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Size, Scale, and
Proportion
Size, Scale, and Proportion
• Making a Statement with Size
• Playing with Scale
• Searching for Perfection
in Proportion
– Classical Proportions
– The Spiral
SCALE
• The comparative size of an elements of art or
object in relation to other elements or objects
and normative conventions.
PROPORTION
• The relationship of the sizes of parts to each
other and to the whole.
Dalton Ghetti
GOLDEN RECTANGLE
• A rectangle derived by the ancient Greeks
from the Golden Section.
GOLDEN SECTION
• A line sectioned so the ratio of the shorter
section is to the larger section as the larger
section is to the whole.
1.6180339887498948482…
“Vitruvian Man”
• a palm is the width of four fingers
• a foot is the width of four palms (i.e., 12 inches)
• a cubit is the width of six palms
• a pace is four cubits
• a man's height is four cubits (and thus 24 palms)
• "erit eaque mensura ad manas pansas"
• the length of a man's outspread arms (arm span) is equal to his height
• the distance from the hairline to the bottom of the chin is one-tenth of a man's height
• the distance from the top of the head to the bottom of the chin is one-eighth of a man's
height
• the distance from the bottom of the neck to the hairline is one-sixth of a man's height
• the maximum width of the shoulders is a quarter of a man's height
• the distance from the middle of the chest to the top of the head is a quarter of a man's
height
• the distance from the elbow to the tip of the hand is a quarter of a man's height
• the distance from the elbow to the armpit is one-eighth of a man's height
• the length of the hand is one-tenth of a man's height
• the distance from the bottom of the chin to the nose is one-third of the length of the head
• the distance from the hairline to the eyebrows is one-third of the length of the face
• the length of the ear is one-third of the length of the face
• the length of a man's foot is one-sixth of his height
• The multiple viewpoint that set in with Romanticism
has convinced us that there is no such thing as a
universal set of proportions for the human body. The
field of anthropometry was created in order to
describe individual variations. Vitruvius' statements
may be interpreted as statements about average
proportions. Vitruvius takes pains to give a precise
mathematical definition of what he means by saying
that the navel is the center of the body, but other
definitions lead to different results; for example, the
center of mass of the human body depends on the
position of the limbs, and in a standing posture is
typically about 10 cm lower than the navel, near the
top of the hip bones.
Scale and Proportion DEBEAUFORT
Scale and Proportion DEBEAUFORT

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Scale and Proportion DEBEAUFORT

  • 2. Size, Scale, and Proportion • Making a Statement with Size • Playing with Scale • Searching for Perfection in Proportion – Classical Proportions – The Spiral
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8. SCALE • The comparative size of an elements of art or object in relation to other elements or objects and normative conventions.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26. PROPORTION • The relationship of the sizes of parts to each other and to the whole.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46.
  • 47.
  • 48.
  • 49. GOLDEN RECTANGLE • A rectangle derived by the ancient Greeks from the Golden Section.
  • 50. GOLDEN SECTION • A line sectioned so the ratio of the shorter section is to the larger section as the larger section is to the whole.
  • 51.
  • 52.
  • 53.
  • 55.
  • 56.
  • 57.
  • 59. • a palm is the width of four fingers • a foot is the width of four palms (i.e., 12 inches) • a cubit is the width of six palms • a pace is four cubits • a man's height is four cubits (and thus 24 palms) • "erit eaque mensura ad manas pansas" • the length of a man's outspread arms (arm span) is equal to his height • the distance from the hairline to the bottom of the chin is one-tenth of a man's height • the distance from the top of the head to the bottom of the chin is one-eighth of a man's height • the distance from the bottom of the neck to the hairline is one-sixth of a man's height • the maximum width of the shoulders is a quarter of a man's height • the distance from the middle of the chest to the top of the head is a quarter of a man's height • the distance from the elbow to the tip of the hand is a quarter of a man's height • the distance from the elbow to the armpit is one-eighth of a man's height • the length of the hand is one-tenth of a man's height • the distance from the bottom of the chin to the nose is one-third of the length of the head • the distance from the hairline to the eyebrows is one-third of the length of the face • the length of the ear is one-third of the length of the face • the length of a man's foot is one-sixth of his height
  • 60. • The multiple viewpoint that set in with Romanticism has convinced us that there is no such thing as a universal set of proportions for the human body. The field of anthropometry was created in order to describe individual variations. Vitruvius' statements may be interpreted as statements about average proportions. Vitruvius takes pains to give a precise mathematical definition of what he means by saying that the navel is the center of the body, but other definitions lead to different results; for example, the center of mass of the human body depends on the position of the limbs, and in a standing posture is typically about 10 cm lower than the navel, near the top of the hip bones.