The Northern Renaissance And The Spirit Of The Northern...

The Northern Renaissance And The Spirit Of The Northern...
The Northern Renaissance began in the fifthteenth century, catalyzed by the end of the Bubonic
Plague, a commercial revolution which brought economic prosperity, and the ideas brought by
Italian artists fleeing from French invaders. Northern Europeans quickly accepted Italian art, who
combined their traditions with Italian concepts to celebrate realistic portrayals in their paintings. The
surge of creativity in Flanders, the hub of the Northern Renaissance, at the time embodied the spirit
of the Renaissance, which celebrated inventiveness, as well as exploring new ideas. Jan Van Eyck, a
Flemish painter born in the late fourteenth century, lived at the beginning of the Northern
Renaissance, in which he created many famous paintings such as the Ghent Altarpiece, The
Arnolfini Portrait, and The Madonna of Chancellor Rolin. Jan Van Eyck's training in Flanders
allowed the painter to procure important court positions, in which he embodied the creative spirit of
the Renaissance by mastering the techniques of realism and intense detail within his painting The
Madonna of Chancellor Rolin, and the Eyckian technique of oil painting influenced many other
painters of the time as well as modern artists.
Jan Van Eyck trained with his brother in Flanders, where he secured high courtly positions, which
allowed him the freedom to further his mastery and worldview, embodying the Renaissance spirit.
Training with his brother, Hubert Van Eyck, allowed Jan Van Eyck to master painting. Jan and
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The Great Achievements Of The Italian Renaissance
One of the great achievements of the Italian Renaissance is the application perspective, which is the
product of the combination of science and art.The early perspective is invented by the early
Renaissance painter.Perspective enabling artists to scientific accuracy in the reproduction of a two–
dimensional surface having a three–dimensional space and figures. Art is not a simple art activity
but a scientific activity. An artists use of perspective can create a realistic effect represented
(Bouleau 1963).
Leonardo da Vinci, The Last Supper, 1498
In the beginning of the fifteenth century and the sixteenth century, the perspective has become a
basic skill, widely mastered by all painters. As one of three heroes of the Renaissance Leonardo da
Vinci also use the principle of perspective in the creation of a master painting to highlight the theme
(Wölfflin 1963). He worked on Santa Maria Delle Grazie of Milan 's monastery dining room painted
the famous fresco The Last Supper will fully reflect his talent in this area. The Last Supper story
based on the Bible, says that in the Passover feast, Jesus and his twelve disciples had supper. During
the dining, Jesus said that , I tell you that there was a man who among you betrayed me. After then ,
the traitor Judas to arrest Jesus and put him nailed to the cross. This religious story is common in
Western painting (Conti 1979). Leonardo da Vinci made a careful process in perspective, the shape
of the restaurant is designed to work with

The Most Famous Work Of Art
The 13th and 14th centuries in Italy are as known as the early Renaissance. Several artists remain
well recognized from this period in art history. Duccio di Buoninsegna was an Italian painter, active
in the city of Siena. His most famous work of art is the Maesta Altarpiece located in the Cathedral of
Siena. At that time, Siena was very competitive with Florence. The greatest Florentine painter was
Giotto di Bondone. He was a couple years younger than Duccio. Giotto's crowning achievement is a
series of fresco murals painted in the Arena Chapel. Duccio and Giotto were two astonishing artists.
Duccio's Maesta and Giotto's fresco painting in the Arena Chapel both tell us a narrative story of the
life of The Virgin Mary and Christ. Both ... Show more content on Helpwriting.net ...
His stillness is in contrast to the crowd, it allows scenes flow around him. Judas reaches and kisses
Christ from the left, there appear to be regret in Judas face. There is not apparent though his
aggressive posture. Christ's right hand is pointing forward. This may express Christ's future
forgiveness of Judas. Duccio's depiction leaves more space for imagination for the viewer. In
Giotto's painting, Christ is in profile. This allows for eye contact between Christ and Judas. Christ is
a little taller than Judas, and he gaze silently upon Judas's face. From the gaze of the Christ, we can
feel a sense of forgiveness and sorrow. Moreover, we can feel Juda feels sorry for what he has done.
Their expressions make the painting more emotional, they emphasize the nobility of the Christ and
let viewer have a better connection to this emotional content.
Both Duccio and Giotto captured the act of Saint Peter slicing an ear off of a roman solider. Duccio
is telling the story of the arrest of Christ though a passing of time. In Duccio's painting, we can
clearly see the anger on Peter's face, he is next to Judas on his left. The viewer will draw their
attention to Peter after viewing the moment of the kiss of Judas. Duccio made it a separate moment
from the main scene. In Giotto's painting, Peter is in the crowd he raises up his right arm, which is
holding a knife and reaches behind the

Lorenzo Lotto Research Paper
Lorenzo Lotto was born in 1480 in Venice, Italy and died in 1557 in Loreto, Marche, Italy. Lotto
was an Italian painter from the late Renaissance. Lotto was known for his perceptive portraits and
mystical paintings of religious subjects. Lotto represents one of the best examples of the valuable
relationship between the Marche schools. Lotto was one of the leading Venetian–trained painters of
the earlier 16th century. He mainly painted portraits and religious paintings. Lotto worked mainly
outside Venice. He was at Treviso in 1503, then in the Marches, around 1508. From 1513 to 1525 he
was mainly at Bergamo in Lombardy, where he painted several major pieces. In 1526, there were
long times when he was gone, which was followed by his retirement ... Show more content on
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Peter Martyr painted in 1503 and the Portrait of Bishop Bernardo de' Rossi painted in 1505. After
1513 Lotto lived mainly in Bergamo, where his paintings fully developed. His most successful
works of this period are the altarpieces in San Bernardino and in Santo Spirito, which show a new
creativity , a greater ability in rendering light and shade, and a preference for fancier colors. In 1526
or 1527 Lotto returned to Venice, where he was influenced by the glowing palette and grand
compositional system of Titian. During the late Renaissance period his work became more
emotional like in the Madonna of the Rosary painted in 1539 and the Crucifixion painted in 1531. In
the Madonna Enthroned with Four Saints painted in 1540 shows Lorenzo Lotto at the height of his
work as a painter. In 1554 Lotto became partially blind. Lorenzo Lotto entered the Santa Casa in
Loreto as an oblate member with a permission to work there. There he started one of his most
sensitive work of art, the Presentation in the Temple. Lotto died in the process of making the
Presentation in the Temple so it remains unfinished. One of Lotto's most famous painting is Venus
and her son Cupid in a bower painted in 1520. It was painted for a couple's wedding in Bergamo.
Lotto was fascinated with the relations to the goddess and marriage. The Allegory of Virtue and Vice
is another famous painting by Lotto painted in 1505. The most famous painting by

The Fifteenth And Sixteenth Centuries In Italy
There are many highly interesting periods of history to learn about, but one of the most interesting is
that which covers the fifteenth and sixteenth centuries in Italy. The Renaissance was a really crucial
turning point in Western thinking and cultural tradition. There was a astounding amount of artistic
and architectural production during this time. Moreover, this period in time was highly engaged. The
Renaissance produced an outstanding array of artists and painters, including the notable Leonardo
da Vinci, the Italian painter, journalist, and engineer. This time period was rightfully named the
Renaissance, meaning rebirth in Latin. It was named this because Italians and Europeans began to
once again advance culturally. The Renaissance

