Impressionism; Post-Impressionism Essay

Impressionism; Post-Impressionism Essay
Impressionism
Impressionism as an historical art period is best described as a shift in thinking and focus. This
paradigm shift, away from realism and toward individualism, began a centuries long transformation
of self–expression in art as a whole. Impressionism is generally considered a French movement and
is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied
by and was perhaps initiated by Claud Monet in such world–renowned works as Impressions: soleil
levant which lent its name to the style and subsequently the art period as a whole.
Impressionism in its simplest form is characterized as an artist's impression of an actual scene, using
smaller than average painting strokes to help ... Show more content on Helpwriting.net ...
And, much like impressionism had done in its early years, expounded upon what was considered
standard or acceptable subject matter.
Post–Impressionism is generally considered as having begun at sometime around 1880 and
continuing even until now (as technically all forms/movements of art do). Perhaps the most easily
recognizable post–impressionist art piece would be Van Gogh's "Starry Night", crafted by the
eccentric artist in 1889.
What Monet was to Impressionism Van Gogh became to post–impressionism; stand–outs amongst
many artists who longed to break free of the traditionalist view of art as a primarily linear form.
Irrevocably Connected
Beyond the simple fact that one (post–impressionism) cannot have existed without the other
(impressionism) the revolutionary technique shared by both movements; small, generally circular or
curved strokes, brilliant colors, use of light, and subject matter that reached beyond the traditional
scope ties them together in a unique and easily identifiable manner. One cannot view Monet's
Impressions: soleil levant and Van Gogh's Starry Night without instantly seeing the undeniable
similarities; both artists' use of light and deliberate brush strokes leave the viewer with little doubt
about the artistic movements from which they came. The differences in the movements actually
stem from a more sociological standpoint; whereas impressionists were a tight knit fraternity bound
together by their
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Speech On Post Impressionism
Theory & History of Art: Group presentations
Jewel Eng, Tricia Sng, Faith Lee, Isaac Low & Nina S.D
VA 2.4
Good morning to everyone. Today, we will be delving into the topic of post–impressionism, and
specifically on Vincent Van Gogh.
Beginning slide (Slide: Jewel)
What is the context of the art movement? (Tricia, Slide: Tricia)
Post–impressionism, which was primarily a French art movement, developed approximately
between 1886 and 1905. Subdivisions of Post–impressionism include Divisionism and Pointillism,
which involves using dots and patches of color to form a picture. Due to these characteristics, post–
impressionism ushered in a new era of painting, and paved the way for many future art movements
such as fauvism and cubism.
Its antecedent being Impressionism, post–impressionism contains traces of elements from that
movement, but has its own diverging styles too. For example, the main difference between
impressionism and post–impressionism is that wh impressionism emphasised on accurately
depicting light and its changing qualities, post–impressionism focused on showing the artist's
memories and their emotions. ... Show more content on Helpwriting.net ...
(Jewel, Slide: Jewel & Faith)
One of the main characteristics of post–impressionism is the use of pure and rich colours which are
applied thickly, forming multiple layers of paint. Not only is it applied to formed thick layers, the
paint is applied in short, swift brushstrokes. Structure and form are heavily present in post
impressionism artworks. On top of that, post impressionism artworks tend to more expression of
emotions. This was due to the fact that artists focused on using symbolic and personal meanings in
hopes of connecting with the viewer on a deeper and less impersonal

Essay about A Comparison of Impressionism and...
A Comparison of Impressionism and Post–Impressionism
In this essay, I will contrast and compare the two art movements, Impressionism, and Post–
Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude
Monet and Vincent van Gogh.
The impressionist movement is often considered to mark the beginning of the modern period of art.
It was developed in France during the late 19th century. The impressionist movement arose out of
dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They
preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint
ordinary everyday people and liked to show the effects in natural light. ... Show more content on
Helpwriting.net ...
This is where we can see the painting still holding onto a touch of the more classical style, but is
achieved in a much more impressionistic fashion the mood of the painting is quite peaceful and
calming, and the relaxed people and light colours give it a happy and uplifting feel. I think that
Monet through his painting was trying to capture a typical laid back French scene. He is also trying
to break away from the paintings of the past, that were more sombre and didn?t show ordinary
people and their lives. I really enjoyed studying this painting and feel that Monet has created a piece
which has many interesting and intriguing features and touches, such as the light bouncing across
the water, and shows what a skilled and talented painter he was.
The Road–Bridge at Argentil painted in 1874 was another of Claude Monet?s pieces. It is of a river
scene, which has a small sailing boat as its main point of interest. The boat is painted in just a dark
shade but this contrasts well with the lighter surroundings. We look on this piece from the riverbank,
with the small boat perfectly positioned just slightly to the left, which allows us to have an
uninterrupted view of the long bridge with its different shapes and curves. The bridge helps give an
impression of perspective and leads your eye onto the house, small boat and riverbank in the
background. The

Impressionism and Post-Impressionism Essay
Impressionism and Post–Impressionism are two artistic movements that had profound influences on
the artistic community and world as a whole. Both sought to break the molds of previous artistic
styles and movements by creating work truly unique to the artist him or herself. The artists of the
Impressionism and Post–Impressionism movements employed vibrant color pallets, well defined
brush strokes, and unique perspectives on their subjects that sought to capture light, movement, and
emotions on canvas. These two artistic movements re–imagined and re–invented the artistic world
of their times, with Impressionism leading the way and Post–Impressionism building and growing
from it. Beginning in the 19th century, the artistic movement of ... Show more content on
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Unlike the previous artistic movements, the Impressionists sought to move away from the rigidity of
religious themes and stiff portraits that limited the artist's creativity and unique style as an artist.
Even painting outside of a studio en plein air was relatively unheard of until the Impressionists
stepped outside of the restrictive box. The Impressionist artists employed an advanced understating
of techniques that included: Color theory, broken brushstrokes, subject matter, optics, light, and
movement. These techniques allowed the Impressionists to separate their work and style from that of
previous artistic movements. Though they employed a variety of techniques to achieve their unique
style, the technique that truly set them apart was their use of broken brushstrokes. Previous artistic
movements sought to hide brushstrokes into a soft, smooth, seamless design. But by doing this, the
unique style of the artist is limited. The broken brushstroke technique allowed the artist to put his or
her brushstrokes at the forefront of the painting, they became as important to the painting as the
subject matter itself. And each artist was able to use this technique to their own unique benefit. From
Monet and his small yet delicate brushstrokes lending to an almost pixilated quality, to Edgar Degas
who used a softer hand and brushstroke to create a light and ethereal feel to his paintings while

Visual Analysis Of Art By George Seurat
Did you know that you could make art with just using dots? George Seurat did all of his paintings
with just dots. He was born on December 2nd 1859 and died on March 29 1891. His death is still
unknown but there's theories that he died from pneumonia or some other type of physical illness.
There's three paintings that stood out to me there full of color and have a lot of things incorprated
into them.
A sunday afternoon on the island of LaGrande Jatte
is one of his popular paintings it entirely made out of tiny dots. He painted it between 1884–1886 its
81.6 x 121.2 inches the painting is in chicago at the art institute of chicago. It represents people
relaxing on a nice sunny day in the suburban on the seine river. It may seem like a normal

