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BOHEMIAN RHAPSODY
“ QUEEN “
Bohemian Rhapsody» –en español: «Rapsodia bohemia»– es una canción
y sencillo de la banda británica de rock Queen. Fue escrita por Freddie
Mercury para el álbum de 1975 titulado A Night at the Opera. «Bohemian
Rhapsody» presenta una estructura inusual, más similar a una rapsodia clásica que
a la música popular.
Cuando se puso a la venta como sencillo, «Bohemian Rhapsody» se convirtió en un
éxito comercial que permaneció en la cima de las listas británicas durante nueve
semanas. Alcanzó allí el puesto número uno otra vez en 1991, tras la muerte
de Freddie Mercury. En total, alcanzó 2.176.000 ventas, siendo el tercer sencillo
más vendido de todos los tiempos en Reino Unido.
Bohemian Rhapsody - Wikipedia
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Clarinet in E
Clarinet in B 1
Clarinet in B 2
Clarinet in B 3
Clarinet in B 4
Clarinet in B 5
Clarinet in B 6
Bass Clarinet
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Slowly 
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      
      
      
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     
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 
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
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     
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      
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   
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      
      
      
      
      
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E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
5
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    
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    
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
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    
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
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     
     

     
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
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    
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    
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
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
 
 
     
     
 
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    
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 
     

 
     

    


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 

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 

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
BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
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E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
     
     
     
     
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10
     
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     
     
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     
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 
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      
      
      
 
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rit.

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  
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a tempo
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E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
15
    

   

  

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 
 
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    

   

  
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 
 
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  
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  

  
    
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17
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    
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  
    
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
 
 

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  
 
  
 
   
    

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 
 

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2BOHEMIAN RHAPSODY
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E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
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B Cl. 6
B. Cl.
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      
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      
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
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    
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
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
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    
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   
    
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
 
 
 

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
  
  
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 
  
    
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
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       
       
       
  
  
  
  
  

 


  
  
  
  
  
  
 
 
 
  
  
  
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E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
 
 
     
     
 
 
 
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25
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   
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 
  
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 

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



   

   
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     
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     



  


  


  
 
  





      
       

      
       


  

      

      


  

    

    

    
 
 

  
 
 

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   
   
   
   
   
   
3BOHEMIAN RHAPSODY
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
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E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
30


 
    
    
 
 
 








  

  







 
  
 

 








 
 
 
 
 
 
 
 
   
   
   



rit.


















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
E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.

 
  
   
   

   
   

 



Faster 
35

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







   
   

   
   

       
       
       
    








    



    



    



   



 
 
 
 
 
 








  
  
  
  
  
  








 
 
 
4BOHEMIAN RHAPSODY









E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
40




     
     
     




     
   
 
     
     
     
      
   
 
     








      
     
     
     
     
     
     
     

 

 

 

 
  

 

 
 

 
 

 
 

 
 

 
43








  

 
  

 
  

 

 


 

 

 

 

 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

































































E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
45





     

     

     

     

 
  




 


 


 


 




 
 
 



















   
   
    
    
      
      
      








 
 
 
   
 
 













5BOHEMIAN RHAPSODY









E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
50     
    
     
    
     
     
     

    
    

   
    
    
    
    
    








     
     
      

     
     
       
     
     
  
  
  
  
     
     
     
     
 
 
     
     
   

   

    

    

    

    

 


 




 
 
















E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
55
   
   
   






   
   
    
    

     
     




    
    
     
    

       
       
 








 
  
   

   

 
  




  


 
  






58
 
 
   
   
    
  
    
  
   


 
   


 
   


 








 

 
 

 
 
 
    
    
    
    
    
6BOHEMIAN RHAPSODY









E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
60 



 
   

   


  

  

 
 
 
 
 
 
   
    
  
    
  
   


 
   


 
   


 




 
   

   


  

  
 
 
 
 
  
 
  
    
    
  
    
  
   


 
   


 
   


 
 
  
 
  
    
    
  
    
  
   


 
   


 
   


 





  
  
  
 
 
 
    
    
    
    
    





  
  
  
  
  
  
    
    
    
    
    
  
  
  
    
    
    
    
    































E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
65



       
       
   


 
   


 
   


 


 






66





 


















  
  
  
  
   
   
   
   








      
      
    
    
    









 


 
 
   
   
   
   
7BOHEMIAN RHAPSODY









E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
70
    
    
    
   
  

  

 


 










   

 
   

 
   

 

 
 
 
 
 
 
 
 
 

  
  
 

    




    




    




    














   


   


   


   


   


   


   


   
     
     
     
     
     
     
     
     
  
  



  
  
  
 

 





 
 
 
 
    
    
 
  
    
    
    
    
    
     
     
     
     
     
     
     
     









E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
75


  
 
  
 
  
 
 


  
 
 










  


  
 
  
 
 


  
 
 
rit. 















