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The Mechanism of Writing 
relates with essential 
components of scholarly 
writing.
 Spelling 
 Punctuation 
 Italics 
 Numbers 
 Names of Persons 
 Titles of works in the research paper 
 Quotations 
 Capitalization and Personal names
1.1. SPELLING 
1.1.1. Consistency 
Spelling, including hyphenation, should be consistent 
throughout the research paper—except in quotation, 
which must retain the spelling of the original, whether 
correct or incorrect.
1.1.2. Words Division 
 Turn off the automatic-hyphenation option in our 
word processor. 
 Dividing words at the ends of lines is unnecessary 
and it has disadvantages. 
1.1.3. Plurals 
 The plurals of English words are formed by 
addition of the suffix –s or –es (laws, taxes), with 
several exceptions (e.g., children, women).
1.1.4. Foreign Words 
 For quoting material in a foreign language, must 
reproduce all accents and other marks exactly as they 
appear in the original. 
Eg. école, pietà, tête, leçon, Fähre
2.1. PUNCTUATION 
Punctuation clarifies sentence structure, separating 
some words and grouping others. It adds meaning to 
written words. 
2.1.1. Commas 
 Use a comma before a coordinating conjunction 
(and, but, for, nor, or, so) joining independent clauses 
in sentences. 
E.g.- Congress passed the bill, but the president 
rejected it.
 Use commas to separate words, phrases and clauses in a 
series. 
WORDS— 
E.g. - Baccaccio’s tales have inspired, plays, films, 
operas, and paintings. 
PHRASES— 
E.g. - Alfred the Great established a system of 
fortified town, reorganized the military 
forces, and built a fleet of worships. 
CLAUSES— 
E.g. - In the Great Depression, millions lost their jobs, 
businesses failed, and Charitable institutions 
closed their doors.
 Use commas between coordinate adjectives – that is, 
adjectives that separately modify the same noun. 
E.g. Critics praise the novel’s unaffected, unadorned style. 
 Use commas to set off a nonrestrictive modifier – 
that is, a modifier that is not essential to the meaning 
of the sentences. 
NONRESTRICTIVE— 
E.g. Isabel Allende, the Chilean novelist, will appear at the art 
forum tonight. 
RESTRICTIVE – 
E.g. The Chilean novelist Isabel Allende will appear at the art 
forum tonight.
 Use a comma after a long introductory phrases or 
clause. 
E.g. - After years of anxiety over the family’s 
finances, Linda Loman looks forward to the 
day mortgage will be paid off.
2.1.2. Semicolons 
 Use a semicolon between independent clauses not linked 
by a conjunction. 
E.g. The coat is tattered beyond repair; still, Ajay 
hopes the tailor can mend it. 
 Use semicolon between items in a series when the items 
contain commas. 
E.g. Present at the symposium were Henri 
Guillaume, the art critic; Sam Brown, the Daily 
Tribune reporter; and Maria Rosa, the conceptual 
artist.
2.1.3. Colons 
 The colon is used between two parts of a sentence when the first 
part creates a sense of anticipation about what follows in the 
second. 
 Type one space after a colon. 
 Use a colon to introduce a list, an elaboration of what was just 
said, or the formal expressions of a rule or principle. 
LIST – 
The reading list includes three Latin American novels: The Death 
of Artemio Cruz, One Hundred Years of Solitude, and The Green 
House. 
ELABORATION – 
The plot is founded on deception: the three main characters have 
secret identities.
 Use a colon to introduce a quotation that is independent from 
the structure of the main sentence. 
In The Awakening, Mme Ratignolle exhorts Robert Lebrun to 
stop flirting with Edna: “She is not one of us; she is not like 
us.” 
 A colon is used after a verb of saying, however, if the verb 
introduces certain kinds of formal literary quotations, such as long 
quotations set off from the main text
2.1.4. Dashes and Parentheses 
Dashes make a sharper break in the continuity of the sentence than 
commas do, and parentheses make a still sharper one. To indicate it 
type two hyphens, without space, word processor convert into a dash. 
 Use dashes or parentheses to enclose a sentence element that 
interrupts the train of thought. 
The “hero” of the play (the townspeople see him as heroic, but 
he is the focus of the author’s satire) introduced himself as a veteran 
of the war. 
 Use dashes or parentheses to set off a parenthetical element that 
contains a comma and that might be misread if set off with commas. 
