 Head Theory: 1 head= 1” 1 head= head ½ head= neck 3 head= torso 3 head= arms 4 ¾ head= legs ¾ head= feet 12 Head Theory: 1 head= 1” 1 head= head ½ head= neck 4 head= torso 4head= arms 6 head= legs 1 head= feet 1
  • 20.
  • 21.
  • 22.
  • 25. SOME OF MY ASSIGNMENT OF FABRIC MANIPULATION
  • 26. SOME OF MY ASSIGNMENT OF FABRIC MANIPULATION TUCKS
  • 27. SOME OF MY ASSIGNMENT OF FABRIC MANIPULATION BOX PLEAT
  • 28. PHULKARI SOME OF MY ASSIGNMENT OF INDIAN TRADITIONAL EMBROIDERY
  • 29. KANTHA MY ASSIGNMENT OF INDIAN TRADITIONAL EMBROIDERY
  • 31. Corel draw is a vector graphic software it is used for graphic designing in this software I have learned how to use vector graphic software to give perfect look to my illustration through shape tool logo design, text editing typography, cover pages, layouts and pattern making with the help of editing tool use 2 point curve, 3 point curve, mathematical defined curved line, smooth looking graphics saved on bitmap file format design are easy to select color, move re-size and many other effect and tools.. COREL DRAW
  • 40. LINE- A line is a series of connecting point. It is the simple design element line have direction length width. Line creates movement by leading eye up down, side to side, line may be straight , curved, bent, horizontal, vertical, diagonal. Line - decorative and structural Seam line hemline, panel tucks godets dart gores yoke plackets pleats neckline ELEMENTS OF DESIGN
  • 50. SKIRT
  • 57. Mid armhole Princess Panel DRAPING Mid shoulder Dart
  • 59. CILENT BOARD Make a salwar kameez for a lecturer in engineering college age 30 to 32 years using any surface design technique ? MY CLIENT CLIENT NAME MRS. VERMA AGE 31 OCCUPATION LECTURER WORKING HOUR 9 to 5 OBSERVATION CALM ,CONFIDENT, INTELLIGENT ,QUALITY , ENERGY ,POWER, BALANCE
  • 61. TYPES OF SALWAR KAMEEZ
  • 62. TYPES OF SALWAR KAMEEZ
  • 69. THANK YOU Sonali Bhati B.Sc. Fashion Technology +1year diploma