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- Pieter Jongerius-
FASHION TOUCHPOINT STRATEGY
Fashion Cycle meets Customer Journey
Pieter
Jongerius
@pieterj
2
EMERCE EFASHION
The fashion industry needed some time to adjust to the age of digital media. Of course, this has everything to do with the
physical nature of our products, but mainly with the fact that fashion, by nature, is 90% brand communication. An enigma that
only few may access. Not the best starting point for involving your customers, it seems…
Fashion has to open up.
It has to show what it’s doing.
It has to interact with fashionistos and fashionistas from around the world.
4
EMERCE EFASHION
On or Off?
In other words: does the icon Karl Lagerfeld have to take off his sunglasses and come eye to eye with his audience?
KARL VS KARL BY NET-A-PORTER
5
EMERCE EFASHION
On the other hand: Fashion deserves ceremony. Karl Lagerfeld know this like few others and is building a creative
mix. Check: http://www.youtube.com/watch?v=ZOnMSLSNmWY
LOCATION IS EVERYTHING
6
EMERCE EFASHION
One thing is for sure: for any fashion brand, it requires delicate decisions in which environments to endeavor.
STRATEGY
Part 2 of 4
TOUCHPOINT STRATEGY
8
EMERCE CONVERSION
Brand Target group
Touchpoints
What can we do to maximize
the exchange of value?
TYPES OF TOUCHPOINTS
Online & offline
Owned & bought & earned
Media & channels
Push & pull
Temporary & permanent
EMERCE CONVERSION 9
ONLINE TOUCHPOINTS
owned media
· b2c website
· b2b website
· webshop (w, m, f)
· mobile web
· mobile app
· tablet app
· e-mail
· p.o.s. interactive
· narrowcasting
· desktop widgets
· embedded software
· campaign site
· affiliates
sales, content, …
· social media
bought media
· banners
· Search Engine Advertising
· advertorials
· interactive television
earned media
· social media
· viral campaigns
· blogs, news & more
…etcetera!
EMERCE CONVERSION 11
OFFLINE TOUCHPOINTS
channels
· brand stores
· multibrand retail
· popup store
· shop-in-shop
owned: print
· folders
· DM
· brochure
· flyer
· magazine
owned: business to business
· yearly report
· own publications
bought: mass media en spatial
· RTV– spot/nonspot/…
· print ads
· advertorials
· inserts
· public space (mupi, billboard)
· sponsoring
· fairs
owned media overig
· customer card
· own events
· packaging
· fleet signing
· call center
· SMS
· employees
…etcetera!
EMERCE CONVERSION 12
CONNECTING TOUCHPOINTS
OFFLINE ONLINE
13
EMERCE CONVERSION
OFFLINE ONLINE
Coupons
Addres / maps
Mouth to mouth
Hyperlinks
Social posts (Fb, Tw, ...)
Likes, Mentions, Pins, ...
Promotion codes
Mail-a-friend
SMS / messaging
Coupons
Address/map
Geolocation / nearby
Augmented reality
QR Codes
Image recognition
Web-address
Social handles
Winning-codes
Corporate strategy
Touchpoint strategy
Design & implementation
Operation
APPROACH
EMERCE EFASHION 15
Corporate strategy
Design & implementation
Touchpoint strategy
Operation
CUSTOMER JOURNEY
CUSTOMER LIFE CYCLE
Touchpoint strategy
Corporate strategy
Design & implementation
Operation
AIDA IS DEAD
18
EMERCE CONVERSION
transaction
main initiative with brand
relation
main initiative with customer
acquisition à persuasion à conversion
CUSTOMER JOURNEY 2.0
interaction à participation à promotion
EMERCE CONVERSION 19
Let’s start!
Defining a specific customer journey
in five easy steps.
20
1: DEFINE THE GENERIC CUSTOMER JOURNEY
Case: fashion retailer
2: IDENTIFY / RESEARCH USER EMOTIONS PER STEP
Surprise
Greed
Insecurity
Optimism
Insecurity
Practicalities
Doubt
Greed
Impatient
Enthousiastic
Disappointed
Curious
Disappointed
Curious
Enthousiastic
Disappointed
?
3: DEFINE THE EXPERIENCE
Surprising
Affordable
Easy
Fun
Plenty of choice
Realistic
Overview
In control
Confirmation
Quality
Taking care
Thourough
BFF
Accessible
Open
Care free
Security
4: IDENTIFY CURRENT TOUCHPOINTS
5: DEFINE NEW & FUTURE TOUCHPOINTS
<>
But… which touchpoints to choose? It all depends on your audience. Where they are, to what they will react.