Leonardo Da Vinci, the Epitome of the Italian Renaissance...
Florence, the shelter for artists in need of wealthy patrons to give them an opportunity to rise to
fame, was the center of innovation and creativity in the Italian Renaissance. This renowned city was
famous for supplying some of the best artists in the world and for creating the some of the world's
most treasured art. Leonardo da Vinci, possibly one of the greatest painters in the world, was born in
Florence and lived his adulthood in Florence, the essence and heart of the Italian Renaissance.
Leonardo da Vinci virtually changed the world and the Italian Renaissance by greatly influencing it
with his fresh and unique ideas. Leonardo da Vinci, one of the most famous and acclaimed painters
of all times was more than a painter. He was a ... Show more content on Helpwriting.net ...
Leonardo also used the arts and science hand in hand as was the humanist philosophy. Humanism
also led to Leonardo's study of the human anatomy in order to have a greater understanding of the
human body and to portray them more accurately in his work. Leonardo went as far as defying the
Roman Catholic Church to dissect corpses for his work. He studied nature and anatomy for hours on
end to produce graphic paintings that were used as manuals. Which leads to a second point,
Leonardo da Vinci was a secular person. He was a lefty that at the time was seen as the devil's work
and he continued to use his left hand, even though he became ambidextrous. His peculiar and
distinguished portraits also demonstrate Leonardo's perceptive endeavor towards aesthetics . Though
Leonardo's work is primarily Christian themed or related, he boldly created masterpieces that were
pagan or non–religious in nature. This also shows the gradual change of mind of people from the
Renaissance from extremely religious and conservative to slightly more liberal. Leonardo broke free
from what was the standard 'norm' and religious asceticism as was the case with many other artists.
He believed in discovery and that life was worth living now. Leonardo revolutionized styles of
painting. He rebelled against the customary oils and used vibrant colors of tempera to create his
masterpieces. He was renowned for his famous backgrounds and detailed

Return From The Inn
Part of the Permanent Collection at the Montreal Museum of Fine Arts, Pieter Brueghel the
Younger's painting Return from the Inn made around 1620, illustrates an outdoor winter landscape
of rural peasant life in early seventeenth century Belgium. Born in 1564 or 1565 in Brussels,
Belgium, Pieter Brueghel the Younger was a Flemish painter best known for being the oldest son of
the famous sixteenth century Netherlandish painter Pieter Brueghel the Elder and Mayken Coecke
van Aelstv (Artnet, 2016). Following the passing of both of his parents, Brueghel the Younger and
his siblings Marie and Jan went to live with their grandmother Mayken Verhulst, a well–established
painter of watercolors. It was her who introduced Brueghel the Younger to painting. ... Show more
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At first contact with the painting, my eyes were immediately drawn to the center of the painting
where a dominant figure of a man is highlighted not only by his large size, but also by his bright red
jacket which invokes a strong presence in the painting. In contrast, the other peasant–like characters'
wear muted, dark colors while the child's clothing in the far bottom left of the painting is almost
indecipherable among the dark tree trunk. The use of the primary color red at the center of the
painting emphasizes a sense of tension, urgency and motion (Herberholz, & Herberholz, 2002, p.
29). However, I also observed the emanating warm palette of colors associated with this Flemish
renaissance era (Pastro, 2005, p. 51). The colors are "cozy" and reassuring. In truth, the blue sky,
light ochre buildings and the terracotta–colored church, all covered with crisp white snow gives the
painting its arresting quality, presenting a peaceful winter country scene. Overall, the painting
presents a wide range of values and tones of colours. For instance, shades of yellow and gray are
strategically painted onto the snow to represent the shoe prints of the characters. Interestingly, unlike
his father, Pieter Brueghel the Younger depicted detailed objects in the painting through the use of
representational shapes. In these artwork, the emphasis is on the realistic presentation of the subject
matter. The people, objects, or landscape look very real and may be considered an imitation of
nature (Herberholz, & Herberholz, 2002c, p. 90). In fact, artists frequently use realistic shapes in a
two–dimensional artwork to represent three dimensional object–forms–that they see in the natural
world (Herberholz, & Herberholz, 2002b, p. 34). In addition, the actions of the prominent figures
give the painting a series of clear lines that are sharp and even perhaps violent. In the book Artworks
for

The Objectification Of Women By Kenneth Clark
For centuries, the objectification of women has become the norm, forever portraying them as
submissive and passive for the benefit of the male gaze. Eternally capsulated in a world, perfected,
unanimously the viewer and viewed alike. Jenny Saville defies expectations in creating the female
nude with herself as both subject and painter. Taking on the roles given to women by men and
making them her own, Saville elevates the status of women by making them their own judge of
beauty. Kenneth Clark, a renowned art historian of his time, believed to create a form of art, the
nude must be reformed and not directly recorded from life. In doing so, scouring away all evidence
of the woman before the painting, before being perfected.
"Propped" is ... Show more content on Helpwriting.net ...
To achieve this, the body must be abstracted, becoming a process of designing the ideal figure
through mutating and etching away any flaws of the sitter. "[The nude is] a balance, prosperous, and
confident body: the body reformed" (1956:3) conveying that a woman must be scoured of all
imperfections to be confident in her own right. However, Saville contradicts this by almost
aggressively painting her flaws, baring herself to all and reviling in her own nakedness. Proving
further the empowerment, a woman can feel upon taking control of how others perceive her. Yet,
Saville's pride in her state of nakedness is condemned to vanity, not allowing her to feel entitled to
the entity of her body. Berger agrees, calling out men for their hypocrisy in moulding women to
view themselves being viewed all to justify the creation of the female nude. "Morally condemning
the woman whose nakedness you have depicted for your own pleasure" (1972:51), Berger calls into
question the male gaze and the liberties men have taken in portraying women nude, only for them to
be shamed in their nakedness. Setting into motion the trend that women are to be ashamed of their
body without clothes. Clark further creates insecurities, conveying to women that "to be naked is to
be deprived of clothes...embarrassment most of us feel in that condition" (1956:3). Furthermore, to
be

Characterization And Internal Characterism In Kurt...
The world isn't perfect, true but it shouldn't have to be, we are humans and we make mistakes.
Sometimes we wish everything could be perfect, yet that may end up making things worse. We
shouldn't try to be perfect like Dr. Hitz thinks it should be. We should just be thankful for what we
have now. In "2BRO2B," Kurt Vonnegut uses characterization and internal conflict to stress the idea
sometimes things aren't as perfect as they seem. Kurt Vonnegut uses Characterization to develop the
fact that things aren't as perfect as they seem. He does this by mentioning different points of views
for different characters. "He or she is going to live on a happy, roomy, clean, rich planet, thanks to
population control." Dr. Hitz says how good of a life Wehling's child is going to live due to
population control, this shows how he views population control. Dr. Hitz believes that having set up
the very first gas chamber for population control is an accomplishment. Leora Duncan admires Dr.
Hitz and that's why she's beyond thankful to stand next to him in the portrait being painted of the
happy garden of life. This shows how some people feel about Dr. Hitz and honor him for making the
first gas chamber. Wehling, on the other hand, thinks it's wrong when he has to pick which of his
three children he wants to live because he only has one volunteer to be executed in the gas chamber.
"All I have to do is pick out which one of the triplets is going to live, then deliver my maternal
grandfather to

