3. 3
On June 29, 1914, the
assassination of Archduke
Prince Frantz Ferdinand, in
Sarajevo, capital of Serbia, led
a war, on July 28, 1914, that
continued for more than four
years, officially terminating on
November 11, 1918.
4. 4
Filippo Tommaso Marinetti was the founder
f Futurism.
War as the most beautiful aesthetic spectacle
f his life.
Filippo Tommaso Marinetti (1876-1944)
He thus typified what soon came to be
nown as Futurism. It was a social and artistic
movement originated in Italy.
6. 6
At the level of art Futurism can be
described, as “a dynamic and renewing
attitude aiming to project art and life
into the future.”
Verdone (2003:16)
8. 8
 The starting date of Futurism is said
to be February 20, 1909 .
 Marinetti said “We declare..... a new
beauty, the beauty of Speed.”
9. 9
 The futurists admired speed,
technology, car, aero plane,
youth, violence and industrial
city, all that represent
technological triumph of
humanity over nature.
They wanted their work to look
as modern and high tech as
possible.
10. 10
 Futurism became an international movement
 Key Futurist principles : an elitist love fo
violence, glorification of warfare, a mania
love for speed, technology and progress
rejection for all things past, the notion of
new man of modern technology, a drive t
unleash man’s instinct and release hi
creative potential, and be at the centre o
all ongoing historical transformations.
11. 11
 At the centre of Futurism stood a
galvanising vision of the coming homo
technologicus.
 Futurists preached the technological
triumph of man over nature.
 Giacomo Balla, one of the futurist painter
named his daughter as Elica — the Propeller.
Manifestoes for various type of art:
painting, sculpture, architecture, music,
photography, cinema, and even clothing.
12. Futurism in the Art of Sculpture
Unique Forms of Continuity in
Space by Umbero Boccioni
Sculptural Construction of Noise
and Speed by Giacomo Balla
12
13. Futurism in the Art of Painting
Dynamism of a Dog on a Leash
by Giacomo Balla
Funeral of Anarchist Galli
by Carlo Carra
13
15. 15
“Architecture be constructed of
degradable materials ensuring
hat nothing would endure past a
ingle generation. This degrading
architecture effectively makes
each generation responsible for
he construction of their own
owns and cities.”