However, I can point out a number of fashion media trends, later on in the presentation.
CUSTOMER JOURNEY
CUSTOMER LIFE CYCLE
Touchpoint strategy
Corporate strategy
Design & implementation
CUSTOMER JOURNEY
CUSTOMER LIFE CYCLE
Touchpoint strategy
Corporate strategy
Design & implementation
KLANT
NEW CUSTOMER JOURNEY
Not every customer is the same. Some customers are new. They are just getting acquainted with you, and take a superficial
route through your touchpoint landscape. For instance they might click a banner, make a first buy, and might return later.
KLANT
FAN JOURNEY
Other customers are real fans, and move about your social media elaborately and may even post some looks, before they return
to you as a shopper. (IRL, you might create 3 or 4 of these customer profiles, and profiles for routing campaign traffic.)
TRENDS IN THE FASHION CYCLE
Part 3 of 4
shows
THE FASHION CYCLE
EMERCE EFASHION 32
design, productie
EMERCE EFASHION 33
For the consumer, most shows are half a year early, because the collections are not for sale yet. At the same time they are being
watched by more and more consumers, thanks to platforms like http://style.com.
SHOWS
34
EMERCE EFASHION
So when the show is over, how can you keep your fans involved?
35
EMERCE EFASHION
One way is to invite bloggers, and give them front row :)
shows
bloggers
THE FASHION CYCLE
EMERCE EFASHION 36
design, productie
BLOGGERS TAKE FRONT ROW
37
EMERCE EFASHION
Fashion was built upon aspirational images. Controlled communication. This is what’s changing right now: the
audience is contributing to the total image. The benefit of this to us: reach and authenticity.
IMPACT VAN BLOGS
38
EMERCE EFASHION
So while some are still stubbornly trying to control what you see, for instance based on where you live, the
blogosphere is flooded with images of that recent collection. Especially in fashion, this hits hard.
More and more brands start their own blogs, in their search for control, SEO value and reach. Many feed prominent blogs with
sponsored content. Some even go so far as to start a blog under a different brand, like Styld.by, by GAP.
shows
bloggers
pre-ordering
THE FASHION CYCLE
print media
EMERCE EFASHION 40
design, productie
41
EMERCE EFASHION
Another way to bridge the gap between the show and the collection hitting the stores, is pre-ordering.
Strange to see how mainly online retailers seem to offer this, and much less the brands. Lyst for instance allows people to
pre-order and also offers different types of alerts, including an alert based on your pins on Pinterest.
They go further however, and inform the brands on their most frequently pre-ordered styles.
shows
bloggers
pre-ordering
THE FASHION CYCLE
advertising
print media
EMERCE EFASHION 43
design, productie
There is another form of democratization going on in fashion. Although in my eFashion’11 ‘Branding vs Conversion’ talk I
complained that all fashion adds look the same…
LANVIN PARIS
45
EMERCE EFASHION
…there is an increasing number of campaigns with unexpected self-mockery. Like Lanvin Paris, with their viral based
on the game “Just Dance”. A very special way to take yourself seriously!
http://www.youtube.com/watch?v=cwwcnUBY9Zg
TED BAKER: RUTTING SEASON
46
EMERCE EFASHION
Another example: Ted Bakers’s Rutting Season campaign for AW11. People were drawn to the stores to have their
picture taken and win. Local bloggers were asked to take the pictures, which were put on Instagram and Facebook.
The pictures with the most likes won considerable shopping credit. Results: 10% offline sales increase during the
campaign and tens of thousands of likes and followers.
shows
bloggers
pre-ordering
shopping
social media
THE FASHION CYCLE
advertising
print media
EMERCE EFASHION 47
design, productie
SOCIAL MEDIA ON THE MOVE
48
EMERCE EFASHION
Whils blogs often succeed to offer quality, social media democratize radically. It is great to see this field move again
after years of stability. The newcomers at the bottom of this screen each serve millions each month. Especially
Instagram and Fancy seem to be growing rapidly. Not to forget: Pinterest…
PINTEREST
49
EMERCE EFASHION
200kunique
visitors in May in
Netherlands.
200%growth
in 5 months*
* = Marketingfacts.nl
We are still learning so much. We do see that visitors coming from Pinterest convert much better than visitors from
Facebook, for instance. And there’s a very good reason for that:
SOCIAL SHOPPING
50
EMERCE EFASHION
Conversion
Sharing Shopping
The established networks (like Facebook, Youtube, Twitter and Instagram) are in the ‘sharing’ range of social media.