Summary Of The Mailman By Van Gogh
Description
The mailman pictured is painted frontally dressed in a work uniform, its formality creating a sharp
contrast with the rather informal background. His expression forms a look of indifference–
seemingly portraying no sign of emotion. At first glance this is plausible, but after further
investigation the mouth seems to be turned down at the edges. His eyes are subtly looking down,
with eyelids half closed and eyebrows slightly raised. This gives the impression that rather than
being indifferent, the man is portrayed being in thought. This forms a stylistic tension within the
painting, between the formality of his frontal position with his uniform and the introspection shown
in his facial expression.
Van Gogh devises movement within the painting through the background and the mailman's beard.
The beard splits into two directions, ultimately creating the illusion of a swirling motion. The beard
catches the movement of the pattern in the background, echoing unity and making for a dynamic
work of art. An analogous color scheme unites the different elements of the painting together.
Additionally, the piping on his uniform produces a less dimensional look when compared to the rest
of the painting. However, the flowers in the background bring life to the painting by contrasting
with his detached expression. In particular, the background gives the impression of wall paper:
establishing a feeling of home contrary to the man's identity as a mailman outside of his own home.

George Seurat Essay
Impressionism takes the moment at hand and depicts it with light and color. George Seurat was
influenced by Impressionism using modern subjects and urban leisure scenes. He used color
characterizing of Impressionism but also made arrangements based on color theory. Seurat wanted
to capture all the colors that interacted to make their own appearance which differed in thought to
Impressionism of putting colors next to each other to create colors that blended optically. Seurat
helped move Impressionism into Post–Impressionism by developing a systematic structured way of
painting.
Seurat was influenced by Cheverul who figured color "impose its own complementary on its
neighbor." Seurat worked with Signat to start on color experiments. He looked ... Show more
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The way the sun pours down on the people, the rest of the canvas basks in the sun whereas the
shadows are a darker green hue on the lighter green grass. The way the sun is portrayed, it looks as
if it's mid–afternoon. Seurat's pointillism shows the light coming from the left onto the people and
objects. The trees show the special blending effects of the colors. To the left of the painting, the use
of white creates a light and as the eye moves to the right, it blends into the color of the greens of the
trees. Here, Seurat is placing white and green next to each other. The brushwork of the painting is
dotlike with the dots varying in size and shape. These individuals dots blend together into one scene.
The painting's perspective is to the left with the people all looking that way toward the river. The
people in the front of the painting are closer to the eye. The woman in the front and that man
walking with her are the biggest figures in the picture. These sizes help balance the artwork. Lines
were mostly avoided with the use of shading for a softer effect.
Seurat's painting is one of the most reproduced paintings. Initially, pointillism was not received well
as this new painting style was like nothing else and the general public did not receive it well. A
Sunday on La Grande Jatte was the first painting to be painted entirely in pointillism which changed
the way art was viewed from Impressionism to Post

Painting: Vincent Van Gogh, Bedroom in Arles Essay
Van Gogh and The Representation of Happiness Through His Own Bedroom
Vincent Van Gogh, Bedroom in Arles, 1889, Oil on canvas, currently at the De Young Museum (San
Francisco),
"Van Gogh, Gauguin, Cézanne and Beyond: Post–Impressionist Masterpieces from the Musée
d'Orsay"Exhibition.
On a smaller canvas than two other similar paintings, Vincent Van Gogh carefully painted for the
third time his bedroom in Arles, a charming town in the south of France, and thus created this
approximately 22 ½ x 29'' artwork. In fact, Van Gogh made three almost identical paintings on the
theme of his bedroom and are named « Bedroom in Arles ». The first one, kept at the Van Gogh
Museum in Amsterdam is painted in October 1888. About a year after, Van ... Show more content on
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Perhaps he had come to Arles for the sun and for him, it was an immense joy to live in such bright
bedroom, bursting with colors. What is also fascinating about this piece of art is how the painter
highlights the simplicity of his bedroom through the medium of color: « the pale lilac walls, the
floor of an old brown, the chairs and bed chrome yellow, the blood red cover, the orange little table
and the blue basin", as the painter describes it. Van Gogh asserted that he wanted to express a
complete rest by handling all these different shades2. The color black, which could be evocating a
certain form of anguish, is almost nonexistent in this painting. Only the frame of the mirror and
windows is black. We wonder if this could mean that Van Gogh was afraid of his future and afraid to
face up to reality. This is a possibility. In fact, despite the evidence of his happiness, present in this
painting, Van Gogh was not married2 and many clues here let us think that he wished to be.
Although the bedroom is very sparsely furnished and only contains essential items (which shows, in
addition to the choice of colors, a great simplicity), we notice that many of these objects go together
in pairs (two pillows, two chairs, two portraits on the wall, two drawings, and even two doors).
Thus, this painting on canvas was perhaps his way of expressing his wish to meet someone and that
his bedroom was arranged so as to welcome her. But because it was just him in this bedroom, he
certainly

Camille Pissarro's 'Apple Harvest In Europe'
Apple Harvest in Europe
Introduction
Apple Harvest is a painting created by a French artist named Camille Pissarro in 1888. The artwork
is derived from the European culture focusing on the style of neo–impressionism or pointillism. The
painting is made with the use of oil on canvas and currently located inside the Dallas Museum of Art
in second floor in the section of European art. It depicts a lively image of farmers engaging in their
daily activities where they are picking apples on a sunny day. The background of the landscape
consists of a huge ranch with additional apple trees that gives a vibration of harvesting season.
Similarly, it is a form of a representational artwork portraying physical labor by the farmers during
that period. Camille Pissarro seemed to support the farmers of low social status and believed in hard
work as some of his artworks are the representations of lives of these social groups (Dallas Museum
of Art 2017). In the painting "Apple Harvest", he tries to picture working peasants in an apple farm
in the French Countryside (Dallas Museum of Art 2017). This paper is an integration of the analysis
of formal elements and principles relevant to the art work "Apple Harvest" and my experience of
observation of this piece of art at the Dallas Museum of Art including a reflection upon the visit.
Figure 1: "Apple Harvest", 1888, Oil on Canvas, European Art. Image Courtesy of Dallas Museum
of Art.
Formal Analysis
Camille Pissarro uses different forms of

Comparison Between Impressionism And Post Impressionism
Art is the best way humans can express their thoughts and realities. Many people do not see art in a
linear fashion; whether a painting is from the 1800s or the 1900s many people would consider them
the same. Art has gone through many changes since its conception many millennia ago. Due to this,
one cannot scrutinize all of the art movements in the same fashion. Two of art's largest movements,
Impressionism and Post–Impressionism, are commonly lumped together in the same category.
Although these movements are very similar in name, they have distinct characteristics that set them
apart. However, they also have some aspects in common. The Impressionist art movement took
place between the years 1874 and 1886. At the time this movement was birthed, the majority of
high–end art being made was made in a super realistic and classical way. The Salon, a place in
France where art was displayed, only accepted this kind of art. The Salon was ran by the French
government and all art placed in it had to be approved. The Impressionists were always refused due
to them not painting about significant figures in the government or of the church. Impressionists
painted about ordinary people doing ordinary things alongside landscapes and taboo topics. The
Salon did not only refuse them because of this but also because Impressionists did not paint in an
ultra–realistic manner. Claude Monet is one of the most recognizable painters in the Impressionist
movement and one of the most popular at

