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Analysis of That Thing-
  Lara Croft (BBC 2)
Type Of Documentary:

• Mixed – observation, interview, archive
Themes:
–    Virtual vs Reality
–    How media can make a phenomenon
–   Feminism
–   Representation of women
–   All relates back to the power of the media
Narrative Structure:
– Single Strand: one story
– Closed: doesn’t leave an open question
– Non- linear: same interview chopped up
Camerawork:
– Close up, Medium Close Up, Big Close Up
– POV: game, inside the cafe, on websites
– Pan: across the cyber cage
– Zoom in/out; on magazines
– Interviews: framed to left and right,
   MCU, BCU, CU, tilted frame, man on computer.
Mise-en-scene:
– Chromakey (green screen) of images of game on
  screen behind interview
– All mise en scene related to games or computers
– Front projection: projection on to face of person
  and background.
Sound:
– Game music or arcade music
– Game sound effects
– Music throughout: used as music, bed underneath
  interviews
– Dance music and Madonna music: one woman referred
  to her
– Voice Over: younger male voice- relevance
Editing:
– Game and film cut together: cutting
– Game footage behind interview
– One interview the game footage is projected on to
  background and face
– Movie footage behind the interview
– Man in television- creator of game: only one edited or
  interviewed in different way to stand out.
– Zoom in on websites
– Fast motion going into cyber cage
– Repeated use of Lara Croft gun footage: recurring
  motif.
Archive Material
– Game footage
– Film footage
– TV advert- Nike
– Jolie interview; stock interview of movie star
  promoting film company to own and circulate her.
– Magazines
– Websites
– Adverts
Graphics
– Interview name and relevance; always anchored
  to the game or Lara Croft
– Copyright; Nike
– Credits
– Titles

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Analysis of That Thing- Lara Croft

  • 1. Analysis of That Thing- Lara Croft (BBC 2)
  • 2. Type Of Documentary: • Mixed – observation, interview, archive
  • 3. Themes: – Virtual vs Reality – How media can make a phenomenon – Feminism – Representation of women – All relates back to the power of the media
  • 4. Narrative Structure: – Single Strand: one story – Closed: doesn’t leave an open question – Non- linear: same interview chopped up
  • 5. Camerawork: – Close up, Medium Close Up, Big Close Up – POV: game, inside the cafe, on websites – Pan: across the cyber cage – Zoom in/out; on magazines – Interviews: framed to left and right, MCU, BCU, CU, tilted frame, man on computer.
  • 6. Mise-en-scene: – Chromakey (green screen) of images of game on screen behind interview – All mise en scene related to games or computers – Front projection: projection on to face of person and background.
  • 7. Sound: – Game music or arcade music – Game sound effects – Music throughout: used as music, bed underneath interviews – Dance music and Madonna music: one woman referred to her – Voice Over: younger male voice- relevance
  • 8. Editing: – Game and film cut together: cutting – Game footage behind interview – One interview the game footage is projected on to background and face – Movie footage behind the interview – Man in television- creator of game: only one edited or interviewed in different way to stand out. – Zoom in on websites – Fast motion going into cyber cage – Repeated use of Lara Croft gun footage: recurring motif.
  • 9. Archive Material – Game footage – Film footage – TV advert- Nike – Jolie interview; stock interview of movie star promoting film company to own and circulate her. – Magazines – Websites – Adverts
  • 10. Graphics – Interview name and relevance; always anchored to the game or Lara Croft – Copyright; Nike – Credits – Titles