The range in which you cannot be overly commercial. There is a shift happening from sharing to shopping. The
newcomer networks (like Pinterest, Polyvore, Fashiolista, Lookbook.nu and Fancy) are predominantly about sharing
products, not moments. No wonder that the conversion from these platforms is so much higher.
Sharing Shopping
SOCIAL SHOPPING
51
EMERCE EFASHION
Eventually it is all about making a sale. This is why Lyst and others are entering this arena with another mindset:
not Pinterest’s serendipity, but real searching, browsing and finding,
helped by a personal profile and those of your friends.
On Lyst, you’ll follow brands, magazines, designers and friends. This results in a personal stream.
And what’s so special: it looks like a shop and it works like a shop!
Wereldwijd heeft Lyst naar sommige schattingen nu ongeveer 1M bezoekers per maand. Aan deze grafiek, die ze in maart 2012
deelden, lijk je te kunnen zien dat de groei voorlopig nog niet voorbij is.
THE FASHION CYCLE
54
EMERCE EFASHION
TNBT
The Next Big Thing
customer profiling
PROFILING
56
EMERCE EFASHION
We have come to get used to profiling, in the platforms that we use. LastFM offer recommendations based on what
you and your friends listen to. Shoedazzle uses a style-intake to give personal advice. Facebook uses your content
and behavior to offer ads. But most of this profiling happens within those platforms.
“...connecting every person on the web with their
affinity for anything, from books to gadgets to
music, restaurants, fashion, or vacation spots.”
The Taste Graph van Hunch is daarin radicaal anders, en is er echt op gericht om over zoveel mogelijk diensten heen je smaak
vast te leggen, om vanuit statistiek je te kunnen adviseren op zelfs voor jou nieuwe terreinen.
Een goudmijn voor adverteerders en retailers.
CROSS PLATFORM PROFILING
58
EMERCE EFASHION
…however, Hunch and The Taste Graph were acquired by Ebay, end of 2011. Not long thereafter, the API was closed. It is very
unclear who is still using Taste Graph logic and data at this point, beyond Hunch itself.
READY FOR EXTENSION
60s
EMERCE EFASHION
But Hunch isn’t the only one investing in cross platform customer profiling. TastemakerX is a new mobile game in which
trendsetters can point out music that they think will be successful. If they prove to be right, they win. (very interesting for
followers also, obviously). Their masterplan: extension to all relevant ‘taste verticals’.
scarcity
gifting
price
cuts
autho-
rity
SCIENCE ROCKSTARS: PERSUASION API
61
EMERCE EFASHION
Finally Science Rockstars have found out that persuasion techniques (4 examples above) have a different effect on
different persons. This personal sensitivity, however, is pretty constant throughout different product categories such
as clothes, electronics, et cetera. If you capture someone’s persuasion profile, that’s worth something!
TAILORING OUR PROPOSITION
62
EMERCE EFASHION
So, we will all be tailoring our proposition, not just garments. It will go beyond the selection of products and will
include style of communication that will be based on the profile of our customers, that’s being recorded by third
parties that will market this information with everyone who is willing to pay. Dark side material? Maybe…
SO...
Part 4 of 4
63
How do you connect these developments to the
surfing and shopping behavior of your customers?
CUSTOMER JOURNEY
shows
bloggers
pre-shopping
print media
social
social
shows
bloggers
pre-shopping
print media
social
social
shows
bloggers
pre-shopping
print media
social
social
shows
bloggers
pre-shopping
print media
social
social
shows
bloggers
pre-shopping
print media
social
social
shows
bloggers
pre-shopping
print media
social
social
By using this customer journey model you can see for yourself which of these and other trends fits your brand and customers.
Also you can see where they would fit your cross-touchpoint story telling.
Very few brands
are on top of this
game.
Seize the opportunity!
EMERCE CONVERSION 66
EFFECT
EMERCE EFASHION 67
So we are talking about democratization of the fashion market. More and more people create content, and the flow of
content is by now truly overwhelming! Does this mean the end of the era of the star designer? Au contraire! Only the
most outspoken of designers will survive. Love them or hate them!
68
EMERCE EFASHION
Glasses: on.
So: you’re allowed a pedestal. And Karl? He may keep is sunglasses on for another while.