Sunday On La Grande Jatte Analysis
Imagine a painting comprised of thousands of tiny dots that have been strategically placed in a
pattern to form an image.The pioneer of pointillism and Neo–impressionism Georges–Pierre Seurat
sparked a new art movement and painting technique which was associated with creating the
appearance of solid figures using points of pure color grouped together. His creation of this art style
was inspired by his desire to abandon Impressionism. Seurat's most famous paintings of the 19th
century is the art piece made by Frenchman Georges Seurat called A Sunday Afternoon on La
Grande Jatte which uses the pointillism approach. It was painted between 1885–1886. The technique
he chose took much longer to produce, which is why it took him more than two years ... Show more
From the figures in the painting, you can see sunbathers, soldiers, men in top hats, women with
parasols, dogs, and a monkey. According to an article, it states that "a monkey in French (and
female) is known as "singesse," denoting a prostitute. The smartly dressed woman is fishing – but
for what" ("Seurat's Grande Jatte", n.d.). I found this interesting because when I first saw this
painting, I first assumed it was just a regular painting of wealthy citizens relaxing and did not
suspect anything of the monkey strangely being present. The women on the right is holding a leash
to the monkey which many critics suspect that Seurat is trying to say through symbolism that this
woman is a prostitute who is out for a stroll with her client and that she is "fishing" for more. On the
left of the photo, you see a woman dressed in orange fishing by the water, which seems innocent.
According to an online dictionary, the French word for fish is 'pêcher', which some believe is a plan
on word as the French word for sin is 'pécher' (Dave, "The Psychology of Geometry"). References to
prostitution used the words 'pêche' (fishing) and 'péché' (sin) a lot in French cartoons. The artist may
be hinting that they are both prostitutes and demonstrates the art piece's satirical nature. Not only are
they suspect prostitutes, but they may have been proletarian women that have become superficially
bourgeois through prostitution. Seurat adds another perspective to the comparison of the proletariat
and the bourgeoisie, hinting the superficiality and immorality behind the high class

Van Gogh And Warhol : Post Impressionism And Pop Art
Paola Chacon Emil Bakalli HUA 101 December 9, 2014 Final
Van Gogh and Andy Warhol
Post–Impressionism and Pop Art
There have been different art forms that have come and go over the course of time. Hence I will
discuss, two significant movements like Post–impressionism and Pop art. Two important artists from
these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very
few similarities between these two movements and artists, although more differences. Van Gogh is
one of the most captivating artists of post–impressionism. . Throughout his career Van Gogh has
painted many works. One of those magnificent paintings is "Starry Night" by Vincent Van Gogh. In
the other hand we will discuss one of the popular paintings " Gold Marilyn" by Andy Warhol.
Warhol is also the most famous of the Pop Artists and played a major role in making the art
movement popular.
Post–impressionism and Pop Art resulted as an artistic reaction on both sides. Post–Impressionism
groups diverse pictorial tendencies that arose in France surroundings to 1880–1905 like reaction to
the impressionism. In the other hand pop art was an artistic reaction to abstract expressionism. It can
seem surprising the fact that in so short space of time, as soon as a quarter of century, so many
evolutions and involutions in the land of art have taken place, mainly considering that until second
half of century XIX, the great periods (Romanesque, Gothic, Renaissance, Baroque...) they included
hundreds

Impressionism And Post Impressionism
Nicole Hagias
Term Paper
Art History Renaissance – Present
November 29th, 2017
Analyzing
Impressionism
Impressionists were seen as artists who were challenging normal and accepted concepts of color and
light. Impressionism got its start when certain painters started to use more natural methods of
painting and lighting their work, really straying from the traditional rules of academic painting and
art. In 1874, a group of artists called the Anonymous Society of Painters, Sculptors, Printmakers,
etc. put together an exhibit in Paris, France(4). Subsequently starting the movement which we know
today as Impressionism. Its founding members included Claude Monet, and Edgar Degas among
others. The group was unified and brought together only by its independence from the official
annual Salon (the Salon was the official art exhibition of the Académie des Beaux–Arts in Paris. The
salon considered to be the greatest annual art event in the Western world beginning in 1667) (2).
While many conservative critics disapproved of their work for its unfinished and sketch like
appearance, more progressive writers and critics praised it for its depiction of modern life and
enjoyed it for its contemporary subject matter with an innovative, new and different style calling
attention to it by calling it a "revolution in modern painting" (3) . To further on the style and history
of Impressionism and post impressionism I will be discussing three works of art exhibiting the
unique

Post-impressionism and Artists
Impressionism was a movement that came about in the late 19th century, most specifically its roots
can be traced back the 1874 when a group called the Anonymous Society of Painters, Sculptors,
Printmakers, etc. organized an exhibition in Paris. (Samu, 2004). The group led several exhibitions
through the 1880's which brought them into the spot light despite criticism from the conventional art
community in France. The movement received its name from one of the movements most now most
recognized artists Claude Monet and his piece Impression, Sunrise. It is said that a critic accused the
painting of being a sketch or "impression". (Samu, 2004) Paintings of this period tended to be
outdoor scenes and panoramas. My Grandfather, Lawrence ... Show more content on
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These artists felt that impressionism was missing many key elements including emotional,
structural, symbolic and spiritual representation. (Misialowski, 2006) Artists of this time frame
worked, in most cases, independently and today are most often referred to as Post–Impressionists.
The style was defined by vibrant colors, thick paint application, real life subject matter, geometric
shapes, and distortion of objects figures for expressive emotional effect. Some of the key artists of
this time included: Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat. Aristide
Maillol and Edouard Vuillard.
One of my favorite pieces of this time comes of course from van Gogh. The piece is titled
Straßenarbeiter which means Road Workers. The imagery of this piece is rough and course with
distorted views and sharp lines. The shapes of the trees almost draw you away from the what the
piece is actually titled after, the road workers who are shown off in the distance and then again on
the left edge of the painting. The colors give the image a dark look like it is depicting a late fall day
with the workers frantically trying to complete the task before the onset of winter.
Again, like the impressionism movement, there was not really a prime reason for this movement
other than the artists wants to more freely express themselves through their work. The social climate
of the times were changing allowing for

