Dale Chihuly Analysis

Dale Chihuly Analysis
Garden and glass sculpture
In the glass house at the Museum of Glass is a 40 ft. tall 100 ft. long glass sculpture.The sculpture is made of glass and steel, and covers 4,500 square
feet.It is made of many large red, orange, yellow, gold, and amber flower like pieces.This sculpture was made by Dale Chihuly who works at the
Museum of Glass.The glass house is also a place that allows people to do yoga while they look at the sculpture.It is suspended to the ceiling and walls,
and is placed in a very large light filled room with many windows.The sculpture is made of 2,000 pieces and are all connected by steel wires. If you are
standing in the glass house, You will be able to see the space needle, because the museum is located at the base of it in seattle. The glass house
exhibit was opened May 20, 2012. Before Dale made the sculpture, he made a very small model of it.
Dale chihuly
The whole sculpture was made by Dale and the exhibit ... Show more content on Helpwriting.net ...
During the winter in the museum, a white glass sculpture that is very large is brought into the glass house by the sculpture every winter. Every
sunday during winter until christmas, the museum holds winter events, and open a winter exhibit.The Museum of Glass has exhibits inside the
building and some exhibits are outside such as the garden exhibit, that has glass sculptures that look like plants. Most of the exhibits are in dark
rooms with lights shining down on the sculpture, but the room the glass sculpture is in, is made of mostly windows.There are not just glass
sculptures at the museum, there are colorful carpets and blankets placed on walls. Some of the glass sculptures are hanging from the ceiling, and
some are on the floor. The museum of glass is only located in one place, and that is 305 Harrison street, Tacoma,
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Marshall M. Fredericks Sculpture Museum
Details of the museum permanent collection of sculptures of the 70–year career of Detroit–based public sculptor Marshall M. Fredericks (1908–1998)
Viewed at the Marshall M. Fredericks Sculpture Museum (September 5, 2014) The Marshall M. Fredericks Sculpture Museum contains the artwork of
the most prolific sculptors of the twentieth century. Museum features a unique collection of more than two thousand works that span the 70–year
career of Detroit–based public sculptor Marshall M. Fredericks (1908–1998). He is known nationally and internationally for his impressive
monumental figurative sculpture, public memorials, fountains, portraits, and medals. The art gallery was full of sculptures that are all in white made
by plaster. On the walls, different kinds of sculptures were hung. Some of them were religious but most of them reflect daily activities and some of
them bring us into a world of imagination and dreams. As I walk through the gallery looking at the sculptures I read information on the label attached to
the sculptures. ... Show more content on Helpwriting.net ...
Fredericks was commissioned to sculpt a 6–foot–tall crucifix, but instead designed this 28–foot full–scale model, for a bronze to be placed at the Indian
River Catholic Shrine in Indian River, Michigan. The sculpture reminds me of church because it represents the crucifixion of Jesus. It had a facial
expression that reveals apparent emotions of pain and sadness. The size and placing of the sculpture up on the wall is a dominant settling force for the
eye, and it contrasts well with other sculptures around it. The white plaster on the sculpture establishes a powerful element as a visual

Power And Pathos : Bronze Sculpture Of The Hellenistic World
Power and Pathos: Bronze Sculpture of the Hellenistic World Amid the Hellenistic period from the passing of Alexander the Great in 323 B.C. until the
foundation of the Roman Empire in 31 B.C., the medium of bronze drove imaginative advancement. Sculptors moved past Classical norms,
supplementing accustomed subjects and romanticized frames with reasonable renderings of physical and passionate states. To achieve this, using the
discovery of bronze for art, they start to create pieces of art composed bronze and other alloys. Bronze–surpassing marble with its rigidity, intelligent
impacts, and capacity to hold fine detail–was utilized for element organizations, stunning showcases of the naked body, and realistic articulations of age
and character. Cast from combinations of copper, tin, lead, and different components, bronze statues were delivered by presenting honorific
representations of rulers and natives populated city squares, and pictures of divine beings, legends, and mortals swarmed havens. The Seated Boxer and
the Statue of an Athlete are two sculptures that encompass the complete aspects of the figures through representation and materiality.
Made in the Hellenistic period, when an affection for authenticity made a capable development on prior Classical optimism, the boxer is incredibly
sensible. The statue depicts a boxer situated with his arms laying on his knees, his head swung to one side and somewhat raised with mouth open. The
figure is stripped aside from his

The Sculptures And Frescoes Of Women
The sculptures, carvings, and frescoes of women that we have in the ancient world I think make it hard to get an exact depiction on what the roles
and statues of women really were. There are a lot of archeologists that devote their lives to the study of reading these paintings. I feel like most of
the time even the experts guess could be as good as a novice because even with art sometimes there are hidden meanings that only the artist knows.
Although most of these sculptures and frescoes seem to have so much detail that make it easier for us to at least try and depict what their meanings
are. The sculptures help us go back in time and figure out what our ancestors went through to get us to where we are now. I think sculptures, carvings,
and frescoes of the ancient world show how women are very supportive and submissive to their husbands, took on more feminist roles in their
communities, and show their statues based on how they dressed. In most pictures of women from the ancient world they seem to be shown as being
very supportive of their husbands. Although women now are supportive of their husbands, it seems as though in the pictures this was only a one way
support system. There was one statue made which was shown in our book, The Humanistic Tradition, where the queen is standing next to the king with
her arms around him (Fiero, 2006, p. 24). I think this picture is a great example of how women might have been the emotional support for their
husbands. The picture shows

Madigan's Sculpture Garden
The Sculpture Garden is part of the National Gallery of Australia that displays an extensive collection of unique sculptures from Australia and overseas
in an outdoor environment. Dividing the landscape into four different parts as Spring, Summer, Autumn and Winter, four seasons, interest in plant
materials can be maintained throughout the year. Bringing the people to sequentially progress from the Winter Garden origin, going through Spring
Garden and ends at the Summer Garden, planting in the Canberra continent can be recognized. However, within this seasonal cycle, the Autumn Garden
construction was not complete due to lack of funds.
Besides, letting locals and visitors to access many different areas for some musical, social or cultural ... Show more content on Helpwriting.net ...
Due to his distinctive landscape setting plan and typical use of native plants, he created a number of remarkable landscape designs which included the
High Court of Australia and the National Gallery of Australia in Canberra, Sawmillers Reserve at McMahons Point, and the Australian Film &
Television School at North Ryde etc. His incredible lifeworks were highly appreciated where he received the Australian Award from the Australian
Institute of Architects in 1996.
Madigan, an Australian architect who has an architectural company Edwards Madigan Torzillo Briggs with three of the other joint founders, designed
many houses and public buildings. For example, the UNSW Roundhouse, Macquarie University Council Building, and the Warringah Library or Civic
Centre. Other than these projects, he also participated in some key projects in his firm– the High Court of Australia and the National Gallery of
Australia.
Due to his picturesque design style, Madigan's works were registered as national buildings and were described as "the most accomplished buildings of
their kind in Australia". Making an influential contribution to the NSW, he received the nation's top annual architectural prize– the Institute's Gold
Medal as an

