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Street Smart: Urban Fiction in Public Libraries
1. Street Smart:
Urban Fiction in
Public Libraries
Instructor: Vanessa Irvin Morris, M.S.L.S., Ed.D.
Sponsor: Public Library Association
Webinar, 15 May 2013
2. Goals of this Webinar
Today’s Learning Outcomes:
•Understand the evolution of street lit as we know
it today
•Articulate the difference between urban fiction and street
lit
•Refer to established resources for the purpose of
collection development and readers advisory
3. Evolution of Street
Lit(erature)
• First question is: What is street literature about?
• Life in city streets
• Interactions / Communications
• Relationships
• Life experiences
• Stories about the challenges of urban living for:
• Middle- and/or low-income citizens
• Immigrants
• The Poor
• So given these considerations, we can ask:
“Where did these stories come from?” “How far back
does street lit go?” “What’s the earliest traceable story
about a low-income city dweller and their life experiences?”
The earliest known street lit novel happens to be one of the first novels
published in English!
4. Evolution of Street
Lit(erature)• Defoe, D. (1722). The Fortunes and Misfortunes of
the Famous Moll Flanders. London: Thomas.
• The full, original title of the text says it all:
• The Fortunes and Misfortunes of the Famous Moll
Flanders, &c. Who was Born in Newgate, and during a
Life of continu'd Variety for Threescore Years, besides
her Childhood, was Twelve Year a Whore, five times a
Wife (whereof once to her own Brother), Twelve Year a
Thief, Eight Year a Transported Felon in Virginia, at last grew
Rich, liv'd Honest, and died a Penitent. Written from her own
Memorandums.
• The story is about:
• A woman
• Born in a London prison
• Lived a criminal life
• Found redemption
• Then died.
5. Evolution of Street
Lit(erature)
• Daniel Defoe was one of the first novelists. Robinson Crusoe and
Moll Flanders were originally serialized in newspapers.
• The newspaper was the original “street literature” in the format of
broadsides (think of scribes and town criers of yesteryear yelling,
“Hear ye! Hear ye!”).
• Street literature ephemera show that gritty stories were told:
• Romance, Affairs
• Community events, Politics
• Crimes, Executions
• Humor, Weather, Almanac info
• The stories via:
• Short story
• Poetry
• Ballads
• Prose
• Compilation of serialized stories from city newspapers and
broadsides became the novel.
6. Evolution of Street
Lit(erature)• 19th
C.: city novels coincided with European
immigration wave to American cities (Dunlap, 1934)
• Depicted citizens’ harsh adjustments to city life
with the following themes:
• City plagues and epidemics
• Duelling
• Alcoholism (Intemperance)
• Poverty
• Domestic violence
• Crime
• Religious life
• Late 19th
C. – early 20th
C.: rise of the naturalism movement that explored
city social conditions and effects
• Charles Dickens: Oliver Twist (1834); Tale of Two Cities (1859)
• Margaret Lee: A Brooklyn Bachelor (1886)
• Jacob Riis’ photographic treatise: How the Other Half Lives (1890)
• Stephen Crane: Maggie, A Girl of the Streets (1893)
• Frank Norris: McTeague (1899)
Small sampling of 19th
Century City Novels
•J.T. Irving: The Attorney (1842)
•George Lippard: The Quaker City (1844)
•George Foster: Celio (1850)
•Charles Gayler: Out of the Streets (1869)
•Harriett Beecher Stowe: My Wife and I (1871)
•Rebecca Harding Davis: A Law Unto Herself
(1878)
7. Evolution of Street
Lit(erature)• 20th
Century:
• Migration patterns spawns new migrants to cities:
• Paul Laurence Dunbar’s novel Sport of the Gods (1908)
• Claude McKay: Home to Harlem (1928)
• Henry Roth: Call It Sleep (1934)
• Harlem Renaissance:
• Richard Wright: Native Son (1940)
• Chester Himes: If He Hollers Let Him Go (1945)
• Anne Petry: The Street (1946)
• 1950s-1960s:
• Hurbert Selby, Jr.: Last Exit to Brooklyn (1957)
• Mario Puzo: The Fortunate Pilgrim (1965)
• Claude Brown: Manchild of the Promised Land (1965)
• Malcolm X: Autobiography of Malcolm X (1965)
• Piri Thomas: Down these Mean Streets (1967)
8. Evolution of Street
Lit(erature)
• 1970s Pulp Fiction
• Iceberg Slim
• Donald Goines
• 1970s-1980s: Two worlds collide
• Hip Hop (started in 1972: DJ Cool Herc)
• The War on Drugs (decl. by Pres. Nixon, 1971)
• 1990s: A Street Literature renaissance
• Omar Tyree: Flyy Girl (1996)
• Sister Souljah: The Coldest Winter Ever (1999)
• Teri Woods: True to the Game (1999)
• 2000’s: Current day authors
• K’wan
• Treasure E. Blue
• Wahida Clark
• Ashley and JaQuavis Coleman
9. My definition for Street Lit
• My original definition:
Contemporary Street Literature can be defined as a literary
genre "where the stories, be they fiction or non-fiction,
are consistently set in urban, inner-city enclaves. Street
Literature of yesteryear and today, by and large, depicts
tales about the daily lives of people living in lower
income city neighborhoods. This characteristic spans
historical timelines, varying cultural identifications,
linguistic associations, and various format designations."
