Presentation for context evaluation for my own creative output in my time here at UCM

1. Evaluating the contexts that have impacted my creative
outputs since coming to UCM.

2. Gary teaching us the ways of animation:
- PIXEL ART
- STOP –MOTION
- WALK CYCLES
- CHARACTER TURN AROUND

3. WALK CYCLE: From drawing to computerized
I couldn’t draw for before I came to UCM, stick men were my
forte but now I’m happy enough to start something and just
appreciate at least how it’s familiar to my model concept.

5. AdrianLAD Photography:
• Giving us an incite into
photography and how
dark room images are
processed. There’s a
feeling of being a 1960’s
detective Columbo in
the dark room that I
simply enjoy. But also
there is appreciation for
the effort that there
must have been to make
film and photography
when phones and digital
images in general
weren’t about. Having
done different
variations of developing
I know what I like and
that there’s still more to
explore.

6. Meyerwotiz opened my eyes
about defying the need for a
focal point, instead he uses
the chaos of a picture as the
energy of interest. Keeping
things in a type of loop, no
beginning and no end. This
image looks although it’s a
transparent door that you
could walk into it.
Joel Meyerwotiz
Cheeky inspiration
from Meyerwotiz:

7. During our time on research
week, Andy North showed us
something interesting that I
keep in mind to this day, that
was what can be seen in
reflections, we took this image
under the Life Boat Station,
whilst trying out the
monochromatic medium in
photography.
ANDY NORTH:

8. APPLYING THIS:

12. DARK ROOM OUTCOMES

15. COLETTE,
Contextual Studies:
• In Contextual I have a new
understanding within imagery, with
some dank historic facts and a
different gaze into media portrayal.
Understanding more about the
meaning of images has made me look
back like at this image and see more
than before. Before this I didn’t see
the pure contrast between Husband
and Wife, children playing in the
background. Trees creating a type of
frame. Coincidently the trees look like
arches that you would normally see in
a wedding. But yes, even the bad bits
like the tree coming out of the
photographers head.
14th February 2017, under the EiffelTower.

16. 2016 2019
By overlapping lessons learnt in Colette’s lesson and from Meyerwotiz in his tips and tricks. Comparing an
image I took in 2016 and seeing the 2019 image, I notice the frame is nicer with a sprinkle of chaos and
no real focal point, although the light is like a path for the eye to follow. Ending with moonlight reflecting
on the far left of the image in a way that it’s almost like a loop.