3. INTRODUCTION
Indonesia reflects the diversity
of cultural, historical and geographic.
Impact from Invaders, colonizers, missionaries,
merchants and traders.
the most significant foreign-Indian.
Others-Chinese, Arab, European
4. TYPE OF INDONESIAN ARCHITECTURE
1) Religious Architecture – Candi ( Buddha &
Hindu) & Mosque ( Islam )
2) Traditional & Vernacular Architecture –
Rumah Adat
3) Colonial Architecture
4) Post-Independence Architecture
5. RELIGIOUS ARCHITECTURE
HINDU
- Candi are the Hindu and Buddhist temples and
sanctuaries of Indonesia
- mostly built during the 8th to 15th centuries.
- However, ancient non-religious structures such
as gates, urban ruins, and pool and bathing
places are often also called as "candi"
8. CANDI BOROBUDUR
HISTORY & GENERAL DATA
Types of architecture: stupa and candi
9th century Mahayana Buddhist Temple
Location: Magelang, Central Java, Indonesia
Client: Sailendra Dynasty
Architect: Gunadharma
Influence of Gupta architecture from India that
shows influence of Buddhism and Hinduism.
Becomes one of UNESCO world heritage site as
world Monument
14. CANDI BOROBUDUR
CHARACTERISTICS
Consists of six square platform on base
bottom topped by three circular platforms.
Decorated with 2672 relief panels
504 Buddha statues located in Bell shaped stupa
Have one main dome (stupa) at center of top
platform surrounded with 72 Buddha statues.
Buddhist pilgrim journey start from base and
follows a path around monument until top.
Use for Wesak celebration.
15. RELIGIOUS ARCHITECTURE
ISLAM
MASJID
- By the fifteenth century, Islam had become the
dominant religion in Java and Sumatra, Indonesia's two
most populous islands.
- At the time, Javanese mosques took many design cues
from Hindu, Buddhist, and even Chinese
architectural influences (e.g. "Grand Mosque" in
Yogyakarta).
-
17. MOSQUE IN INDONESIA
CHARACTERISTICS
Influence: Javanese interpretation and took Hindu
heritage of Meru stepped roofs
Features: tall timber, multi-level roofs (three tiered
pyramid roof) similar to
the pagodas of Balinese Hindu temples.
They lacked, for example, the Islamic dome which
did not appear in Indonesia until the 19th century
20. TRADITIONAL & VERNACULAR ARCHITECTURE
Known as RUMAH ADAT
Ethnic groups in Indonesia are often associated with
their own distinctive form of rumah adat.
The houses are at the centre of a web of customs,
social relations, traditional laws, taboos, myths and
religions that bind the villagers together.
Functions: centre of community, family activities,
social relations, traditional laws, taboos, myths and
religion.
Build by own self/ master builder.
Mostly built without using nails
21. EXAMPLES OF RUMAH ADAT
Rumah Aceh, Aceh
A traditional Batak Toba house (Rumah
Jabu), North Sumatra.
Karo house, North Sumatra
Rumah Minangkabau (Rumah Gadang),
West Sumatra
Bangkinang Malay house, Riau
Rumah Bubungan Tinggi, South Kalimantan
Bugis house, South Sulawesi
22. Sundanese Kampung house, West Java
Balinese pavilion, Bali
Mbaru Niang house, East Nusa Tenggara
23. TRADITIONAL VERNACULAR HOUSE
COMMON CHARACTERISTICS:
Timber construction
Hardwood for piles
Natural materials – timber, bamboo, thatch (coconut
palm) and fibre for make up
Wooden and bamboo wall
Longhouse
Build on stilts
to avoid flood, wild animals, allows breeze to moderate
the hot temperature, allow house to be built on rivers
and wetland, keeps from dampness, reduces risk of
termites
24. TRADITIONAL VERNACULAR HOUSE
COMMON CHARACTERISTICS:
Varied and elaborate roof structures
Steep sloping roof to allow the heavy rain to
quickly sheet off
Large overhang eaves – keep water out of
house and as sun shade
Heavy gable
Many opening for good cross ventilation
28. FACTORS INFLUENCING ARCHITECTURAL STYLE
Geographical and climatic factor
Built on stilt – avoid flood, wild animals, allows breeze to
moderate the hot temperature, allow house to be built on
rivers and wetland
Wall surface facing East and West reduced to prevent direct
sunlight penetration.
Kerrawang as passive design approach to capture natural
ventilation.
Cross ventilation for thermal comfort.
Eave overhang as a sun shading device.
Vernacular roof to provide shades
Natural material – timber, bamboo and palm
29. FACTORS INFLUENCING ARCHITECTURAL STYLE
Religious factor.
Orientation of house set by religious people
Isolation between men and women area.
Building facing east-west or north-south orientation
Verandah and porch align on East-West orientation
Social and Cultural factor.
Interior space emphasizes an open-plan concept to allow for
family meeting or public event.
One room for privacy
No fences built around house but they create sense of
boundary by trees, shrubs or flower.
32. MINANGKABAU
(also known as Minang) is indigenous to the highlands
of West Sumatra, Indonesia.
Culture: matrilineal (pepatih), with property and land
passing down from mother to daughter, while religious
and political affairs are the responsibility of men
Population: 8 million
The Minangkabau are strongly Islamic, but also follow
their ethnic traditions, or adat.
