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Prototyping Social Design
 in Finland and Namibia
                 Service Design as a Method for
                Designing Services for Wellbeing


 Picture: Kuopio Academy of Design




                                            Satu Miettinen
                                Savonia University of Applied Sciences,
                                     Kuopio Academy of Design
                                               Finland
                                     satu.a.miettinen@savonia.fi
Goals of the paper

> Service design methods for
   wellbeing

> The process of innovating user
  orientated service concept for
  wellbeing

20/10/2009        Design for social inclusion and social
                   sustainability, IASDR 2009, Korea
Service design process
> Service needs, new ideas and ways to utilise
  technology are encountered when the customer
  and the end users participate in the design
  process.
> Visualizing the service experience and different
  methods for experience prototyping are
  important part of product development process.
> These methods offer a fast and competitive way to
  realize new customer-orientated service
  products.



20/10/2009        Design for social inclusion and social
                   sustainability, IASDR 2009, Korea
Service designer
> Emphasis on strong social skills,
  empathy for the users, creativity and
  visual thinking.
> Design thinking has the ability to
  create concepts, solutions and future
  service experiences for users.


20/10/2009       Design for social inclusion and social
                  sustainability, IASDR 2009, Korea
Co-creation methods
               in two projects:
> Social design development case with
  Namibian women who are producing
  crafts products for local tourism
  market
> Service development case of a
  product that supports children’s self-
  esteem at Kunnonpaikka rehabitation
  centre
20/10/2009        Design for social inclusion and social
                   sustainability, IASDR 2009, Korea
Service design process
1) Understand the service design challenge: users,
   business environment and applicable technologies
2) Observe, profile, create empathy for the users
3) Participate with the users
4) Be visual during the whole process
5) Create ideas, prototype, evaluate and improve! >
   iterative process
6) Include the clients and the users in the process
7) Phases include implementing, maintaining and
   developing the services
8) Remember the business realities!

 20/10/2009        Design for social inclusion and social
                    sustainability, IASDR 2009, Korea
NAMIBIAN CRAFTS WOMEN AND
      CREATIVE TOURISM
         EXPERIENCE




20/10/2009   Design for social inclusion and social
              sustainability, IASDR 2009, Korea
CREATIVE TOURISM
> This process is actively corporeal and multi-sensing, not
   only visual. About learning a new cultural skill also
   participating in clultural activity in broader definition.
> Creative tourism has effects on both the host (service
   provider) and the guest (user). For the host it gives the
   means to resist the predominant modes and power
   structures of tourism.
> The local community members can redefine their roles and
   represent themselves as members of a modern, dynamic
   society. This has an empowering effect on the identity
   construction and self-esteem of the local community. It also
   has economic effects.
> Creative tourism as such is very much a community-based
   tourism effort.

20/10/2009            Design for social inclusion and social
                       sustainability, IASDR 2009, Korea
20/10/2009   Design for social inclusion and social
              sustainability, IASDR 2009, Korea
20/10/2009   Design for social inclusion and social
              sustainability, IASDR 2009, Korea
CO-CREATION
> Designers and local women working together with ceramics
   production
> Engagement in creative crafts processes helped the
   participants connect and learn from each other’s lifestyles.
> Co-production of the service characterizes the creative
   tourism experience. Working with the local artisans
   simultaneously empowers both the local crafts people and
   the visitors.
> Co- experiencing in turn characterizes the creative tourism
   experience. This feature was constructed through an inter-
   personal experience of authenticity, which included also the
   local artisans, not only the visitors.

20/10/2009           Design for social inclusion and social
                      sustainability, IASDR 2009, Korea
KUNNONPAIKKA AND
    IMPROVING CHILDREN’S
         SELF-ESTEEM




20/10/2009                      Design for social inclusion and social
      Photo: Niina Talaslahti
                                 sustainability, IASDR 2009, Korea
Developing a new
              service product
> New type of product for the
  rehabilitation centre
> Need to learn to know more about
  the customer segment
> Need to develop service design
  process at the rehabitation centre


20/10/2009       Design for social inclusion and social
                  sustainability, IASDR 2009, Korea
Traditional and
                 Innovative methods
                with the stakeholders
1) Context mapping with the staff of the
   rehabilitation centre and the users
   (children)
2) Visualising the future service
   (scenario-based design)