- The Readers' Advisory Guide to Street Literature, 2011,
p. 2.
10. My definition for Street Lit
• My evolving definition:
Contemporary Street Literature can be defined as a literary
genre "where the stories, be they fiction or non-fiction,
are consistently set in urban, inner-city enclaves where
city dwellers experience risky lifestyles that are often
violent and/or illegal in nature, for the purpose of
survival. Street Literature of yesteryear and today, by
and large, depicts dystopian tales about the daily lives of
people living in lower income city neighborhoods. This
characteristic spans historical timelines, varying cultural
identifications, linguistic associations, and various format
designations."
12. Characteristics of Street Lit
• Set in and depicting daily living of low-income
city residents
• Fast paced stories, often with flashback
sequences
• Vivid depictions of the inner city environment
• poverty
• substandard housing
• lack of access to civic resources
• The street as an interactive stage
13. Characteristics of Street lit
• Female and male identity formation (via intense
relationships, often romantic in nature)
• Protagonists are often young adults (common age range 19 – 25)
• Navigation of interpersonal relationships
• surviving abuse
• betrayal in friendships
• fantastical revenge plots
• Commodification of lifestyles
• Surviving street life – overcoming street lifestyle – the
challenge of moving up and away from the streets
• Which involves “risk”: Risky behaviors and lifestyles for the
purpose of survival
14. Characteristics of Street Lit
These characteristics are not exclusive. Can blend across genres,
such as:
Romance Mystery Speculative Fiction Science Fiction
Black The Bridge A Wish After Midnight Mind of My Mind
(2003) (2003) (2010) (1994)
15. Latest trends in Street Lit
• Hip Hop publishing Street Lit
• eBooks and mobile devices
17. Resources
COLLECTION DEVELOPMENT / READERS ADVISORY SOURCES
•Boyd, K.C. 2013. Urban Fiction/Street Literature Collection Development for
School Libraries. Slideshare. Available: http://
www.slideshare.net/kcboyd1/street-lit-collection-development-2013-18651891 .
•Honig, Megan. 2010. Urban Grit: A Guide to Street Lit. Genreflecting Advisory
Series. Westport, CT: Libraries Unlimited.
•Irvin Morris, Vanessa. 2011. The Readers Advisory Guide to Street Literature. ALA
Readers’ Advisory Series. Chicago: ALA Editions.
•Irvin Morris, Vanessa. 2009 - . StreetLiterature.com. Blog. Available:
http://www.streetliterature.com.
•Street Lit Collection Development Resources. 2011. ALA. Wiki. Available: http
://wikis.ala.org/professionaltips/index.php?title=Street_Lit_Collection_Development_Resources
18. Resources
ONLINE REVIEW SOURCES
•Saddleback Educational Publishing: Urban Fiction Series for Teens
• http://www.sdlback.com/estore/search/
•StreetLiterature.com: Bringing You the Word on Street Lit & Urbanity.
• http://www.streetliterature.com
•StreetFiction.org: Author Interviews, News & Reviews of Urban Books
• http://www.streetfiction.org
•Urban E-Reads: http://www.urbanereads.com/
•Urban Reviews Online.