The Last Judgment
RENAISSANCE! This was a period in time in which change was huge, many incredible people rose
up and many incredible things were created. The renaissance started out as a small movement in
Italy, it then worked its way up to be one of the biggest turning points for man. The renaissance
brought forth many new artist, art styles, beliefs, and cultures. A famous oil painting known as The
Last Judgment was a famous triptych, a painting with three separate panels. It was painted by
Hieronymus Bosch, a famous renaissance painter with no equal, after 1482. Hieronymus Bosch's
painting, The Last Judgment represents some aspects of the renaissance. Bosch's painting represents
the art styles of the renaissance and embodies humanism to a certain degree, but it shows humans
being judged by God and this is against the renaissance's belief of the church.
Firstly, as the renaissance moved ... Show more content on Helpwriting.net ...
Hieronymus Bosch was a unique painter who portrayed the renaissance's beliefs and changing art
styles in his unique paintings. His painting, The Last Judgment is an excellent example of this. By
the high renaissance (the 1500s) the Gothic and Roman art styles were vanquished and replaced by
imitations of Greek sculptures and oil paintings. In many of Bosch's paintings, The Last Judgment
included, he used specific techniques and styles that made his painting unique in the renaissance and
no other painter came close to his art. "Bosch employed the type of fanciful forms that were often
utilized to decorate borders and letters in illuminated manuscripts combining plant and animal forms
with architectonic ones." These forms give Bosch's paintings an unparalleled surreal quality. Art
styles in the renaissance had become more intricate than the Gothic and Roman styles, though The
Last Judgment was not as realistic as other paintings it still embodied the renaissance's view on

A Controversial Painter of Post-Renaissance, Michelangelo...
Michelangelo Merisi de Caravaggio (1571–1610) is heralded as the last, and the most controversial
painter of the Italian post–Renaissance. In an age when the papacy itself was self–indulgent, corrupt
and immoral, Caravaggio's sexual ambivalence, his propensity for violence and his scorn for the law
made him the enfant terrible of the Italian aristocracy. Qualities that only succeeded in furthering
Caravaggio's notoriety and success.
Caravaggios endeavors into art began In 1584 when he was apprenticed for four years in Milan to
the Lombard painter Simone Peterzano (1540–1596), who claimed to have studied under Titian.
Peterzano's speciality 'was doing frigid and cluttered pastiches of Michelangelo' – Caravaggio –
documentary by Robert Hughes (1975) 1 of 7
After which he moved to Rome.
Caravaggio would use models from the street, hiring pimps, prostitutes and street urchins to pose as
sensuous, sometimes nude models for the Catholic Churches commissions of sacred religious icons,
dressing the New Testament figures in his paintings in the clothing of his own contemporaries,
complete with bare feet and dirt under their fingernails. This radical naturalism shocked and
delighted his patrons, who (in light of the Protestant reformation) were seeking a simpler, more
direct art that would have a maximum effect in stirring emotion and recruiting the Protestant
dissidents.
What little is known of Caravaggio's life is exposed as the artist having a deeply troubled
personality,

Analysis Of A Harbor In Moonlight
Claude–Joseph Vernet is a very largely known French artist from the early 1700's. He has been
known to be one of the best landscape painters of all time. Vernet paints from a different perspective
than many artists and his art leaves a lasting impact on viewers' minds. Many of his paintings are
famous including "A Harbor in Moonlight" which is located at the St. Louis Art Museum.
A Harbor in Moonlight stood out as a very interesting piece. What initially caught my eye was the
different lighting and shades of every color in this painting. My first reaction was a sense of
calmness and relief. There are many reasons that I got the initial first feelings that I did. The biggest
reason is the arrangements of lighting. Vernet does a good job of incorporating lighting into every
part of this piece. I feel that the lighting plays the biggest role in this artwork because without it, it is
very dull and dark. The result of a dull and dark painting would not be anywhere near the same
result as the lighting.
It almost seems like the lighting is meant to say something or symbolize something. Just by looking
at it, each light has a different role and level of importance in the picture. The main sources of light
that stood out to me were the fire, moon, lighthouse, and even the reflection of light on the surface
of the water. All of them provide a different sense of feeling in this scene. The fire gives me a
feeling of security and safety, because people gather around a fire and come

How A Partial Biography Could Be Harmful For A Painter?...
"How a partial biography could be harmful for a painter? Lorenzo Lotto's peripatetic career in
Vasari's Lives" (I still need a better title)
Why do we read Vasari's Lives? Surely not for the historical accuracy of the data he provides us nor
for his scientific approach to the artist's biographies. We read what we consider a masterpiece of
Italian literature mainly because, instead of concentrating on long tedious enumeration, exegetical
and philological details or monotonous galleries of portraits, Vasari preferred to choose according to
his taste, to stick to what he was given to know, to carefully consider and judge the paintings with
his intelligence, sensibility and enthusiasm. This explains why it is interesting to analyse even a
scanty biography as the one of Lorenzo Lotto in both the editions of the lives. Lotto's biography
may be considered especially interesting in order to understand how an artist, who developed his
own pictorial poetic, diametrically different from that of his fellow citizens, and who worked mainly
in peripheral centres, entered the ranks of those painters, sculptors and architects whose memory
Vasari has sought to preserve.
In either edition of the Lives, Vasari devotes to Lotto a scanty biography shared with Jacopo Palma,
also knew as Palma il Vecchio. In the Torrentini's edition, Lotto's life is particularly concise, to use a
euphemism. Vasari literally reserves the artist's biography a one–tenth of the lines he uses to
describe Palma's Life.

The Birth Of Venus By Alessandro Di Mariano Filipepi
Alessandro Di Mariano Filipepi, or his most prestigious surname Sandro Botticelli, was born on
March 1, 1455 in Florence, Italy. He would go to become of the most renowned painters of the early
Renaissance period in Florence. One of his most sought–after paintings was that of the "Birth of
Venus", where he depicted a Roman goddess and the poetic movement of illustration and humanism.
Botticelli would then go on to create over one hundred more paintings in his lifetime that are still the
subject of most art history classes, that relate to the Renaissance period. Botticelli's conviction of his
humanistic, poetic, and religious paintings is what made him the most influential and elaborate
painters of the Renaissance period.
Sandro Botticelli lived throughout his life in Florence, Italy until he died at the age of 65, on the
seventeenth of May 1510. He got his start by apprenticing for fellow painter Fra Flippo Lippi,
"whose delicate coloring can be seen in such early works as the Adoration of the Kings (National
Gall., London) and Chigi Madonna (Gardner Mus., Boston)" ("Sandro Botticelli" 1). In Botticelli's
earlier works he created magnificent paintings representing Roman, Greek, humanistic paintings
that focused on the metrical relationships between art, poetry, and myth. Unlike most artists in the
early Renaissance, Botticelli worked with different mediums, other than clay or wall paintings; he
worked with canvas, tapestry, furniture, and panels. Whereas most of the early

