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Week Five 
Scenes and Storytelling 
Advanced Multimedia Storytelling: 
People And Story 
Comm Lead Program - Fall 2014 - COM 583
DEBRIEF 
★Rough Cut due in 3 
weeks! 
★Shot lists 
★Concerns?
KALOW CHAPTER 3: 
★Topic vs. Story 
★Look for passion 
★Make sure your characters 
are characters! 
★Where can I see It 
happening? Scenes!
ORAL TRADITIONS
TELL A STORY...
SCENE 
ASSIGNMENTS 
•Get out in the world 
•Footage that reflects/fits with audio 
•Change shots often 
•Rotate: Wide, Medium, Close 
•Anticipate action, Look for repetitive motion 
•Camera Awareness 
•Let your focus float 
•Remember sound
ASSIGNMENTS 
★Reading 
★Kalow Ch 4 & 5: Ethics and Editing 
★SPJ Ethics Code (Linked from Syllabus) 
★NPPA Ethics Code 
★This American Life: Mike Daisey Retraction 
★Wednesday, October 30th at 2pm: 
★Watch Finding Hillywood
FEEDBACK CARDS 
• What have been your favorite/least favorite 
aspects of class meetings so far? 
• How are you feeling about your project? Which 
aspect are you most nervous about? Which 
aspect are you most confident about?
VIDEO EDITING 
WORKFLOW
RECORDING FORMAT 
FLASH MEMORY MINI DV 
CARD
FRAME SIZE 
AND ASPECT RATIO 
1920 x 1080 
“Full HD” 
16:9 
1.7777777 
1280 x 720 
“720p HD” 
16:9 
1.7777777 
640 x 480 
“SD” 
4:3 
1.333333 
720 x 480 
“Still Photo” 
3:2 
1.5
FRAME RATE 
24p = Cinematic 
30p = Video 
60i = SlowMo
STAY CONSISTENT!!! 
DON’T CHANGE SIZE, FRAME RATE 
UNTIL YOU’RE COMPRESSING
CODEC 
THE ‘CONTAINER’ 
•H.264 
•Apple ProRes 422 (LT) 
•DVCPRO HD 720p 
‘TRANSCODING’ = CHANGING THE 
CODEC
FILE TYPE 
.MOV = Apple, Quicktime, Final Cut 
.AVI = PC, VLC, Adobe Premiere 
.MP4 = Compressing
COMPRESSION 
MAKING THE FILE SMALLER 
FOR THE INTERNET 
Video Codec: H.264 
Audio Codec: AAC Audio 
Frame Rate: Native (don’t change it) 
Data Rate: 2000 kbits/sec for SD or 5000 kbits/sec for HD 
Resolution: 640 x 480 for SD or 1280 x 720 for HD 
Deinterlace: Yes 
Audio: 320 kbps/44.1 kHz (or 48 kHz if that’s how you 
recorded) 
Format: MP4 (or MOV)
TECHNOLOGY & EDITING! 
• What editing software are you going to 
use? 
• Where are you going to access it? 
• Do you need help? 
• Other technology concerns?

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05 Scenes and Storytelling 2014

  • 1. Week Five Scenes and Storytelling Advanced Multimedia Storytelling: People And Story Comm Lead Program - Fall 2014 - COM 583
  • 2. DEBRIEF ★Rough Cut due in 3 weeks! ★Shot lists ★Concerns?
  • 3. KALOW CHAPTER 3: ★Topic vs. Story ★Look for passion ★Make sure your characters are characters! ★Where can I see It happening? Scenes!
  • 6. SCENE ASSIGNMENTS •Get out in the world •Footage that reflects/fits with audio •Change shots often •Rotate: Wide, Medium, Close •Anticipate action, Look for repetitive motion •Camera Awareness •Let your focus float •Remember sound
  • 7. ASSIGNMENTS ★Reading ★Kalow Ch 4 & 5: Ethics and Editing ★SPJ Ethics Code (Linked from Syllabus) ★NPPA Ethics Code ★This American Life: Mike Daisey Retraction ★Wednesday, October 30th at 2pm: ★Watch Finding Hillywood
  • 8. FEEDBACK CARDS • What have been your favorite/least favorite aspects of class meetings so far? • How are you feeling about your project? Which aspect are you most nervous about? Which aspect are you most confident about?
  • 10. RECORDING FORMAT FLASH MEMORY MINI DV CARD
  • 11. FRAME SIZE AND ASPECT RATIO 1920 x 1080 “Full HD” 16:9 1.7777777 1280 x 720 “720p HD” 16:9 1.7777777 640 x 480 “SD” 4:3 1.333333 720 x 480 “Still Photo” 3:2 1.5
  • 12. FRAME RATE 24p = Cinematic 30p = Video 60i = SlowMo
  • 13. STAY CONSISTENT!!! DON’T CHANGE SIZE, FRAME RATE UNTIL YOU’RE COMPRESSING
  • 14. CODEC THE ‘CONTAINER’ •H.264 •Apple ProRes 422 (LT) •DVCPRO HD 720p ‘TRANSCODING’ = CHANGING THE CODEC
  • 15. FILE TYPE .MOV = Apple, Quicktime, Final Cut .AVI = PC, VLC, Adobe Premiere .MP4 = Compressing
  • 16. COMPRESSION MAKING THE FILE SMALLER FOR THE INTERNET Video Codec: H.264 Audio Codec: AAC Audio Frame Rate: Native (don’t change it) Data Rate: 2000 kbits/sec for SD or 5000 kbits/sec for HD Resolution: 640 x 480 for SD or 1280 x 720 for HD Deinterlace: Yes Audio: 320 kbps/44.1 kHz (or 48 kHz if that’s how you recorded) Format: MP4 (or MOV)
  • 17. TECHNOLOGY & EDITING! • What editing software are you going to use? • Where are you going to access it? • Do you need help? • Other technology concerns?

