This is a presentation on Silver overlay on glass including its historical origins in the 19th century and how the process was perfected. It covers European silver overlay, Mexican silver overlay and American silver overlay. It then focuses on the silver overlay down on pieces from Consolidated Lamp & Glass Company in Coraopolis, PA.
It was presented by Jack D. Wilson at the banquet of the Phoenix & Consolidated Glass Collectors Club at their 21st annual convention on July 27, 2013. Location was the Embassy Suites, Pittsburgh Airport in Coraopolis, PA. All contents Copyright Jack D. Wilson – All Rights Reserved.
Jack D. Wilson is the author of Phoenix & Consolidated Art Glass 1926-1980 published in 1989 (and out of print since 1999). It was the seminal reference book on this type of art glass. He was an advisor for Schroeder’s Antique Price Guide for ten years on both the Phoenix and Consolidated Glass categories and was also instrumental in the founding of the Phoenix & Consolidated Glass Collectors’ Club, which celebrated it 21st annual convention in 2013.
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3. HISTORICAL ORIGINS
This is an electroplating process, first developed by Oscar Pierre Erard in
England in 1889. His process was used on clear glass, but the silver attached to the
glass turned black, a major problem.
An improved process which solved the “blackening” problem was developed by
John H. Scharling from New Jersey in 1893
From 1895 to the late 1920‟s, silver overlay glass was produced in large quantities
by the Czechs, Italians. French, English, Austrians (Loetz) and Americans. Silver
overlay was also used on art pottery, a prime example is Rookwood Pottery.
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4. HISTORICAL ORIGINS
In the United States, Gorham & Alvin (Providence, Rhode Island),
made the bulk of the early “heavy” overlay using blanks from the
Steuben glass works.
Early (late 19th and early 20th century) uses were typically “heavy”
applications of silver and many were hallmarked. Purists call this
“heavy” application “silver overlay” as opposed to “lighter”
applications called „silver deposit.”
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5. ALVIN MFG. BOWL
This was sold
on eBay in
2012. It was
hallmarked
with the old
Alvin Mfg.
mark, circa
1886-1890.
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6. 1906 AD
This ad appeared in the January
24, 2006 issue of Jewelers Circular
Weekly. Note the price, $13.50,
this was expensive in 1906.
Ad courtesy of The Museum of
American Glass in West Virginia.
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7. EUROPEAN SILVER OVERLAY
Late 19th,
early 20th
century
Loetz vase
with heavy
silver
overlay,
hallmarked
sterling.
This was
listed on
eBay with a
starting bid
of $699.00
in 2012.
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8. 1 0 " L O E T Z S I L V E R O V E R L A Y PA P I L L I O N A R T
N O U V E A U G L A S S VA S E
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9. MEXICAN SILVER OVERLAY
This is
Mexican with
excellent
heavy silver
overlay,
hallmarked
Hecho en
Mexico
(Made in
Mexico) 925
sterling.
This was
listed on
eBay in
2013.
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10. LOTUS GLASS COMPANY
Note the silver overlaid “Rocket” vase in
the ad for the Lotus Glass Company.
From the October 30, 1930 issue of
Pottery, Glass & Brass Salesman. Ad
courtesy of The Museum of American
Glass in West Virginia.
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11. ROCKWELL SILVER COMPANY
MERIDEN CONNECTICUT
Founded in 1906 by brothers
Curtiss and Lucien Rockwell.
Bought blanks from many
companies: Duncan and Miller, Heisey,
Jeanette, Federal Glass, Fostoria,
Colonial Glass, Imperial, Cambridge,
Indiana, Viking, Pairpoint and
Consolidated.
Did some of the Regent
line silver overlay.
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12. AMERICAN SILVER OVERLAY
Heisey #1425
Cigarette Holder
& Ashtray Silver
Overlay
Rockwell Geese
On eBay in 2012
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14. 1927 DUGAN BARCELONA
Sometimes confused
with Consolidated
Catalonian, Dugan
Barcelona was the
only one made in
black glass.
Consolidated did not
make a shape like
this.
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18. RUBA ROMBIC
Jungle Green whiskey
decanter with silvered panels.
This is RARE!
Courtesy of the Chuck
Kaplan Art Deco collection.
Photo credit: Fitz Francois
One decanter set known in
Smoky Topaz, reportedly
broken by a cat.
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22. COFFEE FLORENTINE
This image was
scanned from a
photo sent to
me in 1997
while I was in
Chicago.