Early Renaissance And The Renaissance
Early Renaissance to High Renaissance
The Renaissance is the period that immediately follows the Middle Ages in Europe ancient Rome
and Greece. Growing prosperity and reduction in political stability accompanied by new
technologies, the printing press, astronomy and the exploration and discovery of new continents was
supplemented by a blossoming of philosophy, literature, and art. Painting style, decorative arts, and
sculpture arose in Italy in the 14th century, reached its peak in the late 15th and early 16th centuries.
These were the works of Leonardo da Vinci, Raphael, Michelangelo and others. Renaissance
expressed classical Greco–Roman traditions and captured the experience of the individuals and the
mystery and beauty of the natural world.
The origin of the Renaissance
The origins can be dated back in the late 13th and early 14th centuries. During this period (between
1280 and1400), the Italian scholars and artists perceived themselves as regeneration to the
achievements and ideals of Roman culture. Some writers like Giovanni Boccaccio (1313–1375) and
Petrarch (1304–1374) remembered ancient Greece and Rome and pursued to revive the languages,
intellectual and value traditions of these cultures after the long period of inactivity that had
proceeded the fall of the Roman Empire in the 6th century.
Giotto, the Florentine painter, (1267–1337), is the famous artist of the Renaissance who made vast
advances in the style of expressing the human body realistically. His

Giovanni Bellini Research Paper
Of all the artists from the European Renaissance to have come from Venice, perhaps the most
important one of them all was Giovanni Bellini. Many of his works such as The Feast of the Gods,
Agony in the Garden, and Holy Allegory have become known around the world thanks to various
museums and their exhibits. Interestingly, there is the subject of his life story overall. Regarding
this, Philip Hendy wrote in one article for Encyclopedia Britannica, "Giovanni Bellini, (born c.
1430, Venice [Italy]–died 1516, Venice), Italian painter who, in his work, reflects the increasing
interest of the Venetian artistic milieu in the stylistic innovations and concerns of the Renaissance"
(Hendy). Hendy also wrote how little is known about Bellini's family, ... Show more content on
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how, "The main word here is 'light'. Four hundred years prior to Impressionism, the Venetian
painters were keenly interested in the relationship between light and color . . . Additionally, the
Venetian painters had a distinct method of brushwork. It's rather smooth, and makes for a velvety
surface texture" (Esaak). In other words, Venetian Renaissance art tends to have contrasting
relationships between lighting and color in order to create a certain mood or emphasize a certain
detail, and that the colors faded into each other, thus creating smooth transitions with almost outlines
around shapes. In Giovanni Bellini's Crucifixion, the sunlight is particularly shined on Jesus, which
is juxtaposed by the green grass below him. Plus, the colors smoothly transition to each other, thus
leaving any shape outlines almost invisible. Furthermore, the natural world was a prevalent theme in
not just Venetian Renaissance art, but the Renaissance as a whole. Jessie Szalay once wrote for
Livescience, "Both classical and Renaissance art focused on human beauty and nature" (Szalay). In
Bellini's Crucifixion, the aforementioned grass has a bright, green color to it, and has a highly
detailed

The Simple The Better By Wranke Analysis
The Simple the Better In a place filled of talented people, Italy was the location in which
performance was vital in a rich or important person's life. Wranke's article explains how important it
was to have talent, in Italy, during the renaissance. The renaissance is known as the rebirth of
painting, sculpting, and almost everything we could possibly think off. During the renaissance, most
artist had a common enemy known as the court, which was ruled by the most wealthy and powerful
families in Italy. The court was in charge of one's position in society. When an individual would be
born in a royal family, that individual was able to experience life to a new level. "Three
chamberlains will never suffice in dressing our lord..." (pg. 23). In ... Show more content on
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The lords preferred having a good time to relax rather than having a piece of art been done in a
complicate way. This lead to the point in which artists preferred to be ranked together with
philosophers, because "painters preferred the intellectually elite status of poets and philosophers..."
(pg. 28). Even though artists would have had a poor quality lifestyle, for them it was a lot better than
been a buffone because a buffone was a career that lacked respect. The overall purpose of Warnke's
article is the explanation of the financial status that one could expect as a painter, singer and
buffone, during the renaissance time. The author explains his thesis thoroughly, but the reader ends
with more questions regarding the situation that performers would have. The struggle of having
work and been paid not only for the need of money but for the social status as an artist. In this
article, the point of view is that as an artist in the category of paint, doing something that was less
time consuming would leave an individual with better life opportunities, rather than an artist doing
complex frescos and putting their soul into

What Is The Visual Analysis Of Assembly At Wanstead House
The essay is devoted to the visual analysis of the painting Assembly at Wanstead House. The
painting was created by the British artist William Hogarth and refers back to the time period
approximately from 1728 to 1731. Wlliam Hogarth is a famous British painter who lived during the
period of 1697 – 1764. While Hogarth is most widely known as the painter, the works he created
contribute to the understanding of his creation through the prism of social criticism and pictorial
satire. During his life, the painter managed to create a wide range of various works, starting with the
realistic portraits and to the comic–strip–like images series.
William Hogarth was born in a family of a poor school teacher who later was prisoned for debts.
Since his ... Show more content on Helpwriting.net ...
The inclusion of this element in the painting helps to deliver an idea about the widely spread
practice of gambling in England of the 18th century. Gambling was so common a feature of daily
life that it can be included in conversation portraits such as Assembly at Wanstead House without
any hint of the scandal (Richard 3). It is also crucial to note that everything occurs in a calm
atmosphere and does not express signs of passion, which may also be viewed as an attribute of the
higher society. The guests are gathered there playing cards and drinking tea, which appears to be a
common practice for England of respective time. It is important to note that the events seem to take
place in the evening, and it is signified through the view outside and the fact that chandelier is
lighted. Such parties were not uncommon among the representatives of the class of nobilities, and
the grand parties were usual practice for the aristocrat like the Lord, and the account of one of such
parties could be found when he was elevated another rank in peerage and became Earl Tylney
(Marks 5). Hence, the painting provides the viewers with a clear account of the life of the richest
people of England during the 18th

Art During The Renaissance
The Renaissance, also known to many as the "rebirth" had an extreme impact on art and architecture
and many historians believe this period is studded with artists and architects. Through the 15th
century cultural and scientific advances were made through art and architecture. Starting in the 14th
century, the Renaissance was a time when scholars, sculptors and painters rediscovered the great
works of ancient Greece and Rome. They also quickly developed new skills in sculpture and more
realistic and ambitious ways to paint.
The rediscovery of classical civilization in the early Renaissance encouraged people to take interest
in themselves as individual and in the world around them. The main Subjects of medieval art had
been religious although artist adopted a much greater range of subject matter but the picture still
formed religious meanings. During the Renaissance, Florence is known as the centre of early Italian
Renaissance art, launching the careers of many famous artist in 15th century Italy. The Renaissance
is a studded period of brilliance in visual arts. Much of the art produced during the early
Renaissance was commissioned by the wealthy merchant families of Florence. This also meant that
the merchants would receive painting from the artists. These paintings were very important parts of
their home as it was a symbol of wealth. As artists become more skilled, they gained in both
confidence and technical ability, producing some of the finest works of art the world

