The Guggenheim Museum Bilbao Museum

The Guggenheim Museum Bilbao Museum
The Guggenheim Museum Bilbao
Before the mid–twentieth century, museums in Europe and the United States were generally planned
in variations of the neoclassical style. But, the Guggenheim museum in Bilbao moved the heading
of gallery outlines, which gave an extensive show venue to twentieth century and modern art,
designed by the famous architect Frank Gehry. Architecture is important nowadays to the public,
because it offers a physical surrounding environment in where we live in. Moreover, architecture is
not only affected by the culture, but also by the economy of the country.
Frank Gehry is one of the handful modern architects that are worldwide known by his inventive and
pioneering work. The American Canadian architect was born Frank Owen Goldberg in Toronto,
Canada on February 28, 1929, based in Los Angeles since 1962. He studied architecture at the
University of Southern California and city planning in Harvard University. Gehry is known for his
postmodern structures and unusual inventions. His most popular buildings include the Guggenheim
Museum in Bilbao, Spain and the Walt Disney Hall in Los Angeles.
The Guggenheim Museum Bilbao is a museum that represents modern and contemporary art. Its
story first begins when Thomas Krens the director of Solomon R. Guggenheim foundation in New
York City, was looking for a museum location in Europe. He chose the industrial wasteland in the
middle of the city on a curve of the Nervion River. The site was located in the center of
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The Two Franks and Their Architecture Essay
Different architects have different styles because they are trying to get at different things.
Architecture is not just about making something beautiful anymore, it is about trying to get across a
set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century,
one from each side, the early part and the later part up until today each designed a museum with
money donated by the Guggenheim foundation. One of these is in New York City, it was designed
by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My
purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show
how each architect was expressing their own style. ... Show more content on Helpwriting.net ...
This is a very functional approach. I am only going to talk about the outside of Frank Geary's
museum because I have never been there, and I have only seen pictures on the internet. This
building is surprisingly attractive because the other building that we saw in class of his, his house in
Santa Monica, had a great deal of "ugliness," to use an official term. His house in Santa Monica was
supposed to look unfinished, with an emphasis on the materials used in construction. This building,
however, looks as if it has been wrapped in silver. It looks very futuristic, and angular, so it could be
functional as a museum as a museum because people will know it holds modern art. I like the way
that it catches reflections, almost mirroring the surrounding buildings. So, in these two examples we
see very different approaches to architecture. One has an impressive inside and the other one has an
appealing outside. Also, both seem to be departures for the architects from their normal modes––
Wright's building doesn't blend in with nature, and Geary's doesn't look deconstructed into small
parts. Now if only they could has worked together on one project, then we would have a museum
that would be perfect inside and out. The Falling Water House that was built by Frank Lloyd Wright
is an embodiment of organic architecture. It has a stone face that was the same tonal feeling of the
rock that surrounds the building. There is a feeling that is inspired in the

The French Theorist Guy Debord
In 1967, the french theorist Guy Debord, outlined his concept for a future spectacle society, whereby
..... "Quote about capital". Presented as a treatise on the modern humman condition; Society of the
Spectacle is a piece that explores the contemporary effects of power, which it seems in more recent
times are becoming increasingly tied with the idea of a media and consumer society; a system based
off the production and consumption of images, information and commodities. In the discourse of
arhcitecture specifically, it seems Debords predictions have bled into the culture of modern design,
as expressed by Anthony Vidler: "Recent proposals and debates over the architectutural devlopment
of ground zero have highlighted the way in which, over the last two decades, the public role of
architecture has been gradually reduced to the symbolic and the emblematic. Its forms of expresion
are no longer closely tied back to urban issues and physical planning questions." (Toward a theory
of the architectural program, antohny vidler, page 1) These discussions and critiques, indeed, seem
to bear out Guy Debords 1964 anticipation of an all–pervading spectacle culture where in essense,
we have moved into a system of architecture overinvested in symbolic form, "where flash and
bravura win out over contemplation". (– nordic from on aestehtics and function in architecture –
page 1. ) , with focus on the factors that contribute to its aid and the influence they posses. And
secondly, if that

How Did Frank Lloyd Wright Build Skyscrapers
Creating Masterpieces Surely everybody has been to the top of a building or a skyscraper in their
life? Almost everybody has been to some kind of monument or statue as well. Do you even think to
yourself how these beautiful, extravagant projects have been built? Many people overlook this
aspect of the design not knowing the confusion and intelligence that goes into these types of
skyscrapers or statues. This is where Frank Lloyd wright comes in: an architect who has helped in so
many "invisible" ways. Frank Lloyd Wright significantly benefitted society by inspiring younger
architects to pursue the career, designing safe and sufficient buildings for society, and also created a
learning aspect of architecture. Frank Lloyd Wright, one ... Show more content on Helpwriting.net
...
Wright not only showed the entire globe what he could do but also impacted society to the point that
it has almost changed. Now that you know all this information why don't you go outside or to a city
and not think about what you had for dinner or what you're going to do tomorrow but rather think
about the time and effort that someone has put into to present the masterpiece in front of

Essay on Zaha Hadid: Making Utopia a Reality in Architecture
"Utopia: n .an impractical idealistic scheme for social and political reform" – The American
Heritage Dictionary of the English Language, Fourth Edition
For over twenty years the Iraqi–born, English educated architect Zaha Hadid has symbolized the
vanguard of contemporary architecture. She has pushed back the boundaries of built form to forge a
highly individualist architectonic language that is at once thrillingly dynamic and intensely
thoughtful, and as a result now has an enormous following of students, practitioners and builders.
Most people recognize her hand through the striking drawings and paintings that represent her work,
but the beauty of her illustrations tend to obscure the fact that she is an architect who builds, due to
... Show more content on Helpwriting.net ...
In her designs she tries to break away from the vitruvian prepositions that govern the normal,
conventional architecture that is being used today.
Fortunately for her she has been able to showcase some of these ideas as can be seen in her first
built project which is the Vitra Fire Station in Weil am Rhein, Germany. The project began as a
commission to build a fire station in the northeast section of the vast Vitra furniture factory complex
as well as design boundary walls, a bicycle shed and other small elements. In this relatively small
structure she used unusual shapes and angles that architectural critics had admired in her conceptual
work throughout the 1980s. Since the site already contained large–scale factory buildings, she
decided to concentrate on the site as a zone within the industrial landscape so as to place the
elements of the building in such a way that they would not get lost between the enormous factory
sheds. As can be expected the inside of the building is as interesting as the exterior with multiple
optical tricks being played on the viewer. The design's primary feature is a series of layered
screening walls, between which spaces are created according to the station's functions. Her interplay
of angles and colors makes the interior as visually interesting as the exterior without making it look
too busy. One of the most noticeable features of this building is how glimpses of the large red fire
engines can be

