Presentation about a Scholar: 
Vanessa Irvin Morris, Ed.D 
“Give me a moment and I will give you a memory”. - Mc Elixir
Background and 
Education
Vanessa Irvin Morris, Ed.D 
University of Pennsylvania, Doctorate of Education 
degree in Reading/Writing/Literacy, 
*Magna Cum Laude 
Dissertation: Reading in Mirrors: 
Using Street Literature To Facilitate 
Practitioner Inquiry With Urban 
Public Service Librarians 
Clarion University of Pennsylvania 
Masters of Science degree in Library Science 
Rutgers University 
Bachelor of Arts degree in Journalism and Mass 
Media, minor in Philosophy
Vanessa Irvin Morris, Ed.D 
Assistant Teaching Professor 
College of Computing and Informatics 
Drexel University 
- Reading/Writing: Literary and 
historical aspects of traditional and 
contemporary Street Literature 
- Literacy: Social literacy interactions 
and practices between librarians 
and library patrons 
- Technology: Social literacies of 
virtual experiences across social 
media platforms
Writer 
Vanessa Irvin Morris Blogger 
Urban Fiction 
Cultural 
Competencies 
Best Practices in 
Library Science 
Teens and 
Reading 
African American 
Literature 
Social Media 
Distance 
Education 
African-American 
Studies 
Reader’s 
Advisory 
Philadelphia 
Educator 
Scholar
Contemporary 
Street Literature
Favorite Theorists 
Wolfgang Iser 
Dennis Sumara 
Susan Lytle 
Gloria Ladson Billings 
Brian Street 
Bell Hooks 
Pierre Bourdieu 
Elijah Anderson
1974
Late 1990’s 
Philadelphia Free Public Library 
Teen Librarian 
Created innovative programs 
Teens embraced Street Literature 
Critical Race Theory
Late 
1990’s
Streetliterature.com 
2009
The Reader’s Advisory Guide to Street Literature 
by 
Vanessa Irvin Morris 
ALA Editions, 2011
Defining 
Street Literature
Street Literature 
Street Literature is concerned with the cheap ballad-sheets, 
pamphlets and other ephemera (temporary documents created 
for a specific purpose and intended to be thrown away) of the 
masses. 
They circulated from the dawn of printing right up to the end of 
the nineteenth century, a literature of often more influential 
than books. 
Leslie Shephard 
The History of Street Literature, 1973
Broadsides are large sheets of paper 
printed on one side. 
Historically, broadsides were posters, 
announcing events or proclamations, or 
simply advertisements. 
The Dunlap Broadsides 
- One of the first published copies of 
the Declaration of Independence, 
printed on the night of July 4, 1776.
Often times pinned up on walls in houses and ale-houses, these broadsides provided 
the public with news, speeches, formal notices and songs that could be read or sung 
aloud.
One of the First Published Books 
Maggie: A Girl of the Streets 1893 
by Stephen Craine
Defining 
Contemporary Street Literature
Defining 
Urban Fiction
….stories set in urban settings/cities that feature characters whose 
experiences span cultural, social, political, geographical, and economic 
boundaries. 
The Reader’s Advisory Guide to Street Literature 
Vanessa Irvin Morris 
Urban Fiction
Presentation: Street Lit Collection Development, 2013 
http://www.slideshare.net/kcboyd1/street-lit-collection-development-2013-18651891
Street Literature 
What it is, what challenges it faces and how it can benefit teens. 
http://youtu.be/SnqJ3daKgaY?list=PLZBs9Js_I-9CyKnnb71fYgoFaSwjhSqkD
These stories have the right to exist and to be respected as cultural 
artifacts, whether we educators like it or not. 
Vanessa Irvin Morris, 2014
Different Levels of 
Understanding
Zeta Elliot
An interview with Vanessa Irvin Morris by Zetta Elliot 
https://www.youtube.com/watch?v=5BDqeWFIiJo
Impact on Academia
Irvin Morris is Cited In: 
Books Papers Conferences 
Panels Blog Posts 
Social Media Webinars 
The Impact on Higher Education 
- Literature Courses 
- English Courses 
- Library Science Courses 
Works Cited in Books and Articles 
- Classroom reading practice 
- Educating urban children
Street Lit Book Award Medal 
http://www.streetliterature.com/p/slbam.html
Impact on My Practice
What frustrates me most is that people actually think 
they have the right to determine what qualifies as 
literature and what does not, for whole populations of 
readers. Of course we all have our preferences in what 
we deem appropriate or interesting to read. However, I 
don’t agree with the idea that just because I am a 
librarian or a teacher or an author or whatever, that I 
can say this literature is bad or this literature is better or 
this literature is good for others. If that were the case, I 
would personally dictate that the entire horror genre be 
banned, because that genre is not my particular 
preference to read or engage. But you see how silly 
that sounds, right? I guess I am most frustrated at the 
silliness of some of the anti-street lit rhetoric that is out 
there. 
