3. • A SHOT is a continuous view filmed by one camera without
interruption.
•
A SCENE is a location where the action takes place. A scene may consist
of one shot or series of shots depicting a continuous event.
4. SHOTS
STATIC SHOTS DYNAMIC SHOTS
Based on Shot Scale
Based on Angle
Point of View Shots
Two Shot & Over the Shoulder Shot
Pan
Tilt
Pedestal
Dolly
Crane or Boom
6. Extreme Close up Shot
• The extreme close up shot focuses on a part of the face usually the eyes or the
mouth.
• It is used to show the emotion of the character to the audience.
• Extreme close up shots are often used at key points in the story.
Close Up Shot (CU):
• A Close up shot is used for characters and it focuses the head and shoulders.
• It is used to show how Important a character / Object is.
• The close up shot allows us to build a relationship with the character.
Medium Close-Up
• Falls between a Medium Shot and a Close-Up, generally framing the subject
from chest or shoulder up.
• It is the standard shot for most news interviews
7. Medium Shot
• Medium shot shows the character from the head to the waist.
• A medium shot will show some background
• It shows the body language of the characters.
• Medium shots are meant to show us what the characters are doing and how they
feel.
Long Shot
• Long shots shows full body of the character unlike the medium shot.
• Shows the location of the characters
• Shows the relationship between the characters
• Long shots are often used as a first shot at the start of a particular sequence.
Wide Shot
• Used to show the subject from a distance, or the area in which the scene is taking
place.
• This type of shot is particularly useful for establishing a scene
8. HORIZONTAL CAMERA ANGLES
Moving the camera around the subject
horizontally while aiming at the subject creates
different camera angles
9. 1.High angle. The camera is placed above eye level, looking downward. A high angle shot (downshot) can make a character
look smaller, younger, weak, confused, or more childlike.
2.Eye level. An eyelevel angle is the one in which the camera is placed at the subject’s height, subject can look directly into
the lens without moving his eyes up or down. It is considered to be emotionally neutral and is best used for straight, factual
presentation and ideal for romantic comedies and news casting.
3.Low angle. The camera is placed below eye level, looking upward. A low angle shot (upshot) can make a character look
bigger, stronger, or nobler. It also gives the impression of height.
10. Bird’s Eye View: this shots is taken directly above the subject. Often used as an establishing shot to set the location of scene
in films, they can also capture action. Theses shots are frequently taken from crane , aircraft and drone.
A worm's-eye view is a view of an object from below, as though the observer were a worm It can be used to look up to
something to make an object look tall, strong, and mighty
a Dutch tilt has the camera leaning sideways, transforming the horizon into a slope. A Dutch tilt changes horizontal and
vertical lines into diagonals and creates a more dynamic composition. Though rare, canted angles can be employed with great
artistic effect to disorient and disturb the viewer
Point-of-View (POV) : As the name suggests, point-of-view shots are angles in which the camera incorporates a character’s
eyes. POVs are usually preceded by a close up of the character’s eyes.
11. A point of view shot, also known as POV shot, , the camera is placed at the eye position of a character.
The point-of-view shot can make use of both the objective and subjective angle.
an over the shoulder shot ( OTS, or third-person shot) is a shot of
someone or something taken from the perspective or camera angle from
the shoulder of another person.
12. Two-shots
• Film a medium-range camera shot of two persons
• Two-shots are good for establishing a relationship between subjects.
Three shot
• a three shot has three people in the composition of the frame.
• In these shots the characters are given more importance
13. 1. PAN
2. TILT
3. PEDESTAL
4. TONGUE
5. CRANE or BOOM
6. DOLLY
7. TRUCK or TRACK
8. CRAB
9. ARC
10.CANT
11.ZOOM
14. 1. PAN: horizontal movement from left to right / right to left
2. TILT: pointing camera up or down
3. PEDESTAL: lowering or elevating the camera on a studio
pedestal
4. TONGUE : moving the whole camera from left to right with
boom of camera crane or jib arm
5. CRANE : crane or boom, moving the whole camera up or
down on a camera crane or jib arm
6. DOLLY: moving the camera toward or away the subject
7. TRUCK or TRACK: camera moving parallel to subject
8. CRAB: moving the whole base of camera crane sideways
9. ARC: moving the camera in slightly curved dolly or truck
movement
10. CANT: tilting the camera sideways
11. ZOOM: changing the focal length of the lens while camera is
stationary
15. TYPES OF MICROPHONES
A microphone (mic) is a transducer that converts acoustical sound energy into electrical energy.