George Pierre Seurat Research Paper
George–Pierre Seurat was born on Decemeber 2, 1859 in Paris, France. He was the son of
Chrysostom–Antoine Seurat and Ernestine Faivre. He was the youngest of 3 children. His father was
a bailiff and a native of Champagne and his mother was Parisian. They were middle–class. The
family relocated temporily to Fontainebleau in 1870, while the Franco–Prussian War and the Paris
Commune rebellion. When Seurat was a little boy he began to take interest in art and was
encouraged by his uncle, Paul Haumonte, who is a textile dealer and amateur painter. ("The Art
Story.org – Your Guide to Modern Art")
When Seurat was fifthteen, he entered a local drawing school then three years later he went to Ecole
des Beaux Arts in Paris from 1878–1879 to study art. ... Show more content on Helpwriting.net ...
"Most artists that was Post–Impressionists didn't think of themselves as Post–Impressionists. The
name was given to them by an English artist and critic Roger Fry in 1910." (Bolton 4) Some
examples of Post Impressionist artists are Vincent Van Gogh, Georges Seurat, Paul Cezanne, Henri
de Toulouse–Lautrec, and Camille Pissarro.
Most Post–Impressionists worked in Paris. "Paris was considered to be the art capital of the world at
that time. There was an intense concentration of artistic activity and art dealers in the city, and the
Ecole des Beaux–Arts and academie Jlian were key schools where many artists were taught."
(Bolton 9) When he was alive he was a known artist but after he died he became famous. Some of
his paintings was "A Sunday Afternoon on the Island of La Grande Jatte", "Bathers at Asnieres", and
"The Lighthouse at Honfleur." But his most famous one is "A Sunday Afternoon on the Island of La
Grande

The Meaning Of Modernism And Post-Impressionism In Western...
The modernism period was a time for art to search for a new form of expression. It was a movement
in western art which had develops in the middle of the 19th century and tried to capture the pictures
and sensibilities of the age. Modernism art expand way beyond simply dealing with the present and
involves the critical examination from the artist masterpieces. Modernism advance a era of testing in
the arts from the mid 19th to the mid–20th century, coming after World War I. in the era where it
was characterized by industrialization, being advanced in science which lead to society changes.
Postmodernism started in the late 20th century. It's characterized as a "general suspicion of reason"
The Post–Impressionism, in Western art, movement in France that symbolize both an addition of
Impressionism and a negative response of the styles inherent restrictions. The meaning of Post–
Impressionism was started by the English art critics. A lot of painters had started as Impressionists
meaning all of them had deserted the style, on the other hand, to shape their own personal art.
Impressionism was found, in a strict sense, on the the nature of the effects of color and light. The
Post–Impressionists discarded this limited aim in favor of more motivated expression, declare their
debt, yet, to the pure, brilliant colors of Impressionism, there is now freedom from the traditional
subject of matter, and the techniques of wondering the meaning of forms with short brushstrokes of
busted

The Rise Of Post Impressionism
Impressionism was an art movement that started in the mid Nineteenth Century and peaked during
the 1870s. Although Impressionism was also apparent in mediums like music and literature, its most
prominent influence was painting. As it progressed towards Post–Impressionism, it opened up the
art world to stylistic rendering, deviated from realism, and introduced the world to modern and
avant–garde art. This essay will discuss how it managed to do so and specifically how the movement
advanced into Post–Impressionism.
To understand how Impressionism came about, we must first understand how Academic Art rose to
power. Academic Art was introduced in the Renaissance period, Old Masters such as Leonardo and
Michelangelo emphasized the need for painting ... Show more content on Helpwriting.net ...
After Impressionism peaked in 1870– artists such as Cézanne and Seurat started to opt out from
exhibiting altogether, and had produced their own styles. In the eighth and final Impressionist
exhibition, it was suggested that the title 'Impressionist' be dropped as the artists who aligned with
its characteristics were not present, and pieces were judged by its own merit rather than as a group.
Manet's death in 1883 had also signaled the breakup of the Impressionists, being one of the initiators
of the movement. Therefore, the lack of common ideas between the artists led them to work
independently, form new ideas and techniques which led to Post–Impressionism.
In conclusion, Post–Impressionism itself was not a singular style, but was unified through the
rejection of Impressionism and many post–impressionist artists served as inspiration for many
movements to come such as Fauvism, Symbolism, Expressionism and avant–garde art in general.
The inherent limitations and discontent in forms of expression was what drove artists from academic
art into Impressionism. It became the first movement to question and redefine what was acceptable
and considered as art. Similarly, the same was done to progress from Impressionism into Post–
Impressionism. People have realized the need for constant reevaluation and experimentation to
innovate new ideas fitting for the progressive

Post Impressionism Art Analysis
The Impression of Post–Impressionism Art
The Impressionism era was a very important movement in the history of art. The artists
under that movement were not very popular since the style was very different. The product of
Impressionism, Post–Impressionism has a more distorted,expressive style because their rules in
terms of content were more free. I will compare and contrast the paintings of this era, Houses at
Auvers by Vincent van Gogh, Goldfish by Henri Matisse, and Mont Sainte Victoire by Paul
Cézanne.
The work of art Houses at Auvers by Vincent van Gogh was made after he left the
asylum at Saint Rémy de Provence. He admitted himself there because he was very sad and
before he arrived he cut off his ear and gave it to a prostitute as a gift. He only resided there for a
short amount of time (the end of 1888–1890) because he became bored. As a result, he moved to
Auvers–sur–Oise, northwest of Paris. There, he painted Houses at Auvers in June of 1890 which
was one of several works of art made before his suicide in the same year.
Houses at Auvers depicts a landscape of early summer in Auvers–sur–Oise. It's medium,
like most paintings in this era, is oil on canvas. In this work of art, viewers can see that the
function is for the visual aesthetic, since Van Gogh was really embracing his surroundings by
how he painted it. He used a lot of different values of color, especially the greens in the trees,
grass, and bushes. Lines and brushstrokes

Post Impressionism Research Paper
The period of Impressionism and Post Impressionism embarks from ca. 1860 to 1910 CE. For the
Impressionists artists the main focus were the upper middle class, the city and restful activities. They
emphasized in the outdoors, parks, sky, star, sun etc. in hope to obtain directly the effects of light
and the atmosphere, this method was known as en plein air. This technique was influenced by the
Japanese art and photography. They used strokes and touches of pure colors mostly white, almost
never black. They were able to record or attain the shifting play of light on the surface of the object
they were working on. This method allowed the artist to record the effect light had on the eyes of the
spectator without concern for the physical aspect ... Show more content on Helpwriting.net ...
The artist that practiced the postimpressionism went through an impressionist stage first, before they
evolved to the newly found method of postimpressionism. They all used palette while doing their
work of art, some even developed complicated scientific methods and other began to base their art
on their emotions something that has not being experimented before. Goerges Seurat was a
postimpressionist artist that painted the work titled A Sunday afternoon on the island of La Grande
Jatte, using the technique of divisionism or pointillism. By devoting himself to correct the idea of
impressionism he became known as avant–garde, he thought impressionism was superficial and too
improvisational. Avant–garde is a term that refers to those artist whose visual illustration would
allow society to be prepared to accept any social changes that the artist themselves envisioned for
society to faced. Seurat painted in an almost abstract way, by using juxtaposing small strokes of
unblended colors, this technique became known as pointillism. Paul Cezanne was another
postimpressionist artist that helped developed the modernist painting of the early twentieth century
His work made a great impact in the style known as cubism, by creating highly well–thought–out
paintings through methodical application of color that combined drawing and modeling into a single

