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“Music videos ignore common narrative as they 
are essentially advertisements. As 
consumers, we make up our own meaning of 
a song in our minds: a music video can 
anchor meaning and gives the record 
company/ artist a method of anchoring 
meaning” 
-Andrew Goodwin, Dancing In The Distraction 
Factory
After many years of studying music videos , Andrew 
Goodwin published a book containing his music 
theory called Dancing in the Distraction Factory. 
This theory is as follows: 
There is a relationship between the lyrics and the 
visuals 
There is a relationship between the music and the 
visuals 
There is a demand on part of the record label for a 
lot of close ups of the artist 
Iconography is present in artists within genres 
There is frequently references to the notion of 
looking 
There is often intertextual reference
There is a relationship between 
the lyrics and the visuals 
Goodwin noticed that the visuals in music 
videos can either illustrate, amplify or 
contradict the lyrics.
There is a relationship 
between the music and the 
visuals 
Goodwin also noticed that like with the lyrics 
the music also be illustrated, amplified or 
contradicted by the visuals.
There is a demand on part of 
the record label for a lot of 
close ups of the artist 
The best way for record labels to sell their 
artists, particularly females, is to show them 
regularly close up throughout the video 
(most often in a provocative fashion).
Iconography is present in 
artists within genres 
Goodwin noticed that artists often had a 
trend of repeating certain actions throughout 
each music video they feature in, making 
them recognisable.
There is frequently 
references to the notion of 
looking 
Goodwin noticed that artists often look into 
the camera to give a direct approach. This 
give the feel of the artist singing to us, the 
audience.
There is often intertextual 
reference 
He also realised that sometimes you can 
recognise the lyrics or visuals referring to 
another text, within the music video.

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Andrew goodwin’s theory applied to music videos

  • 1.
  • 2. “Music videos ignore common narrative as they are essentially advertisements. As consumers, we make up our own meaning of a song in our minds: a music video can anchor meaning and gives the record company/ artist a method of anchoring meaning” -Andrew Goodwin, Dancing In The Distraction Factory
  • 3. After many years of studying music videos , Andrew Goodwin published a book containing his music theory called Dancing in the Distraction Factory. This theory is as follows: There is a relationship between the lyrics and the visuals There is a relationship between the music and the visuals There is a demand on part of the record label for a lot of close ups of the artist Iconography is present in artists within genres There is frequently references to the notion of looking There is often intertextual reference
  • 4. There is a relationship between the lyrics and the visuals Goodwin noticed that the visuals in music videos can either illustrate, amplify or contradict the lyrics.
  • 5. There is a relationship between the music and the visuals Goodwin also noticed that like with the lyrics the music also be illustrated, amplified or contradicted by the visuals.
  • 6. There is a demand on part of the record label for a lot of close ups of the artist The best way for record labels to sell their artists, particularly females, is to show them regularly close up throughout the video (most often in a provocative fashion).
  • 7. Iconography is present in artists within genres Goodwin noticed that artists often had a trend of repeating certain actions throughout each music video they feature in, making them recognisable.
  • 8. There is frequently references to the notion of looking Goodwin noticed that artists often look into the camera to give a direct approach. This give the feel of the artist singing to us, the audience.
  • 9. There is often intertextual reference He also realised that sometimes you can recognise the lyrics or visuals referring to another text, within the music video.