69
EMERCE EFASHION
Pieter
Jongerius
@pieterj
All images copyright of their respective owners

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efashion2012-fab-pieterj-120620-4ssen-120625030754-phpapp02-advertising.com_.vn_.pdf

  • 1. - Pieter Jongerius- FASHION TOUCHPOINT STRATEGY Fashion Cycle meets Customer Journey Pieter Jongerius @pieterj
  • 2. 2 EMERCE EFASHION The fashion industry needed some time to adjust to the age of digital media. Of course, this has everything to do with the physical nature of our products, but mainly with the fact that fashion, by nature, is 90% brand communication. An enigma that only few may access. Not the best starting point for involving your customers, it seems…
  • 3. Fashion has to open up. It has to show what it’s doing. It has to interact with fashionistos and fashionistas from around the world.
  • 4. 4 EMERCE EFASHION On or Off? In other words: does the icon Karl Lagerfeld have to take off his sunglasses and come eye to eye with his audience?
  • 5. KARL VS KARL BY NET-A-PORTER 5 EMERCE EFASHION On the other hand: Fashion deserves ceremony. Karl Lagerfeld know this like few others and is building a creative mix. Check: http://www.youtube.com/watch?v=ZOnMSLSNmWY
  • 6. LOCATION IS EVERYTHING 6 EMERCE EFASHION One thing is for sure: for any fashion brand, it requires delicate decisions in which environments to endeavor.
  • 8. TOUCHPOINT STRATEGY 8 EMERCE CONVERSION Brand Target group Touchpoints What can we do to maximize the exchange of value?
  • 9. TYPES OF TOUCHPOINTS Online & offline Owned & bought & earned Media & channels Push & pull Temporary & permanent EMERCE CONVERSION 9
  • 10.
  • 11. ONLINE TOUCHPOINTS owned media · b2c website · b2b website · webshop (w, m, f) · mobile web · mobile app · tablet app · e-mail · p.o.s. interactive · narrowcasting · desktop widgets · embedded software · campaign site · affiliates sales, content, … · social media bought media · banners · Search Engine Advertising · advertorials · interactive television earned media · social media · viral campaigns · blogs, news & more …etcetera! EMERCE CONVERSION 11
  • 12. OFFLINE TOUCHPOINTS channels · brand stores · multibrand retail · popup store · shop-in-shop owned: print · folders · DM · brochure · flyer · magazine owned: business to business · yearly report · own publications bought: mass media en spatial · RTV– spot/nonspot/… · print ads · advertorials · inserts · public space (mupi, billboard) · sponsoring · fairs owned media overig · customer card · own events · packaging · fleet signing · call center · SMS · employees …etcetera! EMERCE CONVERSION 12
  • 13. CONNECTING TOUCHPOINTS OFFLINE ONLINE 13 EMERCE CONVERSION OFFLINE ONLINE Coupons Addres / maps Mouth to mouth Hyperlinks Social posts (Fb, Tw, ...) Likes, Mentions, Pins, ... Promotion codes Mail-a-friend SMS / messaging Coupons Address/map Geolocation / nearby Augmented reality QR Codes Image recognition Web-address Social handles Winning-codes
  • 14.
  • 15. Corporate strategy Touchpoint strategy Design & implementation Operation APPROACH EMERCE EFASHION 15
  • 16. Corporate strategy Design & implementation Touchpoint strategy Operation
  • 17. CUSTOMER JOURNEY CUSTOMER LIFE CYCLE Touchpoint strategy Corporate strategy Design & implementation Operation
  • 19. transaction main initiative with brand relation main initiative with customer acquisition à persuasion à conversion CUSTOMER JOURNEY 2.0 interaction à participation à promotion EMERCE CONVERSION 19
  • 20. Let’s start! Defining a specific customer journey in five easy steps. 20
  • 21. 1: DEFINE THE GENERIC CUSTOMER JOURNEY Case: fashion retailer
  • 22. 2: IDENTIFY / RESEARCH USER EMOTIONS PER STEP Surprise Greed Insecurity Optimism Insecurity Practicalities Doubt Greed Impatient Enthousiastic Disappointed Curious Disappointed Curious Enthousiastic Disappointed ?
  • 23. 3: DEFINE THE EXPERIENCE Surprising Affordable Easy Fun Plenty of choice Realistic Overview In control Confirmation Quality Taking care Thourough BFF Accessible Open Care free Security
  • 24. 4: IDENTIFY CURRENT TOUCHPOINTS
  • 25. 5: DEFINE NEW & FUTURE TOUCHPOINTS
  • 26. <> But… which touchpoints to choose? It all depends on your audience. Where they are, to what they will react. However, I can point out a number of fashion media trends, later on in the presentation.