Sculpture and Donatello
	 Donatello (1386–1466) was a master of sculpture in bronze and marble and was considered one of the greatest Italian Renaissance artists of his
time. There is much more to know about him, though then the name alone. He has created some of the greatest works of art, not only in the Italian
renaissance, but human history as well.
A lot is known about his life and career but little is known about his character and personality. Donatello never married and seems to be a man of
В‘simple tastes'. Patrons often found him hard to deal with and he demanded a lot of artistic freedom.
	Early career.
	Donatello, born Donato di Niccolò di Betto Bardi, was the son of Niccolo di Betto Bardi, a Florentine wool ... Show more content on
Helpwriting.net ...
Francis are outstanding and the finest of the reliefs are the four miracles of St. Anthony. Donatello was great in handling large numbers of figures (one
relief has more than one hundred), which predicts the construction standards of the High Renaissance.
Donatello was not doing much work the last three years at Padua, the work for the S. Antonio altar was unpaid for and the Gattamelata monument
not placed until 1453. Offers of other places reached him from Mantua, Modena, Ferrara, and even Naples, but nothing came of them. He was
clearly passing through a crisis that prevented him from working. He was later quoted as saying that he almost died "among those frogs in
Padua." In 1456 the Florentine physician Giovanni Chellini noted he had successfully treated the master for a protracted illness. Donatello
only completed two works between 1450 and 1455, the wooden statue "St. John the Baptist" and a figure of Mary Magdalen. Both works show new
reality; Donatello's formerly powerful bodies have become withered and spidery. When the " Magdalen" was damaged in the 1966 flood at Florence,
restoration work revealed the original painted surface, including realistic flesh tones and golden highlights throughout the saint's hair.
	Late Florentine period.
	During his absence, a new generation of sculptors who excelled in the treatment of marble surfaces had rose in Florence. With the change in
Florentine taste, all of

Assyrian Sculptures
When we talked about the similarities between Sumerian and Assyrian sculptures, both of them are some kind of art that's been engraved to wood
stone and other objects, and the important part of both of them are that they deal with God(s), those were not just any engraved object they had a very
deep meaning for the people of that time, even nowadays. The differences, Sumerian may have been the first to talk through picture or tell stories using
pictures/art. On the other hand Assyrian sculptures I would say it just upgraded version of Sumerian sculptures, which talked or told stories using
picture but in lots of different area, it mainly showed art/picture of God(s). And building that study finds that we (modern world) using somehow same
strategies that they have used long ago.... Show more content on Helpwriting.net ...
He made the law fair for everybody, most of his staled code was in favor of humanity and that's what made it very significant to the humidity. If we
look at code 196, "if a man destroy an eye of another man they shall destroy his eye. If one broke a man's bone, they shall break his bone. If one
destroy eye of a freeman or break the bone of a free man he shall pay one mana of silver. If one destroy the eye of a man's slave or break a bone of a
man's slave he shall pay one–half his price." (King Hammurabi). That really convince me that it significant to humanity. Because regard less who
commits the crime he/she have to pay the same penalty. I somehow find a pattern between codes of Hammurabi and the "sharia law" even though
there isn't any law that's called "sharia law". The word "sharia "means law. However we can say Islamic law or whatever you call it, my question is
if we don't have any problem with "Hammurabi Code" we even find it significant to HUMANITY. Then why do we "mainly western society" have
problem with "sharia

Reflection Of A Look At The Washed Ashore Sculpture Exhibit
This semester I attended the Washed Ashore Sculpture Exhibit. It is located on the campus of Iowa State University in the Reiman Gardens. This event
is related to Humanities because exhibit houses many art sculptures made of trash. The trash is plastics and other house hold items that have washed
ashore in Oregon and Northern California. The purpose of the exhibit is to raise awareness to the damages of plastic to the environment, what plastic
can do to animals and ecosystems, demonstrate how nonbiodegradable plastic is, and how much plastic there is in the ocean.
The exhibit is set up so that right as you walk it the butterfly exhibit entrance is off to your left, and the research facility is off to your right. In
between them is a hallway filled with Jellyfish made of plastic water bottles and caps and other trash. At the end of the hallway is a pair of doors that
leads to a greenhouse that a bunch of plants and a large jellyfish. When you go outside, there is a pathway that leads to each of the gardens and ten
sculptures that is featured inside the Washed AshoreSculpture Exhibit.
I had four favorite sculptures in the gardens. One of my favorite pieces was the Polar Bear. Right as you approached the entrance to the park, you are
greeted by the polar bear. The polar bear represented the results of global warming and loss of land for polar bears to live and hunt on. Another was
the Giant Jellyfish. Inside the greenhouse there was a giant Jellyfish hanging from the ceiling.

Statues and Sculpture: An Art Form that Depicts Human History
Art Stands Tall for Human Values In 2008 a group of archaeologist unearthed what could now be the world's oldest statue. This larger than life statuette
stands at whopping 2 ВЅ inches tall with an estimated carving date from 35,000 to 40,000 years ago from a mammoth tusk. The form of the statuette is
that of female figure missing her head and feet with a primary focus on reproductive organs. Due to the pornographic nature of the statue archaeologist
believe that the statue's purpose and function is to represent longevity and fertility. No matter if you believe man crawled from primordial ooze or if a
being of higher authority created man, humans have continued to express emotion, experiences and values through the artistic expression... Show more
content on Helpwriting.net ...
Starting in 1870, artist August Bartholdi made a trip to the United States to search out a place to erect the statue and begin the initial design. The form
of the statue is actually created from two separate forms. The first form used to create the statue is that of a neoclassical sculpture of the Roman goddess
Libertas who represented freedom and democracy. The second form used in the statue is that of the fictional female character, Columbia who many at
the time believe carried the embodiment of America. The main function of the statue is to represent individual liberty and freedom from slavery.
Liberty has always been a highly held value in the United States so it would be important that the function of this statue represented that value. The
statue's function of freedom and liberty is carried throughout the sculpture. You will find the date of the independence placed upon the tablet she
carries. At her feet lay broken shackles from slavery. Upon her crown are seven rays that represent freedom to all the seven continent's citizens who
come to this country seeking freedom. Her right arm is raised in the air above her head carrying a torch that light's the way to that freedom. Her outer
skin is covered in thin copper sheets that over time patina giving the statue her green hue. Some may not know as well that the statue's internal structure
is just as famous as her outer appearance. The