How Did The Renaissance Influence America
The Renaissance had a profound part in the development of modern thinking, technology and art.
The Renaissance influenced America to what it is today. The Renaissance way of thinking was
based more on humanism and less on religion. That resulted in a newer way of thinking than the
church's way of thinking. Before the Renaissance all thinking was geared towards religion in some
way.The Renaissance was influential in the new way of thinking and helped discover things that
would later be very important for the world. The Renaissance was a change for good, not only for
the Europeans, but also for America and other societies around the world.
The renaissance encouraged people to think for their own instead of having the church tell them
everything. More and more people started thinking more ... Show more content on Helpwriting.net
...
The use of realism changed the way paintings were viewed. The detail,in the paintings were
something that people haven't seen before. The painters were extraordinary at their craft. One
example of one of these painters was Michelangelo. Michelangelo was an amazing painter and
sculptor. Some of his most famous works are "judgement day", David, the Sistine chapel ceiling and
the creation of Adam. All these paintings use the elements of art which are color, form, line, shape,
space, texture, and value. The use of spacing and color had not been seen before. Painters usually
painted everything one–dimensional and the colors weren't realistic. The Renaissance era of painting
introduced painting with three dimensions and realistic colors. The 3 dimensional paintings looked
so real to everyone and they hadn't seen anything like it. They thought it looked as if the people in
the paintings were actually living. The effects that painting have on the world are still seen in today's
world. An example is in video games. The art is so realistic that it seems like the people are actually
alive, just like in Michelangelo's

The Renaissance : Mannerism
The Renaissance: Mannerism
In 1517, the Catholic Church split into two branches of Christianity: Protestantism and Catholicism.
Martin Luther's list of grievances, called the 95 Theses, listed the issues with the Catholic Church.
These problems include the rigid hierarchy in the Church that ultimately promoted an elitist culture
within the religion. Almost all Christian Bibles were written in Latin, meaning only the wealthy and
educated could have a relationship with God. Additionally, Luther and his followers believed that
Christian art produces idolatry and therefore distracts an individual from developing a personal
relationship with God. This clashes with the Catholic belief that visual imagery promotes piety,
ultimately heightening one's chances of going to Heaven if an individual chooses to be a patron to
Christian art. As a result, Pope Paul III held a series of meetings over the course of almost twenty
years. Called the Council of Trent, these meetings lasted from 1545 to 1563 and consisted of various
Catholic leaders seeking to improve the Church's declining reputation. This Catholic Counter–
Reformation paved way for new forms of art. One of these forms of art is Mannerism. Derived from
the Italian word "maniera" meaning "manner" or "style," the style first developed in Italy and spread
to other countries. This form of art started in the 1520 and lasted until about 1600, a time period in
which many know as the late Renaissance. Supported by the elite class,

The Renaissance Painter, Artist, And Poet Michelangelo 's...
James Loggins
Humanities 2210
Unit 2 Research Essay
24 October 2016 The Renaissance painter, sculptor, and poet Michelangelo is famous not only for
his painting of the ceiling of the Sistine Chapel or his sculpture of the Biblical King David, but he
also created another Biblical figure, the Hebrew Prophet Moses. The sculpture was commissioned
by Pope Julius II, in an attempt to mirror his "larger than life" reputation and personality.
Michelangelo' Moses along with other pieces of sculpture and artwork were to be enshrined in the
Pope's planned resting place, with the Moses statue placed opposite of another figure of Saint Paul.
However, it would never come to be, as the Moses sculpture would not be completed until more
than 30 years after Pope Julius' death in 1513. Pope Julius II had commissioned Michelangelo to
paint the Sistine Chapel as well as build his entire tomb, but the chapel frescos occupied all of the
painter's time (Michelangelo–Gallery.com). However, once the Sistine Chapel frescos were finally
completed Michelangelo immediately resumed his work on Moses, completing it in 1545. This
sculpture marks a significant innovation, combining sculpturing and architecture for the first time in
his career. Completed out of nothing but marble, the Moses became one of Michelangelo's crowning
achievements along with the Sistine Chapel frescos and his sculpture of David. It was placed on the
second tier of Pope Julius II's tomb which is housed in the church of San

Rogier Van der Weyden Essay
Rogier Van der Weyden was a Flemish painter of the mid–15th century. Rogier was chiefly
influenced by his first teacher, Robert Campin. Although details of his early training are sketchy, it
is generally accepted that he entered the workshop of Robert Campin, the foremost painter in
Tournai and dean of the painters' guild, in 1427 at the age of 27 (http://www.belgium.be). Rogier
remained in Campin's studio for five years, becoming an independent master of the guild on August
1, 1432. Van der Weyden was not permitted to sell his artwork while studying in Campin's shop.
From Campin, Rogier learned the ponderous, detailed realism that characterizes his earliest
paintings, and so alike are the styles of these two masters that critics still do ... Show more content
on Helpwriting.net ...
Campin was not the only source of inspiration in Rogier's art. Jan van Eyck, the great painter from
Bruges, also profoundly affected the developing artist, introducing elegance and subtle visual
refinements into the bolder, Campinesque components of such early paintings by Rogier as St. Luke
Painting the Virgin. It was in Bruges, where Rogier may have resided between 1432 and 1435, that
he became thoroughly acquainted with van Eyck's style (http://humanitiesweb.org). The spiritual
essence of a scene was displayed with similar technical virtuosity by Van der Weyden. His
international renown was exceeded only by that of Hugo van der Goes, who united van Eyck's
naturalism with penetrating studies of humanity(Eyewitness Books, Renaissance, 20.) Rogier may
well have also been influenced by the writings of Thomas a Kempis, the most popular theologian of
the era, whose "practical mysticism," like Rogier's paintings, stressed empathetic
response to episodes from the lives of Mary, Christ, and the saints
(http://www.ibiblio.org/wm/paint/auth/weyden/). By translating the main ideas of Gothic Art into the
new, lifelike style, Rogier did a great service to northern art. He saved much of the tradition of lucid
design that might otherwise have been lost under the impact of Jan van Eyck's discoveries (The
Story of Art, 276).
While on a pilgrimage to Italy in 1450, Rogier apparently tutored Italian

