Student of Dezyne E’cole College ,www.dezyneecole.com Fashion design is a form of art dedicated to the creation of clothing and other lifestyle accessories. Modern fashion design is divided into two basic categories: haute couture and ready-to-wear. The haute couture collection is dedicated to certain customers and is custom sized to fit these customers exactly. In order to qualify as a haute couture house, a designer has to be part of the Syndical Chamber for Haute Couture and show a new collection twice a year presenting a minimum of 35 different outfits each time. Ready-to-wear collections are standard sized, not custom made, so they are more suitable for large production runs. They are also split into two categories: designer/createur and confection collections. Designer collections have a higher quality and finish as well as an unique design. They often represent a certain philosophy and are created to make a statement rather than for sale. Both ready-to-wear and haute-couture collections are presented on international catwalks.

1. WOMEN’S WEAR
FASHION DESIGN
Presented By:-
1st Year Diploma In Fashion Technology

2. GARMENT INDUSTRY

3. Elsa Schiaparelli ( ska-pa-rell’-ee ) was the trendsetter of European
fashion in the 1930s. Schiaparelli moved the center of interest to the
shoulders, which she began to widen, accentuating them by pleats,
padding, or braid, a silhouette that remained popular through World
War II.

4. Christian Dior ( chris- tee-ahn’ Dec- or ) showed his first collection in 1947 and
was an instant success. In a reaction against the wartime silhouette, women
adopted this New Look with longer, flare skirts; smooth, rounded, sloping
shoulders; and tiny fitted waists. Within a few seasons, Dior’s name became a
household word, and he was doing as much business as the rest of the couture
combined.

5. Jean Patou ( Gsahnpa- too’ ) created the famous Flapper look in 1925
bvaccentuating the hipline strengthening a straight silhouette, and
making shorter skirts with uneven hemlines. He confirmed that the
young, independent women was the new ideal.

6. ILLUSTRATION

7. CUFFS

8. CUFFS

9. PANTS

10. skirts

11. Neckline move above or below the
base of the neck. They often follow
the basic sewing lines on the torso.
Collars are connected to the
necklines, draped above or below
the neck, set down on the shoulders
or spread across the chest.
NECKLINES AND
COLLARS

12. WAIST BAND

13. INSET ARMHOLE
CAP SLEEVE
PUFFSLEEVE
SLEEVE

14. POCKET

15. YOKES
The yoke is a flat area
of a garment. It is
often in contrasting
material, piped to
emphasise the shape
or it may incorporate
quilting, embroidery,
pleating, tucks,
applique or decorative
stitching.

16. Sleeves are finished
either with a simple
him or with a cuff.
Many design effect
may be achieved
with trimming,
pleating, tuck,
gathers and shirring.
SLEEVES

17. Hatching
cross Hatching

18. Strokes stippling

19. SMUDGING

20. Colour - Merge

21. COREL DRAW

23. ELEMENTS OF DESIGN
.
 LINE
 SHAPE
 SIZE
 SPACE
 COLOR
 TEXTURE
 VALUE

24. SHAPE
LINE
COLOR

25. Neutral colour
Monochromatic
colour

26. Adjacent colour
Optical lIlusion

27. Achromatic colour
Accented colour

28. Split complimentary
Grey scale

29. Related colour Polychromatic colour

30. Single complimentary
Double complimentary

31. One and the same colour can seem different

32. Tints , Tones and shades

33. PRINCIPLES OF DESIGN
 Balance
 Contrast
 Emphasis
 Proportion
 Pattern
 Gradation

34. Line shape colour from Texture
ELEMENTS OF DESIGN
unityEmphasisProportion Balance
PRINCIPLES OF DESIGN

35. FABRIC TEXTURE

36. EMBROIDERY

37. Phulkari
Phulkari is a rural
tradition art of crafting
embroidered odhni used
by women in Punjab,
literally meaning “flower
work, “

38. Gujrati
It is righty said that Gujarat
has given india the greatest
heritage in embroidery work
and craft though its famous
and versative kutch
embroidery.

39. Kasuti
Kasuti is a world famous embroidery of
Karnataka state earlier was known as
mysore state , the motifs and art is a
pan of women’s world.

40. Kantha
Kantha of Bengal is a popular folk art. The
kantha embroidery of Bengal is famous all
around the globe.

41. Fabric Manipulation

46. GARMENT CONSTRUCTION

47. Kurta and pajama

48. Choli Blouse

49. Patticoat

50. Basic Bodice Block

51. patyala

52. Skirt

53. Simple blouse

55. DRAPING

56. DART LESS BODICE BLOCK
BACK VIEW
SIDE VIEW
FRONT VIEW

57. SHOULDER DART
FRONT VIEW
SIDE VIEW
BACK VIEW

58. FRONT VIEW SIDE VIEW
WAIST DART
FRONT VIEW
BACK VIEW
BACK VIEW
MID - SHOULDER DART

59. FRONT
VIEW
SIDE VIEW
BACK VIEW
PRINCESS PANEL

60. DOUBLE DART SERIES
SIDEVIEW
FRONT VIEW
BACK VIEW

61. BACK VIEW
SIDE VIEW
FRONT VIEW
MED ARMHOLE TO PRINCESS
LINE AND SKIRT

62. WAIST DART
FRONT VIEW
BACK VIEW
SIDE VIEW

64. Case study

65. Make a salwar kameez for 30-32 years old lecturer in engineering college any
surface design technique.
My Client
Client- Female
Age- 30-32 years
Profession- Lecturer in engineering college
City- Ajmer
Height- 5pt
Silhouette- Rectangle
Mood – professional , energetic, confident
Colour scheme- red and
Surface design technique
CLIENT BOARD

66. RESEARCH BOARD

67. TYPES OF SALWAR
DHOTI - PANTS
Chudidar salwar
Pakistan –
chikankari
Leggings and jeggings

68. Types of fabric

69. Material Board

70. MOOD BOARD

71. Red Life, Passion, Energy, Love, Warmness,
Strength, Boldness, Beauty, Awareness, Speed,
Danger, Anger, Wealth, Luck, Marriage.
White Purity Truth, Peace
,Innocence, Simplicity, Coldness,
Virginity, Birth, Freedom ,Elegance,
Honesty.

72. DRAFT OF GARMENT ON COREL DRAW

73. C:5
M :6
Y:100
K:0
C:0
M :0
Y:0
K:100
C :0
M :100
Y:100
K :0
C :0
M :0
Y:0
K :0
C :4
M :3
Y:35
K :0
C:0
M:40
Y:20
K:0
C :42
M :41
Y:100
K :12
C :100
M :100
Y:0
K :0
Idea Generation On Corel Draw

74. C :0
M :1 0 0
Y:1 0 0
K :0
C :0
M :0
Y:0
K :0
Final dress with
specification
Chain stich
Phulkari
Kameez
(kurta)
Chain stich

75. Front view
Side view
phulkari
Chain stitch

77. Thank you