Treatment improvement

1. Treatment Improved
Introduction
Verse 1
Bridge 1 Chorus 1 Verse 2 Bridge 2 Chorus 2 Instrumental Bridge 3 Chorus 3
Duration 00:00-00:20,
00:21-00:35
00:36-00:51 0.52-1.07 1.08-1.26 1.27-1.42 1.43-1.56 1:57-2:13 2:14-2:28 2:29-3:00
Action Intro: Awoman
(talent) is doing
the housework.
The ‘Me Too’
song is on in the
background, and
she is listening
to it. (We see
snippets of this
woman
throughout the
video slowly
gaining
confidence.) She
mops the floor
to the beat of
the music.
00:20 –The
singer is
introduced. We
show her
singing, and
looking at
herself in the
mirror –“That’s
me, standing in
the mirror.”
The talent
mouths the
words along
to the song,
and upon
“don’t need
nobody
else…”
there’s a
picture of
her and an
ex-boyfriend
which she
proceeds to
rip up and
throw
behind. We
will use a
POV shot to
clearlyshow
“Nah ah”,
first timewe
see her
smile. This
way that our
narrative is
introduced,
and helps to
promote the
message of
female
empowerme
nt.
The artist
struts and
moves across
the screen,
which is
sectioned
into 4, and
each appear
as she walks
across it. She
is in various
different
locations.
The female
artist is
dropped off
by a car, we
incorporate
lots offast
cuts here.
The talent is
choosing
what to wear,
in the mirror,
and tries a
dress on but
thinks she’s
too fat etc.
There are fast
cuts showing
her holding
up different
dresses. The
series of
shots finishes
unresolved,
and the
talent hasn’t
chosen her
dress yet.
The
camera
tracks the
artist and
follows her
as she
walks into
the ‘bar’
area, and
it’s
cordoned
off for her.
(VIP). The
actions on
screen
match the
lyrics.
“My life’s a
movie Tom
Cruise.”-
prompts
the
introductio
n ofher
fans who
try to get
to the V.I.P
area to get
her
autograph
and get a
selfie.
Artist - “I
thank god
everyday”
Talent –Has
music on in
the
background,
and chooses
the dress she
first had on.
When it says
“I can’t help
loving
myself”, we
have a swift
panning shot
of the
talent’s body
to highlight
how
confident
she now is.
The talent
turns on the
television,
and the
artist’s
video is on
TV. The
audience
see the
talent
watching
her on
screen, and
the talent
attempts to
copy the
dance
moves.
On screen:
There is a
dance
routine
performed
by the artist.
She has a
set routine
with backup
dancers.
She gets drivento a
party in the
Mercedes.
2:09-Slow motion
segments ofher
walking in, and
paparazzi taking
pictures ofher,
adding Foley flash
sounds in post-
production.
The talent
continues to
get ready,
now moving
onto
applying
make-up,
taking selfies
etc.
The party
scene where
the artist is
continues to
show the
artist being
confident.
Perhaps on
the
microphone
singing her
own song.
Time lapse
video at
party scene
ofguests
dancing, and
then the
artist breaks
the fourth
wall by
singing
straight to
the camera
normal
speed and
the end.
The whole
talent’s day
rewinds, and
she realises
that it has all
a daydream.
She’s now
back in her
original
clothes, and
doing the
housework.
She now has
the
confidence
to go and
put on her
dress and go
out.
Cast Female talent,
and female
artist.
Female
talent, and
female artist
Female artist,
and driver.
Female
artist,
‘fans’,
waiters.
Female artist
and female
talent.
Female
artist,
dancers,
talent.
Female artist, and
lots ofextras -(to
create party
setting.)
Female artist Female
artist.
Extras to
help with
dance
routine
Costume/
Props
Mop, mirror. Bed, photo
ofex, photo
frame.
Champagne,
sunglasses,
car, driver
props –hat.
Decking,
tables,
chairs,
table
clothes for
the
waiters,
plates,
meals,
drinks, VIP
red
cordon.
Bed, dresses,
high heels,
makeup.
Dresses
Suits
Drinks
Lights
Car
Red Dress Dresses and
Suits

2. Dressed
up/heels/
make up.
Phone/mo
ney/access
ories.
Location Talent –Very
basic bedroom.
Artist –Posh,
furnished
bedroom/bathro
om.
Bedroom In a
Mercedes/tax
i. On the
roads by
Rene’s house.
Emma’s
back
garden
decking.
Bedroom Dance
studio, and
bedroom.
In a back
garden/house.
House/Bedr
oom/Bathro
om.
Field
Garden
Bedroom
Possible
Problems
Reflection of
camera in
mirror, and the
talent’s
bedroom may
be too small to
fit all of the kit,
and the crew
inside.
A small
bedroom
may be
difficult to
film in. If
Rene is
tearing up a
photo, she
may get a
paper cut.
Getting the
car/taxi in
and out of
the house,
reflection of
the camera
on the car,
safety ofthe
cast and
crew.
Hiring a
place or
getting
permission
to film in a
bar or
restaurant.
Trying to
film
We may not
have enough
dresses, or a
big enough
room so that
we can film
her trying
the dresses
on.
It may be
difficult to
choreograph
the dance,
get the
dancers to a
certain
location to
be filmed,
and then
upload it to
YouTube.
We need to ensure
that everyone can
get to the location
on the day and
which may be
difficult due to the
amount ofpeople.
The weather could
also affect filming.
We need to
ensure that
everyone
can get to
the location
on the day
and which
may be
difficult due
to the
amount of
people. The
weather
could
also affect
filming.
We need to
ensure that
everyone
can get to
the location
on the day
and which
may be
difficult due
to the
amount of
people. The
weather
could
also affect
filming.