16. Dynamic Microphone:
• A microphone whose sound pickup device consist of a diaphragm that is attached to a
movable coil.
• As diaphragm vibrates with the air pressure from the sound, the coil moves within a magnetic
field, generating an electrical current.
• Also called moving coil microphone
Condenser Microphone:
• A microphone whose diaphragm consist condenser plate that vibrate with the sound
pressure against another fixed condenser plate, called the back plate.
• Also called electric or capacitor micro phone.
Ribbon mic :
A microphone whose sound pickup device consist of a ribbon that vibrates with the sound pressure within
a magnetic field.
Also called velocity mic.
17. Uni - directional :
Pickup pattern in which the microphone can pickup sound better from the front than from the side or back.
Bi-directional :
A microphone with a figure-of-eight polar pattern picks up the sound from in front of the microphone and from the rear but
not the sides
Omni directional :
pickup pattern in which the microphone can pickup sounds equally well from all direction
18. Headset microphone:
1. Small but good quality Omni or uni - directional mic attached to padded earphone;
2. similar to a telephone headset but with high quality mic.
Quadraphonic mic:
1. Quadra microphone is a four channel microphone for Quadra phonic recording.
2. It consist of two pairs of condenser microphone capsules mounted one above other
19. Wireless microphone:
1. A system that transmits audio signals over the air, rather than through microphone cable.
2. The mic is attached to a small transmitter, and the signal are received by a small receiver
connected to audio console.
3. Also called RF mic or radio mic
Lavaliere microphone:
1. A small microphone that can be clipped on to clothing.
2. small microphone used for television, theatre, and public speaking
applications in order to allow for hands-free operation.
20. Storyboard
• Pictorial representation of shots in sequential order
• Images displayed in sequence are very useful to pre visualizing a motion picture, animation , motion graphic or
interactive media sequence.
Four types of storyboard
1.Thumnail storyboard
2.The floating storyboard
3.The framed storyboard
4.Photo storyboard
21. 1. Thumbnail storyboard:
draw your all storyboard on one piece of paper
First stage sketch of storyboard
Not bigger than thumbnail
2.Floating storyboard
Draw sketch of your scene in sketchbook without rectangle around them – just floating on the page
Benefits: allow drawing to expand, unrestricted.
3.The framed storyboard:
Drawing of storyboard inside of fixed rectangles
Benefits: forces you to compose images within fixed aspect ratio
4.Photo storyboard
With help of puppet and set we make storyboard by digital camera
Benefits: fixed aspect ratio reveals new camera angle
Editor's Notes
A shot is a continuous view filmed by one camera without interruption. A scene is a place or setting where the action takes place. A scene m
ay consist of one shot or series of shots depicting a continuous event.
In a static shot, the camera does not move or change its aim within the shot, although the camera may move from the shot to the next shot.
In a dynamic shot, the camera moves or changes its aim within the shot
Static shots: A) scale. One set of shots are identified by their scale or shot sizes. The shot size determines how large the area that’s visible within the frame. Among the following common shot sizes, the distance between the camera and subject varies:
Extreme close-up shot
Close-up shot
Medium shot
Medium wide shot (American shot)
Wide shot (full shot)
Extreme wide shot (long shot)
Horizontal camera angles. Moving the camera around the subject horizontally while aiming at the subject creates different camera angles below:
Vertical camera angles. Moving the camera around the subject vertically while aiming at the subject creates different camera angles below:
1.High angle. The camera is placed above eye level, looking downward. A high angle shot (downshot) can make a character look smaller, younger, weak, confused, or more childlike.
2.Eye level. An eyelevel angle is the one in which the camera is placed at the subject’s height, subject can look directly into the lens without moving his eyes up or down. It is considered to be emotionally neutral and is best used for straight, factual presentation and ideal for romantic comedies and news casting.
3.Low angle. The camera is placed below eye level, looking upward. A low angle shot (upshot) can make a character look bigger, stronger, or nobler. It also gives the impression of height.
Another type of an Indecisive cut:When cutting from a shot to another shot of a different angle (e.g, from a frontal shot to a three quarter front) while framing the same subject, the difference between the two camera angles must be greater than 35 degrees. If the difference is less than 35 degrees, the appearance of the subject will not change sufficiently. You will produce the unpleasant effect of anindecisive cut and the audience will perceive it as a mistake or a distraction.
Static shots: C) Point of view shots. In a point of view (POV) shot, the camera is placed at the eye position of a character.
A point of view shot, also known as POV shot, is an angle that shows what a character is looking at.
The point-of-view shot can make use of both the objective and subjective angle.