Extremely rare
in the coffee
color.
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23. REGENT LINE
A room sale at
the 2012
Convention to
a club member
in Coraopolis.
Shape #4014
in aqua blue
cased with
silver
decoration
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24. REGENT LINE
Shape #4014
in aqua blue
cased with
silver
decoration
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25. REGENT LINE
Sold at 2012
Member‟s Only
Convention
Auction for
$375.00.
With original
label from
Rockwell Silver
Company.
Small ginger
jar, 7.5” high,
shape #4020
in aqua blue
cased with
silver
decoration
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26. REGENT LINE
Medium
ginger jar,
9.5” high,
shape #4021
in aqua blue
cased with
silver
decoration
This ginger
jar features
a very
attractive
Water Lily
design.
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27. REGENT LINE
Regent aqua blue
cased 10” x 4”
cylinder vase
with a silver
overlay of Lilies
and butterflies.
This shape is not
shown in the
Regent catalog.
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29. CONSOLIDATED RED GLASS WITH
SILVER OVERLAY
Small (4020)
and medium
(4021) ginger
jars in red
glass with
intricate silver
overlay.
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30. TARNISH OR NOT?
Some silver overlay pieces tarnish and some do not. Many of the
pieces made in the United States in the 1925 to 1935 period had a
rhodium treatment when made and these do not tarnish. In 1931 Lotus
Glass Company was advertising their non-tarnish process, which they
called “Trianon.”.
For Consolidated silver overlay pieces, some tarnish and some do not.
So we either have multiple manufactures of the overlay (most likely) or it
was done in different periods with different processes.
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31. CONCLUSIONS
The height of silver overlay popularity was reached in the late
1920‟s. Silver overlay went out of fashion by 1935, a casualty of the
Great Depression (silver deposit work continued until at least 1950).
The Regent cased glass catalog is undated, but given the above and
the fact Consolidated shut down in 1931, it is most probable that:
• Regent cased glass was made in the late 1920‟s
• Silver overlay on Regent cased glass was done in the late 1920‟s
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32. CONCLUSIONS
Only a couple of pieces of Ruba Rombic have surfaced with silver
overlay. They have to date from 1928 or 1929.
Silver overlay on Kopp Modernistic is extremely rare.
Silver decoration seen on some Con-Cora was done by National
Silver Deposit Ware Co. Inc. of New York, NY which closed in 1950.
It is distinctively different than the silver overlay seen on cased Regent
pieces. It was probably done just before they closed in 1950.
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33. CONCLUSIONS
In the 19th and early 20th centuries silver was cheap. So much so
that silver overlay “seconds” were broken rather than trying to reclaim
the silver plating.
As the price of silver increased, less and less silver was used. We
went from very heavy silver overlay on glass to the silver deposit
approach we see on some Con-Cora pieces.
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34. SOURCES OF INFORMATION
“The Elegance of Silver Overlay,” www.myantiquemall.com
The Museum of American Glass in West Virginia
eBay
Chuck Kaplan
Silver on Glass by Roserita Ziegler. Glass Review Feb. 1979
WorthPoint (online) – 2005 sale of Consolidated silver deposit vase
with National Silver Deposit Ware label.
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35. DID YOU ENJOY THIS?
If you want more information about Phoenix & Consolidated
glass please visit our web site where you can learn about our club,
its quarterly newsletter and our annual convention.
Visit and like our Facebook Group page
Visit our website
http://www.pcgcc.org/
Presented by Jack D. Wilson at the banquet of the Phoenix & Consolidated Glass Collectors Club at their 21st annual convention on July 27, 2013. Location was the Embassy Suites, Pittsburgh Airport in Coraopolis, PA. All contents Copyright Jack D. Wilson – All Rights Reserved.
I am Jack D. Wilson. I am the author of Phoenix & Consolidated Art Glass 1926-1980 published in 1989 (and out of print since 1999). It was the seminal reference book on this type of art glass. I was an advisor for Schroeder’s Antique Price Guide for ten years on both the Phoenix and Consolidated Glass categories. I was also instrumental in the founding of the Phoenix & Consolidated Glass Collectors’ Club, which celebrated it 21st annual convention in 2013.
Review of the historical origins of silver overlay on glass.This is an electroplating process, first developed by Oscar Pierre Erard in England in 1889. His process was used on clear glass, but the silver attached to the glass turned black, a major problem.An improved process which solved the “blackening” problem was developed by John H. Scharling from New Jersey in 1893From 1895 to the late 1920’s, silver overlay glass was produced in large quantities by the Czechs, Italians. French, English, Austrians (Loetz) and Americans. Silver overlay was also used on art pottery, a prime example is Rookwood Pottery.