Post Impressionism And Post-Impressionism
Post Impressionism is a French art movement that developed roughly between 1886 and 1905. Post
Impressionism was coined by English art critic Roger Fry for work of such late 19th century
painters. Most painters other than Van Gogh were French and began as Impressionists they each had
their own style of highly person art. The pure, flat color, heavy outline and the decorative quality of
medieval stained glass and manuscript illumination. Two artists explored the expressive potential
pure of color and line. The objective of nature in terms of the effects of color and light. Post–
Impressionist limited aim in favor of more ambitious expression. However, to pure brilliant color of
Impressionism. Post–Impressionist movement was not lengthy. But most scholars place post
impressionism from the mid to late 1880s–1900s. Rewald considered this a continuation of his 1946
study, History of Impressionism and pointe out a "subsequent volume dedicated to the second half
of the post–impressionist period".
There are many different painters that painted while they began as impressionist. I guess you could
say that some of the characteristics that are considered with some of the paintings of Post–
Impressionism would be that they all have some unique brushstrokes and a bright palette of colors.
If you look at some of the art work under post impressionism you can see each of them has a
different type of brushstrokes. Some might have a line looking type, more of a dotted type or even
like a clean

Compare And Contrast Impressionism And Post Impressionism
For this week's blog chose to compare the styles of Impressionism and Post–Impressionism. Both of
these styles started to rise up in the 19th century from France. There are many differences between
these two styles. Impressionists were very in favor of independent exhibitions, while the Post–
Impressionists placed on emphasis on structure. The Impressionists often drew upon landscapes and
the scenes of modern life for inspiration, paying attention to light, atmosphere, and movement for
their color. The Impressionists often did not rely on historical or mythical inspiration. The Post–
Impressionists, on the other hand, rejected the Impressionist idea of being spontaneous for their
color. Post–Impressionists believed that color could be independent of the emotional and aesthetic
meaning of the painting. With all of the styles of Romantic Era constantly changing each one
reflected the attitudes of the artists of that styles and at the same time changing history. When
comparing a picture from the two different styles, it is easy to depict these differences. With the
number of differences between the two styles, I find it fascinating what the two styles were trying to
achieve. One believed in being independent while the other focused on structure. With almost how
opposite these two styles were made for some very amazing paintings and extract very different
reactions. And, with different ideas from both sides, you could two very different perspectives on
maybe the same object of

Impressionism And Post-Impressionism
People judge a book by its cover. It is the ultimate truth, contrary to the popular adage. Being
judgmental of someone or something by the physical features is a natural human instinct.
Accordingly, in today's world, book publishers hire illustrators to make aesthetically pleasing book
covers to accompany their writing. They are designed to grasp attention when the books are
displayed among other books. This is why I decided to research about why a particular book cover
was chosen and how it was related to the story. Katherine Mansfield lived through art periods
known as Impressionism and Post–Impressionism. Impressionism is "a style or movement in
painting originating in France in the 1860s, characterized by a concern with depicting the visual ...
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It is not surprising that Katherine Mansfield was an admirer of Post–Impressionistic paintings. She
frequently visited the Post–Impressionist exhibitions in London. As a big fan of Van Gogh's Sun
Flowers, she revealed that Van Gogh's paintings taught her "something about writing which was
queer – a kind of freedom – or rather, a shaking free" in her letter to Richard Murry. Perhaps this
freedom abetted her to implement different writing techniques which were not widely used. In At
the Bay, Linda views the sunset similar to a painting. Her perception is: "But tonight it seemed to
Linda there was something infinitely joyful and loving in those silver beams. And now no sound
came from the sea." (32). This is a clear example of a word–painting. The scene is being described
like a painting using descriptive colorful language. Linda, with her watchful eyes is waiting for
someone to come watching for something to happen that intuitively did not occur. She tries to
perceive and interpret herself and discover her true identity. However, her views are incomplete to
the extent that she can only fantasize about life. Likewise, the Bank Holiday depicts carnival life as
a Post–Impressionistic painting. The scene is introduced

Vincent Van Gogh And Post Impressionism
What defines art? More importantly, who defines good or bad art? Does that make one who deals
with art in any way is a judge in their own right? When viewed in that perspective, art is practically
subjective in its natural state. Perhaps, that is why the artistic community is so diverse. It could be
said that each of those categories are composed of artists who prefer that certain style of expression.
Vincent Willem van Gogh, generally speaking, falls into the category of being an Post Impressionist,
with a twist.
Loosely speaking, what does Post Impressionism work usually appear to be? In the name of all
things casual, the style of Post Impressionism actually was not to strict in what they depicted for
their style. However, amidst all these individual styles and interpretations, there were commons
threads that all linked them to the category Post Impressionism. For instance, most works of art
belonging to this category, seem to place an emphasis of abstract, symbolic and personal
meanings/emotions envisioned within the pieces (Post Impressionism, 2017). Not only that, but also
the application of "structure, order, and the optical effects of color dominated the aesthetic vision" in
efforts to describe the world around them (Post Impressionism, 2017). Judging by those
characteristics, van Gogh fit in quite easily with the diverse group of artists that composed the Post
Impressionist style of artwork.
No doubt that van Gogh enjoyed such expressive forms to create

Woman With A Hat Analysis : Woman With A Hat
Brock Wright
November 1, 2017
ARHS 1020
Lucia Abramovich
Woman with a Hat Analysis Woman with a Hat is an oil on canvas painting by Henri Matisse,
created in 1905. The painting is considered one of the first ever Fauvist works, and was displayed at
the Salon d'Automne in Paris, an exhibit which defined the movement. Matisse was a French artist
who had actually worked in several mediums, but was most famous for his paintings. He was born
in Le Cateau–Cambresis, Northern France, in 1869. He first began painting in 1889 with a small
assortment of paintings supplies his mother had gifted him during a period when he was recovering
from illness. He joined Gustave Moreau, who would become an inspirational leader for Matisse's
Fauvist movement, at his studio in 1891. In 1896, Matisse began working with an Australian
impressionist painter John Peter Russell, who Matisse would credit as having taught him color
theory. Russel introduced him to impressionism and the works of Vincent van Gogh; Matisse's
relationship with Russell would drastically evolve his painting style. Matisse's early work took
influence from neo–impressionism, post–impressionism, and divisionism, a style which Matisse
took up after reading Paul Signac's essay D'Eugène Delacroix au Néo–impressionisme. Exploration
of these styles would influence his movement into the revolutionary style of Fauvism. Fauvism
emphasized painterly qualities and strong, vibrant color choices. It emphasized these qualities over

