2. The repetition of visual elements
give a composition unity, continuity,
flow and emphasis.
In the visual arts, rhythm is created through
the regular recurrence of elements with
related variations. Rhythm refers to any
kind of movement or structure of dominant
and subordinate elements in sequence.
Rhythm, in the visual arts, is an
organizational and expressive device.
4. DONALD JUDD, Untitled, 1969. Brass and colored fluorescent Plexiglass on steel
brackets, 10 units, 6 1/8” x 2’ x 2’ 3” each, with 6” intervals. Hirshhorn Museum and
Sculpture Garden, Smithsonian Institution, Washington, D.C. (gift of Joseph H.
Hirshhorn, 1972). Art Judd Foundation/Licensed by VAGA, New York.
4
A powerful critic and theorist, and an aggressive defender of his
own work. Judd championed these sculptures on the grounds
that “actual space is intrinsically more powerful and specific than
paint on a flat surface.”
“My things are symmetrical because … I wanted to get rid of any
compositional effects, and the obvious way to do it was to be symmetrical.”
8. Antony Gormley
European Field, 1993
Terracotta. Variable size: approx. 40,000 elements,
each 8-26 cm high Installation view, Kunsthalle zu
Kiel, Kiel, Germany, 1997 Commissioned by Malmö
Konsthall, Malmö, Sweden Photograph by Helmut
Kunde, Kiel
9.
10. Use small objects in the 100s or 1000s such as toothpicks, nails, pushpins, pencils, straws, etc. to
create an interesting form that demonstrates a sense of rhythm, repetition and movement.
Craftsmanship is of paramount importance. Glue, adhesives, etc. should not be visible in the final
piece.