The colors of the costume—blue, scarlet, and yellow—acquire 
symbolic meaning in the story.
 Use a dash to introduce words that summarize a 
preceding series. 
Ruthlessness and acute sensitivity, greed and 
compassion—the main character’s contradictory 
qualities prevent any simple interpretation of the film.
2.1.5. Hyphens 
Compound words of all types—nouns, verbs, adjectives, and so 
on—are written as separate words with hyphens like `hard-and-fast’, 
‘hard-boiled’ etc. 
 Use a hyphen in a compound adjective beginning with an adverb 
such as better, best, ill, lower, little, or well when the adjective 
precedes a noun. 
better-prepared ambassador 
best-known work 
ill-informed reporter 
lower-priced tickets 
well-dressed act
 Do not use a hyphen when the compound adjective comes after the 
nous it modifies. 
The ambassador was better prepared than the other delegates. 
 Do not use a hyphen in a compound adjective beginning with an 
adverb ending in—ly or with too, very, or much. 
thoughtfully presented thesis 
too tasty lunch 
very contrived plot 
 Use a hyphen in a compound adjective ending with the present 
participle (e.g. loving) or the past participle (e.g. inspired) of a verb 
when the adjective precedes a noun. 
sports-loving people 
fear-inspired loyalty
 Use hyphen in other compound adjective before nouns to prevent 
misreading. 
Portuguese-language students. 
 Do not use a hyphen in a familiar unhyphenated compound terms, 
such as social security, high school, liberal arts and show business, 
when they appear before nouns as modifiers. 
social security tax 
high school building 
 Use a hyphen to join coequal nouns. 
scholar-athlete 
writer-critic 
author-chef
 Do not use a hyphen in a pair of nouns in which the first noun 
modifies the second. 
opera lover 
father figure 
 In general do not Use a hyphen after prefixes (e.g. anti-, over-, 
multi-, post-, semi-, sub-, under- etc.). 
antiwar, underground, multicolored, semicircle etc. 
But some time a hyphen is called for after a prefix. 
post-Victorian (use hyphen before a capital letter) 
anti-icing (without the hyphen double vowel would 
make the term hard to recognize.)
 Do not use a hyphen in a pair of nouns in which the first noun 
modifies the second. 
opera lover 
father figure 
 In general do not Use a hyphen after prefixes (e.g. anti-, over-, 
multi-, post-, semi-, sub-, under- etc.). 
antiwar, underground, multicolored, semicircle etc. 
But some time a hyphen is called for after a prefix. 
post-Victorian (use hyphen before a capital letter) 
anti-icing (without the hyphen double vowel would 
make the term hard to recognize.)
2.1.6. Apostrophes 
A principal function of apostrophes is to indicate possession. They are 
also used in contractions like can’t, wouldn’t which is rarely 
acceptable in research papers. 
 To form the possessive of a singular noun, add an apostrophe and an 
‘s’. 
a poem’s meter 
 To form the possessive of a plural noun ending in ‘s’, add only an 
apostrophe. 
firefighters’ trucks 
 To form the possessive of nouns in a series, add a single apostrophe 
and an ‘s’ if the ownership is shared. 
Palmer and Colton’s book on European history.
 To form the possessive of any singular proper noun, add an 
apostrophe and an ‘s’. 
Venus’s beauty, 
Wordsworth’s reputation 
 To form the possessive of a plural proper noun, add only an 
apostrophe. 
the Dickenses’ economic woe. 
 Do not use an apostrophe to form the plural of an abbreviation of a 
number. 
PhDs 1990s MAs fours TVs
2.1.7. Quotation Marks 
 Place quotation marks around a word or phrase given in 
someone else’s sense or in a special sense or purposefully misused. 
Their “friend” brought about their downfall. 
 Quotation marks are not needed after ‘so-called’. 
Their so-called friend brought about their downfall. 
 Use quotation marks for a translation of a foreign word or 
phrase. 
The first idiomatic Spanish expression I learned was 
irse todo en humo (“to go up in smoke”).
2.1.8. Square Brackets 
 Use square brackets around a parenthesis within parenthesis, so 
that the levels of subordination can be easily distinguished. 
The sect known as the Jansenists (after Cornelius Jansen [1585- 
1638]) faced opposition from both the king and the pope. 