Features Of Post Impressionism
Post–impressionism was an art movement between the end of 19th century and the beginning of
20th century, started in France. It was a breach of Impressionism. During the period of
Impressionism, some artists started to dissatisfied to the style as Impressionism depended too much
on visual and scientific analysis. They thought Impressionism only focused on the techniques and
effects of light and shadow but neglect the importance of subject matters. Some young artists and
critics demanded a shift in the focus of representational arts. Paul Cézanne, Georges Seurat, Paul
Gauguin and Vincent Van Gogh were the four giants of Post–impressionism.
Paul Cézanne
Georges Seurat
Vincent Van Gogh
Paul Gauguin The 1880s was a decade of extremes to France. There was the depression in the mid–
1880s, but were also rapid industrialization and economic growth. As a capitalist society under
industrialization, materialism was popular among France. Some artists attempted to outrage the art–
loving public through revolutionary painting techniques, for example Neo– Impressionism of
Seurat, in order to fight against materialism. They ... Show more content on Helpwriting.net ...
The artists described the world around them through their works. Modern life provides the dominant
subject matter. The art pieces could connect with the viewer on a deeper level as they expressed
memories and emotions. The period emphasized on form and content. The objects were usually in
abstract form and pattern. The aesthetic vision was dominated by structure, order and optical effects
of color. Interrelations of color and shape were also found in the works of Post–impressionism.
Critics grouped the various styles within Post– Impressionism into two general, opposing stylistic
trends, on one side was the structured, or geometric style that was the precursor to Cubism, while on
the other side was the expressive, or non–geometric art that led to Abstract

Similarities Between Kirkland And George Seurat
Connecting the Dots George Seurat and Vance Kirkland were avante garde artists from two different
time periods who experimented with new techniques and ideas in painting. Both placed a heavy
focus on color theory, which is believed to be the most important aspect for a career as a painter. The
two of them were able to develop their own dot painting styles and both were heavily criticized for
their newly invented techniques. Seurat was accused of being a cold–blooded mystifyer by one critic
of his time. With exaggerated titles such as The Energy Of Explosions 24 Billion Years B.C. (1978
no. 3), New York galleries of the 1970s criticized Kirkland for the names of his paintings, because
the titles to his paintings are not scientifically accurate. ... Show more content on Helpwriting.net ...
Each one contains a subject matter of either urban scenes, landscapes or seashores. A Sunday on La
Grande Jatte is his most famous painting and the one that set the stage for his new found techniques.
The size of the painting was very much different than that of the smaller paintings of the
Impressionists. It was huge for the time, roughly taking up an entire wall, the painting commanded
attention from any viewer within the vicinity. The colors of the dots blend together optically by the
viewer's eyes to create a magnificently composed work of art. Kirkland on the other hand, used
subject matter that was out of this world. By attaching cosmic names to his paintings such as The
Energy of Explosions 24 Billion Years B.C. (1978 no. 3), Mysteries in Vertical Space, Space
Mysteries, Five Red–Orange Suns In Space, Blue Mysteries Near the Sun, and Blue Vibrations In
Pink Space, it's clear to the viewer his subject matter is out of this world. Before his death, Kirkland
was able to create for different series of dot paintings, Energy of Vibrations, Mysteries, Explosions,
and Forces. There is also an optional theme to an earlier pre–dot theme Organic Vibrations known as
Valhalla

Impressionism and Post Impressionism Essay
Expressive Essay In this essay, I will contrast and compare the two art movements, Impressionism,
and Post–Impressionism. I will be concentrating on the works of the two leading artists of these
styles Claude Monet and Vincent van Gogh. The impressionist movement is often considered to
mark the beginning of the modern period of art. It was developed in France during the late 19th
century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and
clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on
landscapes and street scenes, and began to paint ordinary everyday people and liked to show the
effects in natural light. Claude Monet is often ... Show more content on Helpwriting.net ...
Aside from the dark shadows the painting is done in light, bright colours and once again Monet
shows his skill in portraying a nice sunny day by the riverside. He has managed to give the
impression of calm rippling water by using rough brushstrokes. He uses a mix of light and darker
colours to show the sun glistening across the water. The painting creates a relaxing and the light
colours, calm water and slow moving boats create pleasant mood, which I think. I like this painting
and I especially like the way in which Monet has created many different areas that show a range of
colours, techniques and all add something different to the painting. This variety draws you in and
shows a real commitment and dedication to detail. These two paintings have many similarities,
however they both show different sides to Monet's style of painting. Le Grenouillere has much
thicker brushstrokes and concentrates on darker colours such as greens and browns. In the Road–
Bridge he tends to use much lighter yellows and blues and his brushstrokes are much shorter and
rougher. This creates quite different moods and the second painting has a much sunnier and happier
mood. The paintings are very similar in that the effects of the sun bouncing across the water plays a
key part in both paintings. I would have to say The Road–Bridge at Argentile is my

Georges-Pierre Seurat Essay
During his short life, Georges–Pierre Seurat was an innovator in an age of innovators in the field of
art. This french painter was a leader in a movement called neo–impressionist in the late 19th
century. Unlike the broad brushstrokes of the impressionist, Seurat developed a technique called
pointillism or divisionism. In this method, he used small dots or strokes of contrasting color to
create the subtle changes contained within the painting. Seurat was an art scientist in that he spent
much of his life, searching for how different colors and linear effects would change the look or
texture of a canvas. He was painstaking in his work, the technique he chose taking much longer to
produce a work of art.
Pointillism is a form of painting in ... Show more content on Helpwriting.net ...
Usually when colors are produced by pigments being mixed physically, the subtractive color theory
is at work. Here the mixing of pigments of the primary colours produces less light; so if we mix red,
blue and yellow pigments(subtractive primaries), we get a colour close to black. However when
colours are produced by the mixing of light, then the additive color theory is at work. Here the
mixing of lights of the three primary colours produces more light; so if we mix red, blue and green
light(additive primaries) we get something close to white light. The brighter effect of pointillist
colours could rise from the fact that subtractive mixing is avoided and something closer to the effect
of additive mixing is obtained even through pigments (Pointillism)
The brushwork used to perform pointillistic color mixing is at the expense of traditional brushwork
which could be used to delineate texture. Color television receivers and computer screens, both CRT
and LCD, use tiny dots of primary red, green, and blue to render color, and can thus be regarded as a
kind of pointillism (Pointillism).
Impressionism is a movement in French painting, sometimes called optical realism because of its
almost scientific interest in the actual visual experience and effect of light and movement on
appearance of objects (Impressionism). Neoimpressionism was a late–19th century art movement
led by Georges

Additiona Post Impressionism
It is a common theme for groups of artist to revolt against their predecessors and the common
standards that the pervious community of artist held. This is seen repeatedly from the ancient
Greeks, whose bronze and marble sculptures developed around the perfection of the male human
form, to the transition to the Romans their ideas followed the individual they sculpted busts of the
great leaders and the common people of many different ages showing the uniqueness of all of them.
This change was also apart of the architecture, Greek temples focused decorations on the outside of
the temples on the metopes with sculptures, almost in the round, to show visitors the wealth of their
towns were as the Romans focus the the decorations on the inside they were showing off for
themselves. ... Show more content on Helpwriting.net ...
Additionally a more recent and immediate example of this happening is the progression from
impressionism to post–impressionism, both share the use of vivid colors, everyday objects and
settings, as well as thick application of paint, but the post–impressionism movement rejects the
spontaneous and naturalistic rendering of light and color that the impressionistic