  • 27. CUSTOMER JOURNEY CUSTOMER LIFE CYCLE Touchpoint strategy Corporate strategy Design & implementation
  • 28. CUSTOMER JOURNEY CUSTOMER LIFE CYCLE Touchpoint strategy Corporate strategy Design & implementation
  • 29. KLANT NEW CUSTOMER JOURNEY Not every customer is the same. Some customers are new. They are just getting acquainted with you, and take a superficial route through your touchpoint landscape. For instance they might click a banner, make a first buy, and might return later.
  • 30. KLANT FAN JOURNEY Other customers are real fans, and move about your social media elaborately and may even post some looks, before they return to you as a shopper. (IRL, you might create 3 or 4 of these customer profiles, and profiles for routing campaign traffic.)
  • 31. TRENDS IN THE FASHION CYCLE Part 3 of 4
  • 32. shows THE FASHION CYCLE EMERCE EFASHION 32 design, productie
  • 33. EMERCE EFASHION 33 For the consumer, most shows are half a year early, because the collections are not for sale yet. At the same time they are being watched by more and more consumers, thanks to platforms like http://style.com.
  • 34. SHOWS 34 EMERCE EFASHION So when the show is over, how can you keep your fans involved?
  • 35. 35 EMERCE EFASHION One way is to invite bloggers, and give them front row :)
  • 36. shows bloggers THE FASHION CYCLE EMERCE EFASHION 36 design, productie
  • 37. BLOGGERS TAKE FRONT ROW 37 EMERCE EFASHION Fashion was built upon aspirational images. Controlled communication. This is what’s changing right now: the audience is contributing to the total image. The benefit of this to us: reach and authenticity.
  • 38. IMPACT VAN BLOGS 38 EMERCE EFASHION So while some are still stubbornly trying to control what you see, for instance based on where you live, the blogosphere is flooded with images of that recent collection. Especially in fashion, this hits hard.
  • 39. More and more brands start their own blogs, in their search for control, SEO value and reach. Many feed prominent blogs with sponsored content. Some even go so far as to start a blog under a different brand, like Styld.by, by GAP.
  • 40. shows bloggers pre-ordering THE FASHION CYCLE print media EMERCE EFASHION 40 design, productie
  • 41. 41 EMERCE EFASHION Another way to bridge the gap between the show and the collection hitting the stores, is pre-ordering.
  • 42. Strange to see how mainly online retailers seem to offer this, and much less the brands. Lyst for instance allows people to pre-order and also offers different types of alerts, including an alert based on your pins on Pinterest. They go further however, and inform the brands on their most frequently pre-ordered styles.
  • 43. shows bloggers pre-ordering THE FASHION CYCLE advertising print media EMERCE EFASHION 43 design, productie
  • 44. There is another form of democratization going on in fashion. Although in my eFashion’11 ‘Branding vs Conversion’ talk I complained that all fashion adds look the same…
  • 45. LANVIN PARIS 45 EMERCE EFASHION …there is an increasing number of campaigns with unexpected self-mockery. Like Lanvin Paris, with their viral based on the game “Just Dance”. A very special way to take yourself seriously! http://www.youtube.com/watch?v=cwwcnUBY9Zg
  • 46. TED BAKER: RUTTING SEASON 46 EMERCE EFASHION Another example: Ted Bakers’s Rutting Season campaign for AW11. People were drawn to the stores to have their picture taken and win. Local bloggers were asked to take the pictures, which were put on Instagram and Facebook. The pictures with the most likes won considerable shopping credit. Results: 10% offline sales increase during the campaign and tens of thousands of likes and followers.
  • 47. shows bloggers pre-ordering shopping social media THE FASHION CYCLE advertising print media EMERCE EFASHION 47 design, productie
  • 48. SOCIAL MEDIA ON THE MOVE 48 EMERCE EFASHION Whils blogs often succeed to offer quality, social media democratize radically. It is great to see this field move again after years of stability. The newcomers at the bottom of this screen each serve millions each month. Especially Instagram and Fancy seem to be growing rapidly. Not to forget: Pinterest…
  • 49. PINTEREST 49 EMERCE EFASHION 200kunique visitors in May in Netherlands. 200%growth in 5 months* * = Marketingfacts.nl We are still learning so much. We do see that visitors coming from Pinterest convert much better than visitors from Facebook, for instance. And there’s a very good reason for that:
  • 50. SOCIAL SHOPPING 50 EMERCE EFASHION Conversion Sharing Shopping The established networks (like Facebook, Youtube, Twitter and Instagram) are in the ‘sharing’ range of social media. The range in which you cannot be overly commercial. There is a shift happening from sharing to shopping. The newcomer networks (like Pinterest, Polyvore, Fashiolista, Lookbook.nu and Fancy) are predominantly about sharing products, not moments. No wonder that the conversion from these platforms is so much higher.