   
   
 

 



   
   
 
 
 
 
 
Stately 
78
     
 

  
     
  
  
  
  
  
 
 
 
  
 

  
 
 
 
 
 
8BOHEMIAN RHAPSODY









E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
80
     
     
     
   
   
   
   
   

  
 
 
 
 
 
 
 


 






 
 
 
 
 
 
 
 


 


 
 


 








 
 


  


 
  


 


 




 






 
 


    
    


 




 
  

 
  
   
   
   
   
   
 












E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
85
  
  

 
    
 
    
 
 

 
 
rit.
  
  
 

   

 


   

 

 

 

 






       
       
  
  





87
Piu Mosso 





       
       
  
  





      

      
  
  
  
  
  








9BOHEMIAN RHAPSODY



























E Cl.
B Cl. 1
B Cl. 2
B Cl. 3
B Cl. 4
B Cl. 5
B Cl. 6
B. Cl.
90

      

      
  
  
  
    
    
 
   

   

 
 
 
 
 
 



   
   
   










Slowly 
   
   
   

 
 
 


 
 
 

     
     

rit.



















10BOHEMIAN RHAPSODY


  
    

Slowly 

    
 
     
   
  
 


    
        10
           
 rit.
      

 

a tempo
            
  
17

         

       

          

         
 25

 



     
   

 
       
    

 


  
  

 
 
 
 
rit.
 
 
Faster 
35
       

 

     




     

       
 

 
43

    


     

   
 

      

  
BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet MI

          

        
        

   


          




58
 
  
  
      




  
  
 
  
 
66


       




  

        

 
 




             

       

  



  
rit.


   
   
Stately 
78
               

          
 

 

    
rit.
  

   

       87
Piu Mosso 

        
      





           
    Slowly 
   
rit.

2
BOHEMIAN RHAPSODY
        

Slowly 
       

         
  
   

             
10
     
      

      
rit.


a tempo

    
    


  
17


 
         
       
    
    

        
 

 
25

         



      

    

  
   

 

 
 
 
 
rit.
   
Faster 
35

 
        

    




    
 

      
 
 
    
 

 
43

  

     

      

   
BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet 1
          

        
        

   

           
 

58
           
      
              
66

    

          

   

   

    



           
  



  
rit.
           



 

  


Stately 
78
 

        
   
 

   


 
  

    
rit.
  

       

87
Piu Mosso 
       
  
                       
Slowly 
   
rit.

2BOHEMIAN RHAPSODY
 




     

Slowly 
      
 
            
   
    



     

      

 
     

       
10
                  
rit.


a tempo

  

 
   
  
17

       

      

    


                
25

  
      


 
  
       

    

 
  
  
rit.


    

Faster 35

           
    




 

     

        

 
43

  

  
   

BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet 2
      

      

     

   

       
          
    

     
     
   

58
                
         
 


      
66


   
     
         

    



         

 
  

   
  
     
 

  
rit.


   
   
Stately 
78
             
 
       
 

 







 
rit.
 


  
87
Piu Mosso 

  
 



       

   
Slowly 
   
rit.


2BOHEMIAN RHAPSODY
        

Slowly 
      
 
    
            



  
     

      

 
     
      
10
        

 
rit.
  

a tempo

      

17


    
     

         

      
      
25

  
      


         

    

  
       
rit.
    

Faster 
35

   
 
     

   




     

      
 
 
43
   

    
 
    

     


         

               
 

BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet 3
    

   
   


58
    
      
     
  
           
    
     
       
           
66
 

                   
 
   

       



   
          
        

 
rit.


 
Stately 
78
         
        

  


 

    
    
 
rit.     
    