Well-known architecture: Rumah Gadang
33. MINANGKABAU – RUMAH GADANG
CHARACTERISTICS
Definition:
Also known as rumah gadang (Big house)
Rumah adat of Minangkabau people
Minangkabau means ‘testing the strength of buffalo’
Function: residence, hall for family meeting, ceremonial
activities.
34. MINANGKABAU HOUSE
CHARACTERISTICS
Building Layout:
Long house
Rectangular in plan
Open planning
Roof form:
Spire and curved roof structure
multiple gables with dramatically upsweeping ridge ends.
Hornlike roof finial called Gonjong
Ornamentation:
Wall and gable carved with minangkabau ornamentation
Floras motifs/ arabesque (influence by Islamic pattern)
35. RUMAH GADANG IN THE PANDAI SIKEK VILLAGE OF WEST
SUMATRA, WITH TWO RICE BARNS (RANGKIANG) IN FRONT
46. BATAK TOBA
Indonesian ethnic in the region of North Sumatra
Speak batak language and centered around lake toba
and Samosir island
Population: 6 million
Religion: Christian, Islam, traditional religion
(parmalim)
Known for Cannibalism ritual
Batak architecture renowned for their Jabu house
48. Boat-shaped
Carved gable
Upsweeping roof ridge
Column rest on flat stone/ concrete
Access by trap door underneath the floor, nowaday use ladder
in front door
Open platform beneath roof used as working place, storage and
sleeping place for unmarried man
Use as bale (meeting hall), rumah (house) and sopo (rice barn)
The front gable extends further than the rear gable and is finely
carved and painted with motifs of suns, starts, cockerels, and
geometric motifs in red, white, and black
JABU – BATAK’S RUMAH ADAT
53. TORAJA
Population: 650,000 live in regency of Tana Toraja - Land of
Toraja
Religion: Protestant; 65%, Catholic; 17%, Islam; 6%, Torajan
Hindu (Aluk To Dolo- way of ancestors); 6%
renowned for massive peaked-roof traditional houses known as
Tongkonan and colourful wood carving.
Ethnic groups indigenous in
regions of West and South
Sulawesi
Word Toraja comes from Bugis
language, riaja means “people
of the uplands”
55. TONGKONAN
BUILDING CHARACTERISTICS
Tongkonan derived from word tongkon
means ‘to sit’ or ‘place to sit’
Boat-shaped – base on Torajan myth
Oversized saddleback roof (pitch)
Upsweeping gable
Few windows (dark and cramp interior)
Capacity : 10 peoples
56. TONGKONAN
BUILDING CHARACTERISTICS
No nails, only use tongue and groove joint
Houses are arranged in a row side by side, usually
for different purposes; sleeping, meeting or storage
Roof facing north south alignment, front gable face
north
Space under floor (Kolong) used for buffalo den
Front façade decorated with buffalo horns which
indicate the degree level/ sosial rank of the family.
67. BANJAR
Banjarese (urang Banjar) are coastal, native ethnic group live in
Tanah Laut and Banjarmasin, South kalimantan.
Sub ethnic: 3 division based on locations; Malay, Dayak and
Javanese.
Religion : Islam
Population : 5.4 million
Language : Banjar language (basically the Malay language
brought from Sumatra)
Well known architecture: Rumah Bubungan tinggi
68. BUBUNGAN TINGGI
CHARACTERISTICS
i. Building layout-
-main building in middle.
-Anjung, right side (Anjung kanan),
-left side (Anjung kiri)
ii. Roof Form
-steep roof (45 degrees)
-tapered roof –bubungan tinggi (lancip)
-Front roof is Sindang langit,
-rear roof is Hambin Awan
iii. Ornamentation
- pillar, railing, carving on kerrawang
- Islamic pattern ( strictly no animal and human icon)
77. 3. Colonial Architecture in Indonesia
❑Formerly known as the Dutch East Indies, Indonesia
retains much of its colonial architecture.
❑ Dutch first arrived, they favoured masonry and brick for
building houses. The tried to bring craftsmanship from
their home country to Indonesia, building canals with row
houses.
❑ Slowly neoclassical and neo-gothic influence began to
seep into architecture, with the inclusion of columns and
verandahs.
❑ This was most prominent in the Catholic churches in
Java and its provinces. The Blenduk Church in
Semarang and the Jakarta cathedral are fine examples
of this style.
79. 4. Post-Independence Architecture in Indonesia
❑ From the 1970s onward the International Style began toemerge in
Indonesia, characterized by skyscrapers made of glass, steel and
concrete.
❑ From the 1970s onward the International Style began to
emerge in Indonesia, characterized by skyscrapers made
of glass, steel and concrete.
❑ The architecture of Indonesia, with its churches,
mosques, and temples, mirrors its cultural evolution.
80.
81. REFERENCES
SOURCE:
DAWSON, B., GILLOW, J., THE TRADITIONAL ARCHITECTURE OF INDONESIA,
1994 THAMES AND HUDSON LTD, LONDON, ISBN 0-500-34132-X
HELMI, RIO; WALKER, BARBARA (1995). BALI STYLE. LONDON: TIMES
EDITIONS PTE LTD. ISBN 0-500-23714-X.
SCHOPPERT, P., DAMAIS, S., JAVA STYLE, 1997, DIDIER MILLET, PARIS,
207 PAGES, ISBN 962-593-232-1