Greek Figurative Sculpture
Shaquetta Marshall Greek Figurative Sculpture Why was change so important during the different periods of Ancient Greek art? That's a question
that can easily be answered through research on Greek art but actually understanding the flow of change within the different periods allows people to
grasp the enticing change of the artworks. The idea of change simply gives artists a way to express themselves, not only for attracting the eye to
unique wonders in the world that occurred, but to also give a sense of idealism. Artistic figures in Ancient Greek art were made by artists that created
the figures based off of the ideal human form and how they believe artwork should be made within that period.The artwork was not made to be
understood literally,... Show more content on Helpwriting.net ...
Yet the kouroi, which is a style made during the archaic period, reveal further realism, obviously depicting that the human structure was more
important than the overall events that took place during this period of ancient greek art. The kouros, plural for kouroi, was the depiction of young
men, going from the basic to those that were almost exact demonstrations. These stylistic depictions were used to indicate feelings and emotions using
figurative gestures. For example, Apollo, a god in Ancient Greek art, compatible with many sculptures of the perpetual youth known as the kouroi, is
rendered across the Archaic period showing the deified male physique, constructed on orders of segments and symbolizing the ability of somatic
allure. The artists that created the sculpture of Apollo really put emphasis on the figurative gesture of the torso and arms, revealing a sentimental
posture of what he stands for as an idealistic god. Although Apollo expressed the advancement of the likeness of human composition throughout the
archaic stage, the young male kouros were not soldiers, they were emblematics of the worshiper that were contributing a more indefinite and
inaudible assistance to a god.The idea the artist had was to not only show off the ideal male form, but to also allow for a sculpture that in a way
represented no other than a "mere mortal", for those who saw the figure as an enticing change to the span of time, where beauty and figurative emotion
of the perfect male configuration meant alot to people during the archaic period of ancient greek

Sculpture In The Archaic Period
In the Archaic period, coincides with Greek, Athenian, dominance of the aegean region. Many artist started working in number of new methods.
Archaic period,"saw a rapid development in the portrayal of the human figure" (William Biers). Many sculptures started making sculptors of human
figures life sized after being inspired by the monumental stone sculpture of Egypt and Mesopotamia. This sculpture gave a new inspiration for many
new sculptures and the making of human form sculptures. Many sculptures at the time were in sanctuaries and made for grave monuments. Statues
were mainly stiff upright posters. They were all different males were in nude and women were clothed wearing draped gowns. Statues that were made
had many different colors like ... Show more content on Helpwriting.net ...
When people think about Greek art they thin about the Classical period comes to mind. "During this time, the Greeks achieved their highest level of
work and pressed exploration of form and perspective in art to limits well beyond its previous bounds."(Willian Biers) The Classical period had
different posses just like the Chiastic pose in the Kritios Boy statue helps show how they changed different ways and had new ideas on making
sculptures. "Kritios boy statue was small then life size standing a height of 1.24 m "(William Biers). This sculpture was different in the sense that it
was a change in the way they showed a more realistic sculpture. "The growing in interest in realism and idealization of the human body can be seen
in the sculpture Discobolus by Myron."(British Museum). The discus thrower is shown mid moment about to let go of the discus and it shows how
sculptures were trying to show much realism they could put in a sculpture. Discobolus is very well known it is one of the many people think of when
talking about greek sculptures. Just the sculpture speaks for its self in the sense that it show how realistic it looks and because the sculpture was made
with a pose mid motion it makes the viewer anticipating and wanting to see the discus

The Sculpture Of The Etruscan- Roman Tradition
In the early official and private portrait of the Etruscan– Roman tradition, the achievement of sculpture from the identity of the ideal Republican
demonstrated motivation behind the virtus, veristic, and gravitas qualities. The Etruscan Roman portrait sculpture of the "Patrician Carrying Portrait
Busts of Two Ancestors" is a life–size marble statue that was dated to the period of the Emperor Augustus somewhere at the end of the 1st century BCE
or the beginning of the 1st century CE, reflecting the practices that have originated from the past by Polybius.
This Etruscan– Roman piece of art is detailed all around, but also ideal as depictions look influential throughout the generations from the living patrician
man holding the lifeless portrait busts of the two very distinct ancestors. The surface of the marble used to carve the male figure, and the portrait heads
is very smooth and pale in colour, as the natural agent simulates' realistic complexion through the veins present within the marble creating a three–
dimensional illusion of meticulous naturalistic rendition of the human anatomy engraved with relief detail all around. The function of the portrait
sculpture was to have a permanent documentation motivated by the realistic commemoration of one's ancestors in a religious and ritualistic funeral use
of death masks, that would have been cast from the face of the deceased. This became an obvious style of presenting recognizable prestige that
conveyed the significance of

'Archer': The Most Greek Sculptures
Prior to the 1980's it was believed most Greek sculptures to be porcelain, smooth, white marble material completely void of color. However new
advanced technology has uncovered to us bright and complex colors that were once showered on these sculptures. This in many ways changes the
entire environment and perspective of the sculpture all together. From color we can generate more theories as to the surrounding context of the piece of
art at hand. An example and truthfully the only solid piece of evidence, "Archer" has revealed a plethora of information regarding the history and
background of the soldier himself. Before color scheme was added we knew nothing of his social class, rank within the military and whether or not he
was involved in real ... Show more content on Helpwriting.net ...
It would be hard to believe that any government or authoritative body who handles military expenditures would direct funds to uniforms of such
caliber to just regular infantry men/women. It is also important to note the extravagant tips of the arrows and the golden tint of the arrow are also
affirmation of the rank and importance this individual may have had. Using common since again, it is highly unlikely a basic infantry combatant
would have had such equipment. The bare minimum this tells of at least the success this individual had. My preference in this case would
undeniably have to be the sculpture that is void of all color. In the absence of such color while we are left with questions about the individual/s it
seems to be in less quantity then when we have colored schemes involved. I like not having to assign class, rank, social and economic status to the
individual. In this way the piece of art is left to be marveled at not by what he was perceived at during his era but rather for what we see it as today.
I get an individual fearless of battle yet elegant in his approach. When color was attributed that was all stripped from me and I was left to attack
whether or not his company involvement was even real for example. Although the porcelain like sculptures were perhaps coincidental I believed they
played a key role in better understanding the surrounding culture and its

A Brilliant Art: The Sculpture Of Sarasvati
The sculpture of Sarasvati is a brilliant art piece. At first sight the sculpture is blends in with all of the other art beautiful artwork at the Houston
Museum of Fine Arts but when examined thoroughly it intrigues and excites the viewer. Inspiring the modern artist through its grand significance the
Sarasvati is truly timeless. The artist's name is not known because of how aged the art piece is. One thing that is for sure is that it was made by an
Indian in the 6th century, we know this because of the sculpture's Indian content. The sculpture is named "Sarasvasti" after of the Hindu Goddess of
learning and arts. She is considered the embodiment of creativity and knowledge to many. She speaks to the hearts of many young and old artist. Her
many specialties include education, wisdom, music and aesthetics (Cartwright 1). Many people such as painters, writers, musicians and educators use
her as an inspiration to create masterpieces. ... Show more content on Helpwriting.net ...
At first sight all attention is on her and her Veena. A veena is a stringed instrument used in India for music. Sarasvati is sitting on a lotus flower
which symbolizes higher knowledge and art spirituality(MFAH 1). Her posture is relaxed and her facial expression is welcoming. After looking
at the sculpture for a while you realize she is accompanied by 4 people, each celebrating with her in some way. The people on the top row to the
right and left of her are dancing, this depicts that she was the life of the party with her musical intelligence and warm embrace. A flute and drummer
player sit on both sides of her. She is surrounded by the talents she gave them. Though this artwork has an enormous meaning, it is not large in any
stretch of the word. The actual body of Sarasvati claimed dominance in the sculpture because of her medial placement but her presence is in every
single piece of it because of the dancing and the playing of