Deer In The Forest 1 Analysis
The Philips Collection located at 1600 21st Street, NW, Washington, DC 20009 is a block north of
DuPont Circle, and houses a collection of Modern painting from a multitude of modern art
movements including German Expressionism to Abstract Expression. These paintings adorn the
walls of the first three floors, and the basement contains the library. The Phillips collection not only
houses paintings, but also has an array of modern sculptures, and photographs too. The dialogue
created between the viewers and the artwork exhibits was immense and thought provoking.
However, two paintings considerably stood out. Reclining Figure, an oil painting produced by Pablo
Picasso in the year of 1934 mounts a wall on the third floor, and has the dimensions ... Show more
content on Helpwriting.net ...
Muted colors are toned down by reducing the saturation of color. The use of muted colors is an
archetypal characteristic of the Cubism art movement, as a way to focus on the subject matter (The
deer), creates shallow space, and not distract the viewer. The color pallet consists of the muted
primary colors of blue, red, and yellow. Franz Marc always associated color to certain meanings,
and his approach to color theory is stated in a letter written to fellow artist August Macke which says
"Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and
spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the
other two" (Marc). However, in the composition of the painting, the colors in the background go
from blue, then red is directly located behind the group of deer, then a tinge of yellow. The color
blue ensconces and surrounds the red, except for the upper portion of the left hand side, which is
offset by a dash of yellow. Mixed from the color blue on the right side, and the yellow on the left,
the secondary color of green swallows up the rest of the upper half of the background. Secondary
colors like orange and green, are used on the lower portion of the composition, in which the deer are
colored orange, and the foliage is green. The use of light shatters from the bottom right

The Broad Collection Essay
The Broad Collection is a contemporary art museum being built in downtown Los Angeles. When
completed, it will showcase Eli and Edythe Broad's art collection, consisting of nearly 2,000
prominent works of art. The building's façade was designed to look honeycomb–like and include a
glass curtain wall. Seele Inc., a Germany–based engineering company, was hired as a subcontractor
to begin work on the facade in 2012, after spending three months consulting with the New York City
architecture firm of Diller, Scofidio + Renfro, who created the original renderings. The Broad
Collection is now suing Seele, alleging that the engineering firm put the project at least 15 months
behind schedule. Additional claims against the engineering firm include breach of contract, specific
performance, and fraud in the inducement. ... Show more content on Helpwriting.net ...
Seele also agreed that its work would be "of extraordinary quality, consistent with 'world–renowned
German engineering.'" Yet when it came time for Seele to present its mock–ups, they showed the
firm "ignored the design intent ... [and] violated the important 'aesthetic aspect' of the architect's
design." Seele suggested using precast concrete, instead of the lighter, agreed–to fiber–reinforced
concrete. Use of Seele's suggested heavier material was impossible considering Los Angeles' special
building safety requirements, so the designers went back to the lighter

Little Frank And His Carp Rhetorical Analysis
Little Frank and his Carp: A Gallery Talk 1989 is a video in where artist Andrea Fraser tours through
the atrium of the Guggenheim Museum Bilbao as a visitor listening to an audio guide. The opening
shot show us waiting in line to receive the audio guide device when ,Dressed in a green dress,
Fraser, walks into the lobby, speaks to the museum staff and receives her audio device, and begins
her guide through the museum. Using conventional elements of a gallery tour, the narrator of the
audio tour offers his thoughts on the building's aesthetics with intimate description. Fraser employs
comical parody to stereotypical mannerisms one comes to expect from a visitor of a museum in her
performance, applying in–depth and embellished praise to the items she comes across. Often there is
a weird disconnection between Fraser reaction and the atrium description. Throughout the tour,
Fraser's reaction repeatedly brings up questions of appropriateness, self–worth, and impulses that
artworks, museums and gallery should ... Show more content on Helpwriting.net ...
The sexuality of Fraser's performance in Little Frank and His Carp could be an ironic response to
the erotic language used to describe the Guggenheim the audio tour talks about 'powerfully sensual'
curves as well, the desires to possess or hold it. Fraser has criticized the 'image control' of the
Guggenheim Museum Bilbao, which is why the use of a hidden was necessary, the use of copyright
law to prevent unauthorized reproductions of Gehry's work. Fraser wrote, 'Together, the security,
corporate hospitality culture, and shine make the lobby feel like a cross between a business hotel
and an airport – all that's lacking are trolleys with piles of luggage' (Fraser 2007,

The New York Stock Exchange
New York Stock Exchange
The stock exchange is a place where individuals or investors can buy and sell shares of stock in any
company on the list of exchange. Most people in the United States talk of stock exchange, referring
to the New York Stock Exchange (NYSE). NYSE is the largest in the world with increasing
importance of Internet trading, moving more and more from a physical trading floor to a global
network of exchanges linked electronically from cyber space (Jill, 2006).
Solomon R. Guggenheim Museum, also known as Guggenheim by the majority, was established in
1939 by Solomon R. Guggenheim as a museum of Non–Objective Painting. This was under the
guidance of Hilla Von Rebay who was the first director. It is located on the upper east side of
Manhattan in New York City. It acquired its current name Solomon R (Jill, 2006). Guggenheim after
the death of its founder in 1952. Solomon R. Guggenheim had been collecting his works of old
masters back in 1980s. They met with Hilla Von Rebay who was an artist in 1926, who in turn
introduced him to European Avant–grade art of which she felt had some spiritual and utopian aspect.
(Heartney, 1999). As a result, Guggenheim changed his strategy of collecting and turned to the work
of Wassily Kandinsky, just to mention. Initially, he displayed his collection at his apartment in New
York City to the public. His collection grew and in 1937, he established Solomon R. Guggenheim
Foundation (SRGF) so as to promote the modern art.

Explain The Differences Between The Hayward Gallery
Explain the differences between the Hayward gallery (1968) and its South Bank neighbour, the
Royal Festival Hall (1951) in terms of their planning and finishing and in the different ways they
relate to their urban context. While there are many similarities between the Hayward Gallery and
Royal Festival Hall, there also are a number of differences in terms of planning and finishing in
relation to urban context. Higgs and Hill built the Hayward Gallery, which opened on The 9th of
July. It is an art gallery located in the Southbank Centre, which is a key arts venue in Central
London. Until early 2011 the gallery was simply known as the Hayward. The Royal Festival Hall is
situated adjacent to the Hayward Gallery. It is a famous dance, concert and talks venue with a
capacity of 2500. It was the first the post–war building to listed as a Grade 1 building. The Hall
officially opened on 3rd May 1951 and was built as part of the Festival of Britain for the London
County Council. Planning plays an integral role in the procedure to achieve any given outcome.
Without any planning it would be extremely challenging for the architects to succeed with their
desired outcome. Nonetheless the finishing of any project is equally important as the planning. The
finishing refers to materials that are used not only to ... Show more content on Helpwriting.net ...
On the one hand the initiative represented the largest project implying a complete overhaul of an
inner city area. On the other hand the South Bank was important as a project that was invested with
the utmost regard and with which a variety of interests and claims could be associated, ranging from
the desire for a democratic egalitarian culture. These agendas, the urban plus the cultural, situate the
project in related but distinct programmes of

