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Joan Miró By: Rebecca L. Bloem Next
Joan Miró  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Back Next Quit
Joan Miró: A Little Bit of History ,[object Object],Back Next Quit
Joan Miró Early Career ,[object Object],[object Object],[object Object],Click on the images to view an enlarged image Back Next Quit
“ House with the Palm Tree” 1918 Back Next Quit
“ Still Life (Rabbit on the Table)” 1920 Back Next Quit
Joan Miró: Portraits  ,[object Object],Back Next Quit Self Portrait 1919 Self Portrait 1917 Click on the images to view an enlarged image
“ Self Portrait” 1917 Back Next Quit Primary focus was on the use of  c o l o r  such as the bold  green  and  yellow   background as well as  brushwork  in the suit coat.
“ Self Portrait” 1919 Back Next Quit Two years later Miró’s style underwent a  transformation.  In this second portrait, the  c o l o r s  are much more  muted   and the line quality has drastically changed becoming more  defined  in comparison to the more  loose  brush stokes from the portrait two years prior.
Joan Miró: Which Art Movement Does He Go with Anyway?  ,[object Object],[object Object],[object Object],[object Object],Back Next Quit
Surrealism ,[object Object],[object Object],Back Next Quit Click on the images to view an enlarged image
“ Head of a Woman” 1938 “ The Potato” 1928 Back Next Quit
“ Birth of the World” 1925 Back Next Quit Miró implements this technique by allowing the force of gravity to carry the paint. Many times Miró would start a painting using this automatic painting technique and would later return to the painting and add more to it in a some what more conventional way.
Influences ,[object Object],[object Object],Back Next Quit
Late in Miró’s Career ,[object Object],Back Next Quit Click on the images to view an enlarged image World Trade Center Tapestry, 1974 Wall of the Moon, 1958 Wall of the Sun, 1958
“ World Trade Center Tapestry” 1974 Back Next Quit
“ Wall of the Moon” 1958 Back Next Quit
“ Wall of the Sun” 1958 Back Next Quit
About the Author Rebecca L. Bloem ,[object Object],[object Object],Back Next Quit
Resources ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Resources cont. ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Back Quit

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Joan Miró's Colorful Surrealist Journey

  • 1. Joan Miró By: Rebecca L. Bloem Next
  • 2.
  • 3.
  • 4.
  • 5. “ House with the Palm Tree” 1918 Back Next Quit
  • 6. “ Still Life (Rabbit on the Table)” 1920 Back Next Quit
  • 7.
  • 8. “ Self Portrait” 1917 Back Next Quit Primary focus was on the use of c o l o r such as the bold green and yellow background as well as brushwork in the suit coat.
  • 9. “ Self Portrait” 1919 Back Next Quit Two years later Miró’s style underwent a transformation. In this second portrait, the c o l o r s are much more muted and the line quality has drastically changed becoming more defined in comparison to the more loose brush stokes from the portrait two years prior.
  • 10.
  • 11.
  • 12. “ Head of a Woman” 1938 “ The Potato” 1928 Back Next Quit
  • 13. “ Birth of the World” 1925 Back Next Quit Miró implements this technique by allowing the force of gravity to carry the paint. Many times Miró would start a painting using this automatic painting technique and would later return to the painting and add more to it in a some what more conventional way.
  • 14.
  • 15.
  • 16. “ World Trade Center Tapestry” 1974 Back Next Quit
  • 17. “ Wall of the Moon” 1958 Back Next Quit
  • 18. “ Wall of the Sun” 1958 Back Next Quit
  • 19.
  • 20.
  • 21.