Comparing Menkaure And Queen Sculpture
1. The Menkaure and a Queen sculpture is 142.3 cm tall. It was from Giza but is located in the Museum of Fine Arts in Boston. The medium used is
graywacke with traces of red and black paint. The Metropolitan Kouros sculpture is 6 feet 1 .95 m tall. It was found in Attica Greece but located in
New York in the Metropolitan Museum of Art. The medium used is marble.
2. The Menkaure and a queen sculpture is standing against a wall or post. Its sculpted on black stone. The king is standing stiffly and expressionless
with his wife holding him while walks forward. The king and queen step with their left foot forward. His hands are clenched and is wearing only a
skirt. He also wears a hat. The sculpture seems smooth. The Metropolitan Kouros sculpture is free standing and is made of a beige colored stone.
He is naked with his left foot forward as well. Kouros muscles and body parts are detailed in the sculpture. His hands are clenched and he is
emotionless. His hair looks like dread locks.
3. The fisrt difference you see in the sculpture is that Menkuare and a Queen is in black. Menkuare looks like an Egyptian sculpture and you can tell
by the way they are dressed. It is about four feet and six inches tall. The king hides his hair with a hat. He is wearing clothing and has his queen
beside him. Metropolitan Kouros is in beige and looks like ... Show more content on Helpwriting.net ...
I see power and strength coming from the Menkaure and a Queen sculpture. It looks like he is ready to take charge. The pose that he gives shoes
leader ship and assertiveness. The way he put his left foot in front shows power. The way he has his arms and hands places shows that he doesn't
back down and is in charge. It follows follows what a traditional king is considered as which is athletic and youthful. The Kouros gives the sense of
athletic, youth and nudity was allowed and accepted but only for men. The Kouros was seen as gods and warriors. The young males were thought to
be fertile so this work could have symbolized

Barbara Hepworth's Epic Works Changed The Face Of Sculpture
Barbara Hepworth's Epic Works In the article, "Jeanette Winterson: Barbara Hepworth's Epic Works Changed the face of Sculpture," the author
introduces us to the woman who interchanged the look of sculpting. Winterson states, "She wanted something that people would actually look at, rather
than walk past, a piece where the meaning was inherent, rather than representational or symbolic". That statement goes to show that Barbara Hepworth
wanted to contribute something that was different from other sculptors. Barbara Hepworth's work was captivating, engaging and she was autonomous.
To begin, Barbara Hepworth's work was quite captivating in various ways. We know this because the author simply introduced readers to one of
Hepworth's most striking pieces. As mentioned earlier, the article states that she wanted something that people would actually look at, rather than walk
past. One of her most striking pieces, 'Single Form' stood outside of the United Nations Building in New York City. Based on the information in the
article we can analyze how intriguing the Single Form actually was. It is described as "a curved, childlike shape with her signature piercing...her
sculpture ... Show more content on Helpwriting.net ...
One thing that stood out in this article was when she said, "These artists are not women working in a man's world. These artists are women reworking
the world as they see it. And it means method, theory, failure, risk and experiment". In other words, artists such Barbara had the freedom to do as she
pleased, despite risks. Another citation that backs up Barbara's self–government was when the author said. "Her powerful sense of mankind as a family
was a direct response to her own family. Life must be lived whole or not at all, she thought". She was independent and fascinating and no one can say

Essay on The Human Body in Ancient Greek Sculptures
The Human Body in Ancient Greek Sculptures
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to
focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the
body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art
but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as
"hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence ... Show more content on Helpwriting.net ...
Greeks were constantly in search of the "Ideal"(Riffert). Their "Ideal" was "a body capable of enduring all efforts, either of the racecourse or of
bodily strength...this is why the athletes in the pentathlon are the most beautiful." (Tufts) This description of the "Ideal" person given by Aristotle
reflects the attitude of the majority of ancient Greeks. People were not judged solely on their minds but rather strong emphasis was given to the
body. This emphasis given to the body was given to the nude body. It is understandable that we question why nude art was so accepted by the
Greeks, as they were the pioneers in this field. The answer lies in the everyday life of the people. It was commonplace for Greek men to exercise, go to
war, and generally go about their daily business in the nude or scantly clothed (Boardman 276).
While male nudity was straightforward and hiding nothing, female nudity was more reserved. In the first fully nude female sculpture, Aphrodite of
Knidos by Praxitales c. 350–340bc., "the 'feminine principle' (is invented) which as a demure pose where the knees are brought together and
sometimes the hand is discreetly before the genitals"(Riffert). This reference shows that in art as in life, women are depicted as less than equal to their
bold male counterparts. Usually female statues were either draped in some way or

"The Kiss" Marble Sculpture by Rachel Manson Essay
This was created by Rachel Manson. In historic period, carving is the technique of changing shape of a material which the artist subtracts or cuts
away from a solid material to reach the desired form by use of tools such as knives, chisels tipped power cutters, and chainsaws. This kind of Art
work, can be time consuming and painstaking method because of the hard and heavy materials, such as stones or other marble that are often used.
However, artists also carve from softer substances such as wood and soap depending on recourses and cost. Sculpturing requires innovative or
intellectual ideas. I would say that the sculptor could use some attention but keep at it. My favorite piece is the ceramic sculpture; it is the cleanest and
most ... Show more content on Helpwriting.net ...
Throughout ancient period, there have been plenty of pieces of art that are appalling, shocking, and created quite an abstract reaction, yet they are great
works of Art. In addition, there are pieces of Art sculpture with quality in which immediate impression you have upon seeing, hearing, and touching
will reflect emotional response within you. This takes place before your instinct recognizes the content of the work and starts to work out meanings and
messages. I believe sculpture has to include some of the elements and principles of the language of Art in order to be recognized. The sculptor needs the
structure they present to be successfully communicating the idea and present the 'beauty' and harmony of the work. I have used the example as
modeling technique, the sculptor manipulate soft materials to create a three–dimensional form. Unlike carving, it requires soft substances that can be
easily and rapidly shaped by the sculptor's hands. Most frequents material used for modeling is clay; however, plaster, papier–mache, and wax are also
common material. In my humble opinion, my conscience, tells that a lot of realism has been lost because we do not have the same use of symbolism
as earlier centuries. We see objects simply for themselves, not as adding another level of meaning. In discussion with my partner, there are all sorts of
additional meanings conveyed through them. She thinks a "good" piece