The Similarities Of Frank Wright And Frank OGehry
More and more people create our hotels, schools, homes, theme parks, and several other structures.
Those people are called architects, they are people who design buildings and construct them in some
cases. People may also define them as scientists and artists. Frank Wright and Frank O'Gehry are
similar, however, they have their own unique style and design when it comes to buildings. Frank
Wright (1867–1959), is an American architect born on June 8th in Richland Center, Wisconsin
(Biography.com n.d.). A modern design, he produced an organic and clear American style
(Architectural Digest n.d.). Wright founded his own firm and developed the Prairie School– single–
story homes with low, slanted roofs and extended rows on the windowpane, using the available
materials from local business and clean and not painted wood (The Editors of Encyclopedia
Britannica 2017). The Robie House (Figure 1) located in Chicago and Unity Temple placed in Oak
Park (Biography.com n.d.). Wright was known mainly in Europe but not in the United States. In
1913, Wright designed his home on his maternal ancestors land in Spring Green, Wisconsin
(Architectural Digest n.d.). This home was named Taliesin, sadly it got burnt down twice and he still
remodeled it again (The Editors of Encyclopedia Britannica 2017). Wright wrote two books in 1932:
"An Autobiography" and "The Disappearing City," both are known as architectural literature
(Biography.com n.d.). In addition, to publishing the two books, he

Kamficas Art Gallery Analysis
The Kamloops Art Gallery was Incorporated in 1978. It serves not only residents and visitors in
Kamloops but also the surrounding Thompson–Nicola Regional District as well as national and
international audiences. Architects Peter cardew and Nigel Baldwin devised a purposed civic
building which includes the Thompson–Nicola Regional District offices and and the Kamloops
branch of the TNRD Library System, and the Kamloops Art Gallery changed dwelling place to this
building in 1998. The gallery provides 4,500 square feet of exhibition space,the collection storage
vault with an adjoining workroom, an admission area, a packing and acclimatization area, two
multipurpose studio, and administration and curatorial offices along with a research library within
the 20,853 square foot space. The Cultural Property Export and Import Act classified the Kamloops
Art Gallery as a Category "A" in 2006. According to a statistic report , there are about 25,000 and
35,000 visitors over the last five years. The gallery is famous of its publications and touring
exhibitions. In addition, the KAG has strong connection with curators, scholars,national and
international artists, and curators. ... Show more content on Helpwriting.net ...
In the 51st Venice Biennale, there were three organizations, the KAG, Helen Belkin Art Gallery
Canada's participation, and University of British Columbia's Morris, co–commissioned with the
work of Rebecca Belmore in 2005. The KAG is operated integrated organizational structure teams,
Management, Program, and Development Team, which are respectively directed by the executive
director, curator, and manager of operations; in order to ensure the quality of the works, teams have
a monthly

Helen Clay Frick Research Paper
For nearly 80 years, visitors to a New York art museum called the Frick Collection have stood
behind a velvet rope at the bottom of a sweeping marble staircase and longed to see the private
rooms upstairs.
By 2020, they will be able to satisfy their curiosity. That's because Henry Clay Frick's three–story
mansion in New York City, which opened as a museum in 1935, is going to turn private living
quarters into exhibition space and expand with a 42,000–square–foot addition.
Two of the Frick family's second–floor bedrooms plus a sitting room and breakfast room will
become galleries. Construction, slated to begin in 2017, also will connect the three–story museum
with the nearby Frick Art Reference Library, which also opened in 1935. Helen Clay Frick, daughter
of the industrialist, founded the library in 1920. ... Show more content on Helpwriting.net ...
The second floor landing.
MICHAEL BODYCOMB Enlarge
That's one reason the adjoining bedrooms of Helen Clay Frick and her mother, Adelaide, which are
currently used as offices, will become exhibition galleries. About 320,000 people visit the Frick
Collection each year. A recent show of Gilded Age Dutch paintings that included Vermeer's famous
portrait "Girl With a Pearl Earring" and "The Goldfinch" by Carel Fabritius drew record crowds and
lines that snaked around the block.
Most of the collection is on view, but small sculptures, decorative arts objects, and drawings that are
in storage will be well–suited to exhibition in the family's private rooms.
The Frick Collection, which employs 200 full–time and 40 part–time staff, has an endowment of
$325 million. In 1977, the museum tore down three townhouses it bought in the 1940s to build a
one–story pavilion and two basement classrooms that soon became exhibition spaces. On some of
that land, British landscape architect Russell Page designed a 60–by–80–foot garden that faces 70th

The Themes Of Contemporary Art
In this essay, I would be demonstrating how the topic of contemporary art and the politics of art
institutions reflects and relates to Rajni Perera's 3 figures and VHT. With formal analysis of these
artworks and readings from this topics, I would show the differences and similarities between these
topics. Contemporary art represents what we see as individuals in society today, it does not follow
the set rules of art. For instance, modern art looks and follows modernist theories, likewise,
impressionisms which looks at our perception and understanding of a moment through light and
color in contrasts to that of realism which represents subject matter accurately without any alteration
or addition. On the other hand contemporary art does not have one conclusive or definitive view. Its
view is versatile and flexible which reflects the diversity of the world today, themes of
contemporary are notably about politics, globalization, social issues, migration and technology. In
like manner, the theme I drew from Perera's artworks which is diversity. Perera is Sri Lankan artist,
who grew up and was raised in Scarborough and North York. I find her works diverse notably in the
materials she chose. She uses laundry drying racks which are unconventional materials to create her
VHT sculpture. She does not conform to the regular norms of using clay or plaster. I also found this
as a reoccurring theme of contemporary art and the Migrating the Margins exhibition at the Art
Gallery of

The Unity Temple By Frank Lloyd Wright
1st Artwork– Unity Temple, designed by Frank Lloyd Wright, completed in 1908 Frank Lloyd
Wright's career was just beginning to take off in Oak Park, Illinois. One of the most significant
projects from his early career is Unity Temple near his home and studio in Oak Park. Unity Temple
was a replacement church for Unitarian Universalist Church that had burned down in 1905. Unity
Temple was not just an ordinary commission for Wright since he was a parishioner of the Unitarian
Church in Oak Park. When Unity Church burned to the ground in June 1905, Wright was awarded
the commission. He wanted a modern building that would embody the principles of "unity, truth,
beauty, simplicity, freedom and reason." For Wright, the church was meant to be a temple for man to
worship god, which coincided with Wright's decision to abandon the typical New England
Unitarian, white steeple, architectural style for a more modern concrete aesthetic. Also the church 's
budget was relatively low for a project of this scale, approximately $40,000. In harmony with
Wright's philosophy of organic architecture, the concrete was left uncovered by plaster, brick, or
stone. Wright's sensitive handling of materials was a defining feature of his architecture from early
in his career. "Bring out the nature of the materials, Wright insisted, let their nature intimately into
your scheme. Reveal the nature of wood, plaster, brick, or stone in your designs, they are all by
nature friendly and beautiful. No

