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Video Shooting and Editing Workshop

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Slides for 2 part video shooting and editing workshop held at UW Com Dept 2011. (video files have been removed)

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Video Shooting and Editing Workshop

  1. 1. Video Bootcamp Pt 1: Shooting Video
  2. 2. Alex Stonehill Visual Journalist UWComm Faculty alex@clpmag.org Sara Stogner Visual Journalist Seattle Globalistsarastogner@clpmag.org
  3. 3. What We’re Doing Today★Documentary Video★Equipment Setup★Shooting
  4. 4. What We’re Doing Today★Documentary Video★Equipment Setup★Shooting Next Week: Oct 26th
  5. 5. What We’re Doing Today★Documentary Video★Equipment Setup★Shooting Next Week: Oct 26th★Capturing★Editing (Adobe Premiere)★Export/Upload
  6. 6. What’s it made of?
  7. 7. What’s it made of?Sounds:
  8. 8. What’s it made of?Sounds:•People talking
  9. 9. What’s it made of?Sounds:•People talking•Music
  10. 10. What’s it made of?Sounds:•People talking•Music•Voice Over
  11. 11. What’s it made of?Sounds:•People talking•Music•Voice Over•Ambient Sound
  12. 12. What’s it made of?Sounds:•People talking•Music•Voice Over•Ambient SoundAudio w/o Visuals?
  13. 13. What’s it made of?Sounds:•People talking•Music•Voice Over•Ambient SoundAudio w/o Visuals?
  14. 14. What’s it made of?Visuals:
  15. 15. What’s it made of?Visuals: •People talking (Interview)
  16. 16. What’s it made of?Visuals: •People talking (Interview) •People doin’ stuff (Scenes)
  17. 17. What’s it made of?Visuals: •People talking (Interview) •People doin’ stuff (Scenes) •Places/Objects
  18. 18. What’s it made of?Visuals: •People talking (Interview) •People doin’ stuff (Scenes) •Places/Objects •Text on Screen
  19. 19. What’s it made of?Visuals: •People talking (Interview) •People doin’ stuff (Scenes) •Places/Objects •Text on Screen Visuals w/o Audio
  20. 20. Interviews
  21. 21. Scenes/B-roll
  22. 22. Scenes/B-roll
  23. 23. Scenes/B-roll
  24. 24. Scenes/B-roll
  25. 25. Setting Up Video Interviews
  26. 26. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod
  27. 27. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side
  28. 28. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side★Subject looks across
  29. 29. Rule of Thirds
  30. 30. Rule of Thirds
  31. 31. Rule of Thirds
  32. 32. Setting Up Video Interviews
  33. 33. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod
  34. 34. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side
  35. 35. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side★Subject looks across
  36. 36. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side★Subject looks across★Get good sound!
  37. 37. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side★Subject looks across★Get good sound!★Consider what’s behind them
  38. 38. Setting Up Video Interviews★Keep it Steady -- Tripod/Table/Monopod★Light from the side★Subject looks across★Get good sound!★Consider what’s behind them
  39. 39. Tips forInterviewQuestions
  40. 40. Tips for Interview Questions★Open Questions (not Yes or No)
  41. 41. Tips for Interview Questions★Open Questions (not Yes or No)★Two part questions
  42. 42. Tips for Interview Questions★Open Questions (not Yes or No)★Two part questions★Don’t talk over them
  43. 43. Equipment Setup Kodak Zi8 Canon T2i Easier More Difficult Less Control More ControlFlash Memory DSLR Built in Lens Interchangeable Lenses
  44. 44. Video Editing Workflow
  45. 45. Video Editing Workflow★SHOOTING -- getting in in the Camera
  46. 46. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer
  47. 47. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage
  48. 48. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage★EXPORTING -- from editing software to file
  49. 49. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage★EXPORTING -- from editing software to file★COMPRESSING -- making file smaller
  50. 50. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage★EXPORTING -- from editing software to file★COMPRESSING -- making file smaller★UPLOADING -- putting it online
  51. 51. FRAME SIZE AND ASPECT RATIO1920 x 1080 1280 x 720 640 x 480 720 x 480 “Full HD” “720p HD” “SD” “Still Photo” 16:9 16:9 4:3 3:2 1.7777777 1.7777777 1.333333 1.5
  52. 52. FRAME RATE 24p = Cinematic 30p = Video 60i = SlowMo
  53. 53. STAY CONSISTENT!!!DON’T CHANGE SIZE, FRAME RATE UNTIL YOU’RE COMPRESSING
  54. 54. Equipment Setup See Handout!!!