Review of Gorham & Alvin in the United States and discussion of “silver overlay” versus “silver deposit.”
Picture of a green bowl with fancy silver overlay with the old Alvin Mfg. mark, circa 1886-1890.
Original trade journal advertisements are a key research tool. This ad is from the January 24, 2006 issue of Jewelers Circular Weekly and is courtesy of The Museum of American Glass in West Virginia.
Loetz in Austria produced many vases with silver overlay in the late 19th and early 20th century.
Austrian Art Glass. Circa 1900-1910.Blue Papillion (also known as "oil spot") iridescence on a transparent greenglass ground. Expertly overlaid and carved Sterling Silver décor of Art Nouveau stylized scrolls and foliage.
This is an example of high quality heavy silver overlay that was done in Mexico. The base is hallmarked Sterling Hecho en Mexico (made in Mexico) 925
The “Rocket” vase can be found with a variety of silver decorations. This October 30, 1930 ad shows Lotus Glass Company’s “Call of the Wild” decoration.
The Rockwell Silver Company of Meriden Connecticut bought glass blanks from many glass manufacturers and added silver overlay. Their pieces carried a paper label or an acid stamp.
Rockwell Silver Company acid stamp on the bottom of the ashtray.
On the left, 8” tall Cambridge Hunt Scene vase with Rockwell silver overlay.On the right, 10” water jug vase with silver overlay, not marked but suspected to be Rockwell.
Dugan produced their version of Consolidated Glass Company’s Catalonian. It was called “Barcelona” produced starting in 1927 and it is the only one made in back glass. Here is an example with silver overlay.
This sterling overlay was done by the National Silver Deposit Ware Co. Inc. of New York, NY. They were in business from 1918-1950 (so these Consolidated silver overlay pieces must have been made just before they ceased operations). They used several Consolidated Con-Cora blanks for their silver overlay work. You will find the word “Sterling” on the bottom of the design on the stem of a flower. The glass in these blanks is a white “white” rather than the fiery opal associated with the best Consolidated milk glass. One of these was sold in 2005 with a National Silver Deposit Ware Co. label.
This is the medium size #4021 Consolidated Glass Company Con-Cora ginger jar with a silver overlay done by the National Silver Deposit Ware Company of New York, NY. It was part of a ginger jar display by Ruth Ann & Angela at the 2011 club convention. It was purchased that year in a room at the convention.
Consolidated Con-Cora#4014 vase on the left and 4” x 10” cylinder vase on the right.
I first saw this when I lived in Chicago and tried to buy it at no avail. The silver overlay is done on alternating panels of the Ruba Rombic whiskey decanter and its stopper and the effect is quite striking.
Kopp Modernistic vases can also be found with silver overlay, similar to what was done on Ruba Rombic. Example are very hard to find.
I own the three vases on the right, but not the silver overlay example on the left. So when you find one, give me a call first.
Consolidated Florentine line vase in green with silver overlay.
Florentine shape 2200 in the rare coffee (brown) color with silver overlay. Extremely rare.
Regent cased aqua blue #4014 vase with silver overlay.
Another Consolidated Regent cased aqua blue vase with a different silver overlay decoration.
Small ginger jar, 7.5” high, shape #4020 in aqua blue cased with silver decoration. Sold at 2012 Member’s Only Convention Auction for $375.00. Had original Rockwell Silver Company label and a label; from Ovington's New York.
Medium ginger jar, 9.5” high, shape #4021 in aqua blue cased with very attractive water lily silver decoration.
Regent cased aqua blue 10” high by 4” diameter cylinder vase with Lilies and Butterfly silver overlay.
An array of Regent aqua blue cased silver overlay to show the diversity of design techniques.
Small (4020) and medium (4021) ginger jars in red glass with intricate silver overlay.
Some silver overlay pieces tarnish and some do not. This explains why.
The height of silver overlay popularity was reached in the late 1920’s. Silver overlay went out of fashion by 1935, a casualty of the Great Depression (silver deposit work continued until at least 1950).
Silver decoration seen on some Con-Cora was done by National Silver Deposit Ware Co. Inc. of New York, NY which closed in 1950.
Economics and the rising price of silver lead to less and less silver being used and the movement from thick silver overlays to thin silver deposits.
Sources of Information
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