My Personal Field Trip At The Permanent Sculptures At...
On Thursday I took my personal field trip around campus to observe the permanent sculptures as well as the ones on tour. I really enjoyed looking at
both but I personally felt that I enjoyed the permanent ones better and that is what I will write about in this paper. The permanent sculptures resemble
students and faculty at Western Michigan University. In contrast, the sculptures on tour did not relate so much to the students or campus as much but
they did relate to the state of Michigan. While I was observing the sculptures, I did have one favorite and that the was Dunes because it painted an
accurate illustration in my head when I was observing it. I decided to take my personal field trip in the morning instead of in the afternoon ... Show
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The fifth and final element of art is color the sculpture is black which is on the bottom of the color wheel. These are just a few examples of how this
sculpture represents the five elements of art.
The second sculpture I want to talk about today is "Campus Talk" by Dennis Smith. This is another permanent sculpture on Western Michigan
University and is one that everyone usually sees when they are heading to the library. This sculpture is my third favorite one on campus at this point in
time. The sculpture has two students talking to another student on a bike. Dennis Smith also did a superb job using the elements of art throughout this
sculpture. When observing the sculpture, the first thing you notice is the contour lines in the sculpture such as the book cover, fingers, and the straps
on the backpack. These lines help define the outside edges of the sculpture. The next element of art that one can see in this sculpture is shape. The
wheel on the bike is a geometric shape because it is a circle. This a great example of this element and one that anyone who views it can find. The third
element present in this sculpture is value. In the sculpture, there is a bit of a grey scale although the sculpture is mostly light green now due to the
weather. The fourth element present in this sculpture is the texture. The sculpture has a simulated texture which means that it

Sculptures at Crosby Beach
Whilst visiting Crosby beach in October 2013 there was evidence of the public altering the statues appearance. Somebody had knitted around the ankle
of one, and also placed a hard hat on the head. The statues being placed at Crosby beach had created a large tourist attraction and we see how the
public introduce their own enjoyment to the art.
With the sculptures being constantly moved to different locations, they were granted permission to be permanently positioned at Crosby beach in 2005,
despite some objections. Certain people believed that the figures were offensive and pornographic due to them being naked with genitalia on show.
They also believed that they were a safety hazard due to it being difficult to differ between a human and a sculpture in low lighting. Also, reaching the
figures close to the sea was shown as a hazard due to the sinking mud; a problem which I had encountered myself! The sculptures being made out of
Cast iron is also relevant to them being positioned in Crosby beach. The cast iron links to the Liverpool's industrial origin as a major port. The figures
stand watching as many ships pass each day, as they are reaching their new destination. The sculptures are possibly standing, waiting to travel to '
Another place.' This point is strengthened by the fact that some of the sculptures are half buried in the sand, giving the impression of the statues
walking into the sea.
The images above allow us to see the effects that the environment have on the

Early Classical Greek Sculpture
The main feature that defines the Early Classical Greek sculpture of the human body from the Archaic Greek sculpture of the body is the pose of the
body. Early Classical Greek sculptures of the human body are asymmetrical. During this time period, sculptures started adapting the contrapposto pose
to their sculptures. The contrapposto pose brought more life and energy to the sculptures than the previous Archaic Greek sculptures. Another feature
that defines the Early Classical Greek sculpture of the human body is that the sculptures were made from hollow–casting bronze. This technique
allowed for more complex action poses to be developed. The sculptures during this period, like the archaic period, were highly idealized forms of the
human body.

Jean Arp : The Sculpture Of The Classical Sculpture
Painting, sculpture, and architecture are considered the major forms of the fine arts. They have attracted many of the most ambitious artists. One of
them being Jean Arp, the sculpture of the "Classical Sculpture." This art piece is the Subject of the paper, and is located in the Dallas Museum of
Art. It was released to the public in 1960, and has been favorite ever sense. The piece has such a deep meaning and so did his life.
Jean Arp is a famous sculptor, painter, and poet. He spent the early years of his life writing and publishing poetry. After writing poetry for nearly thirty
years Jean found something that sparked his interest. This new–found passion was art. After discovering this new passion, he turned all his focus onto
his art. Jean moved to Paris to attend the academy of Julian, an art school centered on sculpture and painting. Julian was the first of many art schools he
would attend throughout his life. After attending Julian, he began a partnership that would last a life time. Jean and Sophie became head collaborators
on their new art creations. Together they created abstract multimedia works. They called these works Duo–collages. They later married, and remained
married for 21 years. However, a death ended their partnership. Sophie died January 13th 1943. After her death Jean decided to dedicate his work to
her. This is why most of his art works after January thirteenth are of the abstract female nude. Including the sculpture "Classical Sculpture."
He had

Naturalistic Sculpture In Ancient Greece
Looking back on sculpture in Ancient Greece, the first examples of a naturalistic form are seen. Stone and heart were melded to display humans and
animals as they exist in nature. Earlier artists, influenced by the Ancient Egyptians, saw sculpture as a way to admire human perfection in figures
known as Kouros. In 492 BC, Persia invaded Athens and in their wake, most of the existing Kouros were destroyed. During the time period spanning
from Archaic Greece to Classical Greece, artists developed the desire to create figures inspired by the world allowing the more detailed style of
naturalistic form to take motion. Due to the eradication of Archaic sculptures during the Persian wars, Greek Sculpture was renewed from stiff Kouros
into figures instilled ... Show more content on Helpwriting.net ...
Through looking at the human body, studying its contractions and bone structure, a realistic representation could be created. Part of this included
having the correct proportion of head to body. Polykleitos, while perfecting his own idea of what male nude proportions should be, formed a
climax toward the naturalistic form in regards to order within chaos. Included in his work and multiple others, the naturalistic form expanded on the
practice of arrested motion. This uses contrapposto and the tensing and relaxing of muscles in response to the movement of the body in order to
create the feeling that the figure was just frozen in time. Arrested Motion was a major shift from Archaic Kouros that appeared to be stiff in their
movement and timeless overall. To achieve a Naturalistic form, the sculptor first had to extend his representation of reality. This included the use of
a more complex system of symmetry to give the appearance of uniformity yet achieve parallel lines and a balance between compression and
stretching. The Discobolus by Myron had a certain view to see the perfection of his work while at the rest of the viewpoints only jumbles of lines
were produced. This displays that to extend reality some natural elements needed to be sacrificed. The Naturalistic form allowed the figures to appear
alive and have the illusion of perfection within