  55. 55. Equipment Setup See Handout!!!★Check recording format:Kodak --720p (not60fps)Canon--1920x1080 30fps
  56. 56. Equipment Setup See Handout!!!★Check recording format:Kodak --720p (not60fps)Canon--1920x1080 30fps★Check for Tape/SD card
  57. 57. Equipment Setup See Handout!!!★Check recording format:Kodak --720p (not60fps)Canon--1920x1080 30fps★Check for Tape/SD card★Tripod
  58. 58. Equipment Setup See Handout!!!★Check recording format:Kodak --720p (not60fps)Canon--1920x1080 30fps★Check for Tape/SD card★Tripod★Set up microphone (lavalier orshotgun)
  59. 59. Equipment Setup See Handout!!!★Check recording format:Kodak --720p (not60fps)Canon--1920x1080 30fps★Check for Tape/SD card★Tripod★Set up microphone (lavalier orshotgun)★Check Audio Levels (w/ Heaphones)
  60. 60. Equipment Setup See Handout!!!★Check recording format:Kodak --720p (not60fps)Canon--1920x1080 30fps★Check for Tape/SD card★Tripod★Set up microphone (lavalier orshotgun)★Check Audio Levels (w/ Heaphones)★Record
  61. 61. Today’sInterviews
  62. 62. Today’s Interviews★Find a partner of equal skill level
  63. 63. Today’s Interviews★Find a partner of equal skill level★15 minutes of set up
  64. 64. Today’s Interviews★Find a partner of equal skill level★15 minutes of set up★Find a quiet place
  65. 65. Today’s Interviews★Find a partner of equal skill level★15 minutes of set up★Find a quiet place★3-5 minutes of interview
  66. 66. Today’s Interviews★Find a partner of equal skill level★15 minutes of set up★Find a quiet place★3-5 minutes of interview★About your UW experience, thisworkshop (or something else you canget b roll of)
  67. 67. What else do I shoot?:B-roll and Scenes
  68. 68. What else do I shoot?:B-roll and Scenes
  69. 69. What else do I shoot?:B-roll and Scenes
  70. 70. What else do I shoot?:B-roll and Scenes
  71. 71. Why do I need B-roll?
  72. 72. Why do I need B-roll?★To make it moreinteresting!
  73. 73. Why do I need B-roll?★To make it moreinteresting!★To hide cuts in the interview
  74. 74. Why do I need B-roll?★To make it moreinteresting!★To hide cuts in the interview★Make sure to get B-roll thatmatches your interviews
  75. 75. Wide/Establishing Shot
  76. 76. Wide/Establishing Shot
  77. 77. Wide/Establishing Shot
  78. 78. Wide/Establishing Shot
  79. 79. Wide/Establishing Shot
  80. 80. Medium Shot
  81. 81. Medium Shot
  82. 82. Medium Shot
  83. 83. Medium Shot
  84. 84. Medium Shot
  85. 85. Close Up
  86. 86. Close Up
  87. 87. Close Up
  88. 88. Close Up
  89. 89. Close Up
  90. 90. Action
  91. 91. Action
  92. 92. Emotion
  93. 93. Emotion
  94. 94. Emotion
  95. 95. Angles
  96. 96. New Perspective
  97. 97. Many Layers
  98. 98. Cropped
  99. 99. Cropped
  100. 100. Rules of B-Roll
  101. 101. Rules of B-Roll★Use a Tripod/Stabilization
  102. 102. Rules of B-Roll★Use a Tripod/Stabilization★Compose your shot carefully
  103. 103. Rules of B-Roll★Use a Tripod/Stabilization★Compose your shot carefully★Keep the Camera Still!