Vanessa Irvin Morris, 2011
Stand Up and Speak
Street Lit for Teens
Awards - Vanessa Irvin Morris, Ed.D 
Faculty Book Award. Reading/Writing/Literacy Program. 
University of Pennsylvania 
Dissertation Award. **Merits Distinction** University of 
Pennsylvania 
Book Award. Zora Neale Hurston Award. American 
Library Association/RUSA 
Teaching Award. Most Innovative Instructor. Drexel 
University
Street Literature 
Conversations at the Circulation Desk: Teens and Street Literature 
https://www.youtube.com/watch?v=yDLtJWfu6FY&index=1&list=PLZBs9Js_I-9CyKnnb71fYgoFaSwjhSqkD
Bibliography 
Agosto Denise E., Hughes-Hassell Sandra, & Irvin Morris Vanessa. (2010). Street lit : before you can recommend it, you have to understand it . In 
Urban teens in the library :research and practice (pp. 53–66). Chicago: American Library Association. Retrieved from https://www.ideals.illinois. 
edu/bitstream/handle/2142/47279/400_ready.pdf?sequence=2 
Boyd, K. (2011). Author Spotlight: Vanessa Irvin Morris. Retrieved from MissDomino Blogspot. http://missdomino.blogspot. 
com/search/label/Author%20Spotlight 
Chiles, N. (2006, January 4). Their Eyes Were Reading Smut . New York Times, p. 1. Retrieved from http://www.nytimes. 
com/2006/01/04/opinion/04chiles.html?_r=0 
Collison Robert. (1973). Story of street literature; forerunner of the popular press. London: Dent. 
Corley, C. (2006). Triple Crown: A Literary Empire of Hard Knocks. NPR: All Things Considered. Retrieved from http://www.npr. 
org/templates/story/story.php?storyId=6538468 
Elliot, Z. (2010a). An Interview With Vanessa Irvin Morris. Retrieved from Zetta Elliot YouTube Channel. http://www.youtube.com/watch? 
v=5BDqeWFIiJo 
Elliot, Z. (2010b, January 25). What IS “street lit”? Fledgling. Retrieved from http://zettaelliott.wordpress.com/2010/01/25/what-is-street-lit/ 
Gifford, J. (2013). “Something Like a Harlem Renaissance West”: Black Popular Fiction, Self-Publishing, and the Origins of Street Literature: 
Interviews with Dr. 
Roland Jefferson and Odie Hawkins. MELUS, 38(4), 216–240. 
Gleave, A. (2011). The Female Soldier in Street Literature and Oral Culture in the German-speaking Lands between 1600 and 1950: A Marker of 
Changing Gender Relationships? Folklore, 122(2), 176–195. doi:10.1080/0015587X.2011.570517 
Irvin Morris, V. (2011a). The Street Lit Author and the Inner-City Teen Reader. Young Adult Library Services, 10(1), 21–24. Retrieved from http: 
//ezproxy.dom.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=67642897&site=ehost-live&scope=site 
Irvin Morris, V. (2011b, February 27). Inner City Teens Do Read. Presented at the Beyond the Book Conference, University of Birmingham, UK. 
Retrieved from http://www.slideshare.net/vanirvinmorris/inner-city-teens-do-read 
Irvin Morris, V. (2012). The readers’ advisory guide to street literature. Chicago: American Library Association.
Bibliography 
Irvin Morris, V. (2013, May 15). Street Smart: Urban Fiction in Public Libraries. Webinar. Retrieved from http://www.slideshare.net/vanirvinmorris? 
utm_campaign=profiletracking&utm_medium=sssite&utm_source=ssslideview 
Lawrence, J. (2014). “I Read even the Scraps of Paper I Find on the Street”: A Thesis on the Contemporary Literatures of the Americas. American Literary 
History, 26(3), 536–558. 
