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FAUVISM
•In 1908 Henry Matisse considered as the father of fauvism,
painted Luxury This became a manifiesto of what would
be fauvism later on.
•The use of colours and simplification of the drawing used by
Matisse surprised everyone.
•His desinterest of finish and garish colours he earned lot of
critics when he exhibite his landscapes.
•The repudiation of the critics converted to fauvism in the
vanguard group in Paris.
Principal authors: Gustave Moreau, Rouault, Matisse, Marquet,
Manguin, Camión y Puy
EXPRESSIONISM
• Expressionism was born a few years before the Second World War and
lasts until this ends.
• President Roosevelt began a program receive a salary in
exchagen for all the works that they created each month.
• In Grmany the expressionist works were persecuted by the National
Socialist because they were considered impure art
• On the other hand they like point of view of the graphic design because the
expressionism was a great marketing tool.
Principal authors: Lovis Corinth, Paula Modersohn-Becker, whilhelm Morgener,
Chritian Rohlfs.
CUBISM
• We could say that cubism movement was born in 1908
constituated in Montmartre.
• Cubism represent the most revolutionary innovation of art in the
early 20th century.
• Cubist painters did not enjoy social recognnition among his
contemporaries.
• Reactions to the presentations and the few publications on
Cubism mostly carried the imprint of a critical exacerbated.
Principal authors: Pablo Ruiz Picasso, Georges Braque, Juan Gris.
FAUVISM
(1904-1908)
ORIGINS
Gustave Moreau was
the movement's
inspirational teacher
Express potency of
pure color
He taught Matisse,
Marquet, Manguin,
Rouault and Camoin
during the 1890s
The style began
around 1900 beyond
1910
Fauvism
It is considered one of
the clearest exponents
of Expressionism
It is derived from
Impressionism
Reality should reveal
feelings, moods and
feelings of the author
rather than by logic
and linearity
Salon d'Automne of 1905
The first time fauvist paintings were exposed
1636 paintings and sculptures
The exposition was polemic due to the
critics it received
Name's origin
The term fauvism appears during the
celebration of the Salon d'Automne
of 1905
Vauxcelles described their show of
work with the phrase:
"Donatello chez les fauves"
Characteristics of Fauvism
- Did not care about aspects such as modeling,
perspective, technique, etc.
- Express feelings.
- The drawing is secondary (although Matisse did
not forget its importance)
- Rebellious attitude.
- Great variety of themes.
Matisse
Leader of the fauvist style since 1904.
He says that above all he
looks for expression.
Fauvism was his second
artistic stage
The Green Line (Portrait
of Madame Matisse), 1905.
Woman with a parasol, 1905 .
Open Window at Collioure,
1905.
Marguerite reading, 1906.
Pastoral, 1905.
André Derain
Mountains at Collioure, 1905.
The Bridge of Charing Cross,1906.
Some other paintings
L’ Estaque, 1907
Georges Braque.
Portrait de Fernande, 1905
Kees Van Dogen.
EXPRESSIONISM
• Develop in Germany in the XX century.
• A clear relation with fauvism.
• Expressionism: deformation of the reality
for express (subjective) nature and
humanity feelings.
MAIN CHARACTERISTICS
• Reflect reality (First World War).
• Strong colors.
• Straight lines.
• Predominate the mask and landscapes.
• Blue, green and yellow that have contrast
with white and black.
• Defend the freedom.
ARCHITECTURE
• Denmark, Germany,
Holand….
• New materials: steel,
brick and glass.
• Bruno Taut, Hans
Poelzig, Rudolf
Steiner…
• Pabellon de cristal.
Sculptures
• Mainly of wood and
steel, later they used
to pass them to
bronce.
• Antoine Bourdelle
• Käthe Kollwitz
• Victorio Macho
PAINTING
• DIE BRÜKE (1905) In
Drese.
4 university students
Wanted to change their
country art with the
help of radicals
citizens.
• DER BLAUE REITER
(1911) in Munich.
• A group of ambizious
artist.
• Use of watercolour
EDVARD MUNCH (NORWAY)
Ernst Ludwig Krichner
EMIL NOLDE
• http://arte.idoneos.com/expresionismo/
• http://arte.idoneos.com/expresionismo/
CUBIS
M
(1908-
WHAT IS CUBISM?
“An idea that became an stile.”
Three main points geometry
multiple views
passage (one
plain,
plenty poins of
view)
Other: distortion and deformation of known
figures
CUBISM CONCEPT
“Describing in visual terms the concept of
the fourth dimension”
Conceptual approach to realism
The world is describes as it is
and not
as it seems to be.
Draw it the way it is and not the
way it seems to be.
Why “fourth dimension”?
“To know an objects from different
points of
view takes time, because you move the
object
around in space or you move around the
object.