A Brief Note On Impressionism And Post Impressionism
IWT1 Task 1
Impressionism and Post Impressionism
By WGU student
In early 19th century, the French government controlled the Academies des Beaux–Arts and Salon
de Paris of paintings. The Academies were considered the ruling authority and held annual art
exhibits called salons. The salons featured works of art that conformed to their standards. In the
second half of the 19th century, Impressionism began which was a result of French artists rejecting
traditional government and their standards. In 1874, the first independent art exhibition was held. A
few of the famous artists' who participated and organizing this exhibition was Claude Monet, Berthe
Morisot and Pierre–Auguste Renior along with several other artists. This group of artists ... Show
more content on Helpwriting.net ...
In addition, the French government was experiencing other vast changes. For example, they changed
from absolute monarchy to an Expansionist Empire. Religious entities did not understand the new
age advancement in neither science nor the knowledge it brought to society. Besides, this innovative
scientific knowledge was not aligned with the ancient scriptures. The ultimate change that had a
profound influence on the artists of this time was the invention of photography. Photography
essentially freed painters to become more abstract with their subject matter and enhance their artistic
freedom.
On the other hand, the Post–Impressionism period began around 1880 and ended approximately
1910. The first person to coin the term "post–impressionism" was British artist and art critic, Roger
Fry. Fry played a big role in putting on the exhibition called "Manet and the Post–Impressionists" at
Gragron Gallery in London, which lasted from November 8, 1910 to January 15, 1911 (Voorhies,
2000). Some well known artists from this period were Vincent Van Gogh, George Seurat, and Paul
Cezanne. The post–impressionist artists focused on a different style of painting to express their
emotions. Instead of just mastering optical impressions they also used symbolism while alluding to
their deeper theme.
"Symbolic and highly personal meanings were particularly important to Post–Impressionists such as
Paul Gauguin and Vincent Van Gogh. Rejecting interest in

The Impact Of Post Impressionism
In the late 19th century, younger artists found themselves frustrated within the confinements of
Impressionism rules. Consequently, they wanted to challenge these limitations to focus on the
structural, emotional and symbolic elements within their works. So, what mark did the Post–
Impressionism Movement leave within the story of Art ? The Impressionism Movement affected the
evolution of modern art.This is due to the introduction of painting 'en plein air' and the style which
is recognisable by short brushstrokes, intense pure colour and natural light.Consequently, landscapes
both in the city and the countryside became their most natural and influential subject. Emerging
artists found the limitations of Impressionism frustrating.Therefore, they wanted to push the ... Show
more content on Helpwriting.net ...
Furthermore, Cezanne and Seurat found their resolutions towards this new approach "mainly
through intellect and Gauguin and Van Gogh primarily through intuition" (Hunter, Jacobus &
Wheeler,2004,p.23).
Structure, order and optical effects of colour were the techniques used by Paul Cezanne and Georges
Seurat."The Large Bathers" by Paul Cezanne was his last and largest painting.This attest to the
importance of the theme chosen.Moreover,it shows his technique of combining complex images into
simple geometric shapes and lines.The concept chosen of bathers, trees and landscapes were
composed by the use of a palette knife and not a brush.The composition of nude bathers are the
center of

Characteristics Of Post Impressionism
Post–Impressionism encompasses a wide range of distinct artistic styles that all share the common
motivation of responding to the opticality of the Impressionist movement. The stylistic variations
assembled under the general banner of Post–Impressionism range from the scientifically oriented
Neo–Impressionism to the lush Symbolism, but all concentrated on the subjective vision of the
artist. Symbolic and highly personal meanings were particularly important to Post–Impressionists
such as Paul Gauguin and Vincent van Gogh. Rejecting interest in depicting the observed world,
they instead looked to their memories and emotions in order to connect with the viewer on a deeper
level. Structure, order, and the optical effects of color dominated the aesthetic vision of Post–
Impressionists like Paul Cézanne, Georges Seurat, and Paul Signac. Rather than merely represent
their surroundings, they relied upon the interrelations of color and shape to describe the world
around them. Despite the various individualized styles, most Post–Impressionists focused on
abstract form and pattern in the application of paint to the surface of the canvas. The label Post–
Impressionism was never used by the Post–Impressionists themselves. It was coined in 1910 by
Roger Fry when he staged an exhibition in London called Manet and the Post–Impressionists
(Munry, 2017). Cezanne, Gauguin and Van Gogh were the central artists of this show since,
according to Fry, they were the three great painters who had turned

Vincent Van Gogh Research Paper
Vincent van Gogh was an incredible painter who was a part of the post–impressionism movement of
art. Many believe his artwork and style shaped 20th–century art and many artists incorporated his
painting style. Van Gogh is often regarded as on of the fathers of post–expressionism. Sadly, critics
only appreciated his work after his death, by a self–inflicted gunshot, in 1880.
Before starting my research into van Gogh. I knew as much as the ordinary person would about him.
His artwork is so renowned in the world that generally everyone has an idea of who he was and I
shared that understanding. Whenever someone talks about post–impressionism van Gogh's name is
always mentioned. Before my research, I knew two of his works, one, a self–portrait (1887) , which
is one of over thirty portraits he painted between 1886 and 1889. The second artwork is the famous
'The Starry Night' , which I first discovered by looking at a teapot my mother owns which has the
painting on it. I remember it catching my eye because of the way van Gogh was able to capture light
and the way he created movement in the sky through the use of swirls but I hadn't taken my interest
in his work any further.
I was listening to the Don McLean's song 'Vincent' and I found the lyrics of the song interesting for
example, "...And how you suffered for your sanity and how you tried to set them free..." and
"...They would not listen, they did not know how..." . Listening to this song made me want to look
into the man who

La Source: Hippolyte Petitjean
La Source is an oil painting created by French painter Hippolyte Petitjean. Petitjean painted in the
late 19th to the early 20th century and is characterized as belonging to the Post–Impressionist
movement. This movement was known by its division of colors that relied on the viewer to optically
blend and put together a full image. Artistically, Pietjean is most well–known for his mastery of the
pointillism technique of painting. La Source is just one of the many pieces made the pointillist
technique. The painting depicts a single female figure as the centerpiece of the composition. The
female figure is nude and holds a vase with water pouring out to the right side of it. The water
around the figure is symbolic of the birth of the goddess Aphrodite ... Show more content on
Helpwriting.net ...
The colors in the figure consist of warm creams, yellows and oranges with purple, blue, and green as
contrasting colors. With the technique of pointillism, which can be seen in detail in Figure 1,
Pietjean composed the complete piece with dots of single color and utilized varied hues and gradient
colors to create an optical illusion of the colors blending together. While the female nudes of
Classical Greece were in a different medium, the idea of perfection is shared by the two. The skin of
the female figure in La Source is smooth and flawless when looked at from a distance. The skin
color is comprised of varied chroma of mostly warm colors and the gradients give off the impression
of a marble–like smoothness. This type of smoothness is seen in Praxiteles Aphrodite of Cyrene in
the polishing of the marble in a way that gives it a skin like property. The softness of the colors in
the figure supplement the visual gentleness of form. Petitjean take the delicacy of the ancient Greek
sculpture, as seen within Praxiteles polished skin like marbles, and reformulated it through the use
of soft–hued colors and the gradient of his pointillism