Marshall Elizabeth, Jeanine, S., & Simone, G. (2009). Ghetto Fabulous: Reading Black Adolescent Femininity in Contemporary Urban Street Fiction. 
Journal of Adolescent & Adult Literacy, 53(1), 28–36. Retrieved from http://web.a.ebscohost.com.ezproxy.dom.edu/ehost/pdfviewer/pdfviewer? 
sid=1b270818-f5bf-45f8-8f15-91b875d39324%40sessionmgr4005&vid=7&hid=4112 
Minzeshelmer, B. (2008, November 20). Sister Souljah rejects any labels on her literary output. USA Today. Retrieved from http://usatoday30.usatoday. 
com/life/books/news/2008-11-19-souljah-midnight_N.htm 
Ofori-Atta, A. (2011, June 2). Sister Souljah: More Than a Street-Lit Author. The Root. Retrieved from http://www.theroot. 
com/articles/culture/2011/06/sister_souljah_interview.2.html 
Rice, L. A. (2009, June 4). The Rise of Street Literature. Colorlines . News. Retrieved from http://colorlines. 
com/archives/2009/06/the_rise_of_street_literature.html 
Salman, J. (2012). Grub Street in Amsterdam? Jacobus (I) van Egmont, the Devil’s Corner and the Literary Underground in the Eighteenth Century. 
Quaerendo, 42(2), 134–157. doi:10.1163/15700690-12341237 
Shepard Leslie. (1973.). The history of street literature; the story of broadside ballads, chapbooks, proclamations, news-sheets, election bills, tracts, 
pamphlets, cocks, catchpennies, and other ephemera. Detroit: Singing Tree Press. 
Taft, J. (2011). “New Grub Street” and the Survival of Realism. English Literature in Transition, 1880-1920, 54(3), 362–381. Retrieved from http://ezproxy. 
dom.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=62252217&site=ehost-live&scope=site 
The Word on the Street. (2004). The Word on the Street. Retrieved from http://digital.nls.uk/broadsides/index.html 
Thomas-Bailey, C. (2011, November 3). Is “urban fiction” defined by its subject – or the skin colour of its author? The Guardian, 1. Retrieved from http: 
//www.theguardian.com/books/2011/nov/03/black-urban-fiction-american?commentpage=2

Presentation on a Scholar Dr. Vanessa Irvin Morris

  • 1.
    Presentation about aScholar: Vanessa Irvin Morris, Ed.D “Give me a moment and I will give you a memory”. - Mc Elixir
  • 2.
  • 3.
    Vanessa Irvin Morris,Ed.D University of Pennsylvania, Doctorate of Education degree in Reading/Writing/Literacy, *Magna Cum Laude Dissertation: Reading in Mirrors: Using Street Literature To Facilitate Practitioner Inquiry With Urban Public Service Librarians Clarion University of Pennsylvania Masters of Science degree in Library Science Rutgers University Bachelor of Arts degree in Journalism and Mass Media, minor in Philosophy
  • 4.
    Vanessa Irvin Morris,Ed.D Assistant Teaching Professor College of Computing and Informatics Drexel University - Reading/Writing: Literary and historical aspects of traditional and contemporary Street Literature - Literacy: Social literacy interactions and practices between librarians and library patrons - Technology: Social literacies of virtual experiences across social media platforms
  • 5.
    Writer Vanessa IrvinMorris Blogger Urban Fiction Cultural Competencies Best Practices in Library Science Teens and Reading African American Literature Social Media Distance Education African-American Studies Reader’s Advisory Philadelphia Educator Scholar
  • 6.
  • 7.
    Favorite Theorists WolfgangIser Dennis Sumara Susan Lytle Gloria Ladson Billings Brian Street Bell Hooks Pierre Bourdieu Elijah Anderson
  • 8.
  • 9.
    Late 1990’s PhiladelphiaFree Public Library Teen Librarian Created innovative programs Teens embraced Street Literature Critical Race Theory
  • 10.
  • 11.
  • 12.
    The Reader’s AdvisoryGuide to Street Literature by Vanessa Irvin Morris ALA Editions, 2011
  • 13.
  • 14.
