CC BY, Elliot Jones Santa Ana College

1. Music in the Renaissance
Fiorentino, Angel with Lute (ca. 1522)

2. Rebirth
Classical (Greco-Roman) ideas rediscovered
Music begins to be seen as a fine art
Music (and all art) becomes more expressive
Rise of humanism
 Recognizing unique contributions of individuals
 Composers no longer anonymous
 Greater appreciation of aesthetic qualities of art

3. Renaissance Sacred Music
Botticelli, Adoration of the Magi

4. The Renaissance Motet
Choral music
Generally three or four voices
Latin text, sacred subject
Texts usually from Old Testament
 Often from Psalms or Lamentations
 Expressive texts call for expressive music
Usually performed a cappella (no accomp.)

5. Josquin des Prez (c1455-1521)
http://en.wikipedia.org/wiki/Josquin_Desprez
http://w3.rz-berlin.mpg.de/cmp/josquin.html
http://www.hoasm.org/IVA/DesPrez.html

6. Josquin des Prez
Born northern France/Belgium border area
Probably began career as choirboy (1460)
Held posts in France and Italy
Sang in choir of Sistine Chapel
 Singers carved their names on the wall
 “JOSQUINJ” was probably his own “graffito”
Honored by contemporaries as a genius
 Martin Luther, Rabelais, Bartoli

7. Josquin des Prez
Composed all the genres of his era
Known especially for his motets
Use of contrasting textures – sectional
Combined different styles into a new sound
 Franco-flemish complexity
 Italian lyricism
 Leading figure in new international sound
 This new style later perfected by Palestrina

8. Listening Example:
Title: Ave Maria
Composer Josquin des Prez
Genre Motet

9. Notes on Ave maria…
4-voices (SATB)
A cappella performance (no instruments)
Contrasting textures and settings
 Imitation
 Paired imitation (TB imitating SA)
 Homophony
Expressively personal final text
Changing meters

10. Council of Trent (1545-1563)
Part of the Counter-Reformation
Regulated of all aspects of church discipline
Objected to trends in church music
 Elaborate counterpoint obscures text
 Too much embellishment of chant melodies
 Use of instruments in services
 Incorporation of popular songs into music
 Secular spirit invading sacred music
 Irreverent attitude of church musicians

11. Giovanni Pierluigi da Palestrina
(c.1525-1594)
http://en.wikipedia.org/wiki/Giovanni_Palestrina
http://w3.rz-berlin.mpg.de/cmp/palestrina.html

12. Giovanni Pierluigi da Palestrina
Born near and spent most of career in Rome
Held positions in many Vatican chapels
 Singer in the Sistine Chapel
 Maestro compositore St. Peter’s Basilica
Lost many family members to the plague
Very conscious of counter-reformation
Known as “savior of church music”

13. Giovanni Pierluigi da Palestrina
Palestrina’s style seen as the culmination of
Renaissance composition
Avoidance of dissonance
Balance of the voices
Seamless sound – rhythmically smooth
Codified by Johannes Fux
Still studied today as model of counterpoint

14. Listening Example
Title Gloria from Missa Papae Marcelli
Composer Palestrina
Genre Mass

15. Notes on Gloria from Missa Papae
Marcelli
A cappella performance (no instruments)
Brief opening chant
Homophonic texture
Smooth (conjunct) melody
Regular rhythms
Note the serene, celestial quality

16. Listening Example
Title Agnus Dei from Missa Papae Marcelli
Composer Palestrina
Genre Mass

17. Notes on Agnus Dei from Missa
Papae Marcelli
A cappella performance (no instruments)
Polyphonic texture - Imitation
Palestrina writes the imitation in a way that
listeners can still understand the text
Palestrina’s style still evident
 Smooth (conjunct) melody and regular rhythms
 Serene, celestial quality

18. Renaissance Secular Music
Raphael
The Nymph Galatea
c.1512-1514

19. Popular Music Advances
Advent of the printing press
Rise of middle class
 New market for music, esp. printed music
 Many were amateur musicians themselves
 Music in the vernacular (language of the people
– not Latin)

20. Madrigal
New genre becomes internationally popular
 Begins in Italy and spreads through Europe
 Remains popular in England even after the
genre falls out of favor in Italy
Typically 4-5 solo singers, mixed voices
Secular poem, often on subject of love
Music expresses the emotion of the text
Word painting

21. Word Painting
A musical gesture that directly expresses the
meaning of words in the text

22. Claudio Monteverdi (1567-1643)
Transitional figure:
Renaissance to Baroque
Worked in Mantua then
Venice
Last 30 years spent at St.
Mark’s Cathedral
Published 8 books of
madrigals
We’ll study Monteverdi’s
Baroque opera

23. Listening Example
Title Ecco mormorar l’onde
Composer Monteverdi
Genre Italian madrigal

24. Notes on Ecco mormorar l’onde
A cappella performance (no instruments)
Homophonic texture overall
Word painting
 The melody moves up and down quickly on
“tremolar le fronde” (trembling branches)
 Nimble counterpoint when text describes birds
singing is meant to suggest actual birdsong

25. English Madrigals
English poets adopted the Italian sonnet
English composers adopted the madrigal
Nicolas Yonge’s Musica Transalpina
(1588)
Texts were “Englished” (translated)
Later composers wrote their own madrigals
A distinctly English style evolved
This is the era of Shakespeare

26. Thomas Weelkes (1576-1623)
Born near Elsted, Sussex (England)
Begins as organist - Winchester College
Career as choirmaster at Chichester Cathedral
Composes four volumes of madrigals
Trouble with alcohol
Spends time in London near end of life

27. Listening Example
Title: As Vesta Was from Latmos Hill Descending
Composer: Thomas Weelkes
Genre: English Madrigal

28. Notes on As Vesta Was…
Composed as part of tribute to Queen
Elizabeth I (The Triumphs of Oriana)
Odd text serves as fodder for word painting
 Descending lines as Vesta descends Latmos
 Ascending lines as Oriana climbs the hill
 Solo lines for Diana (virgin goddess)
Note the lighthearted quality
6-voices

29. Dance Music
Publishers issued collections of dance music
aimed at the middle class
Shawms, sackbuts, and drums were most
commonly used for dance music
Pavane was most popular dance of mid-16th
century
Usually followed by Galliard for contrast

30. Listening Example
Title: Pavane
Composer: Anonymous
Genre: Renaissance Dance

31. Notes on Pavane
Slow tempo
Serious or stately character
Duple meter

32. Listening Example
Title: Galliard
Composer: Anonymous
Genre: Renaissance Dance

33. Notes on Galliard
Fast tempo
Fun, lively character
Triple meter