comparison of the Met and Guggenheim Essay
New York City has been called "the greatest city in the world" numerous times by its own people
and visitors to the city. New York is civilization's greatest world within a city. It gives the
overpowering impression of being a magnet and mirror for all of humanity and all that humanity
does. For a city so young, New York is home to number of architectural classics. Two of these
masterpieces of architecture are the Metropolitan Museum of Art and the Guggenheim Museum.
Both continue the metaphor of New York being a world within a world and possess the latent fusion
of form and function, one dependent on the other. The Metropolitan Museum is the epitome of neo–
Classical style while the Guggenheim is a modernist powerhouse. Each museum serves ... Show
more content on Helpwriting.net ...
Located on Fifth Avenue and 83rd street (just inside Central Park), it is a living encyclopedia of
world art (picture 12). Every culture from every part of the world, from past to present is
represented and is in fact the largest collection of art work in the entire Western Hemisphere. Let us
now take a look at the impression each building gives the viewer.
The Met and the Guggenheim possess two of the most famous museum façade's in the world. Upon
first glance at the Guggenheim Museum, one is both impressed and intrigued by its design (pictures
1–4). It is an organic form that derives its source from Central Park located just opposite. The best
impression of the structure is obtained from just across the street (picture 1). The attention to detail
is evident everywhere – the circular pattern of the sidewalk outside the museum, the porthole–like
windows on its south side (picture 4), and the smoothness of the hand plastered concrete. The main
component on the west façade (facing Fifth Ave) is represented by an upward spiraling helix
(pictures 1–3). Horizontal lines are stressed throughout the exterior, with the museum being longer
than it is tall. There are very few corners, with smoothness and blending of form the focus. The
museum gives an impression of stacked shapes with its long horizontal base, the viewing room
capped by a steel structure on the north façade, the spiraling helix

Essay about Architect of the Modern Age
Frank Gehry is a world renowned architect known for several important buildings such as the
Guggenheim Museum Bilbao and the Walt Disney Concert Hall. He was born in Toronto Canada
February 28, 1929 but moved with his family to Los Angeles, California in 1947(1). Gehry attended
the University of Southern California and graduated in 1954 with a degree in architecture (1). In
1962, he established his own architectural firm in 1962 now called Gehry Partners, LLP (1). In the
beginning, Gehry used the International Style of architecture (1) but it did not suit him well because
those type of building had a stark, unornamented appearance so over time he was able to create his
own style that greatly contrasts with the International Style. To art ... Show more content on
Helpwriting.net ...
The exhibition area is 11,000 square meters distributed among 20 galleries (4). Ten of the galleries
have an orthogonal plan and have the exterior limestone walls and the other nine galleries are
irregularly designed and have the exterior titanium walls (4). The last gallery is the largest at 3900
square meters which now houses the largest sculpture commission in history, Richard Serra's The
Matter of Time. The creation of this construction was made possible by the use of the
technologically advanced 3D design computer program called Catia (5). This program significantly
assisted Gehry in modeling the Guggenheim so that he would not have any future problems in
construction. Critics of the Guggenheim feel that although the museum is iconic it fails as a public
place because it does not reflect and support the civilization, culture and finances of Bilbao (6).
Nevertheless, the Guggenheim Museum Bilbao is the zenith of Gehry's architectural career. Another
masterpiece of Gehry is the Walt Disney Concert Hall located in Los Angeles. It is located on a
historically (Bunker Hill) and culturally prominent downtown site adjoining the existing Music
Center of Los Angeles (7). It all started in 1987 when the late Lillian Disney, wife of the late Walt
Disney, made an initial contribution of $50 million to build a first–class performance venue as a gift
to the people of Los Angeles and as homage to Walt Disney's zeal to the arts (8). Over time many

Guggenheim Museum Bilbao Essay
The Guggenheim Museum Bilbao, designed by Frank Gehry, is an art museum belonging to the
Solomon R. Guggenheim Foundation located in Bilbao, Basque Country, Spain set on the edge of
the Nervión River. It first opened its doors in October of 1997 and features artwork by
predominantly Spanish artists. It is hailed as a spectacular representation of the Deconstructivity
movement and an architectural masterpiece. As it became a popular tourist attraction, drawing
visitors from around the world being once the city's main source of income.
The following question arises from the assentation: what exactly makes the Guggenheim Bilbao an
architectural masterpiece?
Between art and architecture, there is a lifelong bond. They are rather like light and shadow; one
cannot exist without the other. Even the word "masterpiece", used here to describe something
architectural, holds a strong connotation with fine arts.
In the case of Gehry's Guggenheim museum Bilbao, the building is a three–dimensional abstract
representation of something real in nature. It is mostly made up of organic curves and reflective
materials that reflect light and the free forms of nature. Whether it is viewed from the river, the
bridge, or the sky, the museum strongly resembles a lotus flower. It will obviously never be an
actual lotus flower, but Gehry designed it to look like ... Show more content on Helpwriting.net ...
A street and railroad line is toward the south, the stream toward the north, and the solid structure of
the Salve Bridge toward the east. Making a substantial physical association with the city, the
building flows and expels around the Salve Bridge, creates a bended riverside promenade, and
shapes a liberal new open square on the south side of the site where the city framework ends. The
building insinuates landscapes, such as the limited path to the primary passageway lobby
reminiscent of a gorge, [2]or the bended walkway and water includes in light of the Nervión

Louis Klein
The National Gallery of art in Washington D.C. is pleased to announce that they will be hosting a
restaging of pieces by Yves Klein along with a reenactment of Anthropometries, a performance
piece that debuted in the International Gallery of Contemporary Art in 1947. The gallery is set to
feature a wide range of Klein's pieces including Monochrome Blue, various performance pieces, and
select experimental pieces from the end of his career. The wide array of pieces showcased
guarantees enjoyment for enthusiasts of all kinds. The above is set to be unveiled on April 28th, 53
years to date after Klein's death; we will memorialize him not only in his paintings but with his
performance art as well. The exhibit is designed to walk the spectator ... Show more content on
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In typical fashion, some of Klein's newly gained notoriety went to his head and in turn, shined
through his works of art. For example, in his article "True Blue" featured in The New Yorker, Peter
Schjeldahl mentioned that "Still, some quality of ego–transcending devotion persists through all
Klein's work." Klein is very confident and fearless even when the work its not complex and leans
toward minimalist. After several months of exhibitions he makes a shift in his style of art that has
become known as his "Blue Period" (January 1957). Blue Monochrome was his first real success.
It's notoriety came with a show based around his new color in question, "International Klein Blue".
What makes his new color interesting is that he actually created with the help of a chemist.
Monochrome Blue has no trace of line or imagery, it simply surrounds the viewer in color,
provoking meditation and deep thought. This notion of meditation and deep thought may be a
reference to the sky, the Holy Ghost, or even Mary's robe which was often depicted as vibrant blue
in Renaissance paintings.The idea to reference art history was a very contemporary and post modern
idea showing him ahead of the times. Klein's blue period was seen as a amazing success and to show
gratitude in Paris they released 1,001