    Street Literature StreetLiterature is concerned with the cheap ballad-sheets, pamphlets and other ephemera (temporary documents created for a specific purpose and intended to be thrown away) of the masses. They circulated from the dawn of printing right up to the end of the nineteenth century, a literature of often more influential than books. Leslie Shephard The History of Street Literature, 1973
  • 15.
    Broadsides are largesheets of paper printed on one side. Historically, broadsides were posters, announcing events or proclamations, or simply advertisements. The Dunlap Broadsides - One of the first published copies of the Declaration of Independence, printed on the night of July 4, 1776.
  • 16.
    Often times pinnedup on walls in houses and ale-houses, these broadsides provided the public with news, speeches, formal notices and songs that could be read or sung aloud.
  • 17.
    One of theFirst Published Books Maggie: A Girl of the Streets 1893 by Stephen Craine
  • 18.
  • 19.
  • 20.
    ….stories set inurban settings/cities that feature characters whose experiences span cultural, social, political, geographical, and economic boundaries. The Reader’s Advisory Guide to Street Literature Vanessa Irvin Morris Urban Fiction
  • 22.
    Presentation: Street LitCollection Development, 2013 http://www.slideshare.net/kcboyd1/street-lit-collection-development-2013-18651891
  • 24.
    Street Literature Whatit is, what challenges it faces and how it can benefit teens. http://youtu.be/SnqJ3daKgaY?list=PLZBs9Js_I-9CyKnnb71fYgoFaSwjhSqkD
  • 25.
    These stories havethe right to exist and to be respected as cultural artifacts, whether we educators like it or not. Vanessa Irvin Morris, 2014
  • 26.
    Different Levels of Understanding
  • 27.
  • 28.
    An interview withVanessa Irvin Morris by Zetta Elliot https://www.youtube.com/watch?v=5BDqeWFIiJo
  • 29.
  • 30.
    Irvin Morris isCited In: Books Papers Conferences Panels Blog Posts Social Media Webinars The Impact on Higher Education - Literature Courses - English Courses - Library Science Courses Works Cited in Books and Articles - Classroom reading practice - Educating urban children
  • 31.
    Street Lit BookAward Medal http://www.streetliterature.com/p/slbam.html
  • 32.
    Impact on MyPractice
  • 33.
    What frustrates memost is that people actually think they have the right to determine what qualifies as literature and what does not, for whole populations of readers. Of course we all have our preferences in what we deem appropriate or interesting to read. However, I don’t agree with the idea that just because I am a librarian or a teacher or an author or whatever, that I can say this literature is bad or this literature is better or this literature is good for others. If that were the case, I would personally dictate that the entire horror genre be banned, because that genre is not my particular preference to read or engage. But you see how silly that sounds, right? I guess I am most frustrated at the silliness of some of the anti-street lit rhetoric that is out there. Vanessa Irvin Morris, 2011
  • 34.
  • 35.
  • 36.
    Awards - VanessaIrvin Morris, Ed.D Faculty Book Award. Reading/Writing/Literacy Program. University of Pennsylvania Dissertation Award. **Merits Distinction** University of Pennsylvania Book Award. Zora Neale Hurston Award. American Library Association/RUSA Teaching Award. Most Innovative Instructor. Drexel University
  • 37.
    Street Literature Conversationsat the Circulation Desk: Teens and Street Literature https://www.youtube.com/watch?v=yDLtJWfu6FY&index=1&list=PLZBs9Js_I-9CyKnnb71fYgoFaSwjhSqkD
  • 38.