2.1.9. Slashes 
The slash, or diagonal, is rarely necessary in formal prose. In 
quotations of poetry the slash has a place mainly between two terms 
paired as opposites or alternatives and used together as a noun. 
The writer discussed how fundamental oppositions like good/evil, 
East/West, and aged/young affect the way cultures view historical 
events.
Mechanics Of Writing Chapter 3 (MLA)

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Mechanics Of Writing Chapter 3 (MLA)

  • 1. The Mechanism of Writing relates with essential components of scholarly writing.
  • 2.  Spelling  Punctuation  Italics  Numbers  Names of Persons  Titles of works in the research paper  Quotations  Capitalization and Personal names
  • 3. 1.1. SPELLING 1.1.1. Consistency Spelling, including hyphenation, should be consistent throughout the research paper—except in quotation, which must retain the spelling of the original, whether correct or incorrect.
  • 4. 1.1.2. Words Division  Turn off the automatic-hyphenation option in our word processor.  Dividing words at the ends of lines is unnecessary and it has disadvantages. 1.1.3. Plurals  The plurals of English words are formed by addition of the suffix –s or –es (laws, taxes), with several exceptions (e.g., children, women).
  • 5. 1.1.4. Foreign Words  For quoting material in a foreign language, must reproduce all accents and other marks exactly as they appear in the original. Eg. école, pietà, tête, leçon, Fähre
  • 6. 2.1. PUNCTUATION Punctuation clarifies sentence structure, separating some words and grouping others. It adds meaning to written words. 2.1.1. Commas  Use a comma before a coordinating conjunction (and, but, for, nor, or, so) joining independent clauses in sentences. E.g.- Congress passed the bill, but the president rejected it.
  • 7.  Use commas to separate words, phrases and clauses in a series. WORDS— E.g. - Baccaccio’s tales have inspired, plays, films, operas, and paintings. PHRASES— E.g. - Alfred the Great established a system of fortified town, reorganized the military forces, and built a fleet of worships. CLAUSES— E.g. - In the Great Depression, millions lost their jobs, businesses failed, and Charitable institutions closed their doors.
  • 8.  Use commas between coordinate adjectives – that is, adjectives that separately modify the same noun. E.g. Critics praise the novel’s unaffected, unadorned style.  Use commas to set off a nonrestrictive modifier – that is, a modifier that is not essential to the meaning of the sentences. NONRESTRICTIVE— E.g. Isabel Allende, the Chilean novelist, will appear at the art forum tonight. RESTRICTIVE – E.g. The Chilean novelist Isabel Allende will appear at the art forum tonight.
  • 9.  Use a comma after a long introductory phrases or clause. E.g. - After years of anxiety over the family’s finances, Linda Loman looks forward to the day mortgage will be paid off.
  • 10. 2.1.2. Semicolons  Use a semicolon between independent clauses not linked by a conjunction. E.g. The coat is tattered beyond repair; still, Ajay hopes the tailor can mend it.  Use semicolon between items in a series when the items contain commas. E.g. Present at the symposium were Henri Guillaume, the art critic; Sam Brown, the Daily Tribune reporter; and Maria Rosa, the conceptual artist.
  • 11. 2.1.3. Colons  The colon is used between two parts of a sentence when the first part creates a sense of anticipation about what follows in the second.  Type one space after a colon.  Use a colon to introduce a list, an elaboration of what was just said, or the formal expressions of a rule or principle. LIST – The reading list includes three Latin American novels: The Death of Artemio Cruz, One Hundred Years of Solitude, and The Green House. ELABORATION – The plot is founded on deception: the three main characters have secret identities.
  • 12.  Use a colon to introduce a quotation that is independent from the structure of the main sentence. In The Awakening, Mme Ratignolle exhorts Robert Lebrun to stop flirting with Edna: “She is not one of us; she is not like us.”  A colon is used after a verb of saying, however, if the verb introduces certain kinds of formal literary quotations, such as long quotations set off from the main text
  • 13. 2.1.4. Dashes and Parentheses Dashes make a sharper break in the continuity of the sentence than commas do, and parentheses make a still sharper one. To indicate it type two hyphens, without space, word processor convert into a dash.  Use dashes or parentheses to enclose a sentence element that interrupts the train of thought. The “hero” of the play (the townspeople see him as heroic, but he is the focus of the author’s satire) introduced himself as a veteran of the war.  Use dashes or parentheses to set off a parenthetical element that contains a comma and that might be misread if set off with commas. The colors of the costume—blue, scarlet, and yellow—acquire symbolic meaning in the story.
