Bridge Fight Board by Daniel Johnson dtjohnsonart.com
357678633-Contemporary-Art.pptx
1. CONTEMPORARY ART
- ART PRODUCED FROM 1970’S UNTIL THE PRESENT PERIOD IN TIME
- THE ART OF PRESENT WHICH IS CONTINUOUSLY IN PROCESS AND IN FLUX.
- INCLUDES AND DEVELOPS FROM POSTMODERN ART
- IT IS PRECEDED BY MODERN ART
- NOT RESTRICTED TO INDIVIDUAL EXPERIENCE BUT IS REFLECTED OF THE
WORLD WE LIVE IN
- EVENTS IN THE WORLD HAVING AN EFFECT TO THE PHILIPPINES
- IT HAS A WORLD VIEW AND IS SENSITIVE TO CHANGING TIMES
- AN OFFSHOOT OF SOCIAL REALISM BROUGHT ABOUT BY MARTIAL LAW
2. DIFFERENCE BETWEEN MODERN
AND CONTEMPORARY ART
• MODERN ART – EXPRESSIONISM,CUBISM, SURREALISM,
ABSTRACT EXPRESSIONISM AND OP-ART
• THESE STYLES REFLECTED THE POLITICAL AND SOCIAL TRENDS OF THE PERIOD SUCH AS
WW1, ECONOMIC DEPRESSION OF THE 1920’S AND 1930’S, WW2 AND IT’S POST-COLONIAL
AFTERMATH
• CONTEMPORARY ART – FOCUSED ON HOW ART WAS CREATED
AND DESSIMINATED RATHER THAN “WHAT WAS PRODUCED”
• EMPHASIZED IDEAS AND CONCEPTS RATHER THAN PRECIOUS OBJECTS AND THE SKILLS
NEEDED TO MAKE THEM
• INTRODUCED SERIES OF NEW ART FORMS SUCH AS CONCEPTUALISM, PERFORMANCE,
HAPPENINGS, INSTALLATION, EARTHWORKS, PROJECTION ART,
7. ELEMENTS/ PRINCIPLES OF
CONTEMPORARY ART
• APPROPRIATION – EXISTING
ARTWORKS ARE
APPROPRIATED TO PRODUCE
ANOTHER ARTWORK
• USAGE OF PRINTS,
IMAGES AND ICONS TO
PRODUCE ANOTHER
ARTFORM
• COMBINES PAST FROM
THE PRESENT
• REVIVES THE INTERESTS
TO EXISTING FORMS OF
ART
8. ELEMENTS/ PRINCIPLES OF
CONTEMPORARY ART
• PERFORMANCE – EMPHASIZE
SPONTANEOUS ELEMENTS OF CHANCE
• INTERPRETING VARIOUS HUMAN
ACTIVITIES SUCH AS ORDINARY
ACTIVITIES LIKE CHORES, ROUTINES
AND RITUALS, TO SOCIALLY RELEVANT
THEMES SUCH AS POVERTY,
COMMERCIALISM, AND WAR
10. ELEMENTS/ PRINCIPLES OF
CONTEMPORARY ART
• SPACE – ARTS TRANSFORMING
SPACE; ART FORM THAT IS
PERFORMED AND POSITIONED IN A
SPECIFIC SPACE SUCH AS PUBLIC
SPACES
12. ELEMENTS/ PRINCIPLES OF
CONTEMPORARY ART
• HYBRIDITY – USAGE OF
UNCONVENTIONAL MATERIALS, MIXING OF
UNLIKELY MATERIALS TO PRODUCE AN
ARTWORK
• EXAMPLE: COFFEE FOR PAINTING,
MINIATURE SCULPTURES USING
CRAYONS
14. ELEMENTS/ PRINCIPLES OF
CONTEMPORARY ART
• TECHNOLOGY – RECORDING
PERFORMANCES, POSTING, USING ANY
TECHNOLOGY IN THE CREATION AND
DISSEMINATION OF ART WORKS
16. CHOREOGRAPHY
• AKA DANCE CHOREOGRAPHY OR DANCE
COMPOSITION
• MEANS “DANCE-WRITING”
• ART OR PRACTICE OF DESIGNING SEQUENCES OF
MOVEMENTS OF PHYSICAL BODIESIN WHICH MOTION,
FORM OR BOTH ARE SPECIFIED
17. •ALICIA GARCIA REYES – MOTHER OF PHILIPPINE
CONTEMPORARY DANCE.
- FOUNDER OF BALLET PHILIPPINES (COUNTRY’S
PREMIERE COMPANY IN BALLET AND CONTEMPORARY
DANCE).
- INITIATED THE PROFESSIONALIZATION OF DANCE
ARTS IN THE COUNTRY
- PROCLAIMED NATIONAL ARTIST IN 2013 BY PRES.
AQUINO
18. MUSICAL INSTRUMENT
• ANY OBJECT THAT PRODUCES MUSICAL SOUNDS
• FLUTE – THE OLDEST OBJECT CONSIDERED MUSICAL
INTRUMENT
19. LITERARY AND MUSIC COMPOSITION
• LITERARY COMPOSITION – IMAGINATIVE OR CREATIVE WRITING
• MUSICAL COMPOSITION – A MUSICAL WORK THAT HAS BEEN
CREATED;
• 3 REPERTOIRES OF PHILIPPINE MUSIC
• ASIATIC ORAL TRADITIONS (INDIGENOUS PHILIPPINE MUSIC) – TRADITIONS
PRACTICED AMONG THE VILLAGES IN CORDILLERA
ADMINISTRATIVE REGION, MUSLIM COMMUNITIES IN WESTERN
MINDANAO AND SULU.
EXAMPLES:
INITIATION AND GRADUATION CEREMONIES
COURTSHIP AND MARRIAGE
FUNERAL RITES
20. 3 REPERTOIRES OF PHILIPPINE MUSIC
• WESTERNIZED ORAL TRADITIONS (PHILIPPINE FOLK
MUSIC)– ORALLY TRANSMITTED GENRES AND COMPOSITIONS
THAT ARE PERFORMED IN RURAL CHRISTIAN COMMUNITIES IN
LUZON, VISAYAS AND PARTS OF LOWLAND MINDANAO
EXAMPLES:
RELIGIOUS AND PARALITURGICAL REPERTOIRS
SANTACRUZAN
LENT AND CHRISTMAS SEASONS
STO. NINO FEAST
DINAGYANG
21. 3 REPERTOIRES OF PHILIPPINE MUSIC
• WESTERN-INFLUENCED ART & POPULAR MUSIC
AND CLASSICAL MUSIC – FOUND IN URBAN
COMMUNITIES AND CENTERS OF POPULATION
EXAMPLES:
THEATRICAL SHOW
BALLET
DRAMA MUSICALES
CINEMA
22. VISUAL DESIGN
• DESIGN WORKING IN ANY MEDIA OR SUPPORT OF VISUAL
COMMUNICATION
• USES VISUAL CHANNELS FOR TRANSMISSION OF MESSAGES
BASIC ELEMENTS
1) LINES
2) SHAPES
3) COLOR PALLETTE
4) TEXTURE
5) TYPOGRAPHY
6) FORM