    Bibliography Agosto DeniseE., Hughes-Hassell Sandra, & Irvin Morris Vanessa. (2010). Street lit : before you can recommend it, you have to understand it . In Urban teens in the library :research and practice (pp. 53–66). Chicago: American Library Association. Retrieved from https://www.ideals.illinois. edu/bitstream/handle/2142/47279/400_ready.pdf?sequence=2 Boyd, K. (2011). Author Spotlight: Vanessa Irvin Morris. Retrieved from MissDomino Blogspot. http://missdomino.blogspot. com/search/label/Author%20Spotlight Chiles, N. (2006, January 4). Their Eyes Were Reading Smut . New York Times, p. 1. Retrieved from http://www.nytimes. com/2006/01/04/opinion/04chiles.html?_r=0 Collison Robert. (1973). Story of street literature; forerunner of the popular press. London: Dent. Corley, C. (2006). Triple Crown: A Literary Empire of Hard Knocks. NPR: All Things Considered. Retrieved from http://www.npr. org/templates/story/story.php?storyId=6538468 Elliot, Z. (2010a). An Interview With Vanessa Irvin Morris. Retrieved from Zetta Elliot YouTube Channel. http://www.youtube.com/watch? v=5BDqeWFIiJo Elliot, Z. (2010b, January 25). What IS “street lit”? Fledgling. Retrieved from http://zettaelliott.wordpress.com/2010/01/25/what-is-street-lit/ Gifford, J. (2013). “Something Like a Harlem Renaissance West”: Black Popular Fiction, Self-Publishing, and the Origins of Street Literature: Interviews with Dr. Roland Jefferson and Odie Hawkins. MELUS, 38(4), 216–240. Gleave, A. (2011). The Female Soldier in Street Literature and Oral Culture in the German-speaking Lands between 1600 and 1950: A Marker of Changing Gender Relationships? Folklore, 122(2), 176–195. doi:10.1080/0015587X.2011.570517 Irvin Morris, V. (2011a). The Street Lit Author and the Inner-City Teen Reader. Young Adult Library Services, 10(1), 21–24. Retrieved from http: //ezproxy.dom.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=67642897&site=ehost-live&scope=site Irvin Morris, V. (2011b, February 27). Inner City Teens Do Read. Presented at the Beyond the Book Conference, University of Birmingham, UK. Retrieved from http://www.slideshare.net/vanirvinmorris/inner-city-teens-do-read Irvin Morris, V. (2012). The readers’ advisory guide to street literature. Chicago: American Library Association.
  • 39.
    Bibliography Irvin Morris,V. (2013, May 15). Street Smart: Urban Fiction in Public Libraries. Webinar. Retrieved from http://www.slideshare.net/vanirvinmorris? utm_campaign=profiletracking&utm_medium=sssite&utm_source=ssslideview Lawrence, J. (2014). “I Read even the Scraps of Paper I Find on the Street”: A Thesis on the Contemporary Literatures of the Americas. American Literary History, 26(3), 536–558. Marshall Elizabeth, Jeanine, S., & Simone, G. (2009). Ghetto Fabulous: Reading Black Adolescent Femininity in Contemporary Urban Street Fiction. Journal of Adolescent & Adult Literacy, 53(1), 28–36. Retrieved from http://web.a.ebscohost.com.ezproxy.dom.edu/ehost/pdfviewer/pdfviewer? sid=1b270818-f5bf-45f8-8f15-91b875d39324%40sessionmgr4005&vid=7&hid=4112 Minzeshelmer, B. (2008, November 20). Sister Souljah rejects any labels on her literary output. USA Today. Retrieved from http://usatoday30.usatoday. com/life/books/news/2008-11-19-souljah-midnight_N.htm Ofori-Atta, A. (2011, June 2). Sister Souljah: More Than a Street-Lit Author. The Root. Retrieved from http://www.theroot. com/articles/culture/2011/06/sister_souljah_interview.2.html Rice, L. A. (2009, June 4). The Rise of Street Literature. Colorlines . News. Retrieved from http://colorlines. com/archives/2009/06/the_rise_of_street_literature.html Salman, J. (2012). Grub Street in Amsterdam? Jacobus (I) van Egmont, the Devil’s Corner and the Literary Underground in the Eighteenth Century. Quaerendo, 42(2), 134–157. doi:10.1163/15700690-12341237 Shepard Leslie. (1973.). The history of street literature; the story of broadside ballads, chapbooks, proclamations, news-sheets, election bills, tracts, pamphlets, cocks, catchpennies, and other ephemera. Detroit: Singing Tree Press. Taft, J. (2011). “New Grub Street” and the Survival of Realism. English Literature in Transition, 1880-1920, 54(3), 362–381. Retrieved from http://ezproxy. dom.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=62252217&site=ehost-live&scope=site The Word on the Street. (2004). The Word on the Street. Retrieved from http://digital.nls.uk/broadsides/index.html Thomas-Bailey, C. (2011, November 3). Is “urban fiction” defined by its subject – or the skin colour of its author? The Guardian, 1. Retrieved from http: //www.theguardian.com/books/2011/nov/03/black-urban-fiction-american?commentpage=2