2,5

3. 2 山水人物畫稿六幀 5 黃花崗
Studies of Landscapes and Figures Huanghuagang Mausoleum of Martyrs
無年款Undated 無年款Undated
水墨紙本 水墨紙本
A set of six sketches Ink on paper
Ink on paper
高：29 厘米闊：17 厘米
黎明．黃詠賢伉儷藏品 H： 29 cm W：17 cm
Collection of Mr Lai Ming and Ms Wong Wing-yin
黎明．黃詠賢伉儷藏品
南朝謝赫（479-502）在其《六法論》中指出「傳擬模寫」是畫法中重要 Collection of Mr Lai Ming and Ms Wong Wing-yin
一環，而古代畫家亦奉「臨摹」為圭皋，即是要摹習古人筆墨畫法為起
點。高劍父也不例外，此六幀山水畫稿便是他早期臨摹古人山水、樹石、
人物之作，筆墨細緻，或用意筆、或仿文人山水，並標記畫本題目，有如
清初沈心友（1638-1667後）編著，臚列各代各家山水樹石、花鳥、人物
畫法，以供研究的《芥子園畫譜》中畫本。
In his Treatise The Six Theories (of Painting) written during the Southern
Dynasty (479-502), the writer, Xie He, notes “imitating and copying” are
important painting principles in the cultivation of Chinese painting.
Painters in the ancient dynasties believed that copying and imitating
should be a starting point in learning ink and brush techniques, and Gao
Jianfu followed this belief. These six landscape miniatures are Gao’s
early works. He meticulously copied the landscape, trees, rocks and
figures of ancient painters, using either free and casual brushwork or
painting in the style of the Literati School. He also copied the subjects
used, and these works are close to the samples illustrated in the painting
manual Painting Manual of the Mustard Seed Garden compiled by Chin
Xinyou in the early Qing Dynasty. The manual illustrates techniques and
compositions of painting landscapes, trees and rocks, flowers and birds,
and figures drawn from the works of various painters in dynastic China
for study purpose.