Roman Sculpture
Roman sculpture and painting differed mostly for the fact that the status were used to record major events and also as realistic portrait. As per the
paintings, they were used much as decor and to cover walls than anything else.
The picture depicts a heroic sculpture of Augustus, a military leader who was the first Emperor of the Roman Empire, controlling Imperial Rome from
27 BC until his death in AD 14 (Hays, 2008). Roman sculptures were focused in representing the real form of those being portrayed. However, in the
case of rulers, they attempted to make it strong god–like images. Unlike the Greek, which usually tried to created an idealistic human form through
their sculptures. The Romans reflected events and lifestyles of the time these ... Show more content on Helpwriting.net ...
(Shelby, 2016). Roman paintings were used mostly as wall decoration. They "were painted directly on the walls of their rooms, and also on portable
panels" (Gunther, n.d.). The main idea was to bring their windowless interior dark rooms to life, totally changing aspects of these living spaces. A
variety of painting art forms is seeing throughout Roman ancient history. Nevertheless, Frescoes was the most popular approach seeing in the interior
design of ancient Roman buildings. "Fresco painting, method of painting water–based pigments on freshly applied plaster, usually on wall surfaces.
The colours, which are made by grinding dry–powder pigments in pure water, dry and set with the plaster to become a permanent part of the wall"
(Britannica, 2014). These fresco paintings represented images from the Greek scenery, Roman mythology. Although landscapes were mostly used to
give the impression of a window view. As commonly seen within the Romans, such art paintings were equally a privilege of the wealthy ones. There
are four styles seen throughout the history of Roman paintings:
"
First Style originated in the early 2d century BC. It is an imitation of marble veneering, in which the painted decoration resembles slabs of colored
marble
Second Style began in the early 1st century B, opening up the wall by providing an illusion of windows and porticos which looked outward onto

Descriptive Essay On Sculptures
As the sun started to settling down, you walked into a wonderful museum full of figure sculptures to which the natural spot light shines from the sun hit
the wonderful master pieces. Then you walk more deeply inside an exhibition room, suddenly, you notice that you are surrendered by medium size to
large sculptures. One sculpture that is space equally to one an another, but they all have no cloth on. As you tend to get closer and closer and the
story of the sculptures reveal more details of what is the sculpture tell you like a story telling. Even the details of the bodies tend to give of a more
muscle structures. When looking at a stone sign above, you notice that you are in a theme of nude figure sculptures. In the center were the four
main sculptures which is in order from finest pick from the museum and three from the class room lecture. They are The Lansdown Athlete, the
Roman copy of the Lysippos, and Roman copy after a Greek original by Praxiteles, Hermes and the Infant Dionysos. From my opinion is that the
sculptures are in nude because they tell us that the sculptures are goddesses or a recreation of a person that is not real. The nude sculpture is one
who is not wearing cloth or less who which it shows our body parts. Most of the sculptures are made out of stone, marble, and bronze. They are shown
in large structure or a human size. All figures are mostly made in Greek Late Classical to Hellenistic, thus the artist show more details in human body
structures. For

The Original Venus Sculpture
Thirdly, the sculpture is very accessible; the empty space around the sculpture provides students an opportunity to go closer and explore the sculpture
in more detail. The space behind the sculpture allows walking around to view the sculpture from different angles. It is clear to recognize the sculpture
as Venus from the front side, however, when standing really close to the backside or the side face of thesculpture, the image of Venus is really vague.
since the carving is not very in detailed at those faces. As a result, rather than being regarded as Venus, the sculpture can be seen as anything. The
sculpture then could be interpreted in a million ways with imagination. Moreover, the creator's name: Jim Dine, the sculptor, and the year of it was
created are engraved on a very small plate next ... Show more content on Helpwriting.net ...
What other works from this creator looks like? Do they related in some ways or fit into the same genre? Besides, the remarkable scratches on the
body of Carnival are really noticeable once an individual is close to the sculpture. The existence of those scratches breaks the colorful and well–painted
surface to show the dark material underneath. One possible interpretation is to mimic the state that the original Venus sculpture which firstly been
found. Or to reveal that even though Venus embodies the beauty, it has its shortcomings. It is not perfect. Or the creator wants to show that the
beauty is not that easy to achieve. One has to experience difficulties and endure distress in order to obtain that. By looking at these markers, deeper
understanding is made rather than just having a glance of the Carnival as a whole from a distance. Since the sculpture is on the ground level, it is
easy to touch the sculpture and feel the texture by hands. By doing so, it is not hard to realize the sculpture is actually carved from a

A Comparison Of Dionysus : Roman Sculptures
The stone sculpture is made from marble. The artist remains unknown, but it was restored by the Italian Vincenzo Pacetti, an eighteenth–century
sculptor. It is a Roman copy of a Greek work of the fourth century B.C. It is a medium size statue with a height of 82 34 in. (210.2 cm). Vincenzo
Pacetti (1746–1820) was an Italian sculptor dedicated to restoring classical sculptures and then sell them to the rich.
The culture where the sculpture was produced was Roman. During this period of time, Dionysus was a religious cult figure at the temples. As a
mythological personification, Dionysus was believed to be a youthful, joyful and effeminate figure. He was the God of wine, celebration and divine
intoxication of power. The female figure standing next to him is Spes, the Goddess of hope, who brought harmony to society. Both statues together
represented peace, calm and prosperity to the lands.
During this period of time, the sculptures were produced first to celebrate ancient mystery cults and sacrifices of victorious military heroes and then
to value the role of the Gods and Goddesses by their power and divinity. As more divine they were, it was considered to be a more religious sculpture
piece. The sculptures of Gods and Goddesses were built as a form of remembering them through the years and their impact in the Roman society.
The statue of Dionysus is influenced by Greek classical styles because it has a contrapposto pose with the right arm and right leg stiff and the

Ancient Civilization Sculpture Essay
1. "Bronze statuette of Aphrodite"
Date: late 2nd or 1st century B.C.Culture: Greece This statue of Aphrodite shows the dedication the Greeks had to their gods. The bronze goddess,
holding her right arm in the air, gives off a powerful attitude. As the pose itself of the statue is not bland and more active, it gives the impression that
this was created during the classical period of Greece when sculpture began having more relaxed, natural poses. The lack of more painstaking muscle
and bone structure probably places it in the earlier part of the classical period though. What is most intriguing about the sculpture is the white eyes she
is given that, in the face of a more natural, realistic human form, the eyes seem to retain an essence ... Show more content on Helpwriting.net ...
The materials used were alabaster and limestone. The figure itself is roughly cut with clasped praying hands, unproportional body and shoulder sizes,
and large unnatural eyes. Again, this lack of realism is significant to the time; the focus was not on the realistic portrayal of who it was fashioned for,
but what ritual and religious purpose it served.
4. "Limestone grave relief with two sphinxes" Date: late 5th century B.C.Culture: Greece The sphinxes were popular mythical creatures, playing their
part in myths and legends and stories throughout time–including the story of Oedipus, and the riddle of the sphinx. The beauty of the sphinx in this
piece shows how much was passed around throughout Western culture. Egypt also memorialized the sphinx through wall art and sculpture, and this
continuation (despite the nonexistence of the sphinx as a real creature) shows how much truly does carry on throughout history. This relief piece has
subtle dimension, making it low relief rather than high relief.
5. Terracotta statuette of a standing woman Date: late 4th century B.C.Culture: Greek, Corinthian The woman, with the delicately "draped" clothing
gives off a very natural, realistic impression. The painstakingly specific cuts of the woman's clothes look so realistic the way they drape over her
body. The Hellenistic era was very focused on making sculpture perfect from all angles