Frank Owen Gehry: Future Dwight D. Eisenhower Memorial
Frank Owen Gehry is a Canadian American architect that was born in 1928 and now resides in Los
Angeles California He is known best for his post modern designs which includes the Guggenheim
Museum in Bilbao Spain and the Walt Disney Concert Hall in Los Angeles which is the new home
for the Los Angeles Philharmonic which Gerhy designed to be one of the most acoustically complex
concert halls throughout the globe. Gehry also has other well known architectural creations such as
the Vontz Center for Molecular Studies at the University of Cincinnati, the Art Gallery of Ontario in
Toronto Canada and the MIT Ray and Maria Stata Center in Cambridge Massachusetts not to
mention Gerhy's own private resident in Santa Monica California that utilizes unconventional
building materials such as corrugated aluminum sheets and chain link fencing that is clad to the
exterior of his home in the deconstructivism style. Frank Gerhy has also been chosen to be the
architect for the future Dwight D. Eisenhower Memorial. ... Show more content on Helpwriting.net
...
Because when viewing his work it often leaves one wondering how the edifices that have been
designed by him can remain structural sound and standing. Many of his buildings are said to look
crude and unfinished but his designs remain consistent with the California theme where everything
is suppose to look funky and new, at least in the nineteen sixties and seventies when Frank Gehry
was beginning his career in architecture. Gehry is also very commonly associated with what has
been termed as the Santa Monica or Los Angeles school of architecture because it was in these cities
that eventually would give rise to the most influential post modern architects and designers of the
times. Frank Gerhy gets much of his style and flash for design from his Southern California

Frank Lloyd Wright's Ultimate Boon Analysis
The most rewarding part of a Hero's quest is the Ultimate Boon that the hero leaves behind. This is
what the hero's quest is all about it's what the hero is after when he or she embarks on their quest.
Frank Lloyd Wright's Ultimate Boon is the building he left behind. Noticeably "FallingWater"
dubbed "The most famous house in the world today" by House and Home magazine in 1958 (Stungo
20) Located in Mills Run Pennsylvania is one of the most famous house designs that Wright created.
It is here that Wright was able to incorporate nature into his building like he always wanted to. This
is the first home he built using this style. Wright's creation of the Martin House in Buffalo, New
York is also one of his boons. Wrights Creation of the Usonian

Frank Gehry Essay
Frank Gehry
Quote
"When everybody else is ready for the ending, I'm just ready to begin," Frank Gehry once wrote.
"It's been the story of my life" (qtd. in Templer, 1999, pp.1) Laying the Foundation
Born on 28 February 1929 in Toronto, Canada, Frank O. Goldberg entered a household with a strong
Polish and Jewish heritage. Twenty years earlier, Thelma Caplanski left Poland with her parents, a
couple with deep religious morals. Once they settled in Toronto, the two decided to change their last
name to Caplan. The owner of a hardware store, her father was also the president of a synagogue.
His wife, Frank's grandmother, was said to have good visual abilities. Thelma would continue
working with the Jewish ... Show more content on Helpwriting.net ...
The Goldberg family relocated to Timmins, Ontario during Frank's adolescent years. Unfortunately,
during these times, Frank saw how mean kids can be as he was given the nickname "Fish". People
did not accept his religion, Judaism, and the nickname was supposed to put him down but Frank
would later use that as a basis for his some of his creations. During this time, he explored atheism
because of these difficulties (Hines, 1986).
Finding and Designing Love
After Frank's father grew sick, the Goldberg family moved to Los Angeles where some of the family
already resided. Ironically, they lived in an apartment that was close to where the Loyola Law
School would be built in later years, according to Frank's blueprints. At this time, the family was
struggling for money and Frank had to find a job. He worked as a delivery truck man who installed
breakfast nooks. It was through this job that Frank would meet Anita Snyder, a woman who he
married later in 1952. Two years later, with the permission of his family, Frank decided to change
their last name to Gehry. The couple had two daughters and the three followed Gehry to an army
base in Georgia (Hines, 1986) and then to Paris (Hines, 1986; Templer, 1999). Eventually, got
divorced in 1966. Frank's relationship problems are similar to those that Gardner refers to in his
geniuses' lives (Hines, 1986). Yet, Frank got remarried ten years later to Berta Isabel

Melbourne Museum Case Study
Structured with a grid–like order that embraces an extruding eccentric metal clad form, the
Melbourne Museum highlighted an irregular sculptural composition. The architecture is a result of
poetic forms, featuring an impressive sculptural blade roof that cantilevered across the west,
projecting and sharing a central axis with the neighbouring Royal Exhibition Building. The
suprematist expression of the Melbourne Museum is inspired by Kazimir Malevich, a Russian
painter and a pioneer of geometric abstract art. According to Beck, this is the style that echoed the
spirits of constructivism and was proposed as an architectural scheme for the Melbourne Museum.
Beck explained that this will result in the generation of a dialogue of equals whilst

Metropolitan Museum Research Paper
The Metropolitan Museum of Art is one of the world's largest and finest art museums. The main
Neoclassical architectural style building is located on the eastern edge of Central Park in New York
City, New York. It was designated a National Historic Landmark in 1986. It was founded in 1870
with a mission to collect, preserve, and display works of art. In 1866 a group of Americans gathered
at a restaurant to celebrate the Fourth of July. After dinner, John Jay, a prominent lawyer gave a
speech proposing that he and his compatriots decided to create a "national institution and gallery of
art." In the next four years, they convinced American civic leaders, art collectors, and
philanthropists to support the project, and finally in 1870 the Metropolitan Museum of Art was
incorporated. During the 1870s the museum was housed in two different locations in New York City,
first in a building at 681 Fifth Avenue and later at 128 West 14th Street. In 1880 the museum moved
to its present location in Central Park on Fifth Avenue between 80th and 84th Streets. The museum
moved to this land to make a permanent home for the collections. This original Gothic Revival–style
brick building, designed by Calvert Vaux and Jacob Wrey Mold, was opened to ... Show more
content on Helpwriting.net ...
The overall aim of the expansion was to make the Museum's collections more accessible to the
public, more useful to the scholars and, in general, more interesting, and informative to all visitors.
The size and diversity of the artwork on display is even more impressive; the museum's collection
contains works from every part of the world, spanning the Stone Age to the twentieth century. The
Egyptian Art gallery includes a whole temple that was shipped to America as a gift. The floor plans
of the museum are very helpful for the visitors, despite their seeming complexity, though, the
galleries are arranged to help them navigate through with

A Comparison Of Frank Lloyd Wright And Frank OGehry
Two architects who works needs to be recognized too are Frank Lloyd Wright and Frank O'Gehry.
Both great architects with creative designs that seem to incorporate with their surroundings. Who
contributed so much to our modern designs and buildings that we still visit today. Both architects
who came up with new ideas and designs instead of the traditional like houses and buildings but
added new concept to what we see today. Frank Lloyd Wright was born in the year 1867, in
Richland Center, Wisconsin. Both an architect and writer, he is considered a genius of the American
architecture (Kaufmann 1). Wright went to the University of Wisconsin at Madison for a few terms
where he took engineering courses (Kaufmann 3). He finally left Madison after a few years and
found work with J.L. Silsbee, in architectural detailing. After a few years he opened his own
architectural practice. One of his styles that became the residential design of the 20th century in the
United States was the Prairie Style. The Prairie architecture was known for its revolutionary
approach to the building of modern homes. Wright built about 50 prairie houses in ten years. Two of
his major works that stand out is the Guggenheim Museum located in New York and the Marin
County government Centre located near San Francisco. The Guggenheim Museum is a form of
abstract art which has no separate floor levels but uses a spiral ramp. This was his ideal of
continuous space and most significant building. His principles