Renaissance Accomplishments
The Renaissance first began in Florence and peaked there as well. It peaked during the 15th and
16th centuries under the rule of the Medici family. With the Medici family in power, the
Renaissance flourished as they were large patrons of the arts and were for painters and sculptors as
they enjoyed works of art. The Medici family financed many painters and without their
contributions, the Renaissance would have not gotten to where it was. Florence is known to have
housed some of the greatest painters, such as Leonardo da Vinci and Michelangelo. What was a very
early architectural achievement of the Renaissance being the dome on top of the Florence Cathedral
as nothing of the same caliber had ever been done before. Not only was Florence important for the
Renaissance, but it was also known as a banking center and for its textile production. ... Show more
content on Helpwriting.net ...
With the lack of cars and the canals as one of the only ways to travel, it has helped preserve the
Renaissance characteristics of the city. Not only was Venice important for its canals but it was one
of the most powerful city states in Europe as it controlled some of the most important trade routes.
Since the Renaissance was largely funded by the wealthy, it left behind beautiful palaces and
churches. Another important city state during the Renaissance was Rome at is was ruled by the
Pope, and he had a large say on what went on. The city state of Rome was a patron of the arts and it
commissioned artists like Michelangelo and Raphael. Some important landmarks in Rome that were
created during the Renaissance are Michelangelo's paintings in the Sistine Chapel and St. Peter's

Middle Ages Research Paper
In the middle Ages, art in Europe consisted mostly of heavenly figures. The people of medieval
times were heavily devoted to Christianity. These paintings were often themes of heaven; the
problem is that these artists have never seen heaven. The paintings did not focus on realism; instead
these paintings focused more on symbols of Christianity. Much of the art in the middle ages lacked
perspective. Humans presented in these paintings were presented unrealistically and two–
dimensional. Most of the time, paintings of the middle ages lacked backgrounds and detail as well.
They used colors like blue and gold as their backgrounds because were seen as very valuable colors
at the time. However as time went on, we head into the end of the middle Ages. We begin to see ...
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The Renaissance occurred in Italy around the 14th century. At this time, there was an interest in
learning ancient Greek and Roman way of life. They found influence from many of the left over
sculptures, art, and architecture of the ancient world. The rediscovery of Greek philosophy has also
changed the mindset of those in the Renaissance. This new movement became known as humanism.
This new way of thinking focused and valued more of the self and human potential, and focused less
on god and religion. The spark of the humanism way of thinking also changed the landscape of art.
Before the renaissance, Most of an artist's work was religious–based. But because of the new
humanistic way of thinking, artists began to add more natural and human detail into their paintings.
Religious themes were no longer the exclusive subject matter of art. Artist at this time focused more
on the beauty of the human anatomy. This is why a lot of figures in Renaissance paintings were
often naked. Artists embraced the human figure; they were the center of attention in paintings. These
new details in painting had also shaped the depiction of

Leonardo Da Vinci Research Paper
The Renaissance was the time period known as the revival or rebirth of art. Leonardo Da Vinci was
one of many famous artist of the time period and the most important Renaissance person. He was an
artist, writer, and inventor. He made paintings way better and used his imagination in Mona LIsa.
Leonardo Da Vinci made his painting with a meaning. I say he's the most important because he was
great at all things at the time. Most of all, Leonardo Da Vinci was known as the renaissance
Body Paragraph 1:
He was good at many things. He was a great painter and sculpture. Some of his best artwork, Mona
Lisa, The Last supper, and Vitruvian Man. These paintings made the Renaissance have a bigger
purpose and had an effect on the world. His most famous painting Mona Lisa took art to another
level at the time. According to the article The Mona Lisa – by Leonardo Da Vinci "The painting was
among the first portraits to depict the sitter before an imaginary landscape and Leonardo was one of
the first painters to use aerial perspective. The enigmatic woman is portrayed ... Show more content
on Helpwriting.net ...
Which meant he was a person who is well educated and experienced person and he was talented and
understood different fields of study. According to the article Leonardo Da Vinci by History
"Leonardo da Vinci (1452–1519) was a painter, architect, inventor, and student of all things
scientific." This prove how important he was to the renaissance because he was great at all things in
the time period. Although he never learned the things we learn in school he still was successful. In
the same article it also says "Da Vinci received no formal education beyond basic reading, writing
and math, but his father appreciated his artistic talent and apprenticed him at around age 15 to the
noted sculptor and painter Andrea del Verrocchio, of Florence. For about a decade, da Vinci refined
his painting and sculpting techniques and trained in mechanical

The Elder Sister By William Bouguereau's The Elder Sister
This essay reviews the painting by William Bouguereau's The Elder Sister. It reviews the elements
of design and principles practiced in the artwork. This essay assesses the correct use of the elements
and the influence that they have on the entire perception of the painting. The artist has applied an
amazing background as well as perfect balance of the piece. The elder sister's arm balances with her
leg, the baby's foot balances with older sisters foot, the clouds balance with the bushes. This
explains the initial acclaim of this painting. Upon viewing the picture one gets a feeling that the
artist meant to depict a young girl who is captivated by her little sibling. This is clear from the use of
the angelic almost celestial background that unquestionably creates an affectionate mood. The
enchanting smile across the young girl s face communicates the elder sisters bliss. The painter has
accomplished quite a bit with the use of the fundamentals in this painting.
The heavenly portrayal of the background and foreground shows a flawless use of space. The
distance between the foreground and background was well selected for this piece. This is die to the
fact that the two children are not close enough to exaggerate the way they look but they are also not
too far away. The distance covered in the background communicates a message of clarity and
relaxation that is evident in the children's faces. Two dimensional portrayal of the painting appears
to fit the calculated purpose. The

The Fall Of Death, Destruction And War
In the wake of death, destruction and war came the renaissance. The renaissance was an era of
cultural rebirth that swept across Europe during the 14th to 17th century . This era marked the time
in which man returned to their classical learning and values of ancient rome and greece and began to
change their attitude towards religion (history.com staff). While the renaissance is in the past it
continues to live on throughout many different fields of art, theories and movements, however,
paintings tend to be most symbolic of what the renaissance era was. The Renaissance era was faced
with the hundred years war, the black death, classicism and the issues of religion such as the
distancing from church and humankind 's search for the meaning of their existence and how life
works. With these ongoing issues renaissance paintings were often depicting images of war, death,
the values from ancient greece and rome and they became more secular as well. Additionally, the
artist began to develop new techniques such as linear perspective, realism, depth, symmetry, and
classicism. Artists also began to make use of light, detail anatomy, depict nature and focus on
individuals instead of groups of people. Leonardo da Vinci, is one of the most famous painters and
at 15 was an apprentice to Andrea del Verrocchio (history.com staff). He was also an inventor,
scientist, doctor and philosopher and has been nicknamed "the renaissance man" (history.com staff).
Da vinci is an artist whose

Painter Of The Renaissance Research Paper
Painters of the Renaissance
The Renaissance, a time period of art, dancing, and color. This time period was very beautiful and
artistic, now let's focus more on the art. This paper is about the rise of painters, types of paintings,
and a famous painter Leonardo da Vinci.
***** The rise of painters started to grow gradually. It all started out with the Italian artist seeing
themselves as reawakening to the classic Rome orders, and traditions of art and writing. This time
period (which was about 13th and 14th centuries and took place during Italy.) was known as the
'proto–renaissance.' Many artists had started to look back on Rome, and Greek art. (italian–
renaissance.com) Many felt the need to revive these old traditions, but this