3) Participating the users (experience Photo: Niina Talaslahti
   prototyping)

   20/10/2009          Design for social inclusion and social
                        sustainability, IASDR 2009, Korea
What did I learn?
> With the local communities methods need to be
  hands on and the commitment long term. I have
  worked with Namibia since 2000, the next project
  in July-August 2010
> The iteration processes in the service
  development needs to be taken far enough to to
  really develop a feasible service
> Methods work and have been tested but need to
  be further developed, documented and made part
  of the company’s or a community’s general
  practise


20/10/2009        Design for social inclusion and social
                   sustainability, IASDR 2009, Korea

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Prototyping Social Design in Namibia and in Finland

  • 1. Prototyping Social Design in Finland and Namibia Service Design as a Method for Designing Services for Wellbeing Picture: Kuopio Academy of Design Satu Miettinen Savonia University of Applied Sciences, Kuopio Academy of Design Finland satu.a.miettinen@savonia.fi
  • 2. Goals of the paper > Service design methods for wellbeing > The process of innovating user orientated service concept for wellbeing 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 3. Service design process > Service needs, new ideas and ways to utilise technology are encountered when the customer and the end users participate in the design process. > Visualizing the service experience and different methods for experience prototyping are important part of product development process. > These methods offer a fast and competitive way to realize new customer-orientated service products. 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 4. Service designer > Emphasis on strong social skills, empathy for the users, creativity and visual thinking. > Design thinking has the ability to create concepts, solutions and future service experiences for users. 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 5. Co-creation methods in two projects: > Social design development case with Namibian women who are producing crafts products for local tourism market > Service development case of a product that supports children’s self- esteem at Kunnonpaikka rehabitation centre 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 6. Service design process 1) Understand the service design challenge: users, business environment and applicable technologies 2) Observe, profile, create empathy for the users 3) Participate with the users 4) Be visual during the whole process 5) Create ideas, prototype, evaluate and improve! > iterative process 6) Include the clients and the users in the process 7) Phases include implementing, maintaining and developing the services 8) Remember the business realities! 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 7. NAMIBIAN CRAFTS WOMEN AND CREATIVE TOURISM EXPERIENCE 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 8. CREATIVE TOURISM > This process is actively corporeal and multi-sensing, not only visual. About learning a new cultural skill also participating in clultural activity in broader definition. > Creative tourism has effects on both the host (service provider) and the guest (user). For the host it gives the means to resist the predominant modes and power structures of tourism. > The local community members can redefine their roles and represent themselves as members of a modern, dynamic society. This has an empowering effect on the identity construction and self-esteem of the local community. It also has economic effects. > Creative tourism as such is very much a community-based tourism effort. 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 9. 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 10. 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 11. CO-CREATION > Designers and local women working together with ceramics production > Engagement in creative crafts processes helped the participants connect and learn from each other’s lifestyles. > Co-production of the service characterizes the creative tourism experience. Working with the local artisans simultaneously empowers both the local crafts people and the visitors. > Co- experiencing in turn characterizes the creative tourism experience. This feature was constructed through an inter- personal experience of authenticity, which included also the local artisans, not only the visitors. 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 12. KUNNONPAIKKA AND IMPROVING CHILDREN’S SELF-ESTEEM 20/10/2009 Design for social inclusion and social Photo: Niina Talaslahti sustainability, IASDR 2009, Korea
  • 13. Developing a new service product > New type of product for the rehabilitation centre > Need to learn to know more about the customer segment > Need to develop service design process at the rehabitation centre 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 14. Traditional and Innovative methods with the stakeholders 1) Context mapping with the staff of the rehabilitation centre and the users (children) 2) Visualising the future service (scenario-based design) 3) Participating the users (experience Photo: Niina Talaslahti prototyping) 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea
  • 15. What did I learn? > With the local communities methods need to be hands on and the commitment long term. I have worked with Namibia since 2000, the next project in July-August 2010 > The iteration processes in the service development needs to be taken far enough to to really develop a feasible service > Methods work and have been tested but need to be further developed, documented and made part of the company’s or a community’s general practise 20/10/2009 Design for social inclusion and social sustainability, IASDR 2009, Korea