The Museum Of Contemporary Art Cleveland
From Euclid Avenue to the east, visitors will enjoy the various buildings in Cleveland. From the
Rock and Roll Hall of Fame to the Tower City, to the University Circle, where there are many of
amazing museums. No matter the famous Cleveland museum of art or Natural History Museum. The
Museum of Contemporary Art Cleveland, is undoubtedly a unique one. During the day, pedestrians
and passersby see themselves reflected in the surface. As dusk sets in the building 's interior reveals
itself and guests get clear views into the building. Glass windows cut diagonally across several
facets of the building following the building 's geometry and creating banner like views into all four
floors.
The Museum of Contemporary Art Cleveland ... Show more content on Helpwriting.net ...
Looking inside the building, color plays a crucial role in Museum of Contemporary Art Cleveland
building while the buildings dark reflective exterior offers little evidence of the interior structure.
The experience inside is more open and translucent. After entering the building, guests will identify
that individual floors through pale grey striping and full glass windows that reveal different interior.
Back of house, spaces like exhibition workshops and conference rooms contrasting these light gray
bands of color the building envelope hovers above the interior space like an abstracted shell. One of
the most striking aspects of this envelope is its color. The interior is treated with an intense white
and blue fireproof paint that immerses guests in the experience of color a hue that has been the topic
of intense artistic scrutiny in modern and contemporary art(New Museum of Contemporary Art,
2015). Blue is a highly elusive color as FNMA design architect Elliott Hodge 's notes quote Farshid
Mousavi was inspired by Yves Klein in the selection of blue from interior (Grabowski, J. J., & Van
Tassel, David D, 2006). In particular, a blue that would read Dark first and blue second. visible in
almost every public space (Glasner, Barbara, and Petra Schmidt, 2011). This blue

Essay about Frank Lloyd Wright
Frank Lloyd Wright
Frank Lloyd Wright was a Nature lover and an architect. He reflected on the natural world and
applied existing styles to his architecture. He was born in Wisconsin, on June 8, 1867, and died in
Phoenix, Arizona, on April 9, 1959, at the age of 91. His architectural career spanned two centuries
and lasted for 70 years. During the last year of his life he authored a book and was working on 166
different commissions; when asked about when he would slow down, he replied when the ideas stop
coming to him.
Wright Lloyd Wright had designed more than 1140 projects during his lifetime, one–third of them
being designed during the last 10 years of his life. More than one–third of his buildings are listed on
the ... Show more content on Helpwriting.net ...
Many of those buildings were being developed in his mind while he was growing up and spending
summers on his uncle's farm. It was during this time that he developed his love for Nature, to be a
part of it. His love for Nature is dominant in his earlier works dubbed the "Prairie Houses", but can
also been seen in his later works such as Johnson Wax and the Guggenheim Museum. When Frank
Lloyd Wright was just sixty–eight years old, he was commissioned to design a house for Edgar
Kaufmann. Wright and Kaufmann went to the property to survey the location for the house.
Kaufmann liked to spend time at the water falls on his land so that is where Wright decided to build
it. Wright figured if Nature could place the boulders over a waterfall, than he could build a house
over one. It took Wright only three hours to draw the plans for the house. The house consists
basically of concrete slabs balanced on the boulders above the stream, and the walls are slabs of the
natural rock surrounding the house. The house includes a pool that is built under the house and is fed
by the passing stream. Every aspect of the house embraces the Nature that it co–exists with, and the
house appears to fade into its surroundings. the construction of; it was completed after his death.
Frank Lloyd Wright is considered to be the greatest American

Analysis : Solomon R. Guggenheim
Solomon R. Guggenheim desired a place to hold his four year old museum of Non–Objective
Paintings. He enlisted Frank Lloyd Wright to artistically create a unique dwelling place for his
preciously prized work. Wright didn't agree with Guggenheim's vision for the desired city location.
Guggenheim won the battle and began to purchase appropriate land plots on Fifth Avenue to ensure
the best natural light source and perfect city backdrop for his art museum. It took 16 years (1943–
1959) for the design and complete construction of the NY Guggenheim Museum. The museum
holds rotating and permeant collections within its spiraling walls. DETAILS: NY GUGGENHEIM
MUSEUM The Guggenheim Museum was purposefully planned and sympathetically carried out. It
was a new construction which was designed to house Non– Objective artwork from Solomon R.
Guggenheim himself. When approaching the building you're immediately drawn to its wide, oval
shaped base which is the foundation for the vertical, spiraling, eight–story tower. The museum was
designed to have an inverted ziggurat effect and due to this, if your eye is keen enough you'll see the
grid pattern the entire space forms. You're pleasantly overwhelmed before darkening the entrance of
this curvaceous and very circular museum. In my research, there is nothing subtle about this bold
and dramatically designed museum. Even though the museum is considered modern, it is said the
museum embraces nature and adds to the multi–level skyline of the NY

Kimbell Art Museum
The Museum of Modern Art and its Impact on Museum Architecture During the early part of the
twentieth century, the architecture of art museums shifted in the United States. As the role and
purpose of museums changed with the times, so did the buildings that housed the artwork.
Architects designed specific museum sites as opposed to converting royal palaces. While some
museums take inspiration from other successful museums, others break the mold and become the
new standard. The Louvre in Paris became the model museum during the nineteenth century
(McClellan, 1994, p. 12). The Louvre established guidelines for displaying and hanging artwork. Its
Grand Gallery spaces established ideal guidelines for viewing distances and heights (McClellan, ...
Show more content on Helpwriting.net ...
Goodwin and Stone rejected the Beaux–Arts movement previously seen at museums during the
early part of the twentieth century (Ricciotti, 1985, p. 59). In many cases, it was the opposite of
traditional museums. The Museum of Modern Art was not designed with grand halls or spacious
rooms like traditional museums (Ricciotti, 1985, p.59). The walls were covered in light textured
cloth which was later on adopted by other museums (Ricciotti, p. 1985, p. 57). The building was
divided into smaller gallery spaces as compared to the Louvre. Additionally, the artwork in the
museum was also a smaller residential scale because many pieces came from collector's homes
(Ricciotti, 1985, p. 57). Furthermore, the museum is set in a densely populated area which limits the
square footage (Ricciotti, 1985, p.57). The Museum of Modern Art was contained on multiple
stories and designed vertically, as opposed to horizontally sprawling museums like the Louvre and
other palatial museums (Ricciotti, 1985, p. 59). Goodwin and Stone created a museum that impacted
museum architecture in the twentieth century. It was a "decisive break with conventional museum
design (Wallach, 1992, p. 209)." The Museum of Modern Art became one of the most architecturally
influential museums of the twentieth century (Merkel, 2002, p. 71; Ricciotti, 1985, p. 52). This
influence helped establish the modern model of a museum building. The

