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How Filipino
Movie Characters
Position
the Mentally ill
AQUINO, Mikka
CASTRO, Jiane
FIDER, Bea
Ma’am Cristina MONTIEL
INTRODUCTION
How the mentally-ill are seen
• child-like, violent, incompetent,
morally-weak
(Jocano, 1973;Perlin, 2008)

• across cultures
• strange, different

 the community has the tendency to
exclude the mentally-ill
EXCLUSION
• mentally-ill has
too close-contact
with community
• community feels
uncertainty
insecurity

• Limited from access to education,
housing
HOW do they achieve mentally ill’s
Exclusion?
• certain interactions, behaviors
• Ex. Patients with
Alzheimer’s Disease
excluded by own
husbands
(Moghaddam&Harre, 2010)
 Took over household tasks
 Chose patients’ clothes

 Fixed patient’s appearance
in public

 dictated what
activities she can
and cannotperform
 kept patient “outside” of
capable group
(community)

= EXCLUSION
The Role of Media
Media and Social Reality interrelate
 reciprocalrelationship
• Social reality is shaped by media
• Media confronts social reality
– Presents archetypes, traditional ideas
– Appears realistic, possible to viewers (Barthes,
1977; Macey, 2008)
• Not necessarily realistic (portrayal)
• Communication takes place
• viewers already have own set of beliefs
– compound with the ideas presented to them
(Anderson, 1977)
Mentally Ill in

Media

• 146 college students…later revealednegative
attitude toward the
mentally ill(Domino, 1983)
• Onscreen interactions preempt viewers
(Harper, 2005)

•Vicarious experience (Gerbner, et al., 2002)

•

Portrayed as burdensome, non productive,
social threats
Reality is produced through
social interaction and conversation
(Adoni, & Mane, 1984; Harre&Langenhove, 1999)


Social Interaction = DISCOURSE
 between community and mentally-ill
 Media contributes
 both interactive process and end
result
(O’Sullivan, Hartley, Saundres,
Montgomery & Fiske, 1994, p. 93)

• End result = Exclusionof mentally ill
•Interactive Process ?
Positioning Theory
•

study of the dynamicsof human interactions

•Not just talk itself - flowof talking
•

Each Utterance, Gesture, Behavior =
“speech act”

•

Attribute rights, duties, and
obligations (Harre&Langenhove,

1999)

•Positions = dynamic (VS role = static)
• can position others or be positioned by
others
• with certain rights and duties
Person A to Person B:
Good morning, how are you?
Person A positions…
 self with RIGHT to greet, ask a question
 Person B with the DUTY to respond
• Right - justifying certain for action as
following the rules or social norm
• Duty - a demand that one participant places
on another
Howdo the utterances and
gestures of Filipino movie
characters positionthe
mentally ill?
METHOD
Criteria
Criteria
• Different time frames

- Filipino movie classic
(Tinimbang Ka NgunitKulang, 1974)

- released in past 10 years
(Baliw, 2007; Kimmy Dora, 2009)
Criteria
•Availability> Realistic
Mainstream (Kimmy Dora)
- high box office revenues



Independent (Tinimbang Ka
NgunitKulang, Baliw)
- most awards
• Transcribed each film
• Social Episodes were picked
• Every scene where…
 Community and mentally ill interact
 Community members interact about
mentally ill
 Both words and acts
 Acts = “socially understood behaviors”
(Moghaddam, Harre, & Lee, 1993, p. 25)
• 3 Blind-coders (each Thesis group member)
– 1 blind coder per movie
• Text re-read 10 times
• Noted down in
Raw Data table
– Episode Number
– Characters
– Dialogue
Procedure
• Statements analyzed for rights and duties
attributed (Positions)
– Rights attributed to self
– Corresponding Duty attributed to other
participant
– Paired blind coder to reach consensus
about positions
Further Analysis
Analyzing
whole
episode,

“Parent”
Right and
Duty of

“Parent” or
General
Right and
Duty

Person who
had the first
utterance in
Episode

Participant
whose
Position
was
maintained
at the end of
the Episode

of Initiator

Initiator
Dominant
(Mentally Ill Right and
ORCommuni
Duty
ty)

Response
(Contested
OR
Not
Contested)

Outcome
Dominant
(Maintained Right and
OR
Duty
Repositioned
)
• 6 Main Patterns
• For each film, generalized rights and duties
both of the Initiator and after the Response
that fell under each Pattern
• Further generalized for one Parent Right and Duty
to represent all 3 films
• After re-analyzing, one additional
pattern due to one more Dominant Right
and Duty
 7 Main Patterns
can be further grouped into effects of
interaction:
•
•