  • 14.  Use a dash to introduce words that summarize a preceding series. Ruthlessness and acute sensitivity, greed and compassion—the main character’s contradictory qualities prevent any simple interpretation of the film.
  • 15. 2.1.5. Hyphens Compound words of all types—nouns, verbs, adjectives, and so on—are written as separate words with hyphens like `hard-and-fast’, ‘hard-boiled’ etc.  Use a hyphen in a compound adjective beginning with an adverb such as better, best, ill, lower, little, or well when the adjective precedes a noun. better-prepared ambassador best-known work ill-informed reporter lower-priced tickets well-dressed act
  • 16.  Do not use a hyphen when the compound adjective comes after the nous it modifies. The ambassador was better prepared than the other delegates.  Do not use a hyphen in a compound adjective beginning with an adverb ending in—ly or with too, very, or much. thoughtfully presented thesis too tasty lunch very contrived plot  Use a hyphen in a compound adjective ending with the present participle (e.g. loving) or the past participle (e.g. inspired) of a verb when the adjective precedes a noun. sports-loving people fear-inspired loyalty
  • 17.  Use hyphen in other compound adjective before nouns to prevent misreading. Portuguese-language students.  Do not use a hyphen in a familiar unhyphenated compound terms, such as social security, high school, liberal arts and show business, when they appear before nouns as modifiers. social security tax high school building  Use a hyphen to join coequal nouns. scholar-athlete writer-critic author-chef
  • 18.  Do not use a hyphen in a pair of nouns in which the first noun modifies the second. opera lover father figure  In general do not Use a hyphen after prefixes (e.g. anti-, over-, multi-, post-, semi-, sub-, under- etc.). antiwar, underground, multicolored, semicircle etc. But some time a hyphen is called for after a prefix. post-Victorian (use hyphen before a capital letter) anti-icing (without the hyphen double vowel would make the term hard to recognize.)
  • 19.  Do not use a hyphen in a pair of nouns in which the first noun modifies the second. opera lover father figure  In general do not Use a hyphen after prefixes (e.g. anti-, over-, multi-, post-, semi-, sub-, under- etc.). antiwar, underground, multicolored, semicircle etc. But some time a hyphen is called for after a prefix. post-Victorian (use hyphen before a capital letter) anti-icing (without the hyphen double vowel would make the term hard to recognize.)
  • 20. 2.1.6. Apostrophes A principal function of apostrophes is to indicate possession. They are also used in contractions like can’t, wouldn’t which is rarely acceptable in research papers.  To form the possessive of a singular noun, add an apostrophe and an ‘s’. a poem’s meter  To form the possessive of a plural noun ending in ‘s’, add only an apostrophe. firefighters’ trucks  To form the possessive of nouns in a series, add a single apostrophe and an ‘s’ if the ownership is shared. Palmer and Colton’s book on European history.
  • 21.  To form the possessive of any singular proper noun, add an apostrophe and an ‘s’. Venus’s beauty, Wordsworth’s reputation  To form the possessive of a plural proper noun, add only an apostrophe. the Dickenses’ economic woe.  Do not use an apostrophe to form the plural of an abbreviation of a number. PhDs 1990s MAs fours TVs
  • 22. 2.1.7. Quotation Marks  Place quotation marks around a word or phrase given in someone else’s sense or in a special sense or purposefully misused. Their “friend” brought about their downfall.  Quotation marks are not needed after ‘so-called’. Their so-called friend brought about their downfall.  Use quotation marks for a translation of a foreign word or phrase. The first idiomatic Spanish expression I learned was irse todo en humo (“to go up in smoke”).
  • 23. 2.1.8. Square Brackets  Use square brackets around a parenthesis within parenthesis, so that the levels of subordination can be easily distinguished. The sect known as the Jansenists (after Cornelius Jansen [1585- 1638]) faced opposition from both the king and the pope. 2.1.9. Slashes The slash, or diagonal, is rarely necessary in formal prose. In quotations of poetry the slash has a place mainly between two terms paired as opposites or alternatives and used together as a noun. The writer discussed how fundamental oppositions like good/evil, East/West, and aged/young affect the way cultures view historical events.