![Crivelli
The Annunciation, with Saint Emidius [1486]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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- 2. Crivelli The Annunciation, with Saint Emidius [1486]
- 5. Crivelli The Annunciation, with Saint Emidius [1486] Perspective - picture depth Light - Symbolic in story telling - Shadows?
- 6. Van Eyck The Arnolfini Marriage [1670]
- 13. Van Eyck The Arnolfini Marriage [1670] Principal of lighting 3-point lighting Key – Direction, depth, volume And intensity of brightness Fill - contrast – light to dark Quality – soft hard Back light
- 14. Van Eyck The Arnolfini Marriage [1670] Principal of lighting 3-point lighting Key – Direction, depth, volume And intensity of brightness Fill - contrast – light to dark Quality – soft hard Back light Optical realism
- 19. JanvanEyck1434 Frescopainters LeonardodaVinciLastsupper1490 Michelangelo Vasari1550 Caravaggio1600 Rembrandt1669 Vermeer1670 Early Flemish Italian renaissance 1400 - 1500 - 1600 - 1700 - 1800 - 1900 - 2000 - 15th Century 16th Century 17th Century 18th Century 19th Century 20th Century 21st Century Dutch golden age Mannerism Baroque Timeline
- 20. “ The painting is remarkable for it’s time…for the use of light to evoke space in an interior, for "its utterly convincing depiction of a room, as well of the people who inhabit it" Van Eyck The Arnolfini Portrait 1423
- 21. Caravaggio The Calling of Saint Mathew [1600] “Caravaggio put the "oscuro” in chiaroscuro” Supper at Emmaus [1601]
- 22. Rembrandt “Rembrandt expressed an inner knowledge. The image one sees in the mirror…is not ideal or mythical….it shows the effects of age, disease, disappointment, frustration, self-less, covetousness, weak-ness. These come out quite as clearly as health, joy, and confidence.” Rembrandt Self portrait at 63 [1669]
- 23. Vermeer Detail A girl with Pearl Earing [1665] A woman standing at a virginal [1670] “Pictorial space achieved through lighting had become both optical and emotional”
- 24. JanvanEyck1434 Frescopainters LeonardodaVinciLastsupper1490 Michelangelo Vasari1550 Caravaggio1600 Rembrandt1669 Vermeer1670 Early Flemish Italian renaissance 1400 - 1500 - 1600 - 1700 - 1800 - 1900 - 2000 - 15th Century 16th Century 17th Century 18th Century 19th Century 20th Century 21st Century Dutch golden age Impressionism 1870-80 Expressionism to 1920’s 1945-50 Italian Neo-realism 1960’s French New Wave Mannerism Baroque Timeline
- 25. JanvanEyck1434 Frescopainters LeonardodaVinciLastsupper1490 Michelangelo Vasari1550 Caravaggio1600 Rembrandt1669 Vermeer1670 Senso1954 TheBoufdeJourBreathless1960 TheConformist1970 FannyandAlexander1982 DukeofBurgundy2014 Early Flemish Italian renaissance 1400 - 1500 - 1600 - 1700 - 1800 - 1900 - 2000 - 15th Century 16th Century 17th Century 18th Century 19th Century 20th Century 21st Century Dutch golden age Impressionism 1870-80 Expressionism to 1920’s 1945-50 Italian Neo-realism 1960’s French New Wave Mannerism Baroque Timeline
- 27. Senso 1954 Dir Visconti DP GR Aldo Moving light motivated from the window
- 28. A Bout de Souffle - Breathless [1960] Dir Godard DP Coutard Camera and actors move around the room – shooting into the light or with the light. Use of bounce light Issues of contra- jour
- 29. Eye-light and soul Use of shadow Modeling with or against the light Light is ‘wrapped’ around his face and ‘feathered’ across for the cu Fanny and Alexander - [1982] Dir Bergman DP Nykvist
- 30. The Conformist - [1979] Dir Bertolucci DP Storaro Moving light Through the window Plato’s cave Use of Chiaroscuro, silhouette Shooting against the light
- 31. Duke of Burgundy- [2013] Dir Strickland DP Knowland
- 32. Light is a metaphor for seeing the invisible in the visible * Zajonc, 1993, Seeing Light