Exclusion
Inclusion
• Tallied number of episodes (per film) pattern
applied to
• Totalled, divided by number of episodes
• Presented as Percentages for ALL social
episodes
RESULTS
Table 1
(32.68 %)
• INITIATOR: Community
Dominant Right and Duty:
(Community) The right to put the
mentally ill under surveillance
(Mentally ill) The duty to allow
self to be scrutinized
• Not contested
• Maintained
(17.05 %)
• INITIATOR: Mentally ill
Dominant Right and Duty:
(Mentally ill) The right to decide
for themselves
(Community) The duty to comply
• Contested
• Repositioned
Dominant Right and Duty:
(Community) The right to control the
mentally ill
(Mentally ill) The duty to obey
• The Community Excludes the Mentally Ill
by Controlling Them
– The mentally ill tend to be put under
surveillance.
– The mentally ill tend to be repositioned as
dependent on the community when the
community contests the rights of the
mentally ill.
• The Inclusion of the Mentally Ill Occurs If
They Have Support from Any Member of
the Community
– The mentally ill can only maintain their
positions when they initiated with
statement of goals or intentions and
with full support from any one member
of community.
– The mentally ill’s right will not be
contested if supported by a member of the
community.
• Two Exceptional Patterns
– The mentally ill can be positioned to
accept the community’s position as
voluntary providers.
– The mentally ill are positioned to let the
community aggressively involve
themselves toward them.
LEGEND:
10.78

Black– Exclusion
Gray– Inclusion
White– Outliers
Figure 1
DISCUSSION
Main Findings: Summary
1.The community excludes the mentally ill
through control
2.The mentally ill assert inclusion by
expressing their intentions to
participate, and then gaining support
from the community
3.Two additional patterns
3. 1. Community fosters dependency of
the Mentally Ill upon them through
provisions.
3. 2. The mentally ill do refuse the
aggressive advancements of the
community made towards them.
1. Exclusion of the mentally ill through control
• SURVEILLANCE
• Very positions the mentally ill occupy
• Lack of contestation on the part of the
mentally ill
2. The mentally ill’s assertion of Inclusion
• The mentally ill initiate the interactions
• State intentions (ex. responsible for…)
• Garner support from community
members (Protection)
• Conditional Inclusion
Contributions
1). Methodological use of
Positioning Theory
• Possibility of the theory being used to
analyze films and movie discourse
Deinstitutionalized mentally ill
can also forge better, stronger relationships
within the community

2). Clinical Psychology
Practical Contribution of Our Study :

Movie industry
• To highlight the possibility of including the
mentally ill into the community in films
• For scriptwriters to focus on the relationships of
the mentally ill in the dialogue present in films
END
Thank you!

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How filipino movie characters position the mentally ill