Trading With The Enemy 'And' Fly By Night (CAM)
The Contemporary Art Museum is one of the most visited in Tampa. It opened its door in 1989 near
the USF College of The Art. The museum has presented numerous exhibitions of contemporary art
from the United States and around the world including Africa, Europe, and Latin America. The
museum's primary objective is to bring the University and Tampa Bay community vital,
investigative and scholarly contemporary exhibitions (aboutsufcam). In doing so (CAM) is able to
present to the community a variety of exhibitions with different methods and culture from around
the world. The exhibition currently displayed in the CAM is tittle "Duke Riley: Flights of Fancy".
There is two Riley's project displayed: "Trading with the Enemy" and "Fly By Night" and ... Show
more content on Helpwriting.net ...
Both includes pigeons and appreciation of freedom. "Fly by Night" is a beautiful visual experience
that Riley wanted to share with people, in the way of his general appreciation that New York city has
given to him. For six weekends at the Brooklyn Navy Yard more than 2,000 pigeons were put on an
avian powered light show and hundreds of tiny lights shot up (Newman, Andy). The inspiration for
"Fly by Night" came during the process of the "Trading with the Enemy" where he put a light on
one of the birds which made him thinks what it would be like to see more of them. To develop this
project, he need help from a team, including a technician from China. Today, the illuminated birds
may be visible from other nearby vantage points, and if preferable it can be seen in person. The
performances of "Fly by Night" are free, but seats should be reserved. Even though I did not see the
actual performance, I was able to see the painting illustrating the LED lights. When I walked into
the room where they were displaced I wasn't sure what was the meaning behind it, but I must say
that I was impressed. He used a dark blue as the background and white linear strips that gave the art
piece a phenomena look. The piece is a great representation of the work he has in display in New

Architecture And Architecture : Architect Frank Gehry
When asked to state a preferred sculptural work, few seldom answer in terms of architecture.
Usually, when the term architecture is brought up, those of us who are non–architects tend to close
mindedly think only about buildings. This apparent disconnect between what is conceived as
architecture and what is conceived as art has long plagued the architects of this world. It is almost as
if there is an accepted notion that architects can be artists, but artists simply cannot be architects
which decidedly makes architecture first and foremost architecture, not art. Architect Frank Gehry is
one such architect with artistic tendencies whose works have fallen victim to the preconceived ideas
of architecture as art. Having a love for sculpture before entering into the world of architecture, it
makes sense that Gehry would attempt to conceive works where both of his passions could shine
through. Ultimately, this is what would motivate Gehry to create structures in which art and
architecture could be seen as equals. In the end, however, Gehry's goal of designing buildings where
art and architecture were of the same importance would eventually become a self–contradictory
objective. This can best be seen in the design of Gehry's most renowned work, the Guggenheim
Museum in Bilbao, Spain. By attempting to combine the most interesting aspects of art and
architecture into one massive building, Gehry created a structure so revolutionary that it, like
himself, would forever be known not

National Building Museum: Pension Building
I've never been exposed to paintings, or sculpture, but my career has given me exposure to
construction and architecture. My favorite work of art is the National Building Museum (Pension
Building) in Washington DC. The building was designed by Montgomery C. Meigs. Construction
began in 1881 and completed in 1887. Meigs based his design on Italian Renaissance precedents,
notably Rome's Palazzo Farnese and the Palazzo della Cancelleria. The building is the largest
frameless, freestanding brick building in the world. (wikipedia hasn't been updated) The entire
structure is made of 15,500,000 bricks, including the massive columns. It is the largest building ever
built of load–bearing bricks. Meigs alternated the window designs like that of the

The Five Characteristics Of Tom Otterness
Tom Otterness was born in Wichita, Kansas in 1952. He moved to New York City in 1970 to study
at Arts Students League. He is a artist who's work I find really interesting. He is now world
renowned for his unique sculptures being very oval in shape and funny looking. They are made of
caster or metal and his sculptures are always doing some activity or motion.
His beautiful artworks are now displayed in many institutions around the country being Brooklyn
Museum, the Guggenheim Museum, the Whitney Museum of American Art and the Museum of
Modern Art. Otterness has even been named the 'best public art' sculpture for his works.
He gained this reputation through making numerous public sculptures of human beings or animal
figures that display the American society. Otterness showcased the American society by creating
sculptures that are, "Disarmingly cute and cartoonish, and underpinned by art history, popular
culture, and a democratic vision, his characters mock societal groups." This has resulted in him
populating numerous public areas with his creativity of his sculptures.
According to Tom Otterness his artwork can be distinguished into five characteristics which are:
blue collar workers, white collar workers, cops, radicals and rich people. This are the characteristics
he bases his sculptures on. Which results in the marvelous figures that are now on display around
New York especially the subway.
But through those five characteristics he implements four topics which are: money,

Architecture Set In Motion Essay
1. Bouffrand: Salon de la Princess, hotel de Soubise, Paris, France, begun 1730's
Salon de la Princess, is a many sided cylindrical interior room and is part of the Rococo style that
incorporates minimal architectural features and light airy decor, that develops into a profession of
interior design. Rococo is the revolt against complicated Baroque that decorated the interior of
Versailles, in revolt against the palace and after the death of Louis XIV, French women who had city
houses in Paris inspired a new lightened airy style of decor and architecture. As seen in the Salon de
la Princess, the structure of the room has virtually been covered up by white walls of wood and
mirrors, and it only contains hints ... Show more content on Helpwriting.net ...
However, with the inspiration of the French landscape painter Claude, the landscape at this
Palladian estate is completely manmade, with hills, lakes, trees, meant to look as nature had created
it, and as in Claude's' landscapes it can be divided up into three layers, incorporating a dark
foreground, light middle ground and light hazy background. Stooped in classical Roman tradition
the garden is a place to break the rules, and Stourhead has architectural samples from all over the
world incorporated into the landscape as temples, grottoes, and classical statues together with a
Chinese bridge, and Turkish tent, which set a president from 1750 on where naughty architectural
elements present themselves in architectural structures. This eclectic style is the bases of 19th and
20th century American suburbs, including new ones being built around the outskirts of Richmond,
Virginia today, while also emerging in 20th century architects as Wright, who in the Robbie
House(1900s) combined inspirations from many different cultures past and present.
3. Pritchard and Darby: Iron Bridge, Coalbrookdale, England, 1770s
Iron

Barbara Kruger: Conceptual Artist
It's the year 1984. As you walk down a crowded New York street, you can't help but stop and stare at
the world around you. There's one particular image that stands out to you through. It's a large, black
and white poster of a woman looking into a broken mirror. The words "You are not yourself" are
written across it in bold cut–out letters. You stop to think to yourself about the possible meanings of
this poster. It shows the apparent work of a feminist sowing women's struggle with her own self–
image. Barbara Kruger is an American conceptual artist as well as a transformational leader, states
Wikipedia (1). She uses her work to make people think about the serious issues in society today. Her
work is in many common places for the view of ... Show more content on Helpwriting.net ...
Her statements are usually declarative or accusatory in town and make use of pronouns such as you,
I, we, and they. Several sources, such as Art:21 and Wikipedia, have said that the pronouns "you"
and "we" refer to "men" and women." She uses her work to criticize sexism, misogyny, and the
circulation of power within cultures. She sticks to the themes of feminism, classicism, consumerism,
religion, sexuality, racial and gender stereotypes, corporate greed, and individual autonomy and
desire. She also does installations which are comprised of video, film, audio, and/or projections. Her
work is influenced by the social life, how we are to one another. Kruger constantly raises questions
about values, taste, and the material world. Some of her instantly recognizable slogans read "I shop
therefore I am" and "Your body is a battleground." Kruger won the Golden Lion award for Lifetime
Achievement at the 51st Venice Biennale in 2005, according to Wikipedia (5). Her work is in major
museums and galleries worldwide. Her major commissions include the park and outdoor
amphitheater at the North Carolina Museum of Art in Raleigh, North Carolina, a train station in
Strasburg, France, and floor mosaics for the Fisher College of Business at the Ohio State University
in Columbus, Ohio states the Whitney Museum of American Art (7). She's designed and made
rooms where the walls, floors, and ceilings are all covered by images and text which completely
surround the viewer. Her work