 

   
87 Piu Mosso 

     
  
    



Slowly 

 
 
 

rit.


2BOHEMIAN RHAPSODY
    

Slowly 

 
      


    
 

  
    


10
       

 
rit.
  

a tempo


  
17
  

    
25

 
 

   

    

    


         
  
    
rit.



Faster 
35
 
 
  
  
  
 
    

     

       
 
 
43


 

 

       


   

    

   


       
          


            
    


   


58
    
  
      
    
     
      
     
       
          
                       
BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet 4
  

66
 

   

  
  
         
     







           

 
rit.

            
  
Stately 78
         

 

  


 
      
     
    
 
rit.
   

 

87
Piu Mosso 
  

  
     

Slowly 

 
 
 

rit.


2BOHEMIAN RHAPSODY
       

Slowly 

  
 
    
           



     

  
      




  
10
       


 
rit.


a tempo
 
 
 
 
 
 
17

 
 

  
 

   

      
   

 
25

 

  

       
  

 
   
  
 

rit.



   
Faster 
35
 
   
 
   
 
  
        

      

      
  
    
    

 
 


 

 

       


  


 

 
      
          

             
    


BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet 5
 
     
      

 
  

58
   


  
  
  
     
  
 
   


  
      


 
   


 
   


  
66
    
  
              
  

   

  
  
      





         



          

  
 dolce


  


 
Stately 
78
          

         

 



  

 
      
  rit.
 



87
Piu Mosso 

  

    
  
  

Slowly 
     
rit.



2BOHEMIAN RHAPSODY
   

Slowly 



 

  
 
 


  
10
       

 
rit.



a tempo  17

  




       
25

 

  

      
       
  
 

 

 

rit.



    
Faster 
35
 
   
  
 
  
       

   

  
   
 

      
 
 
43


 

 

       


 
   
 
    

      
          

     



 
    
 
     
       


 
  

58
  
  

BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet 6

   


  
      


  
      


 
   


 
    
  
    
  
         
  
   


  
66
 


   

  

            
  
      







           

 rit.
            



 
Stately 
78
       

   
      
 




 
rit.
 

 
87 Piu Mosso 

  
  

       

Slowly 
     
rit.



2BOHEMIAN RHAPSODY
   

Slowly 



 

  
 
 


 
10
 

 
rit. 

 
a tempo
 
17
   
  

       

25


   
   
   

    

 




       
  
rit.



 
Faster 
35



            
 
   
    

 
43

 
       


  


 

 

           
 
    


  
  



 
  

58
   


  
 
     


   
 
 
  
     
  
    
  
BOHEMIAN RHAPSODY Words and Music by
FREDDIE MERCURY
Vers. Murtha Arr. by Gino Gonçals
©Gino Gonçals
(Cover of Clarinets, Aragón, S.XXI)
Recorded by QUEEN
Clarinet Bass
  
   


 
   


 
   


 
66
   

  

                     
  
      







           

 
rit.
            
 

 
Stately 
78
       





  

 
     
 

  

   rit.
 



87 Piu Mosso 

  




    



Slowly 

rit.



2
BOHEMIAN RHAPSODY

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Bohemian Rhapsody - Queen - Set of Clarinets