Editor's Notes

  1. Yikes, Rough cut due 3 weeks from today, 5 best clips week before that. These next 2 weeks are intensive shooting time Shot list brainstorm: We never formally did this. Good exercise before you go out is to brainstorm everything you’d like to shoot in a perfect world. Worried: Need More Technical Shooting Advice?
  2. This offered some great lessons as you start to form your story or are trying to find focus. What stuck out for you? Don’t worry about her disparaging of promotional video
  3. 6-6:30 Charlene Strong and Doc Ellis What did you notice about how she told this story? Not the dramatic event that makes this story compelling - it’s what she reveals about her character - relationship with her father, husband - hinted at but not hit over the head - chooses what she says so carefully. Self Critical The power of this story to change legislation. What worked,  What was the structure of Charlene’s story -- lay it out on the board: Dive in to inciting action Changes in her life it causes. Glosses over unimp parts in favor of revealing anecdotes (Taboo Game) Building into climactic event The Flood (W deets like Dog Swimming in the street) Unexpected twist Reveals what its really about: She cant see her spouse in the hospital Denumont (unraveling) the tapes.
  4. 6:30-7:30 5 mins telling a story What did you like/dislike about that person’s story? Keep track on the board of common characteristics You can all put together a story. Now you just have to do it in video form Break
  5. 7:45-8:45 Review 3 or 4 Multiple shots -- wide, medium, close Don’t forget to get really close Camera awareness Lips moving on camera? Think about what’s said in the interview and how you can match it. How to mix in the ambient sound (if at all) Sarahy, Sebastian, Scott End with Scott’s
  6. Done by 9 We’re going to dive into hands on, but before we do, a few minutes of lecture There are literally millions of work flows.  No single one is right. Depends on the camera you have, the software, where its going to be played. There are a few main variables you should understand.
  7. What your camera records onto Determines Whether you just copy files or have to capture them in real time Pluses and Minuses of each
  8. Two sizes of HD, One size of SD (also widescreen SD) Still photos Everything is moving into 16:9 world. Best way to go. For refugees project I had to crop my stills. You can put a black bar on the sides
  9. Long story short, it doesn’t really matter, just keep it the same This p means progressive i means interlaced Don’t worry about it!
  10. Always shoot the same and match the way you shot when you import and edit.
  11. There are literally hundreds of these but H.264 is magic -- what lets the HDSLR’s work ProRes is for using H.264 footage in FCP So is DVCPRO HD 720p, so its smaller (remember -- what does 720p mean?)
  12. MOV is what comes out of DSLR’s
  13. These are the settings vimeo recommends
  14. What editing software are you planning to use? Do you have it? What technology concerns do you have? Who has questions or concerns about editing? Raise hands? Ask what a couple are. I’m here for demoing any editing questions that I can, either as a group or individually
  15. You can use any of these to compress The settings will be the same
  16. Set up the camera, let the action happen in front of it
  17. Or if they’re your family or friends they get used to you. How does Sarah feel here?
  18. Kneeled Down
  19. Think about depth -- more than one element in the photo
  20. Think about framing Look at professional photos, almost always many layers and stuff cut out of the frame.
  21. Other secret tips
  22. Approach your video just like a photo the moving photograph (aka Rock shots) images where you cant tell if its a still or video -- makes you look harder. Can you see the motion Keep the camera still
  23. Video Portrait -- like we took their snapshot, but over time. What we really want is them thinking about what we were talking about Sometimes this just happens naturally. What’s he thinking? We already talked about how we need to get room tone, and getting people to sum up, and getting a vid portrait -- so there’s a great way to do that all at once. ROOM TONE/Brian Storm Secret.
  24. What do you notice about focus in the picture? Thats what depth of field means You can control it with the F Stop. Size of the little hole light goes through. Bigger, more light, less depth of field Don’t need to know why, just know it will make you look pro.
  25. Compare these two. Which has a shallower “depth of field” You can control it with the F Stop. Size of the little hole light goes through. Bigger hole, more light, less depth of field. Don’t need to know why, just know it will make you look pro.
  26. You can adjust f-stop on most cameras. On HV30 if you go into manual mode.
  27. Lower F stop number or use the flower icon. Also allows for low light shooting Again here, showing something our eyes can’t see.
  28. 5 mins - 9:45-9:50