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B. Alexander, 2006. “Web 2.0: A new wave of innovation for teaching and Learning?” EDUCAUSE Review , volume 41, number 2, pp. 32–44 , http://www.educause.edu/ir/library/pdf/erm0621.pdf
Peter J Allen, 2008, ‘Rip, mix, burn … sue … ad infinitum: The effects of deterrence vs voluntary cooperation on non-commercial online copyright infringing behaviour’, First Monday , Vol 13, No 9, http://www.uic.edu/htbin/cgiwrap/bin/ojs/index.php/fm/issue/view/269
N. Carr, 2005. “The amorality of Web 2.0,” Rough Type, http://www.roughtype.com/archives/2005/10/the_amorality_o.php
Jeff Chang, 2005, Can’t Stop Won’t Stop: A History of the Hip-Hop Generation , St. Martin's Press
J. D. Lasica, 2005, Darknet: Hollywood’s war against the digital generation, Hoboken, N.J.: Wiley.
Lawrence Lessig, 2004, Free Culture: The nature and future of creativity, London: Penguin, http://www.free-culture.cc/freeculture.pdf
J. Litman, 2000. “The demonization of piracy,” Proceedings of CFP 2000: Challenging the Assumptions. The Tenth Conference on Computers, Freedom & Privacy (6 April, Toronto, Canada), at http://www-personal.umich.edu/~jdlitman/papers/demon.pdf
Matt Mason, 2008, The Pirates Dilemma: How hackers, punk capitalists and graffiti millionaires are remixing our culture and changing the world , London: Allen Lane, http://thepiratesdilemma.com/download-the-book
T. O’Reilly, 2005. “What is Web 2.0? Design patterns and business models for the next generation of software, http://www.oreillynet.com/pub/a/oreilly/tim/news/2005/09/30/what-is-web-20.html
Simon Reynolds, 2006, Rip It Up & Start Again , London: Faber
Barry Sandywell & David Beer, 2005, ‘Stylistic Morphing: Notes on the Digitisation of Contemporary Music Culture’, Convergence , Vol 11, No 4.
John Shiga, 2007, ‘Copy-and-Persist: The Logic of Mash-Up Culture’ in Critical Studies in Media Communication , Volume 24, Number 2, pp. 93-114
Don Tapscott & Anthony D Williams, 2008, Wikinomics: How mass collaboration changed everything , London: Atlantic Books