Architectural Qualities Of The Guggenheim Museum
Architectural qualities of the Guggenheim Museum in New York have an expressional capability of
conveying meaning onto its user. William Whyte suggests that this is able to be read as a language,
related directly to its spatial features and geometries. This essay attempts to examine the
Guggenheim's meaning in a contextual framework of time, through the medium of photography.
Discussing critical interpretation at the time of the Guggenheim's completion, and how socio–
cultural changes have translated different means of understanding the architecture and its language,
and importantly, whether this is a good thing or not. Meaningful interpretation of architecture has
been suggested by Whyte to be readable, complex across different sets of media, and subject to
change throughout time. The contrasts of the photographic medium in the 1950s with today's era
vary greatly in terms of accessibility, abundance, and publishing control. Architectural photography
in the 50s was placed in edited sources, Books, Magazines, Newspapers, Journals, Advertisements,
whereas today images of architectural photography are largely obtained through online search
engines such as Google Images, and Flikr. Some key questions examined in the essay relate to the
intent of the photographer, production bias, and the medium in which the photograph is presented
and how this has an affect on the way in which the Guggenheim was likely understood at the time of
its opening, and how it is read today, by users

The Life of Frank Lloyd Wright Essay
The Life of Frank Lloyd Wright
Before Frank Lloyd Wright was born his mother knew he was going to be a world renowned
architect. In his nursery, she hung prints of well known cathedrals of Europe on the walls. Frank
Lloyd Wright was born on June 8 ,1869. He was always very close to his mother, and when his
father left Frank went off to work to help his mother raise the other children. Frank's father also had
a large impact on his son's life. Able to play a dozen instruments, he taught Frank to play the piano,
the violin and the cello. He also taught Frank the importance of the acoustics, the way the sound
vibrates off obstructions, such as walls in a building. In the summer, Frank would go to Wisconsin to
work on his uncles' ... Show more content on Helpwriting.net ...
His aunt's, from the valley, wanted him to design a windmill for them that would stand out, Frank
succeeded. You could see the windmill for miles around.
At a dinner party Frank was offered four years of study at the Beaux Arts in Paris, two years in
Rome and a job when he returned. His family would also be taken care of. Frank refused this offer,
because he didn't want to build classical buildings, he wanted to build using a new innovative style.
Not long after Wright was building houses for himself, his partner, Cecil decided to go east and
pursue a different vocation. Wright missed him and finally moved into a loft that another friend
rented.
Wright's stubbornness often scared away clients that wanted classical Greek style houses, but Frank
usually won clients over with his sincerity. Frank got a contract to build a factory building in
Buffalo, New York. Frank wanted to build around the function of the building. He even added a set
of open air stair cases that would allow air intake for the ventilation systems as well as a way of
communicating. Frank went to Buffalo for the interview and persuaded the owner to give extra
money for the stair cases. He got the job and hired a builder that he had worked with at Adler and
Sullivans. Frank also made the building fireproof by making the furniture steel and magnesite.
Next Wright built a temple that was unique because it had no

Art Building 1943-59
This essay will inform the contrasts of two very important art galleries built 9 years apart. The
Guggenheim, 1943–59, was built solely for Solomon R, Guggenheim to exhibit his collection of
both modern and contemporary art from around the world. This building in New York was said to be
one of the architect's most important public projects , the architect being Frank Lloyd Wright. The
building that will be put into contrast with the Guggenheim is the Neue Nationalgalerie in Berlin,
1962–68. Mies Van der Rohe was asked to design this new gallery during the modernism period in
an act to revive the city of Berlin after the war as part of 'Kultureforum', a development of new
cultural institutions . The Guggenheim museum in New York is unlike any other art gallery/
museum in the world. Its round, top heavy shape is something like no other and Wright prided
himself on this artistic integrity1. The section of the Guggenheim, shown in Figure 3, shows that the
main exhibition spaces are ramped from the top floor all the way down to the ground floor. This was
a very ... Show more content on Helpwriting.net ...
The reason he did this was to distinguish the museum from every other tall building that created the
then skyline of New York. To do this, he showed the building on an entire block with an apartment
building on the left and a ramp on the right and inbetween the two, offices and museum work
facilities7. Figure 5 shows the revised plan for the Guggenheim. The Public and private spaces can
be clearly differentiated through the thick walls and large, open spaces. Such examples are the main
entrance located in the centre of the bottom of the plan and the main gallery space which are both
open spaces exposed to the public whereas the studios on the outer walls of the gallery are smaller
and shut in with thick

The Guggenheim Museum
The Guggenheim Museum & its Giorgio Armani Exhibition In November of 1999, the Solomon R.
Guggenheim Museum in New York announced that it would devote an exhibition to honor the works
of the celebrated Italian designer Giorgio Armani. However, during the announcement of the
exhibition, the museum did not mention that it was simultaneously entering into a three–year
agreement in which Armani pledged a donation of $15 million to Guggenheim. When The New
York Times unveiled Armani's gift, the museum strongly denied any connection between the
exhibition and the gift, stating that the exhibition was sponsored not by Armani but by In Style, a
fashion magazine in which Armani advertises. The relationship between art and money is a debated
... Show more content on Helpwriting.net ...
Corporate members come from numerous sectors, from retail to educational to financial services
(see Exhibit 2 for a list of corporate members for the Guggenheim Museum). This diversity in
corporate sponsorship helps promote the diversity in audience that the Guggenheim Foundation is
looking to attract by reaching out to people working in different sectors and in various locations
around the world. To determine whether the Armani exhibition is considered a sell–out, the
relationship between the objectives of the Armani exhibition and the Solomon R. Guggenheim
Foundation's mission statement plays a central role. Since the mission statement allows for
interpretation of what is considered art in the modern and contemporary periods, the Armani
exhibition does fit into this mission. Additionally, since the Foundation strives to put on
"exceptional exhibitions" for an "increasingly diverse international audience," the Armani exhibition
fulfills this part of the mission because it attracted a high level of attention—from celebrities to
experts in the fashion industry to businesspeople—who came from different parts of the world to see
the famous works of Armani. Thus, this exhibition does appear to fulfill the mission of the
Foundation. However, it is important to note that while at face value the Armani exhibition seems to
fulfill the mission of the Foundation, the actual Armani exhibition itself tells a different story. The
Armani exhibition was meant to be a

The Guggenheim Museum Bilbao Museum

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