  104. 104. Rules of B-Roll★Use a Tripod/Stabilization★Compose your shot carefully★Keep the Camera Still!★At least 10sec/shot
  105. 105. Rules of B-Roll★Use a Tripod/Stabilization★Compose your shot carefully★Keep the Camera Still!★At least 10sec/shot★Get Lots!
  106. 106. Sample B-roll
  107. 107. Rules of B-Roll
  108. 108. Rules of B-Roll★Use a Tripod/Table
  109. 109. Rules of B-Roll★Use a Tripod/Table★Compose your shot carefully
  110. 110. Rules of B-Roll★Use a Tripod/Table★Compose your shot carefully★Keep the Camera Still!
  111. 111. Rules of B-Roll★Use a Tripod/Table★Compose your shot carefully★Keep the Camera Still!★At least 10sec/shot
  112. 112. Rules of B-Roll★Use a Tripod/Table★Compose your shot carefully★Keep the Camera Still!★At least 10sec/shot★Get Lots!
  113. 113. Rules of B-Roll★Use a Tripod/Table★Compose your shot carefully★Keep the Camera Still!★At least 10sec/shot★Get Lots!★Think in sequences
  114. 114. Sample Sequence 2
  115. 115. Today’s B-Roll
  116. 116. Today’s B-Roll★at least 5 Shots
  117. 117. Today’s B-Roll★at least 5 Shots★at least 10 seconds each
  118. 118. Today’s B-Roll★at least 5 Shots★at least 10 seconds each★different distances
  119. 119. Today’s B-Roll★at least 5 Shots★at least 10 seconds each★different distances★different angles
  120. 120. Today’s B-Roll★at least 5 Shots★at least 10 seconds each★different distances★different angles★make it match the interview!
  121. 121. When you’re finished... Copy Files onto a PC (Don’t forget which one) Put them in a new folder on desktop w/ your namePack Up your equipment
  122. 122. see you at.... Video Bootcamp Pt 2:Editing w/ Adobe Premiere
  123. 123. see you at.... Video Bootcamp Pt 2:Editing w/ Adobe Premiere October 26th, Same Time & Place Friday 1pm, CMU 302
  124. 124. see you at.... Video Bootcamp Pt 2:Editing w/ Adobe Premiere October 26th, Same Time & Place Friday 1pm, CMU 302 Alex Stonehill alex@clpmag.org
  125. 125. see you at.... Video Bootcamp Pt 2:Editing w/ Adobe Premiere October 26th, Same Time & Place Friday 1pm, CMU 302 Bring your video files from today! Alex Stonehill alex@clpmag.org
  126. 126. Credit Students:Assignment: Spend 2-4 hours shootingBring unedited video files next Friday October 26th, Same Time & Place Friday 1pm, CMU 302
  127. 127. Credit Students:Assignment: Spend 2-4 hours shootingBring unedited video files next Friday October 26th, Same Time & Place Friday 1pm, CMU 302 Alex Stonehill alex@clpmag.org
  128. 128. Credit Students:Assignment: Spend 2-4 hours shootingBring unedited video files next Friday This equipment can be checked out starting Monday 3pm October 26th, Same Time & Place Friday 1pm, CMU 302 Alex Stonehill alex@clpmag.org
  129. 129. Video Bootcamp Pt 2: Editing Video
  130. 130. Alex Stonehill Visual Journalist UWComm Faculty alex@clpmag.org Sara Stogner Visual Journalist Seattle Globalistsarastogner@clpmag.org
  131. 131. What We’re Doing Today
  132. 132. What We’re Doing Today ★Capturing
  133. 133. What We’re Doing Today ★Capturing ★Editing (Adobe Premiere)
  134. 134. What We’re Doing Today ★Capturing ★Editing (Adobe Premiere) ★Export/Upload
  135. 135. What We’re Doing Today ★Capturing ★Editing (Adobe Premiere) ★Export/Upload ★Evaluation Forms
  136. 136. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage★EXPORTING -- from editing software to file★COMPRESSING -- making file smaller★UPLOADING -- putting it online
  137. 137. Capturing Kodak Zi8•Plug in USB•Drag and Drop Files•Pay attention to where you put em!