The Renaissance Contribution To The Renaissance
The Renaissance was the rebirth of Europe leading the country into a new time for the people. In C.
AD 1400 the Greek and Romans were the leading knowledge of the country and leading into the
Renaissance the beliefs became relevant once again. The people were coming out of the Middle
Ages and still finding ways to lead themselves and before an individual. This brought a lot of ideas
to the people and they had to find ways to express themselves. The people in the Middle Ages found
ways of making art to express themselves, into the Renaissance the people found that through art,
sculptures, and architecture. Leading into the Renaissance a man named Cimabue was a Middle
Ages painter who linked the two centuries together.
Cimabue painted beautiful pieces with angels, halos, and a new concept of depth like the real world.
Cimabue was a teacher to Giotto who painted the first last supper. Giotto was better than his teacher
and showed yet another new tactic for individualism in his painting which was expression the
servants faces. These two men lead into the Renaissance expressing new ways to paint, which lead
the painter Masaccio to fade the Middle Ages paintings of biblical characters. Masaccio painted the
Holy Trinity which showed God lifting up Christ, he used symbolism to show optimism which was
not pessimism of the Medieval world. Finally he used a lot of trinity which is depth, so he showed
how this was the real world and less Biblical. Masaccio was a friend of another painter named
Brunelleschi. Brunelleschi was a painter in the 1420's who expressed through making other people
observe his work. Brunelleschi painted the baptistry in Florence and he painted the building with
such intensity that it realistic. Brunelleschi cut a little hole in the painting and turned it towards the
building, then he asked people to look through the little hole at the baptistry, next he would put a
mirror in front of them to show him painting. He showed that it is now okay for people to paint
buildings as though they are really in the painting, showing a new bit of individualism in painting.
Brunelleschi was from the south and another painter from the north brought new turning points in
painting in the Renaissance. Jan Van Eyck was

The Renaissance : Causes And Contributions Of The Renaissance
The Renaissance started as a cultural movement in Italy in the Medieval period and later spread to
Europe, marking the beginning of the Modern age.The Renaissance was a period in history, from the
14th to the 17th century, known as the cultural bridge between the Middle Ages and modern history.
The Renaissance was a dramatic turning point in the western civilization, it produced fundamental
changes in all areas of European society and knowledge. One of the big focus of the Renaissance is
art, in which there was dramatic change in the approach and style. Then another big change was also
the invention of new technology. The Renaissance art was more lively and realistic and a big
example of that came from the works of Michelangelo and Raphael. Perspective and other new
artistic approaches allowed for greater expression in art which made created all the different types of
art that exist know a days. The Renaissance is best known throughout popular culture for its
contribution to the arts and instead of focusing on traditional paintings of religious figures, artists
like Michelangelo and Leonardo da Vinci painted the human body in detail. Influenced by the
humanists, painters drew inspiration from ancient Greece and Rome. Thanks to newly improved
knowledge of anatomy, Renaissance painters studied to create perfect proportions, detail and
emotions. To advance their realist perspective, Renaissance painters experimented heavily with
texture and depth. Many artists and architects used mathematics to plan their works. They found a
way to make paintings look 3D and they improved at making the sculptures more realistic, another
dramatic change was that they began to use muted colors in paintings. One of the main points is that
they started to show more depth in the painting, which is more like 3D. By the later periods the
artists were well aware that distant objects could be shown smaller than those close at hand. The
artists were in total command of perspective and were able to create their art beautiful and realistic.
Giotto attempted drawings in perspective using an algebraic method to determine the placement of
distant lines. Also they started using better techniques in the shadowing, it made the painting more

William Bouuerau's The Elder Sister, By William Bouguereau
This essay reviews the artwork by William Bouguereau in the painting The Elder Sister. It examines
the elements of design and principles practiced in the artwork. This essay assesses the appropriate
use of the elements and the effects that they have on the overall perception of the painting. The artist
has applied an amazing background as well as a perfect balance of the piece. The elder sister's arm
balances with her leg, the baby's foot balances with older sisters foot, the clouds balance with the
bushes. This marks the cause of the initial acclaim of this painting. Upon viewing the picture one
gets a feeling that the artist meant to depict a young lady who is captivated by her little sibling. This
comes out clearly from the use of the angelic almost celestial background that unquestionably
creates the mood of affection. The enchanting smile on the face of the young girl communicates the
elder sisters bliss. The painter has accomplished a lot concerning the use of the elements in this
painting.
The heavenly portrayal of the background and foreground shows a flawless use of space. The
distance of the foreground was well selected for this painting. This is because the two children are
not close enough to exaggerate their physical appearance but they are also not too far away. The
distance covered in the background communicates a message of clarity and relaxation that is evident
in the faces of the painting. The two–dimensional portrayal of the painting appears to fit the

Essay about Salome and Cupid
The paintings Salome with the Head of St. John the Baptist, by Guido Reni and Cupid Chastised, by
Bartolomeo Manfredi are both 17th century visual representations of a story. The story behind
Salome is the interesting biblical story of the beheading of St. John the Baptist, as it's title suggests.
The story goes that Salome performed a dance for the king and his guests. Herod Antipas saw
Salome's dance and was so impressed, and drunk, that he promised to give her whatever she asked
of him. After consulting her mother, Salome asks Herod for the head of John the Baptist. Herod
delivered on his promise, and had the head of John the Baptist delivered to her on a platter, as she
asked. Reni's painting depicts a contented Salome being ... Show more content on Helpwriting.net ...
The cool green and grays that surrounds Salome can symbolize her cool, calm, staid disposition, and
almost blasé attitude in light of what is before her, the head of a dead man. The two women in the
back left of the plane are wearing more vibrant colors but are muted by a shadow. Salome is the
focal point of the piece, therefore receiving more light and wearing brighter colors than the other
figures in the painting. She and the head of John the Baptist are the only figures that are not crossed
by a pronounced shadow, both are illuminated by the light that extends from the right of the
composition. This value construction puts emphasis on the two main characters, the figures that hold
the most narrative weight.
Goldish yellow, pink and white are the colors of Salome's dress. The yellow in Salome's dress can
be taken as a reflection of her confident and satisfied posture and facial expression. Pink can
symbolize femininity or sexuality, a major factor behind the events of the story. For it was Salome's
display of these qualities, in her dance, that moved Herod so much as to grant her any request. These
vibrant colors also provide contrast to the cool background, with pink (a tint or red) serving as a
contrast to green, further emphasizing the protagonist woman and relating to the viewer her
significance in the story behind the depiction. Similarly, in Cupid Chastised vibrant foreground
colors contrast a neutral background. Mars' fiery red garment stands

Giotto Research Paper
Giotto, the first Renaissance Painter
Giotto, the first Renaissance painter was important for many reasons such as taking sacred objects
and expressing them in a natural setting, His importance to the Renaissance, and his techniques that
he employs. Before Giotto's change in the style the styles in medieval paintings were stiff. He really
changed the style of painting in the Renaissance and influenced others to join. Giotto was trained by
Italian painter Cimabue, who later Giotto outshined. When one thinks of Giotto they do not think
about Cimabue, but he is the reason for Giotto's talents.
First, Giotto painted in ways that were against the medieval painting style. This style was dull and
stiff. Giotto changed this and showed Jesus as an