Therefore, to show the multiple views
implies
the fourth dimension (time).” -This was the
CUBISM AS MOVENMENT
• Early Cubism or Cézannism (1908-1910)
• Analytical Cubism (1910-1912)
• Synthetic Cubism (1912-1914)
• Late Cubism (1914-nowadays)
CUBISM AS MOVENMENT
EARLY CUBISM
ANALITICAL
CUBISM
CUBISM AS MOVENMENT
SYNTHETIC
CUBISM LATE CUBISM
MAIN WORKS OF CUBISM
• Pablo Ruiz Picasso
“Los Músicos”
“La suplicante” “Mujer antes del
espejo”
MAIN WORKS OF CUBISM
• Juan Gris
“The Sunblind"
“Guitarra y mandolina” “Stilleben mit Gitarre”
MAIN WORKS OF CUBISM
• Georges Braque
“Pitcher and Violin”
“Femme tenant une
Mandoline” “Girl with a Cross”

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1st avant garde movement

  • 1. FAUVISM •In 1908 Henry Matisse considered as the father of fauvism, painted Luxury This became a manifiesto of what would be fauvism later on. •The use of colours and simplification of the drawing used by Matisse surprised everyone. •His desinterest of finish and garish colours he earned lot of critics when he exhibite his landscapes. •The repudiation of the critics converted to fauvism in the vanguard group in Paris. Principal authors: Gustave Moreau, Rouault, Matisse, Marquet, Manguin, Camión y Puy
  • 2. EXPRESSIONISM • Expressionism was born a few years before the Second World War and lasts until this ends. • President Roosevelt began a program receive a salary in exchagen for all the works that they created each month. • In Grmany the expressionist works were persecuted by the National Socialist because they were considered impure art • On the other hand they like point of view of the graphic design because the expressionism was a great marketing tool. Principal authors: Lovis Corinth, Paula Modersohn-Becker, whilhelm Morgener, Chritian Rohlfs.
  • 3. CUBISM • We could say that cubism movement was born in 1908 constituated in Montmartre. • Cubism represent the most revolutionary innovation of art in the early 20th century. • Cubist painters did not enjoy social recognnition among his contemporaries. • Reactions to the presentations and the few publications on Cubism mostly carried the imprint of a critical exacerbated. Principal authors: Pablo Ruiz Picasso, Georges Braque, Juan Gris.
  • 5. ORIGINS Gustave Moreau was the movement's inspirational teacher Express potency of pure color He taught Matisse, Marquet, Manguin, Rouault and Camoin during the 1890s The style began around 1900 beyond 1910
  • 6. Fauvism It is considered one of the clearest exponents of Expressionism It is derived from Impressionism Reality should reveal feelings, moods and feelings of the author rather than by logic and linearity
  • 7. Salon d'Automne of 1905 The first time fauvist paintings were exposed 1636 paintings and sculptures The exposition was polemic due to the critics it received
  • 8. Name's origin The term fauvism appears during the celebration of the Salon d'Automne of 1905 Vauxcelles described their show of work with the phrase: "Donatello chez les fauves"
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  • 10. Characteristics of Fauvism - Did not care about aspects such as modeling, perspective, technique, etc. - Express feelings. - The drawing is secondary (although Matisse did not forget its importance) - Rebellious attitude. - Great variety of themes.
  • 11. Matisse Leader of the fauvist style since 1904. He says that above all he looks for expression. Fauvism was his second artistic stage The Green Line (Portrait of Madame Matisse), 1905.
  • 12. Woman with a parasol, 1905 . Open Window at Collioure, 1905.
  • 14. André Derain Mountains at Collioure, 1905. The Bridge of Charing Cross,1906.
  • 15. Some other paintings L’ Estaque, 1907 Georges Braque. Portrait de Fernande, 1905 Kees Van Dogen.
  • 16. EXPRESSIONISM • Develop in Germany in the XX century. • A clear relation with fauvism. • Expressionism: deformation of the reality for express (subjective) nature and humanity feelings.
  • 17. MAIN CHARACTERISTICS • Reflect reality (First World War). • Strong colors. • Straight lines. • Predominate the mask and landscapes. • Blue, green and yellow that have contrast with white and black. • Defend the freedom.
  • 18. ARCHITECTURE • Denmark, Germany, Holand…. • New materials: steel, brick and glass. • Bruno Taut, Hans Poelzig, Rudolf Steiner… • Pabellon de cristal.
  • 19. Sculptures • Mainly of wood and steel, later they used to pass them to bronce. • Antoine Bourdelle • Käthe Kollwitz • Victorio Macho
  • 20. PAINTING • DIE BRÜKE (1905) In Drese. 4 university students Wanted to change their country art with the help of radicals citizens.
  • 21. • DER BLAUE REITER (1911) in Munich. • A group of ambizious artist. • Use of watercolour
  • 27. WHAT IS CUBISM? “An idea that became an stile.” Three main points geometry multiple views passage (one plain, plenty poins of view) Other: distortion and deformation of known figures
  • 28. CUBISM CONCEPT “Describing in visual terms the concept of the fourth dimension” Conceptual approach to realism The world is describes as it is and not as it seems to be.
  • 29. Draw it the way it is and not the way it seems to be.
  • 30. Why “fourth dimension”? “To know an objects from different points of view takes time, because you move the object around in space or you move around the object. Therefore, to show the multiple views implies the fourth dimension (time).” -This was the
  • 31. CUBISM AS MOVENMENT • Early Cubism or Cézannism (1908-1910) • Analytical Cubism (1910-1912) • Synthetic Cubism (1912-1914) • Late Cubism (1914-nowadays)
  • 32. CUBISM AS MOVENMENT EARLY CUBISM ANALITICAL CUBISM
  • 34. MAIN WORKS OF CUBISM • Pablo Ruiz Picasso “Los Músicos”
  • 35. “La suplicante” “Mujer antes del espejo”
  • 36. MAIN WORKS OF CUBISM • Juan Gris “The Sunblind"
  • 37. “Guitarra y mandolina” “Stilleben mit Gitarre”
  • 38. MAIN WORKS OF CUBISM • Georges Braque “Pitcher and Violin”
  • 39. “Femme tenant une Mandoline” “Girl with a Cross”