Post Impressionism and Art Essay
Post Impressionism and Art
Modernism is an art movement that is characterized by a deliberate departure from tradition to a
more expressive form that distinguishes many styles in the arts and literature of the late nineteenth
and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his
painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists
who tended to paint outside landscapes and street scenes and were concerned with the effects of
light. Bernard was a Post–Impressionist artist who considered Impressionism too casual or too
naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and
Haystacks", depicts a woman in ... Show more content on Helpwriting.net ...
He also liked their version of Catholicism because they believed God was noticeable in everyday
life. This attraction to the Breton way of life is apparent by the way Bernard paints them. Both the
woman and the landscape are drawn simply; the figures do not look realistic but the viewer is able to
distinguish what each object is. The simple geometric form of the woman's hat and the shape of the
haystacks are very similar in contour, yet both are easily discernable. Likewise, the trees and the
clouds are alike in their shape, as well as the curves of the woman's eyes and mouth are similar to
the rolling hills behind her. The painting is considered to be abstract because the imagery used in the
work departs from representational accuracy. Abstract artists such as Bernard select and then
exaggerate or simplify the forms suggested by the world around them. Bernard's rendering of the
Breton woman in her simple attire juxtaposed with the countryside communicates his belief that she
is nearer to nature and God than contemporary peoples. The stylized delineation of the figures and
the vivid colors convey the emotion and imaginative sensibility of the Breton women rather than
simply recording what Bernard saw.
The dramatic color Bernard used in "Breton Woman and Haystacks" along with the large areas of
open space and bold lines that define structure, volume and texture are all characteristics of the

Impressionism vs Post
Impressionism vs Post Impressionism
Modern culture is believed to be the brainchild of two versions of the Protestant worldview: the
northern French positivism and irrationalism. If the first is trying to discern the signs of the afterlife
in the image of reality (which is actually a reflection of the culture established meanings), the
second doubts of the possibility to view anything except for one's own feelings. Impressionists were
trying to recreate their sensory impressions with scientific precision. Analytical approach to his own
artistic activities allowed them to ... Show more content on Helpwriting.net ...
Post–Impressionism revealed most crisis traits of the Western culture of that period, painful and
controversial artists' searches for stable ideological and moral values. The period of post–
impressionism is characterized by typical active mutual individual areas and individual creative
systems. And though a number of post–impressionism areas (Neo Impressionism and partially
'Nabi', which is the French version of 'modernity') does not come out of the time–frame boundaries,
creativity of its leading masters (primarily of Post Impressionists Cezanne, V. van Gogh, Gauguin,
A. de Toulouse– Lautrec) with its problematic initiates multiple trends in the fine art of the 20th
century. Post Impressionism (from French postimpressionism, earlier from Latin Post meaning
'after') is the term adopted in art to denote main line of development in French art starting from the
second half of 1880s till the beginning of the 20th. The start point of Post–Impressionism is
considered to be the beginning of 1886, when the last Impressionist exhibition was held and the
'Manifesto of symbolism' by the poet Jean Moréas was issued (Galenson & Weinberg, 2001).
The opposition to

Van Gogh Essay
Van Gogh Essay
In this essay I am going to discuss Vincent Van Gogh and post–Impressionism. Vincent Willem van
Gogh (March 1853 – 29 July 1890) was a Dutch post–Impressionist painter whose work, notable for
its rough beauty, emotional honesty and bold color, had a far–reaching influence on 20th–century
art. After years of painful anxiety and frequent bouts of mental illness, he died aged 37 from a
gunshot wound, generally accepted to be self–inflicted (although no gun was ever found). His work
was then known to only a handful of people and appreciated by fewer still.
France in the late 19th century was in the rule of the ambitious Napoleon III. Prussian prime
minister, Otto von Bismarck waged war on France, capturing Paris and claiming ... Show more
Starry Night by Vincent van Gogh has risen to the peak of artistic achievements. Although Van
Gogh sold only one painting in his life, the aftermath of his work is enormous. Starry Night is one of
the most well known images in modern culture as well as being one of the most replicated and
sought after prints.
One may begin to ask what features within the painting are responsible for its ever growing
popularity. There are actually several main aspects that intrigue those. Firstly here is the night sky
filled with swirling clouds, stars ablaze with their own luminescence, and a bright crescent moon.
Although the features are exaggerated, this is a scene we can all relate to, and also one that most
individuals feel comfortable and at ease with. This sky keeps the viewer's eyes moving about the
painting, following the curves and creating a visual dot to dot with the stars. This movement keeps
the onlooker involved in the painting while the other factors take hold.Secondly below the rolling
hills of the horizon lies a small town. There is a peaceful essence flowing from the structures.
Perhaps the cool dark colors and the fiery windows spark memories of our own warm childhood
years filled with imagination of what exists in the night and dark starry skies. The center point of the
town is the tall steeple of the church, reigning

Post-Impressionism and Van Gogh: The Incomparable...
Visual opulence, creativity, inimitable vision, and a style that is highly influential are the many
characteristics of an admired movement in art history called Post–Impressionism (1875–1892). This
movement, which was the by–product of the Impressionism movement, is the bridging gap between
the two movements known as Realism and Expressionism. Post–Impressionism takes on some of the
stylistic characteristics of these movements; however, it does not contain the all too glossy visuals of
Realism or the heavily fantastic visuals of Expressionism, rather it is the intermediary of these two
poles. My paper will discuss why this link was absolutely essential to the history of art movements,
and I will be specifically using the artworks of ... Show more content on Helpwriting.net ...
Nonetheless, over time, it became universally lauded as one of the seminal movements in art history.
According to David W. Galenson and Bruce A. Weinberg in their article, Creating Modern Art: The
Changing Careers of Painters in France from Impressionism to Cubism, the goal of the Post–
Impressionism artists was to symbolize, rather than describe nature. Therefore, this in turn, allowed
them to use more innovating techniques to express their emotions rather than just being an observer.
Gauguin and van Gogh were particularly zealous about using their emotional state to convey the
content and symbolism of their paintings. A quote taken directly from Galenson's and Weinberg's
article perfectly describes this attitude of emotion, rather than observation, as the key artistic
foundation for Post–Impressionistic artists:
"Vincent van Gogh and Paul Gauguin drew their inspiration from emotions. Van Gogh declared that
"instead of trying to reproduce what I have before my eyes I use color more arbitrarily in order to
express myself forcibly," whereas Gauguin advised a fellow painter: "Go on working, freely and
furiously, you will make progress.... A strong emotion can be translated immediately" (Maurice
Malingue, qtd. in Galenson and Weinberg_2).
Consequently, this notion of an imposing vision creates the truly compelling, haunting artworks of
Post–Impressionism; particularly in the works of the artist, who needs no

Impressionism; Post-Impressionism Essay

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