  138. 138. From Last Time: When you’re finished... Copy Files onto a PC (Don’t forget which one) Put them in a new folder on desktop w/ your name
  139. 139. PROJECT SETUP
  140. 140. FRAME SIZE AND ASPECT RATIO1920 x 1080 1280 x 720 640 x 480 720 x 480 “Full HD” “720p HD” “SD” “Still Photo” 16:9 16:9 4:3 3:2
  141. 141. FRAME RATE 24p = Cinematic 30p = Video 60i = SlowMo
  142. 142. STAY CONSISTENT!!!DON’T CHANGE SIZE, FRAME RATE UNTIL YOU’RE COMPRESSING
  143. 143. PROJECT SETUP
  144. 144. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage★EXPORTING -- from editing software to file★COMPRESSING -- making file smaller★UPLOADING -- putting it online
  145. 145. EDITING
  146. 146. •Importing Files•Setting In and Out Points•Editing Clip on the Timeline•Blade Tool•Zooming In and Out on thetimeline•Turning Volume Up and Down•Overlapping Tracks•Adding Transitions
  147. 147. Video Editing Workflow★SHOOTING -- getting in in the Camera★CAPTURING -- from Camera to Computer★EDITING -- manipulating footage★EXPORTING -- from editing software to file★COMPRESSING -- making file smaller★UPLOADING -- putting it online
  148. 148. CODEC THE ‘CONTAINER’•H.264•Apple ProRes 422 (LT)•DVCPRO HD 720p‘TRANSCODING’ = CHANGING THE CODEC
  149. 149. FILE TYPE.MOV = Apple, Quicktime, Final Cut.AVI = PC, VLC Media Player, AdobePremiere.MP4 = Compressing
  150. 150. COMPRESSION SOFTWARE★Adobe Media Encoder (Both) = Part of Premiere(in 302)★QuickTime Pro (Mac) = $35★Compressor (Mac) = Part of Final Cut Suite(in 306)★MPEG Streamclip (Both) = Free!
  151. 151. COMPRESSION MAKING THE FILE SMALLER FOR THE INTERNETVideo Codec: H.264Audio Codec: AAC AudioFrame Rate: Native (don’t change it)Data Rate: 2000 kbits/sec for SD or 5000 kbits/sec for HDResolution: 640 x 480 for SD or 1280 x 720 for HDDeinterlace: YesAudio: 320 kbps/44.1 kHz (or 48 kHz if that’s how yourecorded)Format: MP4 (or MOV)
  152. 152. Exporting/Compressing•Check timeline for extra clips andparameters•File>Export Media•Set Format: H.264•Set Preset: Youtube Widescreen HD•Set Output Name and Destination (tosomething you’ll remember)•When Adobe Media Converter openshit “Start Queue”•Wait...........
  153. 153. Uploading Options
  154. 154. Credit Students: Assignment: Complete your video Should be 1 to 4 mins longFinal Videos due November 5th, 5pm Upload to Youtube or Vimeo and submit the link to stonehil@uw.edu Alex Stonehill stonehil@uw.edu
  155. 155. Thank You! Evaluation Forms Pls. Upload video towww.vimeo.com/groups/uwcomm Alex Stonehill stonehil@uw.edu CMU 331

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