• http://www.urbanreviewsonline.com/search/label/Latest%20Reviews
•Urbania: Urban literature and arts magazine.
• http://urbaniamag.com/
•The Word on Street Lit: Book Reviews from Library Journal.
• http://reviews.libraryjournal.com/category/collection-development/african-american-fiction-and-mor
/
•For more online review resources, see: http://www.streetliterature.com/p/parking-lot.html
19. Resources
RESEARCH TEXTS
•Gifford, Justin. 2013. Pimping Fictions: African American Crime Literature and
the Untold Story of Black Pulp Publishing. Philadelphia, PA: Temple University
Press.
•Ratner, Andrew. 2009. Street Lit: Teaching and Reading Fiction in Urban
Schools. Practical Guides Series. NY: McGraw-Hill.
•Sweeney, Megan. 2010. Reading Is My Window: Books and the Art of Reading
in Women's Prisons. Chapel Hill: University of North Carolina Press.
Upcoming Research to watch out for:
•Graaff, Kristina. 2013. (forthcoming). The Street-Prison Symbiosis: A Spatial
Analytical Tool to Interlink Literary and Material Spaces of Marginality.
Doctoral dissertation. Berlin, Germany: Humboldt University.
•Norris, Keenan. 2013. (forthcoming). MARGINALIZED-LITERATURE-MARKET-
LIFE: Black Writers, a Literature of Appeal, and the Rise of Street Lit. Doctoral
Dissertation. Riverside, CA: University of California.
•Norris, Keenan, ed. 2013. (forthcoming). Street Lit: Popularity, Controversy &
Analysis. NY: Scarecrow Press.
20. ResourcesStreet Lit on SOCIAL MEDIA
• Blogs
• The Audacious Librarian
• PHAT Fiction
• StreetLiterature.com
• Facebook Groups
• Urban Hip-Hop & Street Literature Books
• Urban Street Lit Book Readerz
• Urban Reviews Facebook Group
• K’wan’s Readers
• My Urban Books Club
• Street Fiction Ebooks
• Readers’ Advisory Guide to Street Literature
• Goodreads
• http://www.goodreads.com/group/show_tag/103123-urban-fiction-review?name=street-lit
• Pinterest
• http://pinterest.com/Bilbary/street-lit/
• http://pinterest.com/search/pins/?q=street+lit
• Social Network
• Street Lit Review: Urban Literature Arts & Poetry
• Twitter
• @myurbanbooks
• @urbaniamagazine
• @urbanlitreview
• #streetlit
• #urbanfiction
21. Book Award for Street Lit
Street Lit Book Award Medal (SLBAM)
•Convened in 2011
•National committee of librarians
and library workers
•Includes non-fiction, fiction,
young adult, and author categories
•Has become highly anticipated
award; awards published via
Library Journal, SLJ, and major
library systems
•Retroactive SLBAM winners to
1999 at: http://www.streetliterature.com/p/slbam.html
23. It’s been a pleasure…
Thank you for your time and attention today.
•Contact Information:
• Vanessa Irvin Morris, M.S.L.S., Ed.D.
• Email: vmorris@drexel.edu
• Facebook: https://www.facebook.com/vanirvinmorris
• Twitter: @vanirvinmorris
• LinkedIn: http://www.linkedin.com/in/vanirvinmorris
• Blog: http://www.streetliterature.com
• Website: http://www.vanirvinmorris.com
24. Credits
• Dunlap, George Arthur. 1934. City in the American Novel, 1789-1900: A
Study of American Novels Portraying Contemporary Conditions in New
York, Philadelphia, and Boston. NY: Russell & Russell.
• Irvin Morris, Vanessa. 2011. The Readers’ Advisory Guide to Street
Literature. ALA Readers’ Advisory Series. Chicago: ALA Editions.
• National Library of Scotland. 2004. The Word on the Street. Website.
Edinburgh, Scotland. Available:
http://digital.nls.uk/broadsides/index.html
• Online resources:
• Google Images. Various images.
• Gutenberg Project. Various sources.
• StreetLiterature.com. Various articles.
• Wikipedia. Various articles.