Micro analysis in City of God
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Analysis of two key scenes in City of God
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Micro analysis in City of God
- 1. Micro Analysis of City of God Cinematography Sound Editing Mise en scene How do these contribute to themes, representation and narrative
- 2. Camera Extreme Close Ups Dutch/ Canted angles Tracking High angle Composition Depth of field Focus Lighting Moving camera High/Low angles Circular Pan Colour Editing Montage Intercutting Action Matching Fast Pace Slow motion Graphic Matching Slow Pace Dissolve Freeze frame Subtitle (not just to translate dialogue) Mise en scene Props Setting Key objects / Props Costume Sound Narrative Diegetic Sound effects Incidental music Dialogue Sound mixing
- 3. Key examples of Cinematography
- 4. Key examples of Cinematography
- 5. Key examples of Cinematography • Colours • Movement of the camera • Lighting • Extreme close ups • Composition • Low Angles • High Angles • Extreme Close Ups • Dutch/ Canted angles • Composition • Depth of field • Focus • Low angles • Circular Pan
- 6. Key examples of Sound • The voice over of Rocket • The diegetic sound of sharpening knifes • Use of non diegetic Samba music • Ticking clock • Change in sound as we move to the 1960s • Non diegetic click of the camera • Samba music switches to Bossanova
- 7. Editing • Opening montage • Fast pace – The Chicken Chase • Slow motion on Lil Ze • Graphic match on Rocket - transition • Change of pace for the 1960s and greater control over editing • Use of shot reverse shot in the present day (Rocket and Lil Ze) • Use of shot reverse shot in the 1960s (Rocket and Tender Trio) • Use of freeze frame as characters are introduced
- 9. Benny’s Farewell Cinematography Sound Editing Mise en scene
- 10. The Ending • Josh – Mise en Scene • Georgia - Camera • Tom - Editing • Jessika - Sound
Editor's Notes
- What do students notice about the use of these elements in particular – look for examples (what might they mean?)