How To The Marshall M. Fredericks Sculpture Museum
I went to the Marshall M. Fredericks Sculpture Museum for my art experience project. I was impressed with the amount of statues I was able to see
in one place. A majority of them seem to have been created and donated by the Fredericks family themselves. As I said before the amount of statues in
this little space is impressive, however my first impression is the feeling of claustrophobia.
The statues are packed in fairly tight and the space overall doesn't seem to be well utilized. The room it was in did however provide an ample amount
of natural light from the large windowed wall to the north. This coupled with the recessed lighting did a good job of lighting the statues facing the
northern wall. Unfortunately though, some of the statues are facing the southern wall and lose a little detail to not being as well lit from only the
recessed lighting. The contrast between well–lit and dimly–lit does lend to contrast in light and shadow for the statues facing the east and west walls.
The contours of these statues are much more defined because of the line of contrast so they seem to draw me in the most. I also get this cold feeling,
even though the floors are more of a warm/neutral color. I believe this is due to the lack of a large amount of the statues not being colored at all. The
few that are colored are just antiqued bronze so they are mostly that powder blue/green color. The lack of color though, I feel, is intended to make a
point.
It seems as though the artist meant for

Sculpture Review of Spartacus Breaking His Chains Essay
Sculpture Review of Spartacus Breaking His Chains
This nineteen century sixteen inch sculpture was created by Denis Foyatier. The sculpture is of Spartacus, a man who served as a leader in a revolt
against slavery. This statue was composed of bronze and could be distinguished by its fine polish and style. This bronzestatue stood in a mobile upright
position, the left foot extended forward, the arms crossed around the lower chest region. Foyatier succeeded in producing a vivid and convincing
figure by using the techniques of shape, texture and details. His techniques suggest and appeal to a sense of intense power and vigor.
The brooding stance and overall shape of Spartacus gives the sculpture ... Show more content on Helpwriting.net ...
The tenseness of his muscles is a clear suggestion that Spartacus was about to or already performed some sort of movement. There is also a dominant
"s" like shape runs through the body beginning from above the knees and continues until the neck, this "s" like curvature provides the figure with a
sense of autonomous life.
The rough contrasting texture Foyatier uses makes Spartacus much more realistic and proves to be very effective. His use of highly stylized polish
contrasts the shades of the arms and legs. He uses a lighter shade of polish around Spartacus's muscles; these highly polished areas provide sheen and
highlight strength and power. The use of different shades of polish is imperative to the sculpture because it allows his spectators to focus on the more
central parts of Spartacus. The uneven curly texture in the hair also plays an important role; it adds a more realistic image to Spartacus's identity. The
use of the different textures generates liveliness and animates a sense of energy compressed within Spartacus's quiet pose.
Foyatier uses careful detail in his presentation. His details of Spartacus's face are very effective as it creates a mood and sets an ideal atmosphere for
the sculpture. One can detect Spartacus's raging mood by the intense glare of his eyes, the

Relief Sculpture : Relief Sculptures
Relief sculpture appeared in many different cultures all throughout time. Relief sculpture can be created and found in many different forms and each
culture's relief consists of distinctive factors. Relief sculpture is different from a more well–known form, known as freestanding sculptures, because
relief sculptures remain part of the background, however, they do project from it. Just like freestanding sculptures, relief can be made from carving or
casting from many different types of material, such as; wood, ivory, bronze and stone. Relief is also categorized into different categories by how much
the subject projects from the background. There are three different categories which include low, middle and high relief. Low reliefsculpture, ... Show
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The Warka Vase (Fig. 2
–5. P.35) is the oldest known Sumerian narrative relief sculpture. The vase was found in the Inanna temple, located in Uruk,
Iraq, which is modern day Warka. It is dated 3200–3000 BCE and currently resides in the National Museum of Iraq. The attributes of the vase include
a narrow base, that supports the tall, beige structure. The vase is large, being over 3 feet tall and is made from the mineral Alabaster. The vase is in
low relief because the subject projects slightly from its background. The subject of this relief is a religious festival that was held to honor the
goddess of Uruk, Inanna. The vase is divided into three main registers that separate the different stories that are depicted in the narrative relief. At the
top is the largest band that inhabits a woman in a headdress, some historians think it is Inanna, however others believe it to be a priestess. Next to the
woman, on the left, is a naked man that is depositing offerings in the goddess's shrine. To the right of the woman a clothed male figure is shown,
which art historians believe to be the priest–king. These characters shown together symbolize the importance of their role to the Mesopotamian society
and appear to represent marriage occurring between the two of them. The middle banner includes naked men that are circling the vase while holding
overflowing baskets of votive offerings to Inanna. Like the man depicted in the top register, they too

Two Different Ways Of Carving A Sculpture And Casting
Carving a sculpture and casting are two different ways of making beautiful works of art. You can do so much more with carving because of all the
different tools that you can use, while casting is more limited to what you can do you can still make a great sculpture. Casting art can be used with a
medium which is clay, they use clay as a foundation and then they will use bronze as a permanent material which people will usually see during
casting works. You don't always have to use bronze as a casting material but they are recommended because of ancient China, Greece,Rome, and also
some parts of Africa, this is because these place developed bronze to work well with casting. For the mold of the sculpture is using "clay diluted with
water, molten

The Sculpture On South Campus At Moravian College
The sculpture on South Campus at Moravian College commonly known as Moravian Roots One and Two, who was created by Steve Tobin in 2010
has a significant meaning behind the moderately new sculpture. There are two of the same types of sculptures in the same place, just distance away
from one another. This sculpture seems to be abstract, since we are taking the form of what it looks like to create a meaning, which can be
something different in other people's eyes. The sculpture is a dark black shade that naturally blends in with the surroundings, therefore making it
blend in with its natural surroundings. The negative space between the roots are easily seen since its roots are based in various directions,
showing us how far the roots of the sculpture and realistically Moravian has grown. There is no base or pedestals for these two sculptures who go
hand in hand together, but it is roughly around five feet standing upward and going in sporadic directions, to signify differences. They are roundly
shaped with carved pointed edges giving the image that it is like a tree root or branch, being slightly pointed on the top. The inner parts of the "tree
roots" are textured off to have a little dots making it a bit rougher than the soft and smooth outer sides that we see from a distance. There seems to be
no said real front or back side to this piece because the tree roots go in different directions, therefore giving the observer a chance to decide which way
they would like to view it.