  • 1. BOHEMIAN RHAPSODY “ QUEEN “ Bohemian Rhapsody» –en español: «Rapsodia bohemia»– es una canción y sencillo de la banda británica de rock Queen. Fue escrita por Freddie Mercury para el álbum de 1975 titulado A Night at the Opera. «Bohemian Rhapsody» presenta una estructura inusual, más similar a una rapsodia clásica que a la música popular. Cuando se puso a la venta como sencillo, «Bohemian Rhapsody» se convirtió en un éxito comercial que permaneció en la cima de las listas británicas durante nueve semanas. Alcanzó allí el puesto número uno otra vez en 1991, tras la muerte de Freddie Mercury. En total, alcanzó 2.176.000 ventas, siendo el tercer sencillo más vendido de todos los tiempos en Reino Unido. Bohemian Rhapsody - Wikipedia
  • 2.                                        Clarinet in E Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Clarinet in B 6 Bass Clarinet                                       Slowly                                                                                                                                                                             E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 5                                                                                                                                                                BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN
  • 3.                   E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl.                             10                                                                                                              rit.                     a tempo                  E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 15                                                                          17                                                            2BOHEMIAN RHAPSODY
  • 4.          E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 20                                                                                                                                                                                    E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl.                         25                                                                                                                                                                                                         3BOHEMIAN RHAPSODY
  • 5.                            E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 30                                                                                            rit.                                   E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl.                              Faster  35                                                                                                                                                     4BOHEMIAN RHAPSODY
  • 6.          E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 40                                                                                                                                                                              43                                                                                                                                                         E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 45                                                                                                                                                                5BOHEMIAN RHAPSODY
  • 7.          E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 50                                                                                                                                                                                                                                                                 E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 55                                                                                                                                              58                                                                                                    6BOHEMIAN RHAPSODY
  • 8.          E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 60                                                                                                                                                                                                                                                                                                                                                                                            E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 65                                                      66                                                                                                                            7BOHEMIAN RHAPSODY
  • 9.          E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 70                                                                                                                                                                                                                                                                                                                                                                               E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 75                                                                 rit.                                                   Stately  78                                                           8BOHEMIAN RHAPSODY
  • 10.          E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 80                                                                                                                                                                                                                  E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 85                               rit.                                                                    87 Piu Mosso                                                                        9BOHEMIAN RHAPSODY
  • 11.                            E Cl. B Cl. 1 B Cl. 2 B Cl. 3 B Cl. 4 B Cl. 5 B Cl. 6 B. Cl. 90                                                                                     Slowly                                           rit.                    10BOHEMIAN RHAPSODY
  • 12.            Slowly                                        10              rit.            a tempo                 17                                             25                                                     rit.     Faster  35                                           43                                  BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet MI
  • 13.                                                      58                                 66                                                                      rit.           Stately  78                                        rit.                 87 Piu Mosso                                        Slowly      rit.  2 BOHEMIAN RHAPSODY
  • 14.           Slowly                                           10                      rit.   a tempo                 17                                                25                                                rit.     Faster  35                                                    43                         BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet 1
  • 15.                                                    58                                   66                                                           rit.                        Stately  78                                     rit.              87 Piu Mosso                                     Slowly      rit.  2BOHEMIAN RHAPSODY
  • 16.              Slowly                                                                    10                    rit.   a tempo               17                                           25                                          rit.         Faster 35                                             43              BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet 2
  • 17.                                                                       58                                       66                                                                    rit.           Stately  78                                       rit.        87 Piu Mosso                        Slowly      rit.   2BOHEMIAN RHAPSODY
  • 18.           Slowly                                                                 10             rit.     a tempo          17                                        25                                          rit.       Faster  35                                         43                                                         BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet 3
  • 19.                 58                                                                 66                                                                     rit.     Stately  78                                         rit.                   87 Piu Mosso                    Slowly          rit.   2BOHEMIAN RHAPSODY
  • 20.       Slowly                                10            rit.     a tempo      17          25                                           rit.    Faster  35                                         43                                                                                   58                                                                                   BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet 4
  • 21.     66                                                     rit.                  Stately 78                                          rit.         87 Piu Mosso                Slowly          rit.   2BOHEMIAN RHAPSODY
  • 22.          Slowly                                                    10             rit.   a tempo             17                                25                                 rit.        Faster  35                                                                                                                                 BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet 5
  • 23.                       58                                                                66                                                                                dolce          Stately  78                                            rit.      87 Piu Mosso                   Slowly        rit.    2BOHEMIAN RHAPSODY
  • 24.      Slowly                    10            rit.    a tempo  17                 25                                    rit.         Faster  35                                                  43                                                                                            58        BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet 6
  • 25.                                                                                66                                                          rit.                   Stately  78                             rit.      87 Piu Mosso                   Slowly        rit.    2BOHEMIAN RHAPSODY
  • 26.      Slowly                   10      rit.     a tempo   17                  25                                       rit.      Faster  35                               43                                                             58                                                BOHEMIAN RHAPSODY Words and Music by FREDDIE MERCURY Vers. Murtha Arr. by Gino Gonçals ©Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Recorded by QUEEN Clarinet Bass
  • 27.                            66                                                                rit.                   Stately  78                                    rit.      87 Piu Mosso                  Slowly   rit.    2 BOHEMIAN RHAPSODY