Journal Entry Week 12 : Pieter Bruegel, The Elder
Journal entry week 12
Pieter Bruegel, the Elder. The Hunters in the Snow (January) c. 1565, Oil on panel.
Kunsthistorisches Museum, Vienna
This week I chose The hunters in the snow. I found that it reminds me of some more recent paintings
of northern landscapes depicting the winter months with the colours that are used. This painating is
from a series of 6 paintings depicting the months of the year, of which only 5 survive today. It's neat
how there is many little stories or scenes going on throughout the painting and not just the hunters in
t he foreground. When you look into the middle ground of the painting there are a group of people
around a fire, although I am unsure of what there are doing. And when you look further into the ...
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In the distance, figures ice skate, play hockey with modern style sticks and curl on a frozen lake;
they are rendered as silhouettes.
http://en.wikipedia.org/wiki/The_Hunters_in_the_Snow
This is the first of a series of paintings of the Months, of which only five remain. This painting
representing January reveals winter 's firm grip on the countryside. Three hunters return with only a
rabbit to show for their efforts. Their feet press into the powdery snow. Nearby rabbit prints mark its
recent passage. The tired dogs shiver against the cold. Snow blankets the world. Bruegel deftly
dusted the bushes and tree branches in white. The ponds below are frozen, and great icicles hand
from the millwheel on the lower right. Leafless trees dot the countryside. Bruegel subtle colour
palette with its muted earth tones perfectly evokes the season. It also masks the obvious cross–
diagonal construction of the landscape. The four trees in the foreground conveniently diminish in
perspective. The figures are not the picture 's primary subject, yet we, like the child at left, eagerly
watch the roaring fire or mentally prepare to join the skaters below. Figures transverse distant fields.
Others attempt to douse the chimney fire in the farmhouse just beyond the village church. Although
Bruegel recounted a particular time of year, there is a timeless quality about the picture.
The painting may strike the observer as a natural view of the landscape, but in fact it reveals Bruegel
's great

The Poems Of Andrea, Fra Lippo, And The Artistic Life At...
Browning's intellectual curiosity and vivid interest in men were allied with a singular aloofness from
the movements and revolutions of his time. Browning's mind was impervious to doubt, and his
confidence in the value of life was constitutionally unshakable, "it means intensely, and means
good:"(Browning, Fra Lippo Lippi, line–314). His vision is so clear and comprehensive that he
viewed his subject on numerous planes. He makes his readers see and understand each of his
characters in their habit as they lived and thought and purposed. The poems of Andrea, Fra lippo are
an epitome of the city's artistic life at the zenith of its fame. Browning's attitude towards Art follows
certain characteristic. Firstly, he derives pleasures from every exercise of creative power like the
swiftly emerging conception in Fra Lippo's mind, Secondly; he maintains a consistent attitude
towards both technique and connoisseurship. The faultless drawing of Andrea del Sarto. Simply
betray the impotence when called upon exercise the crucial function of the artist. Duke of Ferrara is
soundly equipped with critical taste and knowledge. But he toils not, neither does he spin; he
contributes nothing; he is content with the mere pride of possession. Thirdly, creation, technique, is
all of them of less significance to him than the soul of artist. This is partly because the artist is in
many ways the symbolic figure of humane for him. In Fra Lippo Lippi and Andrea del Sarto he
presents the

Compare And Contrast The Renaissance Art And Ukiyo-E Art
Ukiyo–e, which literally means "pictures of the floating world," has become an increasingly popular
art from 1603 to 1806. These Ukiyo–e painting sprang from the Buddhist ideology that joy is
transient and only detachment from desire will bring true enlightenment. The Renaissance Art and
Ukiyo–e paintings are similar but there are more differences like culture, materials, and style.
Culturally, Renaissance paintings were Christian and Ukiyo–e were Japanese. Materials,
Renaissance artist used costly brushes while Ukiyo–e paintings were painted using traditional
brushes. Style, Renaissance was more difficult to use than Ukiyo–e prints
Renaissance art started in Italy in the late 13 to14 centuries. During the Renaissance period, Italian
scholars ... Show more content on Helpwriting.net ...
They are both famous in the art world today, but they are both known for different reasons. The
Renaissance have expensive materials and way broader style than Ukiyo–e. The painters during this
period of time had different views on religion and society. Therefore, they are two complete art
societies. Renaissance and Ukiyo–e originated from different parts of the world. Ukiyo–e was not
very famous until the Edo period in Japan. Ukiyo–e prints were well known for their outstanding
colors and technology ("Painting"). Renaissance was known for its world best painters and paintings
(Currie). Renaissance was more developed in art society than Ukiyo–e, they had better technology
and materials. Therefore, Renaissance and Ukiyo–e have more differences than

The Collection At The Museum Of Fine Arts
RESEARCH
Integrated into the Permanent Collection at the Montreal Museum of Fine Arts, Pieter Brueghel the
Younger 1620's painting Return from the Inn, illustrates an outdoor winter scenery of rustic peasant
life in early seventeenth century Belgium. Born in 1564 or 1565 in Brussels, Belgium, Pieter
Brueghel the Younger was a Flemish painter best known for being the oldest son of the notable
sixteenth–century Netherlandish painter Pieter Brueghel the Elder and Mayken Coecke van Aelstv
(Artnet, 2016). Following the passing of both of his parents, Brueghel the Younger and his siblings
Marie and Jan went to live with their grandmother Mayken Verhulst, a reputable painter of
watercolors. It was her who acquainted Brueghel the Younger to painting. Around 1578, the family
relocated to Antwerp, Belgium, where Brueghel the Younger settled down and started a family. Also
during this time, Brueghel the Younger was practicing painting in the studio of a landscape painter,
Gillis van Coninxloo (Artnet, 2016).
The flourishing art market of this era and the high demand of Pieter Brueghel the Elder's paintings
drove his son to dedicate his time to recreating a body of low–priced and inspired replicas of his
father's peasant scenes works (ArtUK, 2016). Akin to his father, he painted sceneries, religious
matters, axioms and small town landscapes. The paintings were sold for local sale and export and
were generally noted as missing humanism and nuance. In addition, he did create authentic

Losing Sight Analysis
William Kraft, a musical composer and conductor, once said, "When you go to the theater, if you're
really involved in the play, you don't think about it – you're in it." This quote from William Kraft is
especially true for the One Act plays I attended. The smaller theater space and closer proximity to
the stage allowed you to more involved in the play than if you were seated farther away. In the
following response, a synopsis and critique of three of the plays I saw will be given.
The first act of the night was a play titled "Losing Sight." To summarize this play, there was a
talented painter with diminishing vision. Because of his impending blindness, the painter tried to
seclude himself from and push away all his family and friends. With the help of his deceased
grandfather and ex–girlfriend, the painter learned to accept his fate and return to life in the company
of others.
The plot of "Losing Sight" is constructed around the painter's search for a new identity after his old
identity, which was found in painting, was taken from him. The plot follows a normal plot structure
beginning with an exposition and ending with a resolution. The three characters in the play worked
off each other nicely. The painter brought seriousness and sadness to the play while the grandfather
added a comedic side to the play that kept it from feeling overwhelmingly depressing. The third
character in the play was the painter's ex–girlfriend who gave the painter something/someone to
hold onto

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