Change And Growth: Sculpture Analysis
Change and Growth For my sculpture analysis, I went to downtown Naperville. While walking through downtown Naperville, I saw many different
sculptures but the one that caught my attention was the "Change and Growth" sculpture. This sculpture was made by Jack Holme. When I first saw
this sculpture, I knew I've never seen anything else like it. This sculpture has so many visual and design elements. Jack Holme's sculpture is supposed
to represent how the city of Naperville has changed throughout the years and I think it does a great job of showing it. The first visual element I
noticed about this sculpture was the mass. This sculpture is about 10 feet tall and has an open form of mass. I think it is an open form because with
this sculpture, not only can you just look at it from a distance, you can also go inside the sculpture and see that the exterior and interior of the sculpture
are different. ... Show more content on Helpwriting.net ...
I think the method that was used to create this sculpture was assembling. I think this sculpture is a construction because it is made up of pieces of
metal that seem to be welded together. It seems like the artist also took large pieces of metal and was able to bend and weld them to his liking in
order to create the exterior of the sculpture. Then he must have took his time to carefully bend and weld the together various pieces of metal to make
the different tools that are on the interior of the sculpture. This sculpture, "Change and Growth", by Jack Homle truly does represent the change and
growth that the town of Naperville has gone through. One way it does that is, by starting of as a plain, simple sculpture. Then the more time you
spend looking at it and exploring it, the more you see the sculpture turn into something complex and interesting. I think it perfectly explains the town
of Naperville. Naperville might have started off as a plain and simple town but over time it grew to be such a complex, and interesting

The Parthenon Sculptures
The British Government have an obligation to give back the Parthenon Sculptures in the British Museum back to the Greek government. This is due to
the importance the Statues have in Greek Culture, the importance of having the Acropolis once again united, and the high level of evidence supporting
the claim that the British stole the statues. This essay will aim to explain each of these points, a well as the British Rebuttals. Not only this, but a
recount will be made on the attempt made by myself and a classmate as we attempted to replicate this debate and negotiate for a peaceful outcome.
Since 1983, after the transition from Post–Civil War Greece to the Modern Day Democratic Greece, the Greek Government has demanded the return of
its ancient Parthenon Sculptures from the British Museum in London. After Greece regained its independence and government, it has demanded for the
stolen statues to be returned to Greece so they can be united with the rest of the Parthenon and the Acropolis. Not only this, but the Greeks put the
legality of the British's taking of the statues under question, stating it was through secrecy and conspiracy this was achieved. The British argue that
under law, they legally bought the statues from the Ottomans (The then rulers of Greece) in 1811 with Lord Elgin. Not only this, but they state that
they wish to preserve the statues in London, to showcase to the world mankind's greatest achievements. While both sides offer valid and tenacious
arguments,

Have You Ever Admired A Sculpture? Did You Wonder Why It
Have you ever admired a sculpture? Did you wonder why it was there or how and when it was created? Well I sure have. A sculpture, by definition, is
a three–dimensional piece of art. Sculpture is one of the most oldest art forms dating back over 35,000 years ago. There are many methods, tools, and
products used to make sculptures. The eighteenth and nineteenth century was a time for many conflicts about sculpting and different forms of
sculpting were created. During the eighteenth and nineteenth centuries, sculptures were getting new styles added to them. Some of these styles were
added in different periods including the Neoclassicism, Romanticism, and Realism periods. Neoclassicism, also known as the "classical period", is
when some of ... Show more content on Helpwriting.net ...
A third period of Sculpture styles were in the Realism period. The artistic movement, realism, is basically the opposite of the Romanticism period.
Instead of dramatic emotions and supernatural elements like Romanticism, Realism tries to keep the sculptures more truthful and without artificial
elements being portrayed in the art. An example of a realism sculpture would be the very famous, The Thinker by Auguste Rodin. Auguste Rodin was
an infamous , 19th century, French, sculptor. During the eighteenth and nineteenth century, conflicts about sculpting arose. Artists started to find
themselves cut off from society, but even more than artists, sculptors were taking more of the wrath and this was because it took more to fund
Sculpture projects than any other project. To make a sculpture you had to have the permission of the town councils and committees and they frankly,
had no patience for sculpture. Sculptors came to terms with this problem, it forced them to work in two different styles of sculpting, a more of an
academic art style for public commission and then their personal, more spontaneous projects in their studios. Throughout the eighteenth and nineteenth
century there were several sculptures that left behind legacies and changed the way people look at sculpture even today. These sculptures came from
many sculptors that lived

Mythical Creatures in the Sculpture, Legend and Myth by...
I.Description
The sculpture Legend and Myth by Damien Hirst is a pair of sculptures depicting two mythical creatures. Legend is a sculpture of the legendary
creature known as a Pegasus, and its counterpart, named Myth, which is a sculpture of a white unicorn. The medium that was used to create the two
sculptures was a combination of painted gold, silver, and also bronze. The sculpture Legend measures to be 4575 x 2590 x 2260 mm or 180.1 x 102 x
89 in and was sculpted in 2010, while its companion, Myth, measures 3590 x 2800 x 808 mm or 141.3 x 110.2 x 31.8 in and was sculpted in 2011,
which is close to the same size as the average horse you would see in a farmyard. According to my research, the last location that these two
sculptures were displayed was at the Chatsworth House in England. Both sculptures are flayed on the left side of their bodies, showing the anatomy
that lies within the creatures. The two sculptures face away from each other in show horse stances. Both have the flayed part that is showing the
inner parts of the creatures facing opposite directions as well. The color of the skin on these sculptures is white, and on the flayed portions of them,
the portions that are to be depicted as muscle are red, while the part that is to be bone is a golden color.
II.Analysis
Damien Hirst incorporated many elements of art into his creation Legend and Myth, including the form of the plinth that both of his sculptures stand
upon. The plinth creates the

Art Sculpture: Richard Serra
Richard Serra was born November 2, 1939, San Francisco, California. Richard is currently 76 years old, and still continues his art projects and
sculptures. Richard is widely known for his colossal conceptual steel made sculptures, which grasps the attention of viewers to occupy sheer size
characters of the exertion and their state. Richard is a minimalist, which is someone who through art expresses reform in politics or advocates it
through music. Richard Serra is also a post minimalist, which usually uses everyday objects, simple materials, and sometimes take on a pure,
religious appealing visual. Richard is a talented artist who uses art as an analogy or emblem, proposing a concept of knowledge of power, severity,
space, progression, and

Laumeier Sculpture Park: Artist Analysis
I have always been an outdoors's kind of person and I absolutely love how artist manipulates what's around them with space, scenery, landscapes and
natures given gifts in a way that is beneficial for the community around and for the sake of the environment to be resourceful with nature and energy. I
chose to go to Laumeier Sculpture Park, because I have never been there and to be honest never even heard of the place till this assignment gave me
the option to visit for my paper. While I was at Laumeier Sculpture Park, I found myself one with nature; I got to walk trails, read about these different
sculptures, and loved that never knew what I was about ready to see around the corner with the abundant of unique and very different sculptures. There's
... Show more content on Helpwriting.net ...
This site sculpture consists of wolmanized pine, stone, galvanized steel and concrete on an acre landscape surrounded by wooded area and trails. This
site was once the Hedenkamp's family Orchard Valley estate abandoned in 1929. Mary converted the abandoned pool complex into a newly built and
landscaped scenery. Mary brought the past back to life with her expertise in landscaping design and creative outlook with her work with the pavilions,
platforms and staircases all around the underground pool. The whole purpose of Mary's sculpture is to bring attention to the context of history and the
continuum of

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