  • 1. How Filipino Movie Characters Position the Mentally ill AQUINO, Mikka CASTRO, Jiane FIDER, Bea Ma’am Cristina MONTIEL
  • 3. How the mentally-ill are seen • child-like, violent, incompetent, morally-weak (Jocano, 1973;Perlin, 2008) • across cultures • strange, different  the community has the tendency to exclude the mentally-ill
  • 4. EXCLUSION • mentally-ill has too close-contact with community • community feels uncertainty insecurity • Limited from access to education, housing
  • 5. HOW do they achieve mentally ill’s Exclusion? • certain interactions, behaviors • Ex. Patients with Alzheimer’s Disease excluded by own husbands (Moghaddam&Harre, 2010)
  • 6.  Took over household tasks  Chose patients’ clothes  Fixed patient’s appearance in public  dictated what activities she can and cannotperform
  • 7.  kept patient “outside” of capable group (community) = EXCLUSION
  • 8. The Role of Media Media and Social Reality interrelate  reciprocalrelationship
  • 9. • Social reality is shaped by media • Media confronts social reality – Presents archetypes, traditional ideas – Appears realistic, possible to viewers (Barthes, 1977; Macey, 2008)
  • 10. • Not necessarily realistic (portrayal) • Communication takes place • viewers already have own set of beliefs – compound with the ideas presented to them (Anderson, 1977)
  • 11. Mentally Ill in Media • 146 college students…later revealednegative attitude toward the mentally ill(Domino, 1983) • Onscreen interactions preempt viewers (Harper, 2005) •Vicarious experience (Gerbner, et al., 2002) • Portrayed as burdensome, non productive, social threats
  • 12. Reality is produced through social interaction and conversation (Adoni, & Mane, 1984; Harre&Langenhove, 1999)
  • 13.  Social Interaction = DISCOURSE  between community and mentally-ill  Media contributes  both interactive process and end result (O’Sullivan, Hartley, Saundres, Montgomery & Fiske, 1994, p. 93) • End result = Exclusionof mentally ill •Interactive Process ?
  • 14. Positioning Theory • study of the dynamicsof human interactions •Not just talk itself - flowof talking
  • 15. • Each Utterance, Gesture, Behavior = “speech act” • Attribute rights, duties, and obligations (Harre&Langenhove, 1999) •Positions = dynamic (VS role = static)
  • 16. • can position others or be positioned by others • with certain rights and duties
  • 17. Person A to Person B: Good morning, how are you? Person A positions…  self with RIGHT to greet, ask a question  Person B with the DUTY to respond • Right - justifying certain for action as following the rules or social norm • Duty - a demand that one participant places on another
  • 18. Howdo the utterances and gestures of Filipino movie characters positionthe mentally ill?
  • 20.
  • 22. Criteria • Different time frames - Filipino movie classic (Tinimbang Ka NgunitKulang, 1974) - released in past 10 years (Baliw, 2007; Kimmy Dora, 2009)
  • 23. Criteria •Availability> Realistic Mainstream (Kimmy Dora) - high box office revenues  Independent (Tinimbang Ka NgunitKulang, Baliw) - most awards
  • 24. • Transcribed each film • Social Episodes were picked • Every scene where…  Community and mentally ill interact  Community members interact about mentally ill  Both words and acts  Acts = “socially understood behaviors” (Moghaddam, Harre, & Lee, 1993, p. 25)
  • 25. • 3 Blind-coders (each Thesis group member) – 1 blind coder per movie • Text re-read 10 times • Noted down in Raw Data table – Episode Number – Characters – Dialogue
  • 26. Procedure • Statements analyzed for rights and duties attributed (Positions) – Rights attributed to self – Corresponding Duty attributed to other participant – Paired blind coder to reach consensus about positions
  • 27. Further Analysis Analyzing whole episode, “Parent” Right and Duty of “Parent” or General Right and Duty Person who had the first utterance in Episode Participant whose Position was maintained at the end of the Episode of Initiator Initiator Dominant (Mentally Ill Right and ORCommuni Duty ty) Response (Contested OR Not Contested) Outcome Dominant (Maintained Right and OR Duty Repositioned )
  • 28. • 6 Main Patterns • For each film, generalized rights and duties both of the Initiator and after the Response that fell under each Pattern • Further generalized for one Parent Right and Duty to represent all 3 films
  • 29. • After re-analyzing, one additional pattern due to one more Dominant Right and Duty  7 Main Patterns can be further grouped into effects of interaction: • • Exclusion Inclusion
  • 30. • Tallied number of episodes (per film) pattern applied to • Totalled, divided by number of episodes • Presented as Percentages for ALL social episodes
  • 33.
  • 34. (32.68 %) • INITIATOR: Community Dominant Right and Duty: (Community) The right to put the mentally ill under surveillance (Mentally ill) The duty to allow self to be scrutinized • Not contested • Maintained
  • 35. (17.05 %) • INITIATOR: Mentally ill Dominant Right and Duty: (Mentally ill) The right to decide for themselves (Community) The duty to comply • Contested • Repositioned Dominant Right and Duty: (Community) The right to control the mentally ill (Mentally ill) The duty to obey
  • 36. • The Community Excludes the Mentally Ill by Controlling Them – The mentally ill tend to be put under surveillance. – The mentally ill tend to be repositioned as dependent on the community when the community contests the rights of the mentally ill.
  • 37. • The Inclusion of the Mentally Ill Occurs If They Have Support from Any Member of the Community – The mentally ill can only maintain their positions when they initiated with statement of goals or intentions and with full support from any one member of community. – The mentally ill’s right will not be contested if supported by a member of the community.
  • 38. • Two Exceptional Patterns – The mentally ill can be positioned to accept the community’s position as voluntary providers. – The mentally ill are positioned to let the community aggressively involve themselves toward them.
  • 41.
  • 42.
  • 45. 1.The community excludes the mentally ill through control 2.The mentally ill assert inclusion by expressing their intentions to participate, and then gaining support from the community 3.Two additional patterns
  • 46. 3. 1. Community fosters dependency of the Mentally Ill upon them through provisions. 3. 2. The mentally ill do refuse the aggressive advancements of the community made towards them.
  • 47. 1. Exclusion of the mentally ill through control • SURVEILLANCE • Very positions the mentally ill occupy • Lack of contestation on the part of the mentally ill
  • 48. 2. The mentally ill’s assertion of Inclusion • The mentally ill initiate the interactions • State intentions (ex. responsible for…) • Garner support from community members (Protection) • Conditional Inclusion
  • 50. 1). Methodological use of Positioning Theory • Possibility of the theory being used to analyze films and movie discourse
  • 51. Deinstitutionalized mentally ill can also forge better, stronger relationships within the community 2). Clinical Psychology
  • 52. Practical Contribution of Our Study : Movie industry • To highlight the possibility of including the mentally ill into the community in films • For scriptwriters to focus on the relationships of the mentally ill in the dialogue present in films