  • 51. Sharing Shopping SOCIAL SHOPPING 51 EMERCE EFASHION Eventually it is all about making a sale. This is why Lyst and others are entering this arena with another mindset: not Pinterest’s serendipity, but real searching, browsing and finding, helped by a personal profile and those of your friends.
  • 52. On Lyst, you’ll follow brands, magazines, designers and friends. This results in a personal stream. And what’s so special: it looks like a shop and it works like a shop!
  • 53. Wereldwijd heeft Lyst naar sommige schattingen nu ongeveer 1M bezoekers per maand. Aan deze grafiek, die ze in maart 2012 deelden, lijk je te kunnen zien dat de groei voorlopig nog niet voorbij is.
  • 54. THE FASHION CYCLE 54 EMERCE EFASHION TNBT The Next Big Thing
  • 56. PROFILING 56 EMERCE EFASHION We have come to get used to profiling, in the platforms that we use. LastFM offer recommendations based on what you and your friends listen to. Shoedazzle uses a style-intake to give personal advice. Facebook uses your content and behavior to offer ads. But most of this profiling happens within those platforms.
  • 57. “...connecting every person on the web with their affinity for anything, from books to gadgets to music, restaurants, fashion, or vacation spots.” The Taste Graph van Hunch is daarin radicaal anders, en is er echt op gericht om over zoveel mogelijk diensten heen je smaak vast te leggen, om vanuit statistiek je te kunnen adviseren op zelfs voor jou nieuwe terreinen. Een goudmijn voor adverteerders en retailers.
  • 59. …however, Hunch and The Taste Graph were acquired by Ebay, end of 2011. Not long thereafter, the API was closed. It is very unclear who is still using Taste Graph logic and data at this point, beyond Hunch itself.
  • 60. READY FOR EXTENSION 60s EMERCE EFASHION But Hunch isn’t the only one investing in cross platform customer profiling. TastemakerX is a new mobile game in which trendsetters can point out music that they think will be successful. If they prove to be right, they win. (very interesting for followers also, obviously). Their masterplan: extension to all relevant ‘taste verticals’.
  • 61. scarcity gifting price cuts autho- rity SCIENCE ROCKSTARS: PERSUASION API 61 EMERCE EFASHION Finally Science Rockstars have found out that persuasion techniques (4 examples above) have a different effect on different persons. This personal sensitivity, however, is pretty constant throughout different product categories such as clothes, electronics, et cetera. If you capture someone’s persuasion profile, that’s worth something!
  • 62. TAILORING OUR PROPOSITION 62 EMERCE EFASHION So, we will all be tailoring our proposition, not just garments. It will go beyond the selection of products and will include style of communication that will be based on the profile of our customers, that’s being recorded by third parties that will market this information with everyone who is willing to pay. Dark side material? Maybe…
  • 64. How do you connect these developments to the surfing and shopping behavior of your customers?
  • 65. CUSTOMER JOURNEY shows bloggers pre-shopping print media social social shows bloggers pre-shopping print media social social shows bloggers pre-shopping print media social social shows bloggers pre-shopping print media social social shows bloggers pre-shopping print media social social shows bloggers pre-shopping print media social social By using this customer journey model you can see for yourself which of these and other trends fits your brand and customers. Also you can see where they would fit your cross-touchpoint story telling.
  • 66. Very few brands are on top of this game. Seize the opportunity! EMERCE CONVERSION 66
  • 67. EFFECT EMERCE EFASHION 67 So we are talking about democratization of the fashion market. More and more people create content, and the flow of content is by now truly overwhelming! Does this mean the end of the era of the star designer? Au contraire! Only the most outspoken of designers will survive. Love them or hate them!
  • 68. 68 EMERCE EFASHION Glasses: on. So: you’re allowed a pedestal. And Karl? He may keep is sunglasses on for another while.
  • 69. 69 EMERCE EFASHION Pieter Jongerius @pieterj All images copyright of their respective owners